Label:WeMe Records
Cat-No:WeMe090
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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Cat-No:WeMe090
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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Binary Digit - Desilusion In Palma
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Binary Digit - Ale By The Sean
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Binary Digit - Corner Office Acid View
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Binary Digit - SmknDpe
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Binary Digit - Bongoz
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Binary Digit - Overdoze In Ibiza
Following the success of his debut EP on WeMe records, Binary Digit is back with a brand new 6-track EP dedicated to the mythical Balearic Islands. From the very first tracks, we find the atmosphere represented by the legendary island of Ibiza, synonymous with partying, relaxation and getting high. The rest of this EP is a good definition of the well-being and the holy and benevolent feeling that all these clubbers can offer every year, who come to party in an atmosphere of sharing and respect, and above all who make a point of honor of ecology by favoring swimming. The track "Smkndpe", literally translated from Latin as "how to better consume your herbal tea", is already a hit on Tik Tok to accompany the best female influencer of the moment! We end this ep with the track "Overdoze In Ibiza", which will bring this well-deserved vacation to a close.
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Last in:20.06.2024
Label:Zeitnot
Cat-No:ZEIT002
Release-Date:17.05.2024
Genre:Electro
Configuration:12"
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Binary Digit - Crook Acid
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Binary Digit - Sneaking Out Of The Club
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Binary Digit - Untitled 38490
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Binary Digit - Untitled 2
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Binary Digit - JP To Tape
2024 Repress!
Binary Digit’s second EP on new label Zeitnot. Five club-ready cuts encompassing acid, electro and techno. On the A side you have two fast paced 135+ acid electro tracks in the form of Crook Acid and Sneaking out of the club.
Untitled 38490 conjures up images of euphoric rave house whilst Untitled 2 goes for a straight up DMX Krew electro vibe.
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Binary Digit’s second EP on new label Zeitnot. Five club-ready cuts encompassing acid, electro and techno. On the A side you have two fast paced 135+ acid electro tracks in the form of Crook Acid and Sneaking out of the club.
Untitled 38490 conjures up images of euphoric rave house whilst Untitled 2 goes for a straight up DMX Krew electro vibe.
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Label:WeMe Records
Cat-No:WeMe075
Release-Date:20.01.2023
Genre:Breaks
Configuration:12"
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Label:WeMe Records
Cat-No:WeMe075
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Binary Digit - P5FUNK
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Binary Digit - Maybe Trigger Acid
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Binary Digit - Acid King Charles Spaniel
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Binary Digit - P5HD 165TEK
Fast raving acid tracks by Binary Digit. For all fans of Roy Of The Ravers and playful, cheerful acid breakbeat electronix.
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Label:WeMe Records
Cat-No:WeMe088
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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Cat-No:WeMe088
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Rehab333 - 0187
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Rehab333 - 0189
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Rehab333 - 0217
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Rehab333 - 0174
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Rehab333 - 0175
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Rehab333 - 0195
WeMe has always had the ambition of producing ousiders alongside its established artists. Let's hear it for the debut EP from Rehab333, a discreet but no less creative artist and graduate of the Rephlex School Academy. After taking classes with teachers such as Richard d James and Dr. Chris Jeffs, analog machines hold no secrets for him, enabling him to develop wonderful melodies at a time when they are sorely lacking. First released on cassette on the Binary Bigit label, it seemed essential for WeMe to record these tracks on vinyl, in perfect harmony with the label's musical history.
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Label:WeMe Records
Cat-No:WeMe089
Release-Date:17.01.2025
Genre:Breaks
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Cat-No:WeMe089
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RTR - Exelec
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RTR - Rtyp
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RTR - Line II
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RTR - Norm Code
RTR puts a jungle cartridge in this EP, as he did for the Xor album, but this time without compromise and with less restraint: he draws with excellence as his great masters taught him!
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Label:WeMe Records
Cat-No:WeMe085
Release-Date:21.06.2024
Genre:Electronic, Electronica
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Cat-No:WeMe085
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Ceephax Acid Crew - Plusion
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Ceephax Acid Crew - Exidy
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Ceephax Acid Crew - Camelot Jostle
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Ceephax Acid Crew - Rolls Royce
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Ceephax Acid Crew - Cop 76
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Ceephax Acid Crew - Nordic House
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Ceephax Acid Crew - Hull Drum And Bass
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Ceephax Acid Crew - Trolley Service
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Ceephax Acid Crew - Vladijenk
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Ceephax Acid Crew - Northern Spirit
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Ceephax Acid Crew - Moor
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Ceephax Acid Crew - City Collars
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Ceephax Acid Crew - Baddow Life
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Ceephax Acid Crew - Essex Remblance
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Ceephax Acid Crew - Abbaye
Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc
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Label:WeMe Records
Cat-No:WeMe087
Release-Date:07.06.2024
Genre:Electronic, Electronica
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dgoHn - Orange Peel
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dgoHn - A Total Disregard For Whatever It Is You Think
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dgoHn - Debbie Will Deck You
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dgoHn - We Saw Your Mum In Tesco
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dgoHn - Sad Stay Snakebitten
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dgoHn - Where Is My Hat
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dgoHn - Denzil's Breath
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dgoHn - Cheek Biting
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dgoHn - Gravy Boot
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dgoHn - Hera Endleofan
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dgoHn - Nevermeant No 8593
...
