Label:WeMe Records
Cat-No:WeMe087
Release-Date:07.06.2024
Genre:Electronic
Configuration:2LP
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Cat-No:WeMe087
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Genre:Electronic
Configuration:2LP
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1
dgoHn - Orange Peel
2
dgoHn - A Total Disregard For Whatever It Is You Think
3
dgoHn - Debbie Will Deck You
4
dgoHn - We Saw Your Mum In Tesco
5
dgoHn - Sad Stay Snakebitten
6
dgoHn - Where Is My Hat
7
dgoHn - Denzil's Breath
8
dgoHn - Cheek Biting
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dgoHn - Gravy Boot
10
dgoHn - Hera Endleofan
11
dgoHn - Nevermeant No 8593
...
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More records from dgoHn
Label:Analogical Force
Cat-No:AF045
Release-Date:20.01.2023
Genre:Electronic
Configuration:12"
Barcode:0633710599795
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Label:Analogical Force
Cat-No:AF045
Release-Date:20.01.2023
Genre:Electronic
Configuration:12"
Barcode:0633710599795
1
dgoHn - Enclosed
2
dgoHn - Kind Of Sort Of Not Really
3
dgoHn - Nots
4
dgoHn - Pox
dgoHn reappears in AF with this 4-tracker EP called "Portus", a dreamy exercise in fast/slow rhythms, atmospheric drumfunk, IDM and experimental electronica. Un-bloody-missable. New music from John Cunnane is always exciting, surely one of the modern scene's most forward-thinking artists. After the brilliant "Undesignated Remixes" in Love Love Records, this is another stellar release by dgoHn and Analogical Force!!!
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Label:Love Love Records
Cat-No:LOVLP06
Release-Date:22.07.2022
Genre:Drum + Bass
Configuration:3LP
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Label:Love Love Records
Cat-No:LOVLP06
Release-Date:22.07.2022
Genre:Drum + Bass
Configuration:3LP
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1
dgoHn - Puppet (Equinox Remix)
2
dgoHn - Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
3
dgoHn - Stachybotrys (Coco Bryce Rework)
4
dgoHn - Lucky Gonk (Macc & dgoHn Remix)
5
dgoHn - Electryon (Wisp remix)
6
dgoHn - Lucky Gonk (Forest Drive West Remix)
7
dgoHn - Turnips Are OK (Rognvald Remix)
8
dgoHn - Conty (Scrase Remix)
9
dgoHn - Ninnyhammer (Djrum Remix)
10
dgoHn - Robin's Windmill (Skee Mask Remix)
11
dgoHn - AF0156984 (Quavis remix)
12
dgoHn - Invisible Sandwich (Carl Brown's Pea & Mint Mix)
*CLIPS NOW AVAILABLE*
a1. Puppet (Equinox Remix)
a2.Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
b1. Stachybotrys (Coco Bryce Rework)
b2. Lucky Gonk (Macc & dgoHn Remix)
c1. Electryon (Wisp remix)
c2. Lucky Gonk (Forest Drive West Remix)
d1. Turnips Are OK (Rognvald Remix)
d2. Conty (Scrase Remix)
e1. Ninnyhammer (Djrum Remix)
e2. Robin's Windmill (Skee Mask Remix)
f1. AF0156984 (Quavis remix)
f2. Invisible Sandwich (Carl Brown's Pea & Mint Mix)
Undesignated remixes is an expansive project containing 12 remixes of tracks from dgoHn’s iconic 2020 full-length by some choice artists from in and around the Love Love sphere. Remixes that take dgoHn’s unique razor-sharp original productions and send them through a loop and round the twist, some stripped down, some messed up, most but not all maintaining the speedier tempos that dgoHn likes to work around. The result is a collection of seriously futuristic electronic music with some stylistic leanings towards labels like braindance or drumfunk or jungle but completely genre-eluding as a whole, reshaped from the minerals of the original LP by some absolute dons of their craft.
