Tracklisting
A1 NX1 - EW5
A2 NX1 - EW6
B1 NX1 - EW7
B2 NX1 - EW8
B3 NX1 - EW9


Sales Note
It's our great pleasure to welcome Spanish duo NX1 back onto the label following their Earwiggle debut in 2019. Much has changed in the world since then but in the world of NX1, Samot and Surit's commitment to tense sonic combat remains resolute. The "Shaked Ear" EP is some of their most accomplished work to date, and a fresh follow-up to their recent debut album on Nexe Records. Raw acid lines, earth-shaking bleeps, fizzing distortion, murky vocals and a melange of sweeping kick patterns are just some of the key ingredients on display over this crushing 5-tracker. Once again finding a unique place within hard-edged rhythmic techno and industrial, with an atmosphere all of its own, NX1 are back to shake the dancefloor to its core.

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Tracklisting
A1 Gunjack - Arson '78
A2 Gunjack - Plastic Horns
B1 Gunjack - Stormbells
B2 Gunjack - Liquid Crystals

Sales Note
We're excited to welcome a debut on the label from one of our favourite post-millennium techno producers, Brian Gibbs, aka GUNJACK!!! A string of dynamite early releases on Birmingham's Sheep Records and his own Deafmosaic imprint, set this LA producer out from the crowd in the early to mid '00s, quickly amassing a long list of in-your-face EPs across a range of scene leading labels. His dark, percussive techno stylings coupled with a larger than life character made him one of the community's most colourful personalities, who we've always greatly appreciated.
Renewing his deep connection with techno in recent times and following on from a run of high-pressure dub techno offerings via his new label and collective Dubwars, Gunjack supplies us with four crunching club tracks in "Purple Room Trax Volume 1". Here he employs spiraling FM leads on the a-side with "Arson '78" and "Plastic Horns" while alternating between the suspenseful sirens of "Stormbells" and swarming, looped up power of "Liquid Crystals" on the flip. Unlike many one take live techno recordings, Gunjack's meticulously tweaked style leaves no fat, with a dynamic force that'll send the dancefloor into pandemonium. For fans of early Downwards/Zet, Black Nation etc.

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Tracklisting:
A1 Decal - Free The Flange (edit)
A2 Magnetize - Hard Copy
B1 Metroneem - Skip Code
B2 Americhord - Frqnz
C1 Phil Kieran - RIP
C2 Takeover Sound - Together In The Dark
D1 Chymera - Icicle (2023 Version)
D2 John Braine - A Shift Through The Shadows

Sales Note
Emerging from the ashes of Ireland's early rave era - that had been absorbed into the vastly commercialised club scene of the late '90s - was an oft forgotten, but exceptionally fertile period for electronic music in Ireland. Spearheaded by the then Dublin duo of Decal (later becoming the solo project of Alan O' Boyle), nurtured through nights like Phunk City at The Funnel, Model One at Switch and at a later point midweek club haunt Electric City, an unlikely Irish electro movement was born; breeding an abundance of new labels, parties and producers hungry to make their mark. "Dreams of Electric Bleep" revisits a crucial time of development (1999-2005), when production standards on the island of Ireland rose in perfect synchronicity with the collapse of the music industry as we knew it.

While Detroit, The Hague and London heavily influenced the sounds heard in the clubs, clubs in pubs, warehouses and great outdoors of Ireland - it was producers from Belfast, Cork, Donegal, Dublin, Limerick and Mayo who created the first significant chunk of high-quality Irish electro, demonstrated here over a range of styles (originally released a variety of local and international labels). This double 12" release - featuring key tracks from Decal, Magnetize, Metroneem, Americhord, Phil Kieran, Takeover Sound, Chymera and John Braine - comes on picture-sleeved coke bottle clear vinyl, and includes a download code.

Designed by Jonny Costello (Adult Art Club) with liner notes from Stephen Rennicks (Drexciya Research Lab). Mastered by Paul Mac at Hardgroove Mastering, vinyl mastered and cut by Simon Davey at The Exchange Vinyl.