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Label:WeMe Records
Cat-No:WeMe20ans
Release-Date:03.05.2024
Genre:Electro
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1
Zandvoort Uilenbal - De Zuidwester Loert
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Matzo - Pop N Loc
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Chromedealer - Labyrinth
4
+10 - Untitled
5
NOT MDK - Is It Me You're Looking For
6
Binary Digit - A2
7
Superstructure - Rain
8
ReQuest - Address Unknown
9
RTR - Mais Ouais
10
RAWAKARI - Stacy
11
Terrence Woodard - Dance Track
12
DMX Krew - Unknown Quantity Dry
13
EOD - Point A
14
DArcangelo - 5EXP
15
CAPSULE - Ruska
16
Black Narcissus - Dark Churn
17
Biochip - Jammers Office
Let's celebrate 20 years of WeMe records!
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Label:WeMe Records
Cat-No:WeMe086
Release-Date:16.02.2024
Genre:Breaks
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1
Chromedealer - On Your Marks
2
Chromedealer - Sable
3
Chromedealer - Jack
4
Chromedealer - Cubed3
5
Chromedealer - Silver City
WeMe inaugurates 2024 with an braing massaging yet teeth grinding first vinyl release by Chromedealer aged 23 hailing from New York! Blending all sorts of styles creating a nice mixture of all things WeMe. A match made in heaven!
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Label:WeMe Records
Cat-No:WeMe083
Release-Date:16.02.2024
Genre:Electronic, Electronica
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Genre:Electronic, Electronica
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1
The Future Sound Of London - Sightings
2
The Future Sound Of London - 1st Calling
3
The Future Sound Of London - Across The Rivers
4
The Future Sound Of London - Great Danger
5
The Future Sound Of London - Corridor LM3
6
The Future Sound Of London - She's So Automatic
7
The Future Sound Of London - Keep Walking
8
The Future Sound Of London - In A Cage
9
The Future Sound Of London - Under The Rock
10
The Future Sound Of London - Visual Attack
11
The Future Sound Of London - You Might
12
The Future Sound Of London - Garden Bridge
13
The Future Sound Of London - We Bring It
14
The Future Sound Of London - Kremlin Taped
15
The Future Sound Of London - Travellers
16
The Future Sound Of London - Just Look
17
The Future Sound Of London - 8:31AM
A collection of unreleased tracks from the early 90's Jumpin' & Pumpin' era, when FSOL hid behind various guises
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Label:WeMe Records
Cat-No:WeMe084
Release-Date:16.02.2024
Genre:Electro
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Cat-No:WeMe084
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1
Ceephax Acid Crew - Acid Highway
2
Ceephax Acid Crew - Red DX Acid Extra BD Shorter
3
Ceephax Acid Crew - Acid Whorl
4
Ceephax Acid Crew - Acid Causeway 1
5
Ceephax Acid Crew - Tough Grugoy Acid
6
Ceephax Acid Crew - Acid Surf Dream
7
Ceephax Acid Crew - Woodlice Acid
Originally released on Firstcask Records 2006 played by a dj like Aphex Twin at Field Day 2023, Ceephax essential oils ! Acid Varsity !
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Label:WeMe Records
Cat-No:WeMe082
Release-Date:01.12.2023
Genre:Electronic, Electronica
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1
NOT_MDK - Take The East
2
NOT_MDK - Republic Energy No 1
3
NOT_MDK - Artificial States
4
NOT_MDK - DRX
5
NOT_MDK - Taken From You
6
NOT_MDK - The Modern
7
NOT_MDK - 23423
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NOT_MDK - Flowing
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NOT_MDK - Galactic
10
NOT_MDK - How I Got Here
NOT_MDK is not MDK. Like a human ship of theseus. Martin Wood-Mitrovski's 3rd album. 23 years since the 2nd. He lives at building number 23 in Skopje. MDKs ticket exploded. He can not return. This is NOT_MDK's first album. NOT_MDK is exploring ideas with depth, in depth. Every track is Grime and 140 BPM. Grime is a genre that covers a huge area of sound A fixed tempo is a gravitational well of coherence That is to say: Martin Wood-Mitrovski is a musical lifer - someone whose enthusiasm cannot be dimmed by time. The Coventry-raised polymath first came to public attention in the late 1990s as a keystone part of the Spymania crew, which also first showcased Squarepusher, Jamie Lidell and Cassette Boy. Even among such esteemed company, Martin's two albums, one EP and various collaborative contributions to the label stood out for their audacity and variety. Detroit techno, death metal, bleak ambient, golden age hip hop and dozens more sounds besides made implausible sense next to each other, and bleeding into one another. Now, though, relocated to the Balkans, returning to album making after over two decades of only sporadically slipping tracks out, Martin has taken an entirely opposite approach to genre. This album is entirely built around instrumental grime. But it's built with such finesse and a scholar's knowledge that there's still extraordinary variety within that. Subsets of OG 00s grime producton - Eski, Sino-grime, breakstep, sublow, and sounds with no name at all - are threaded together with the finessed modernist abstractions that came together around London's Boxed club in the 10s, and also with electronic predecessors. The ghosts of jungle, of bleep'n'bass, of warehouse techno, of various flavours of garage, leave traces through these tracks - or maybe he's waking those ghosts in the grime. It's a perfect fit for Belgium's W?M? Records. The label has always specialised in artists who get to the deep fundamentals of acid, electro and other pillars of electronica - and here, Martin has shown the wiring that were always there connecting those things into grime. It's a record where Timbaland and Terror Danjah, Nightmares On Wax and N.A.S.T.Y. Crew, Kraftwerk and Kromestar all operate on a plane of consistency. But it's no intellectual exercise or history lesson: the sounds and patterns here are there because they work - they sound spectacular coming out of big speakers. That's what it's always been about. Whether carving up genres in the Spymania days, or distilling them now, whether MDK or NOT_MDK, before all other considerations it's all about a joyful noise.