Opening the album Equinox does a fantastic job highlighting the lushness of ‘Puppet’ layering sky-high sunshine pads before sliding into Meat Beat Manifesto’s heavy sci-fi acid dub version of ‘Daisy Takes Two’. A woozy remix of ‘Lucky Gonk’ by Macc & dgoHn marks the first new material from them as a duo since ’09 and Wisp also makes a rare appearance bringing his inimitable post-rephlexian vibes on an agonisingly wonderful, melody-heavy remix of 'Electryon'. Skee Mask’s choice of remixing ‘Robin’s Windmill’ turns the original into a bundle of writhing rhythms organically unfolding with swelling ambient tones. Homegrown heroes Rognvald & Scrase both opt for pumped up post-breakcore in unconventional time signatures while Djrum emphatically provides the LP’s dose of peak jungle choppage, tempering the drum breaks of ‘Ninnyhammer’ with a blistering amen. Also featured on the LP are crisp and beefy drum workouts courtesy of Coco Bryce and Forest Drive West, visceral and apocalyptic half-time bass from Activia Benz affiliated duo Quavis and virtuosic noir-jazz tearout from fellow East-Anglian Carl Brown. More
a1. Puppet (Equinox Remix)
a2.Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
b1. Stachybotrys (Coco Bryce Rework)
b2. Lucky Gonk (Macc & dgoHn Remix)
c1. Electryon (Wisp remix)
c2. Lucky Gonk (Forest Drive West Remix)
d1. Turnips Are OK (Rognvald Remix)
d2. Conty (Scrase Remix)
e1. Ninnyhammer (Djrum Remix)
e2. Robin's Windmill (Skee Mask Remix)
f1. AF0156984 (Quavis remix)
f2. Invisible Sandwich (Carl Brown's Pea & Mint Mix)
Undesignated remixes is an expansive project containing 12 remixes of tracks from dgoHn’s iconic 2020 full-length by some choice artists from in and around the Love Love sphere. Remixes that take dgoHn’s unique razor-sharp original productions and send them through a loop and round the twist, some stripped down, some messed up, most but not all maintaining the speedier tempos that dgoHn likes to work around. The result is a collection of seriously futuristic electronic music with some stylistic leanings towards labels like braindance or drumfunk or jungle but completely genre-eluding as a whole, reshaped from the minerals of the original LP by some absolute dons of their craft.
Opening the album Equinox does a fantastic job highlighting the lushness of ‘Puppet’ layering sky-high sunshine pads before sliding into Meat Beat Manifesto’s heavy sci-fi acid dub version of ‘Daisy Takes Two’. A woozy remix of ‘Lucky Gonk’ by Macc & dgoHn marks the first new material from them as a duo since ’09 and Wisp also makes a rare appearance bringing his inimitable post-rephlexian vibes on an agonisingly wonderful, melody-heavy remix of 'Electryon'. Skee Mask’s choice of remixing ‘Robin’s Windmill’ turns the original into a bundle of writhing rhythms organically unfolding with swelling ambient tones. Homegrown heroes Rognvald & Scrase both opt for pumped up post-breakcore in unconventional time signatures while Djrum emphatically provides the LP’s dose of peak jungle choppage, tempering the drum breaks of ‘Ninnyhammer’ with a blistering amen. Also featured on the LP are crisp and beefy drum workouts courtesy of Coco Bryce and Forest Drive West, visceral and apocalyptic half-time bass from Activia Benz affiliated duo Quavis and virtuosic noir-jazz tearout from fellow East-Anglian Carl Brown. More
Label:Love Love Records
Cat-No:LOVLP04
Release-Date:08.07.2022
Genre:Drum + Bass
Configuration:3LP
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Label:Love Love Records
Cat-No:LOVLP04
Release-Date:08.07.2022
Genre:Drum + Bass
Configuration:3LP
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1
dgoHn - Daisy Takes Two
2
dgoHn - Lucky Gonk
3
dgoHn - AF0156984
4
dgoHn - Electryon
5
dgoHn - Robin's Windmill
6
dgoHn - Conty
7
dgoHn - Ninnyhammer
8
dgoHn - Turnips Are OK
9
dgoHn - Stachybotrys
10
dgoHn - Invisible Sandwich
11
dgoHn - Puppet
12
dgoHn - Windy
Repress!