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Tracklisting:
A1 Faetch - Dialectic
A2 Faetch - Untec
B1 Faetch - h11
B2 Faetch - Jaunt

Sales Note
The long awaited return of Faetch is here. A pair of stunning EPs by this mysterious entity dropped in 2015 and 2016 on Earwiggle, soon followed by a collaborative release with Sunil Sharpe on On The Hoof. After a 6-year hiatus, Faetch doesn't miss a beat on this return, powering through a range of dynamic dancefloor styles. Starting with the pounding funky jig of peak-time party track "Dialectic", the A-side moves on with the multi-coloured noises and squelching rhythms of "Untec". The stomping FM-riffing industrial techno of "H11" and deep commanding groove of "Jaunt" round off yet another expertly sound-designed 4 tracker, as we reach the completion of the initial Faetch trilogy!

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Tracklisting:
C1 Keepsakes - Capital's Cultural Corrosion
C2 Ingen - Dim Grip Strain
D1 Slave To Society - Collapse
D2 Duran Duran Duran - Search and Seizure
D3 Dublin Terror Squad - Needle

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Tracklisting:
A1 The Mover - The After Years
A2 Heidi Sabertooth - Noncompliance
A3 Kerrie - Bebhionn
B1 Surit - Eye Machine
B2 Arjun Vagale - Spinal Lab
B3 Pyran - Gerrymandered

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Tracklisting:
A1 Luke's Anger - Floop The Pig
A2 Luke's Anger - Het Up
B1 Luke's Anger - Double U-Turn
B2 Luke's Anger - Slave To The Rytm
B3 Luke's Anger - Bendy Time

Sales Note
Luke's Anger is someone we've wanted to release for a long time. He's an act whose playful production style has been wiggling our ears for nearly 20 years, through releases on Don't, Uglyfunk, Sneaker Social Club, Tigerbeat 6, his own Bonus Round, and many more. Wearing various influences on his sleeve - like Neil Landstrumm, Paul Johnson (RIP), Daniel Bell, DJ Hyperactive, Thomas Bangalter, Subhead, Jerome Hill - the "Rear Wiggle EP" is Luke's ode to bleep techno at its intersection with swinging '90s Chicago. But it's more than that too. Over 5 tracks he encompasses many elements that modern techno needs more of: shuffle, screaming riffs, phat pumping bass, FUNK, hypnotism, the list goes. No matter what your taste, there's likely to be a dancefloor detonator here to make your night a memorable one. Big release from Luke, which we're very excited to put out.

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Tracklisting:
A1 Marco Bruno - Riot
A2 Marco Bruno - Jacking
B1 Marco Bruno - Echoes
B2 Marco Bruno - Seduction
B3 Marco Bruno - Daydream

Sales Note
Earwiggle is proud to welcome Italy's Marco Bruno onto the label, for a 5-track genre hopping bonanza. Starting with the bellowing sirens of aptly named "Riot", the techno assault continues through the P.A.S. flavoured synth twitches on "Jacking" and the deep, driving modulations of "Echoes". Plaintive keys envelop the eerie electro of "Seduction" while thundering jungle cut "Daydream" combines a Reese bass with majestic melodic flourishes to end the EP on a soaring high.

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printed sleeve / incl. dl code

Tracklisting:
A1 The Mover - The After Years
A2 Heidi Sabertooth - Noncompliance
A3 Kerrie - Bebhionn
B1 Surit - Eye Machine
B2 Arjun Vagale - Spinal Lab
B3 Pyran - Gerrymanded
C1 Keepsakes - Capital's Cultural Corrosion
C2 Ingen - Dim Grip Strain
D1 Slave To Society - Collapse
D2 Duran Duran Duran - Search and Seizure
D3 Dublin Terror Squad - Needle

Sales Note
Earwiggle returns with a new 11-track (2x12") compilation for its 30th release, featuring The Mover, Heidi Sabertooth, Kerrie, Surit, Arjun Vagale, Pyran, Keepsakes, Ingen, Slave To Society, Duran Duran Duran and Dublin Terror Squad. Conceived during the pandemic, "Music For The Wilted Generation" is a tense exploration through dark minimal, industrial and club techno sounds, that culminates with some of the fiercest material to appear on the label yet.