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Label:WeMe Records
Cat-No:WeMe078
Release-Date:17.11.2023
Genre:Electro
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1
RTR - 728
2
RTR - Unamed
3
RTR - XTRA3333
4
RTR - Sigle
5
RTR - 05
6
RTR - Ned
7
RTR - RT2
8
RTR - Breakth
9
RTR - Retork
10
RTR - Funkrock
11
RTR - Flying Saucer
12
RTR - Divag
727 directives : 1."Serve the public trust" 2."Protect the innocent" 3."Uphold the law" 4."Classified" 5."Restrain hostile feelings" 6."Promote positive attitude" 7."Suppress aggressiveness" 8."Promote pro-social values" 9."Avoid destructive behavior" 10."Be accessible" 11."Participate in group activities" 12."Avoid interpersonal conflicts"
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Label:WeMe Records
Cat-No:WeMe313.33
Release-Date:22.09.2023
Genre:Electro
Configuration:2LP
Barcode:8718723232821
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1
Ultradyne - Clones (Z Therapy Remix)
2
Cisco Ferreira - Womans Scent (Heinrich Mueller Remix)
3
Jauzas The Shining & Victoria Lukas - Bohrium 274 Remix – Heinrich Mueller
4
Rough Days For Diamond Trade - Somehow (Dopplereffekt Remix)
5
Albert Van Abbe - Rytumtraks 0002 (Rudolf Klorzeiger Remodel)
6
White Car - Now We Continue (Heinrich Mueller Continuum)
7
Duplex - Autosug (Heinrich Mueller Remix)
8
Fasenuova - Cachito Turulo (Heinrich Mueller Remix)
9
As One - Where Did He Go … And Why (Heinrich Mueller Lamb Shift Model)
10
The Exaltics - The Truth Remixes - Instinct - Dopplereffekt - Hubble Constant Remodel
11
6D22 - Longwang (Heinrich Mueller remix)
12
Yan Wagner Forty_Eight_Hours_ - _Heinrich_Mueller_apeture_synthesis_remode
13
Dollska - So Long for a Small Storm (Rudolf Klorzeiger Remodel)
Its been five years since Belgium's WeMe Records lovingly selected the first ever collection of Heinrich Mueller's (Drexciya/Doppleffekt) best remixes/remodels for a new generation of listeners that won't have to pay collector prices to have them on vinyl. Volume 2 of False Vacuum is now with us and still has riches to choose from. These 13 rare and hard to find tracks (3 of which make their vinyl debut) all deliver in different ways as he systematically reinvents each one. Beginning with his raw and now classic remix of Ultradyne's 'Clones', the hard-edged dance-floor friendly 'Woman's Scent' by Cisco Ferreira (The Advent), the more laidback and futuristic sounding 'Bohrium 274' by Jauzas the Shining and Victoria Lukas, the slow and mysterious and first time on vinyl 'Somehow' by Rough Days For Diamond Trade, reinventing the darkest of dance-floors on 'Rytumtraks 0002' by Albert van Abbe, the moody masterpiece and first time on vinyl 'Now We Continue' by White Car, Duplex's 'Autoslug' sounding like its been rearranged inside a black-hole, a balancing act between the light and darkness on Fasenuova 'Cachito Turulo', an insistent rise and falling workout for As One's 'Where Did He Go and Why', a tightly wound and almost meditative 'The Truth' by The Exaltics, an angular stomping march of the robots 'Longwang' by 6D22, a jumpy fidgety groove for first time on vinyl 'Forty Eight Hours' by Yan Wagner and perhaps one of his most sublime pieces is kept for last with 'So Long For A Small Storm' by Dollska.