New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas. More
New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas. More
More records from WeMe Records
Label:WeMe Records
Cat-No:WeMe088
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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Cat-No:WeMe088
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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1
Rehab333 - 0187
2
Rehab333 - 0189
3
Rehab333 - 0217
4
Rehab333 - 0174
5
Rehab333 - 0175
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Rehab333 - 0195
WeMe has always had the ambition of producing ousiders alongside its established artists. Let's hear it for the debut EP from Rehab333, a discreet but no less creative artist and graduate of the Rephlex School Academy. After taking classes with teachers such as Richard d James and Dr. Chris Jeffs, analog machines hold no secrets for him, enabling him to develop wonderful melodies at a time when they are sorely lacking. First released on cassette on the Binary Bigit label, it seemed essential for WeMe to record these tracks on vinyl, in perfect harmony with the label's musical history.
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Label:WeMe Records
Cat-No:WeMe089
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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Cat-No:WeMe089
Release-Date:17.01.2025
Genre:Breaks
Configuration:12"
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1
RTR - Exelec
2
RTR - Rtyp
3
RTR - Line II
4
RTR - Norm Code
RTR puts a jungle cartridge in this EP, as he did for the Xor album, but this time without compromise and with less restraint: he draws with excellence as his great masters taught him!
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Label:WeMe Records
Cat-No:WeMe090
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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Cat-No:WeMe090
Release-Date:17.01.2025
Genre:House / Techno
Configuration:12"
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1
Binary Digit - Desilusion In Palma
2
Binary Digit - Ale By The Sean
3
Binary Digit - Corner Office Acid View
4
Binary Digit - SmknDpe
5
Binary Digit - Bongoz
6
Binary Digit - Overdoze In Ibiza
Following the success of his debut EP on WeMe records, Binary Digit is back with a brand new 6-track EP dedicated to the mythical Balearic Islands. From the very first tracks, we find the atmosphere represented by the legendary island of Ibiza, synonymous with partying, relaxation and getting high. The rest of this EP is a good definition of the well-being and the holy and benevolent feeling that all these clubbers can offer every year, who come to party in an atmosphere of sharing and respect, and above all who make a point of honor of ecology by favoring swimming. The track "Smkndpe", literally translated from Latin as "how to better consume your herbal tea", is already a hit on Tik Tok to accompany the best female influencer of the moment! We end this ep with the track "Overdoze In Ibiza", which will bring this well-deserved vacation to a close.