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Our next release, and now long-awaited, is a collaboration between IMOGEN and Ben Pest. This follows IMOGEN's earlier appearance on Earwiggle which was a highlight of the Eel Behaviour series. We're big fans of Ben Pest and are very pleased to have the pair debuting their first full release together on the label.

From the hyperactive opener "Volts", that effortlessly juggles raw analogue techno with UK hardcore and all manner of rude bass wobbles, they soon delve into further chaos through the squawks and clatters of broken industrial cut "Gramalkin". "Shibooty" is a perky take on Chi-town techno, upping the funk levels through bustling shuffled 909s, humming bass and cartoonish vocal sequences. With the brooding acid electro of "Misjudgement Day", IMOGEN and Ben pile on some extra modular drones for the road, finishing off the EP in killer fashion.

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The deadly Spanish duo NX1 make their debut on Earwiggle with four sledgehammer statements of intent, on the simply titled "EW" EP. Raging bull techno is distilled through a variety of ingredients - distorted kicks, broken rhythms and carefully-edited grating synth sounds - mixed with a range of sinister acid lines and otherworldly atmospheres. For all types of spaces and occasions, pick your weapon (from EW 1-4) and get ready to dominate.

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The sixth and final part of Eel Behaviour is here. Opening up with the pacy, acid-tinged power of Panmella Calix's "Tip", you could be forgiven for thinking that this dancefloor destroyer out of Scandinavia was made in the mid-nineties (and you could be right!). Suneel Shark's "Blunt But Fair" got lost in the Irish Sea many times before we finally reeled in the DAT on a fishing trip close to Portmarnock. The Arctic Ocean resident sprung out of the water on this one, in naturally fast and slippery style.
On the flip, French techno supremo Zadig delivers an acid-rave-breakbeat combo on "Red Eye", recalling the early era of labels like UR, Missile and Synewave, and creating a massive bomb in the process. That then brings us to Jon Hussey, who wraps up the record with an expert slice of bubbling, trippy acid. "Engine Brood" and its hypnotic properties transport us to another dimension, and the end stop on our Eel Behaviour journey. As ever, artwork is from Adult Art Club's Jonny Costello, with this one coming on clear vinyl.

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The sixth and final part of Eel Behaviour is here. Opening up with the pacy, acid-tinged power of Panmella Calix's "Tip", you could be forgiven for thinking that this dancefloor destroyer out of Scandinavia was made in the mid-nineties (and you could be right!). Suneel Shark's "Blunt But Fair" got lost in the Irish Sea many times before we finally reeled in the DAT on a fishing trip close to Portmarnock. The Arctic Ocean resident sprung out of the water on this one, in naturally fast and slippery style.
On the flip, French techno supremo Zadig delivers an acid-rave-breakbeat combo on "Red Eye", recalling the early era of labels like UR, Missile and Synewave, and creating a massive bomb in the process. That then brings us to Jon Hussey, who wraps up the record with an expert slice of bubbling, trippy acid. "Engine Brood" and its hypnotic properties transport us to another dimension, and the end stop on our Eel Behaviour journey. As ever, artwork is from Adult Art Club's Jonny Costello, with this one coming on clear vinyl.

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"For our fifth eel record, we round up some of modern techno's most distinct-sounding producers. Hector Oaks' "Just A Chengdu Dog" is a deadly, vocal-laced acid weapon that briefly comes up for air, before we're submerged into the murky atmosphere and glorious modulating riff of Mary Velo's "Submission". Sedvs & Peel's rumbling "Side Life" reconfigures '90s Birmingham techno to masterly effect, while the deep chords and blissful keys on Christopher Joseph's vox-led "Indifferent World" round off the ep in majestic fashion. Four absolute winners here, do not sleep!"