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Label:WeMe Records
Cat-No:WeMe081
Release-Date:22.09.2023
Genre:Electro
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Genre:Electro
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1
RTR - Nrevenge
2
RTR - ERA
3
RTR - Drave
4
RTR - Sub 0
5
RTR - Refletch A
6
RTR - Folder
RTR makes a dazzling return to WeMe Records with Circle coming through with 6 new tracks. 6 ways to outline his love for playful melodies, sauntering arrangements, squelching synths. Less breakbeat, more dancefloor oriented, RTR shows off some of his best and most colourful material as of late The record is both raw and punchy, kicking into gear over and over like an old fashioned detuned drum machine loop.
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Label:WeMe Records
Cat-No:WeMe076
Release-Date:02.06.2023
Genre:Electronic, Electronica
Configuration:2LP
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1
Ceephax - Ceelink
2
Ceephax - Turrican
3
Ceephax - Mindgun
4
Ceephax - World Bin
5
Ceephax - Ramsden Health
6
Ceephax - Essex Rubicon
7
Ceephax - Yes No Deadwood This Cedar
8
Ceephax - Pollution
9
Ceephax - Acid Protege Live
10
Ceephax - Acid Wayfarer
11
Ceephax - Boulevard 99
12
Ceephax - Parallax Drome
13
Ceephax - Polar
14
Ceephax - Pacific Corpse
15
Ceephax - The Turk
In the year 2000 the internet had not yet become the new messiah. I would often cross the Channel by ferry on my way to London where I would spend the weekend going out and hunting for records, especially those that were impossible to find in Belgium. As soon as I set foot in a record shop, then under the influence of labels like Rephlex, Warp and Planet Mu, I would rush like a gold digger, head down in the racks that mentioned these labels, to try and find the piece I was missing or the latest release not yet distributed in Belgium. The artists that obviously haunted me the most at the time were Aphex Twin and Squarepusher. During one of my visits to the record shop "Sister Ray", I was, as was often the case, deep in the Squarepusher rack. And there, I find a record that I do not yet know, an LP entitled Ceephax Acid Quakers 1000, on the fantastic label "Lo Recording" ! Without hesitation and without further investigation I rush to buy it, convinced that I am holding the new Holy Grail from Squarepusher. Back in Brussels, I listen to this mysterious LP straight away and I discover a completely different album from what I was expecting. More audacious than what Squarepusher had produced in the past and which was more in line with the sound I was looking for at the time. I had to look hard at the record sleeve to understand this new approach. "Produced by Andy Jenkinson... but no, it's Tom Jenkinson....there must be a mistake?" Knowing the record shops of Brussels well, here I was on my way with the record under my arm to get more info. A record shop owner in the city centre tells me that this "Andy" is Tom's little brother, and that if I'm interested, he just brought in another record by this artist who calls himself "Ceephax"... Of course I'm interested! Icing on the cake, it is on a Belgian label, and moreover, provided with a cassette. I had to meet the guys who were behind this impressive "First Cask" label. I don't know by what magic I managed to meet Ga?l, one of the two founders, but what is sure is that since that day he has become more than a friend and he arranged for me to get in touch not with Squarepusher but with Andy. Two historical albums united in a superb gatefold !
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Label:WeMe Records
Cat-No:WeMe079
Release-Date:02.06.2023
Genre:Breaks
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1
Lord Of The D - Dunstable
2
Lord Of The D - O xied MPO
3
Lord Of The D - DBLE
Incredible return of Jodey Kendrick in the Legion of Durocobrivis
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+10 (Jodey Kendrick) - Waka
2
+10 (Jodey Kendrick) - Ava
3
+10 (Jodey Kendrick) - Yedek 2
4
+10 (Jodey Kendrick) - 10 Bedroom
5
+10 (Jodey Kendrick) - Rickshaw
6
+10 (Jodey Kendrick) - Youcun
7
+10 (Jodey Kendrick) - Kassp Acid
8
+10 (Jodey Kendrick) - S Vox
9
+10 (Jodey Kendrick) - Jimb
10
+10 (Jodey Kendrick) - OOT
11
+10 (Jodey Kendrick) - Grace
12
+10 (Jodey Kendrick) - Sarangot
First ever vinyl release of Jodey Kendrick's first album from 2007 by his +10 moniker, "Grace" was thought out with a Chicago vibe in mind in the hope that Ron Hardy might play some of it but mostly showcases Kendrick's already distinctive braindance skills. Selected by Aelfric Michael Avery from 500 tracks given by the prolific artist, each of these timeless picks was already foretelling of a budding talent on the rise. To be (re)discovered without further ado.
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Label:WeMe Records
Cat-No:WeMe075
Release-Date:20.01.2023
Genre:Breaks
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1
Binary Digit - P5FUNK
2
Binary Digit - Maybe Trigger Acid
3
Binary Digit - Acid King Charles Spaniel
4
Binary Digit - P5HD 165TEK
Fast raving acid tracks by Binary Digit. For all fans of Roy Of The Ravers and playful, cheerful acid breakbeat electronix.