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Label:WeMe Records
Cat-No:WeMe085
Release-Date:21.06.2024
Genre:Electronic
Configuration:2LP
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Label:WeMe Records
Cat-No:WeMe085
Release-Date:21.06.2024
Genre:Electronic
Configuration:2LP
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1
Ceephax Acid Crew - Plusion
2
Ceephax Acid Crew - Exidy
3
Ceephax Acid Crew - Camelot Jostle
4
Ceephax Acid Crew - Rolls Royce
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Ceephax Acid Crew - Cop 76
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Ceephax Acid Crew - Nordic House
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Ceephax Acid Crew - Hull Drum And Bass
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Ceephax Acid Crew - Trolley Service
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Ceephax Acid Crew - Vladijenk
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Ceephax Acid Crew - Northern Spirit
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Ceephax Acid Crew - Moor
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Ceephax Acid Crew - City Collars
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Ceephax Acid Crew - Baddow Life
14
Ceephax Acid Crew - Essex Remblance
15
Ceephax Acid Crew - Abbaye
Originally released on Firstcask Records in 2003. A selection of my styles and ideas at the time, ranging from drum n bass, ambient, acid etc etc
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Label:WeMe Records
Cat-No:WeMe20ans
Release-Date:03.05.2024
Genre:Electro
Configuration:3LP
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Cat-No:WeMe20ans
Release-Date:03.05.2024
Genre:Electro
Configuration:3LP
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1
Zandvoort Uilenbal - De Zuidwester Loert
2
Matzo - Pop N Loc
3
Chromedealer - Labyrinth
4
+10 - Untitled
5
NOT MDK - Is It Me You're Looking For
6
Binary Digit - A2
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Superstructure - Rain
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ReQuest - Address Unknown
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RTR - Mais Ouais
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RAWAKARI - Stacy
11
Terrence Woodard - Dance Track
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DMX Krew - Unknown Quantity Dry
13
EOD - Point A
14
DArcangelo - 5EXP
15
CAPSULE - Ruska
16
Black Narcissus - Dark Churn
17
Biochip - Jammers Office
Let's celebrate 20 years of WeMe records!
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Label:WeMe Records
Cat-No:WeMe086
Release-Date:16.02.2024
Genre:Breaks
Configuration:12"
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Label:WeMe Records
Cat-No:WeMe086
Release-Date:16.02.2024
Genre:Breaks
Configuration:12"
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1
Chromedealer - On Your Marks
2
Chromedealer - Sable
3
Chromedealer - Jack
4
Chromedealer - Cubed3
5
Chromedealer - Silver City
WeMe inaugurates 2024 with an braing massaging yet teeth grinding first vinyl release by Chromedealer aged 23 hailing from New York! Blending all sorts of styles creating a nice mixture of all things WeMe. A match made in heaven!
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Label:WeMe Records
Cat-No:WeMe083
Release-Date:16.02.2024
Genre:Electronic
Configuration:3LP
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Label:WeMe Records
Cat-No:WeMe083
Release-Date:16.02.2024
Genre:Electronic
Configuration:3LP
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1
The Future Sound Of London - Sightings
2
The Future Sound Of London - 1st Calling
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The Future Sound Of London - Across The Rivers
4
The Future Sound Of London - Great Danger
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The Future Sound Of London - Corridor LM3
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The Future Sound Of London - She's So Automatic
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The Future Sound Of London - Keep Walking
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The Future Sound Of London - In A Cage
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The Future Sound Of London - Under The Rock
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The Future Sound Of London - Visual Attack
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The Future Sound Of London - You Might
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The Future Sound Of London - Garden Bridge
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The Future Sound Of London - We Bring It
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The Future Sound Of London - Kremlin Taped
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The Future Sound Of London - Travellers
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The Future Sound Of London - Just Look
17
The Future Sound Of London - 8:31AM
A collection of unreleased tracks from the early 90's Jumpin' & Pumpin' era, when FSOL hid behind various guises
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Label:WeMe Records
Cat-No:WeMe084
Release-Date:16.02.2024
Genre:Electro
Configuration:12"
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Label:WeMe Records
Cat-No:WeMe084
Release-Date:16.02.2024
Genre:Electro
Configuration:12"
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1
Ceephax Acid Crew - Acid Highway
2
Ceephax Acid Crew - Red DX Acid Extra BD Shorter
3
Ceephax Acid Crew - Acid Whorl
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Ceephax Acid Crew - Acid Causeway 1
5
Ceephax Acid Crew - Tough Grugoy Acid
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Ceephax Acid Crew - Acid Surf Dream
7
Ceephax Acid Crew - Woodlice Acid
Originally released on Firstcask Records 2006 played by a dj like Aphex Twin at Field Day 2023, Ceephax essential oils ! Acid Varsity !