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For the fourth installment of Eel Behaviour (and the very important 23rd Earwiggle release), we have the heaviest slab in the eel series so far. Featuring French wunderkind I Hate Models, Scottish techno legend Dave Tarrida, emerging modular whizz Vlaysin and the irrepressible House Of God resident Sir Real. No messing around on this one, get ready! On transparent red vinyl in custom hologram stickered sleeve.

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Hugely DJ-friendly 4 tracker, as Ctrls, SP-X, Jerome Hill and Bodyjack step up to the plate. Ctrls' "Breaker" is one of his most aggressive tracks to date - clinically produced, but with an energy that is about as clinical as a bull in a china shop. SP-X keeps the intensity high with the banging, warped groove of "Mine Smelter" - featuring a creaking riff that is soon met by a host of unruly lead sounds. Jerome Hill adds his trademark shuffle and synth wobble to the Chi-town workout of "Wormface", while Bodyjack slows things down, injecting house swing and snappy, repeating rhythms into the distinctly big-room "Keeping The Wolf From The Door".

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t's with great pleasure that we offer up our next release from Dez Williams. One of our favourite producers of recent years through releases on standout UK labels like SCSI-AV, Acruacree, Ai and many others, we had noticed an absence of new 12"s since his storming doublepack on Patrick Pulsinger's Cheap imprint in 2008. So to put things right, here's an end to the Dez Williams vinyl drought - 4 tracks of bonafide Holyhead magic to rock the floor. Starting with the melting frequencies of 'Underground Persistent', acid is in control. Like an Emmanuel Top and Kosmik Messenger track if they'd ever collaborated, this combines swingy 808 drums and masterful Detroit strings to a searing acid-line that keeps going and going. Switching things into more straight-ahead acid territory on A2, 'Untitledacid 6' has pretty much one intention and that's to jack hard. Perhaps one of Dez's heaviest techno tracks to date, it's a perfect snapshot of many hedonistic nights spent at The Orbit throughout his formative techno years. 'Freedom' on the flip is a dense techno workout that joins a strong looped vocal and distorted percussion to swamping sound fx, in a rough but funky way. This time an expert pad progression brings the track to an unexpected but fitting finale. Finally, and showing what a complete supremo he is where dark floor-friendly electro is concerned, Dez turns in a blistering cut of sci-fi electro with 'Courtesy Call'. We could have made a number of records with the amount of great electro tracks that Dez does, but in this case we just picked our favourite of the bunch. Support from Dave Clarke, Perc, Laurent Garnier, Truss, JD Twitch, Tessela, Darko Esser, Paul Mac, Ancient Methods, Samuli Kemppi, Clouds, Kr!z, Smear, Minimum Syndicat, Lee Holman + more


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OFFICIAL 2024 REMASTERED REISSUE

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Tracklisting
A1 Rene Wise - Mover
A2 Rene Wise - Primal Fever
B1 Arthur Robert - Traveller
B2 Arthur Robert - Wither

Sales Note
The Knowledge Imprint Selected Reissues series brings together handpicked tracks from the labels back catalogue to be pressed for the first time on high quality vinyl. Previously available only as digital and small-batch dubplate editions, these tracks will also be given new life with fresh remastering and simple repackaging.

This inaugural release features some of the most seminal and highly requested tracks on the label in the form of Rene Wises K-I008 productions originally released in 2019, as well as Arthur Roberts K-I012 productions originally released in 2022.

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Repress!

Transmigration celebrates the 20th release milestone with a repress of Coil's The Snow EP. Released as a promotional single for the 1991 album Love's Secret Domain, it marks the influential groups closest brush with the dance floor. Featuring a set of remixes from Peter Christopherson, Jack Dangers and an early collaboration with Drew McDowall prior to joining the group.

Licensed by Danny Hyde and remastered by ManMade mastering.