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Label:WeMe Records
Cat-No:WeMe077
Release-Date:25.12.2022
Genre:Electronic, Electronica
Configuration:2LP
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1
RTR - xxxx
2
RTR - A Lenticularis
3
RTR - 43UO
4
RTR - Nimitz
5
RTR - TT
6
RTR - T1
7
RTR - XOR
8
RTR - Lights Over Phoenix
9
RTR - Estazin
10
RTR - 6EQUJ5
Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!
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Label:WeMe Records
Cat-No:WeMe073
Release-Date:07.10.2022
Genre:Electronic, Electronica
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1
EOD - Bwarbler2
2
EOD - Stupid2
3
EOD - Mauciole
4
EOD - Lazag
5
EOD - Urtenlet
6
EOD - Hyvish
7
EOD - Accident3
Another beautiful WeMe release. EOD delivers a lovely collection of tracks in his well-known sound signature. Late Rephlex, and braindance influences are obvious but (Also considering he did release on Rephlex), but EOD did add his own fingerprint which is influenced by early Amiga sounds and Deeper Detroit Electro. Ingest and enjoy. (A special word of thank from EOD go out to Lucy Nate Dean Derek Cole Daniel Tom)
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Customers who bought this also bought this
Label:Balmat
Cat-No:BALMAT17
Release-Date:11.07.2025
Configuration:LP
Barcode:4062548117004
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1
Patricia Wolf - Early Memories
2
Patricia Wolf - Subconscious Familiarity
3
Patricia Wolf - Krummi's Theme
4
Patricia Wolf - Huginn And Muninn
5
Patricia Wolf - The Return To Iceland
6
Patricia Wolf - Reykjavík by the Sea
7
Patricia Wolf - I Thought I Could Fly
8
Patricia Wolf - Hrafnaþing
9
Patricia Wolf - Surfing On Wind
10
Patricia Wolf - Echoes Through Time
11
Patricia Wolf - I'll Take Care Of You
Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.
Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.
Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.
But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.
Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.
A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.
When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.
Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.
Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.
But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.
Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.
A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.
When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.
Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.
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Liebigstrasse 2-20
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Germany
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12"
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Label:Isle Of Jura Records
Cat-No:ISLE030
Release-Date:18.07.2025
Genre:House
Configuration:12"
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1
Shiva - No Title
Following on from the 2023 reissue of Shiva featuring Leon Ware and Jo Ann Harris, Isle of Jura revisits 1983’s 20 Minute Workout LP once more with the Aerobic EP. This time, four more tracks are unearthed from the original album sessions, all produced by Andy Muson, a seasoned session bassist whose credits include work with Yoko Ono, James Taylor, and Ringo Starr. Originally brought in to play bass, Muson stepped into the producer role at the suggestion of composer Ira Newborn (best known for scoring Ferris Bueller’s Day Off and The Blues Brothers), who helmed the rest of the Shiva recordings.
IOJ label boss Jura Soundsystem is back on the controls, having previously reworked Never Gonna Give You Up into a limited one-sided 'Special Version' as part of the original reissue campaign. This new 12” sees him return to the Shiva project once more, delivering four extended versions that tease out the key elements and pull back on the occasional over the top disco indulgence from the originals. The result is an EP of refined early 80s Disco that acts as a fitting addendum to the original 12”s.
artwork designed by Bradley Pinkerton.
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IOJ label boss Jura Soundsystem is back on the controls, having previously reworked Never Gonna Give You Up into a limited one-sided 'Special Version' as part of the original reissue campaign. This new 12” sees him return to the Shiva project once more, delivering four extended versions that tease out the key elements and pull back on the occasional over the top disco indulgence from the originals. The result is an EP of refined early 80s Disco that acts as a fitting addendum to the original 12”s.
artwork designed by Bradley Pinkerton.
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Label:Test Pressing Recordings
Cat-No:TPR007
Release-Date:04.07.2025
Genre:Electronic, Electronica
Configuration:12"
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1
ddwy - Beaming Backwards
2
ddwy - Stars Stars
3
ddwy - Peak Smile
4
ddwy - Heuldro'r Haf
Here we have a new four track EP from ddwy following two acclaimed EPs on Public Possession. ddwy (pronounced d-why) is the Welsh word for “two” — a nod to Naomi and Ronan, the duo behind the project. It’s a four track EP ranging from dancefloor moments such as ‘Beaming Backwards’ and the dubwise ‘Peak Smile’ to the more ethereal ‘Stars Stars’ and the ambient tone of ‘Heuldro’r Haf’. A beautifully rounded EP showing a quiet potential for a broader audience. The echo continues.
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2LP
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Label:FSOL Digital
Cat-No:LPTOT52
Release-Date:25.04.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5013993905219
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T’S BACK! A TRUE CLASSIC REVISITED!