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Label:WeMe Records
Cat-No:WeMe082
Release-Date:01.12.2023
Genre:Electronic
Configuration:2LP
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Cat-No:WeMe082
Release-Date:01.12.2023
Genre:Electronic
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1
NOT_MDK - Take The East
2
NOT_MDK - Republic Energy No 1
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NOT_MDK - Artificial States
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NOT_MDK - DRX
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NOT_MDK - Taken From You
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NOT_MDK - The Modern
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NOT_MDK - 23423
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NOT_MDK - Flowing
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NOT_MDK - Galactic
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NOT_MDK - How I Got Here
NOT_MDK is not MDK. Like a human ship of theseus. Martin Wood-Mitrovski's 3rd album. 23 years since the 2nd. He lives at building number 23 in Skopje. MDKs ticket exploded. He can not return. This is NOT_MDK's first album. NOT_MDK is exploring ideas with depth, in depth. Every track is Grime and 140 BPM. Grime is a genre that covers a huge area of sound A fixed tempo is a gravitational well of coherence That is to say: Martin Wood-Mitrovski is a musical lifer - someone whose enthusiasm cannot be dimmed by time. The Coventry-raised polymath first came to public attention in the late 1990s as a keystone part of the Spymania crew, which also first showcased Squarepusher, Jamie Lidell and Cassette Boy. Even among such esteemed company, Martin's two albums, one EP and various collaborative contributions to the label stood out for their audacity and variety. Detroit techno, death metal, bleak ambient, golden age hip hop and dozens more sounds besides made implausible sense next to each other, and bleeding into one another. Now, though, relocated to the Balkans, returning to album making after over two decades of only sporadically slipping tracks out, Martin has taken an entirely opposite approach to genre. This album is entirely built around instrumental grime. But it's built with such finesse and a scholar's knowledge that there's still extraordinary variety within that. Subsets of OG 00s grime producton - Eski, Sino-grime, breakstep, sublow, and sounds with no name at all - are threaded together with the finessed modernist abstractions that came together around London's Boxed club in the 10s, and also with electronic predecessors. The ghosts of jungle, of bleep'n'bass, of warehouse techno, of various flavours of garage, leave traces through these tracks - or maybe he's waking those ghosts in the grime. It's a perfect fit for Belgium's W?M? Records. The label has always specialised in artists who get to the deep fundamentals of acid, electro and other pillars of electronica - and here, Martin has shown the wiring that were always there connecting those things into grime. It's a record where Timbaland and Terror Danjah, Nightmares On Wax and N.A.S.T.Y. Crew, Kraftwerk and Kromestar all operate on a plane of consistency. But it's no intellectual exercise or history lesson: the sounds and patterns here are there because they work - they sound spectacular coming out of big speakers. That's what it's always been about. Whether carving up genres in the Spymania days, or distilling them now, whether MDK or NOT_MDK, before all other considerations it's all about a joyful noise.