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They’re young and tough – and especially wonderful too – easily one of the most compelling harmony soul groups to ever hail from the Windy City! The set’s a Chicago soul gem from the early 70s – recorded with a laidback, slightly tripped-out vibe that’s different than the tighter styles of other groups from the same scene – definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like The Delfonics or Soul Generation, especially when they were trying to get a bit more conscious in their message. Arrangements are great – handled by Tom Tom Washington, Eugene Record, and Cliff Davis – very much at the best Brunswick mode, but again with a deeper sort of vibe too. The title cut’s a monster, and a very fitting follow-up to their earlier “Sly, Slick, & Wicked” track – and the album features 2 versions (vocal and instrumental) of a cut called “This Is The Lost Generation”, a very righteous soul groove with a heavy production tip. Re mastered and re released for 2015 in conjunction with Brunswick. Too legit to quit.

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Marijata was a group made up of three members – Kofi 'Electric' Addison on drums, Bob Fischlan on organ and Nat Osmanu on guitar, hailing from Ghana. ‘This Is Marijata’ is the groups first LP; released originally on the Gapophone label – it is pure, rootsy, raw, driving African funk music of the highest order, now highly sought-after in both its original and previously reissued forms.

Personnel: Drums – Kofi 'Electric' Addison / Guitar – Nat Osmanu / Organ – Bob Fischlan / Recording Engineer – F. Kwaakye

Produced in 1976 at Gapophone Records, Accra, Ghana. Recorded At Ghana Film Industry Corp. Studios. Licensed from George Prah, founder of Gapophone Records.

On the original pressing the sides were incorrectly labelled. On this version they are correctly labelled. The artwork apart from this point, is replica.

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The Curtis Electronix saga follows up with new material from its head and curator CEM3340. Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk.

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Nico Gomez, a Belgian orchestra leader of Dutch roots, has long been a favourite with Latin fans, record diggers, DJs, and collectors alike. His blend of bossanova, latin jazz, and easy listening always turns up a few choice nuggets and surprises; what is perhaps most remarkable is that it was recorded in Europe.

Back in 2013, Mr Bongo re-issued Nico Gomez's sought-after 'Ritual' album from 1971, and now we follow it up with another jewel from his catalogue his 1972 album 'Soul Of Samba'. For this re-issue, we have opted to present it with the cover art originally used on the Trio Records version released in Japan. In the Netherlands and Belgium, the album was released with different cover art under the title 'Bossa Nova’, on Omega International and International Bestseller Company records, respectively. We loved the beautiful psychedelic design of the Japanese version and wanted to use it for this re-issue.

'Soul Of Samba' features several euro-bossa-jazz favourites such as the catchy 'Rio'; which was a firm DJ choice cut at jazz dance nights, including Brighton's 'Jazz Rooms' in the 90s. It also featured in Rainer Trüby's classic ‘Glücklich' compilation series which explored European-Brazilian-inspired music. The beguiling ‘Aquarela', with its engaging latin shuffle, entices feet to the dancefloor and is not one to miss. 'Agua’ has a lazy-quirky latin-funk feel with breathy-stoned vocals floating in the background. The album additionally features numerous breezy latin, Brazilian, and easy listening joints, some of which are ripe for sampling.

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The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7 Inch. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue. Limited Red Vinyl version in a tasty South Street Disco Sleeve.

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The legendary Clarence Reid has long been a towering figure over Black music for almost 50 years! Even if you're not instantly familiar with his name you have %100 heard some of the man's music... he's produced, played for, written for & performed with endless amounts of legendary artists in his career, he is simply put, a legend. Hand picked from TK Disco's vaults, this 1973 LP was released on TK's sister label Alston & features Reid's own unique brand of music from start to finish. Often sampled & edited by many contemporary DJ's & producers, the sounds on this obscure LP are timeless, if you dig deep Soul Funk or R&B & you're not down with Clarence this is the perfect place to start (& obviously the Blowfly LP's too, but that's a whole other story!). "Like Running Water" is a bit of a rarity these days so it's about time the LP got a %100 legit re-issue, re-mastered & re-released with the original Alston artwork & labels it's great to see it back on the shelves! Don't believe what you read or hear, this re-issue has been done with Joe Stone / TK Disco's total co-operation, bringing some Soul back into your lives for 2015...

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