Musical visionaries The Future Sound Of London return with a 2025 reissue of their 2001 album, ‘Translations’ which takes their very essence, subverts it, turns it on it’s head, twists and nurtures it. It’s an album which makes a global journey of rare insight and beauty through the history of musical composition. ‘Translations’ grew from the seminal ‘Papua New Guinea’ and is a transportive journey through the world of music and image, an album which is a stepping stone between their former works and their new incarnations. The Future Sound Of London have a brand new album coming later this year.
TRACKLIST:
A1. Translation 1: 12" Original
A2. Translation 2: Papsico
B1. Translation 3: The Lovers
B2. Translation 4: Wooden Ships
C1. Translation 5: The Great Marmalade Mama In The Sky
C2. Translation 6: Requiem
D1. Translation 7: Things Change Like The Patterns And Shades That Fall From The Sun
D2. Translation 8: The Big Blue
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Musical visionaries The Future Sound Of London return with a 2025 reissue of their 2001 album, ‘Translations’ which takes their very essence, subverts it, turns it on it’s head, twists and nurtures it. It’s an album which makes a global journey of rare insight and beauty through the history of musical composition. ‘Translations’ grew from the seminal ‘Papua New Guinea’ and is a transportive journey through the world of music and image, an album which is a stepping stone between their former works and their new incarnations. The Future Sound Of London have a brand new album coming later this year.
TRACKLIST:
A1. Translation 1: 12" Original
A2. Translation 2: Papsico
B1. Translation 3: The Lovers
B2. Translation 4: Wooden Ships
C1. Translation 5: The Great Marmalade Mama In The Sky
C2. Translation 6: Requiem
D1. Translation 7: Things Change Like The Patterns And Shades That Fall From The Sun
D2. Translation 8: The Big Blue
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Label:Oracle Bones
Cat-No:OB005
Release-Date:20.06.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:
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Label:Oracle Bones
Cat-No:OB005
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1
Sun Genam - Stadsnacht
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Sun Genam - Snake/Rope
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Sun Genam - Coils Dive
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Sun Genam - Love
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Sun Genam - Scientists Say
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Sun Genam - Celebration Of Ignorance
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Sun Genam - Never Dissever Us (Ft. Daim)
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Sun Genam - Dageraad
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Sun Genam - Icequeen
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Sun Genam - Topiary Man
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Sun Genam - Shadow Of Life
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Sun Genam - If You Won't I Will
I turned the page and will never forget what I then saw.
The fountain pen scratched against the paper, whistling like fur on an abandoned tire in the
middle of the night at the centre of the universe in the core of whatever it is I’m trying to believe.
I am a patient human and I live and breathe. I know this for sure.
I read about a whispering stillness of the Stadsnacht as my blood levels gradually even out again. Beneath the ink, the words take shape. This is a secret correspondence with the Book of Change – a dialogue not meant for eyes or ears, but for the soul. Are you still with me?
The Snake Rope tightens, its Coils Dive into the deep well of patience, where waiting is an art, a
dance with the unseen. The Scientists Say we should measure, predict, contain—but here, in
the shadow of the deepest of nights, the only truth is the Celebration of Ignorance. Love is the
force that binds as it untangles the invisible thread that refuses to sever. The next page quotes the mystical figure Daim: “Never Dissever Us.”
There, in the dawning light, the Dageraad reveals the Icequeen in her frigid throne, the Topiary Man standing guard in his sculpted silence. In this quiet landscape, I wait. I continue to wait, for I have good fortune on my very hands.
If You Won’t, I Will.
Can we exhibit the power to possess conformity? Can we redeem the benefits of crossing the water? Yes. The choice, the act of breaking through the barrier of convenience, is both a burden and a liberation.The words swirl, abstract and concrete, like action and inaction. The Book of Change is a paradox to puzzle over.
The evening cool rests its shoulders on my fluffy neck. I inhale as my pen lifts itself from the
paper once more, shedding ink as though it were tears of joy. I know that I have touched the
edge of something vast, something that moves beyond the grasp of reason into the heart of the
I Ching, the ever-turning wheel of change. This is the correct orientation. This is the vivid
imagery of clouds falling from the heavens and into our laps. This was never meant for your
ears. This was meant for you to feast on as the seasons bestow upon us
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The fountain pen scratched against the paper, whistling like fur on an abandoned tire in the
middle of the night at the centre of the universe in the core of whatever it is I’m trying to believe.
I am a patient human and I live and breathe. I know this for sure.
I read about a whispering stillness of the Stadsnacht as my blood levels gradually even out again. Beneath the ink, the words take shape. This is a secret correspondence with the Book of Change – a dialogue not meant for eyes or ears, but for the soul. Are you still with me?
The Snake Rope tightens, its Coils Dive into the deep well of patience, where waiting is an art, a
dance with the unseen. The Scientists Say we should measure, predict, contain—but here, in
the shadow of the deepest of nights, the only truth is the Celebration of Ignorance. Love is the
force that binds as it untangles the invisible thread that refuses to sever. The next page quotes the mystical figure Daim: “Never Dissever Us.”