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Label:WeMe Records
Cat-No:WeMe078
Release-Date:17.11.2023
Genre:Electro
Configuration:2LP
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Label:WeMe Records
Cat-No:WeMe078
Release-Date:17.11.2023
Genre:Electro
Configuration:2LP
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1
RTR - 728
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RTR - Unamed
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RTR - XTRA3333
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RTR - Sigle
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727 directives : 1."Serve the public trust" 2."Protect the innocent" 3."Uphold the law" 4."Classified" 5."Restrain hostile feelings" 6."Promote positive attitude" 7."Suppress aggressiveness" 8."Promote pro-social values" 9."Avoid destructive behavior" 10."Be accessible" 11."Participate in group activities" 12."Avoid interpersonal conflicts"
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Label:WeMe Records
Cat-No:WeMe313.33
Release-Date:22.09.2023
Genre:Electro
Configuration:2LP
Barcode:8718723232821
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Cat-No:WeMe313.33
Release-Date:22.09.2023
Genre:Electro
Configuration:2LP
Barcode:8718723232821
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Ultradyne - Clones (Z Therapy Remix)
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Cisco Ferreira - Womans Scent (Heinrich Mueller Remix)
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Jauzas The Shining & Victoria Lukas - Bohrium 274 Remix – Heinrich Mueller
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Rough Days For Diamond Trade - Somehow (Dopplereffekt Remix)
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Albert Van Abbe - Rytumtraks 0002 (Rudolf Klorzeiger Remodel)
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Fasenuova - Cachito Turulo (Heinrich Mueller Remix)
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As One - Where Did He Go … And Why (Heinrich Mueller Lamb Shift Model)
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The Exaltics - The Truth Remixes - Instinct - Dopplereffekt - Hubble Constant Remodel
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6D22 - Longwang (Heinrich Mueller remix)
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Yan Wagner Forty_Eight_Hours_ - _Heinrich_Mueller_apeture_synthesis_remode
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Dollska - So Long for a Small Storm (Rudolf Klorzeiger Remodel)
Its been five years since Belgium's WeMe Records lovingly selected the first ever collection of Heinrich Mueller's (Drexciya/Doppleffekt) best remixes/remodels for a new generation of listeners that won't have to pay collector prices to have them on vinyl. Volume 2 of False Vacuum is now with us and still has riches to choose from. These 13 rare and hard to find tracks (3 of which make their vinyl debut) all deliver in different ways as he systematically reinvents each one. Beginning with his raw and now classic remix of Ultradyne's 'Clones', the hard-edged dance-floor friendly 'Woman's Scent' by Cisco Ferreira (The Advent), the more laidback and futuristic sounding 'Bohrium 274' by Jauzas the Shining and Victoria Lukas, the slow and mysterious and first time on vinyl 'Somehow' by Rough Days For Diamond Trade, reinventing the darkest of dance-floors on 'Rytumtraks 0002' by Albert van Abbe, the moody masterpiece and first time on vinyl 'Now We Continue' by White Car, Duplex's 'Autoslug' sounding like its been rearranged inside a black-hole, a balancing act between the light and darkness on Fasenuova 'Cachito Turulo', an insistent rise and falling workout for As One's 'Where Did He Go and Why', a tightly wound and almost meditative 'The Truth' by The Exaltics, an angular stomping march of the robots 'Longwang' by 6D22, a jumpy fidgety groove for first time on vinyl 'Forty Eight Hours' by Yan Wagner and perhaps one of his most sublime pieces is kept for last with 'So Long For A Small Storm' by Dollska.
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Label:WeMe Records
Cat-No:WeMe081
Release-Date:22.09.2023
Genre:Electro
Configuration:12"
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Label:WeMe Records
Cat-No:WeMe081
Release-Date:22.09.2023
Genre:Electro
Configuration:12"
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1
RTR - Nrevenge
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RTR - ERA
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RTR - Drave
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RTR - Sub 0
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RTR - Refletch A
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RTR - Folder
RTR makes a dazzling return to WeMe Records with Circle coming through with 6 new tracks. 6 ways to outline his love for playful melodies, sauntering arrangements, squelching synths. Less breakbeat, more dancefloor oriented, RTR shows off some of his best and most colourful material as of late The record is both raw and punchy, kicking into gear over and over like an old fashioned detuned drum machine loop.