There, in the dawning light, the Dageraad reveals the Icequeen in her frigid throne, the Topiary Man standing guard in his sculpted silence. In this quiet landscape, I wait. I continue to wait, for I have good fortune on my very hands.
If You Won’t, I Will.
Can we exhibit the power to possess conformity? Can we redeem the benefits of crossing the water? Yes. The choice, the act of breaking through the barrier of convenience, is both a burden and a liberation.The words swirl, abstract and concrete, like action and inaction. The Book of Change is a paradox to puzzle over.
The evening cool rests its shoulders on my fluffy neck. I inhale as my pen lifts itself from the
paper once more, shedding ink as though it were tears of joy. I know that I have touched the
edge of something vast, something that moves beyond the grasp of reason into the heart of the
I Ching, the ever-turning wheel of change. This is the correct orientation. This is the vivid
imagery of clouds falling from the heavens and into our laps. This was never meant for your
ears. This was meant for you to feast on as the seasons bestow upon us
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Beacon Sound
Cat-No:BNSD092
Release-Date:20.06.2025
Configuration:LP
Barcode:0769791987364
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Label:Beacon Sound
Cat-No:BNSD092
Release-Date:20.06.2025
Configuration:LP
Barcode:0769791987364
1
Sontag Shogun x Lau Nau - Sauna motif I
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Sontag Shogun x Lau Nau - Päiväkahvit
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Sontag Shogun x Lau Nau - Afternoon Springs
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Sontag Shogun x Lau Nau - Go North
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Sontag Shogun x Lau Nau - They came in through the front door (Fadi Tabbal Rework)
6
Sontag Shogun x Lau Nau - Tropic movements (Amulets Rework)
7
Sontag Shogun x Lau Nau - Bottles + birds
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Sontag Shogun x Lau Nau - Sauna motif II
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Sontag Shogun x Lau Nau - The Vala River (Post-Dukes Rework)
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Sontag Shogun x Lau Nau - Badminton on the shore
11
Sontag Shogun x Lau Nau - Miten aloittaa
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Sontag Shogun x Lau Nau - A pale view of dem hills (Jeremy Young Rework)
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Sontag Shogun x Lau Nau - Veden yli
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Sontag Shogun x Lau Nau - Valo Siroutuu [live] (Digital Bonus)
When the trio of Sontag Shogun gathered at Laura Naukkarinen's home on the Finnish island of Kimitoön in the summer of 2019, they had not the slightest inkling that the world was about to change irretrievably with the onset of a long-predicted pandemic the following year. By the time their collaborative album, Valo Siroutuu ("The Light Scatters"), was released nearly two years later, the intimate and reflective nature of the work they had created together had taken on new meaning, resonating powerfully (and quietly) with a world in which the proverbial cracks in the wall only seem to be widening. ??
Päiväkahvit completes the story that began with Valo Siroutuu, featuring 9 songs from the original sessions as well as 4 interpretive reworks courtesy of Amulets, Fadi Tabbal, Post-Dukes, and Jeremy Young. Available digitally and in a one-time vinyl pressing of 300 copies, the album flows seamlessly from beginning to end, incorporating field recordings, tape, sublime vocal melodies, and a host of acoustic and electronic instruments. Richly textured and immersive, Päiväkahvit positively crackles with warmth and a sense of creative embrace.??
"We invite the listener into the sauna, out to the garden and onto the trampoline, to sit by the water’s edge and to take a coffee in the waning afternoon light, and to stay as long as they like." – Jesse Perlstein
Lau Nau, aka Laura Naukkarinen, is a Finnish composer whose music is imbued with an idiosyncratic, finely honed sound world. Her palette consists of acoustic instruments, singing voice, modular synthesisers, reel-to-reel tape recorders and field recordings. To date Lau Nau has released ten albums on record labels in Europe, the USA and Japan and a large number of collaborative releases. Lau Nau is known for her music to films and multi channel sound installations. She was awarded the Finnish State Prize for the Performing Arts 2021 as a sound designer. She has toured abroad for over 20 years, playing in venues such as Super Deluxe in Tokyo, the Lab & Castro Theatre in San Francisco and Blank Forms & Issue Project Room in New York.
Sontag Shogun is a collaborative trio that makes use of analog sound treatments and nostalgic solo piano compositions in harmony to depict abstract places in our memory. Textures built from organic materials such as sand, slate, boiling water, brush and dried leaves, both produced live in performance and recorded to weathered 1/4" tape warm up the space between lush piano themes. All of which is abstracted coolly in the reflective digital space of treated vocals and a live-processed feed from the piano. Bringing us back, like a faded passing scent or any natural emotive trigger, but to where? The wordless journey there will inevitably be more revealing than the destination itself.?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Päiväkahvit completes the story that began with Valo Siroutuu, featuring 9 songs from the original sessions as well as 4 interpretive reworks courtesy of Amulets, Fadi Tabbal, Post-Dukes, and Jeremy Young. Available digitally and in a one-time vinyl pressing of 300 copies, the album flows seamlessly from beginning to end, incorporating field recordings, tape, sublime vocal melodies, and a host of acoustic and electronic instruments. Richly textured and immersive, Päiväkahvit positively crackles with warmth and a sense of creative embrace.??
"We invite the listener into the sauna, out to the garden and onto the trampoline, to sit by the water’s edge and to take a coffee in the waning afternoon light, and to stay as long as they like." – Jesse Perlstein
Lau Nau, aka Laura Naukkarinen, is a Finnish composer whose music is imbued with an idiosyncratic, finely honed sound world. Her palette consists of acoustic instruments, singing voice, modular synthesisers, reel-to-reel tape recorders and field recordings. To date Lau Nau has released ten albums on record labels in Europe, the USA and Japan and a large number of collaborative releases. Lau Nau is known for her music to films and multi channel sound installations. She was awarded the Finnish State Prize for the Performing Arts 2021 as a sound designer. She has toured abroad for over 20 years, playing in venues such as Super Deluxe in Tokyo, the Lab & Castro Theatre in San Francisco and Blank Forms & Issue Project Room in New York.
Sontag Shogun is a collaborative trio that makes use of analog sound treatments and nostalgic solo piano compositions in harmony to depict abstract places in our memory. Textures built from organic materials such as sand, slate, boiling water, brush and dried leaves, both produced live in performance and recorded to weathered 1/4" tape warm up the space between lush piano themes. All of which is abstracted coolly in the reflective digital space of treated vocals and a live-processed feed from the piano. Bringing us back, like a faded passing scent or any natural emotive trigger, but to where? The wordless journey there will inevitably be more revealing than the destination itself.?
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:WeMe Records
Cat-No:WeMe083
Release-Date:16.02.2024
Genre:Electronic, Electronica
Configuration:3LP
Barcode:
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Label:WeMe Records
Cat-No:WeMe083
Release-Date:16.02.2024
Genre:Electronic, Electronica
Configuration:3LP
Barcode:
1
The Future Sound Of London - Sightings
2
The Future Sound Of London - 1st Calling
3
The Future Sound Of London - Across The Rivers
4
The Future Sound Of London - Great Danger
5
The Future Sound Of London - Corridor LM3
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The Future Sound Of London - She's So Automatic
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The Future Sound Of London - Keep Walking
8
The Future Sound Of London - In A Cage
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The Future Sound Of London - Under The Rock
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The Future Sound Of London - Visual Attack
11
The Future Sound Of London - You Might
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The Future Sound Of London - Garden Bridge
13
The Future Sound Of London - We Bring It
14
The Future Sound Of London - Kremlin Taped
15
The Future Sound Of London - Travellers
16
The Future Sound Of London - Just Look
17
The Future Sound Of London - 8:31AM
A collection of unreleased tracks from the early 90's Jumpin' & Pumpin' era, when FSOL hid behind various guises
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12"
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Label:phantasy sound
Cat-No:PH143
Release-Date:06.06.2025
Configuration:12"
Barcode:199350453441
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Label:phantasy sound
Cat-No:PH143
Release-Date:06.06.2025
Configuration:12"
Barcode:199350453441
1
Ewan McVicar - Careless Drifter
2
Ewan McVicar - Basic Foundation
Phantasy proudly presents a new AA single from Ewan McVicar, ‘Careless Drifter / Basic Foundation’. Undoubtedly one of the most prominent and successful figures in UK dance music in recent years, McVicar’s contribution to Erol Alkan’s long-standing London label is a love letter from his earliest days raving in rural Scotland. Debuted by McVicar at I Love Acid at Corsica Studios, and road tested at his own Handpicked parties, each track is a paean to communal party spirit that has informed his musical philosophy. Patient but instantly trippy, ‘Careless Drifter’ coaxes dancers into a bottom-heavy bath of bassline and oscillations, revealing an alluring saxophone break that bridges the rawest end of the rave with unexpected opulence. On the flip side, ‘Basic Foundation’ further strips back this instinct for club composition, dropping the tempo while dazzling with razor-sharp synths. The result is primo acid-house chug, alternating between light and shade, as McVicar’s knack for a melody emerges from his modular experiments.
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Label:WeMe Records
Cat-No:WeMe088
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
Barcode:
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Label:WeMe Records
Cat-No:WeMe088
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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1
Rehab333 - 0187
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Rehab333 - 0189
3
Rehab333 - 0217
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Rehab333 - 0174
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Rehab333 - 0175
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Rehab333 - 0195
WeMe has always had the ambition of producing ousiders alongside its established artists. Let's hear it for the debut EP from Rehab333, a discreet but no less creative artist and graduate of the Rephlex School Academy. After taking classes with teachers such as Richard d James and Dr. Chris Jeffs, analog machines hold no secrets for him, enabling him to develop wonderful melodies at a time when they are sorely lacking. First released on cassette on the Binary Bigit label, it seemed essential for WeMe to record these tracks on vinyl, in perfect harmony with the label's musical history.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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