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Label:WeMe Records
Cat-No:WeMe076
Release-Date:02.06.2023
Genre:Electronic
Configuration:2LP
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Label:WeMe Records
Cat-No:WeMe076
Release-Date:02.06.2023
Genre:Electronic
Configuration:2LP
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1
Ceephax - Ceelink
2
Ceephax - Turrican
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Ceephax - Mindgun
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Ceephax - World Bin
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Ceephax - Ramsden Health
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Ceephax - Essex Rubicon
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Ceephax - Yes No Deadwood This Cedar
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Ceephax - Pollution
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Ceephax - Acid Protege Live
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Ceephax - Acid Wayfarer
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Ceephax - Boulevard 99
12
Ceephax - Parallax Drome
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Ceephax - Polar
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Ceephax - Pacific Corpse
15
Ceephax - The Turk
In the year 2000 the internet had not yet become the new messiah. I would often cross the Channel by ferry on my way to London where I would spend the weekend going out and hunting for records, especially those that were impossible to find in Belgium. As soon as I set foot in a record shop, then under the influence of labels like Rephlex, Warp and Planet Mu, I would rush like a gold digger, head down in the racks that mentioned these labels, to try and find the piece I was missing or the latest release not yet distributed in Belgium. The artists that obviously haunted me the most at the time were Aphex Twin and Squarepusher. During one of my visits to the record shop "Sister Ray", I was, as was often the case, deep in the Squarepusher rack. And there, I find a record that I do not yet know, an LP entitled Ceephax Acid Quakers 1000, on the fantastic label "Lo Recording" ! Without hesitation and without further investigation I rush to buy it, convinced that I am holding the new Holy Grail from Squarepusher. Back in Brussels, I listen to this mysterious LP straight away and I discover a completely different album from what I was expecting. More audacious than what Squarepusher had produced in the past and which was more in line with the sound I was looking for at the time. I had to look hard at the record sleeve to understand this new approach. "Produced by Andy Jenkinson... but no, it's Tom Jenkinson....there must be a mistake?" Knowing the record shops of Brussels well, here I was on my way with the record under my arm to get more info. A record shop owner in the city centre tells me that this "Andy" is Tom's little brother, and that if I'm interested, he just brought in another record by this artist who calls himself "Ceephax"... Of course I'm interested! Icing on the cake, it is on a Belgian label, and moreover, provided with a cassette. I had to meet the guys who were behind this impressive "First Cask" label. I don't know by what magic I managed to meet Ga?l, one of the two founders, but what is sure is that since that day he has become more than a friend and he arranged for me to get in touch not with Squarepusher but with Andy. Two historical albums united in a superb gatefold !
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Label:WeMe Records
Cat-No:WeMe079
Release-Date:02.06.2023
Genre:Breaks
Configuration:12"
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Label:WeMe Records
Cat-No:WeMe079
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Genre:Breaks
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1
Lord Of The D - Dunstable
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Lord Of The D - O xied MPO
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Lord Of The D - DBLE
Incredible return of Jodey Kendrick in the Legion of Durocobrivis
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1
+10 (Jodey Kendrick) - Waka
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+10 (Jodey Kendrick) - Ava
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+10 (Jodey Kendrick) - Yedek 2
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+10 (Jodey Kendrick) - 10 Bedroom
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+10 (Jodey Kendrick) - Rickshaw
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+10 (Jodey Kendrick) - Youcun
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+10 (Jodey Kendrick) - Kassp Acid
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+10 (Jodey Kendrick) - S Vox
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+10 (Jodey Kendrick) - Jimb
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+10 (Jodey Kendrick) - OOT
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+10 (Jodey Kendrick) - Grace
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+10 (Jodey Kendrick) - Sarangot
First ever vinyl release of Jodey Kendrick's first album from 2007 by his +10 moniker, "Grace" was thought out with a Chicago vibe in mind in the hope that Ron Hardy might play some of it but mostly showcases Kendrick's already distinctive braindance skills. Selected by Aelfric Michael Avery from 500 tracks given by the prolific artist, each of these timeless picks was already foretelling of a budding talent on the rise. To be (re)discovered without further ado.
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Label:WeMe Records
Cat-No:WeMe075
Release-Date:20.01.2023
Genre:Breaks
Configuration:12"
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Cat-No:WeMe075
Release-Date:20.01.2023
Genre:Breaks
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1
Binary Digit - P5FUNK
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Binary Digit - Maybe Trigger Acid
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Binary Digit - Acid King Charles Spaniel
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Binary Digit - P5HD 165TEK
Fast raving acid tracks by Binary Digit. For all fans of Roy Of The Ravers and playful, cheerful acid breakbeat electronix.
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Label:WeMe Records
Cat-No:WeMe077
Release-Date:25.12.2022
Genre:Electronic
Configuration:2LP
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Label:WeMe Records
Cat-No:WeMe077
Release-Date:25.12.2022
Genre:Electronic
Configuration:2LP
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1
RTR - xxxx
2
RTR - A Lenticularis
3
RTR - 43UO
4
RTR - Nimitz
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RTR - TT
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RTR - T1
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RTR - XOR
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RTR - Lights Over Phoenix
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RTR - Estazin
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RTR - 6EQUJ5
Weirdo acid tracks and spacedout braindance by RTR. Probably the most energetic up there tracks RTR has done so far. Putting those 10 tracks together makes us go through an immersive musical journey that goes from stuttering, rapid breakbeats all the way through the record to complex melodies, needling acid basslines, mind-melting electronic workout that'll leave you on your knees. One for the Aphex Twin and Rephlex fans (and isnt everyone a Aphex Twin fan???). Limited edition of 300 copies!
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Label:WeMe Records
Cat-No:WeMe073
Release-Date:07.10.2022
Genre:Electronic
Configuration:LP
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Cat-No:WeMe073
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Genre:Electronic
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1
EOD - Bwarbler2
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EOD - Stupid2
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EOD - Mauciole
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EOD - Lazag
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EOD - Urtenlet
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EOD - Hyvish
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EOD - Accident3
Another beautiful WeMe release. EOD delivers a lovely collection of tracks in his well-known sound signature. Late Rephlex, and braindance influences are obvious but (Also considering he did release on Rephlex), but EOD did add his own fingerprint which is influenced by early Amiga sounds and Deeper Detroit Electro. Ingest and enjoy. (A special word of thank from EOD go out to Lucy Nate Dean Derek Cole Daniel Tom)
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Label:WRWTFWW
Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
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Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
1
Midori Takada - Mr. Henri Rousseau's Dream
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Midori Takada - Crossing
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Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
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- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
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Label:MM Saturns
Cat-No:MMS007
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804180894
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Label:MM Saturns
Cat-No:MMS007
Release-Date:14.06.2024
Configuration:LP Excl
Barcode:4251804180894
1
Corben - Make it Move
2
Corben - Fire to Flame
3
Corben - Six Inches
4
Corben - Get Open
5
Corben - Staring into the Sun
6
Corben - Potion
7
Corben - Precious
8
Corben - Falling Backwards
It's a pleasure for us to present one of the most awaited albums of the MM Saturns saga, a record on which we have been working for almost 3 years, and it finally sees the light.
Corben introduces us to "Peachland," an introspective retro-futuristic journey where early electro and downtempo go hand in hand in order to create a cybernetic vision of the '80s subculture. It's like an inner spaceship that immerses you in infinite space, allowing you to reach unknown universes.
Pure no-wave nostalgia filled with contagious vocoders and hypnotic synthesizers that shape a dreamlike and unsettling landscape, in which Corben shows us what could be the most sentimental and human side of an imaginary and futuristic artificial intelligence.
TRACKLISTS:
a1 Make It Move
a2 Fire to Flame
a3 Six Inches
a4 Get Open
b1 Staring Into the Sun
b2 Potion
b3 Precious
b4 Falling Backwards
More
Corben introduces us to "Peachland," an introspective retro-futuristic journey where early electro and downtempo go hand in hand in order to create a cybernetic vision of the '80s subculture. It's like an inner spaceship that immerses you in infinite space, allowing you to reach unknown universes.
Pure no-wave nostalgia filled with contagious vocoders and hypnotic synthesizers that shape a dreamlike and unsettling landscape, in which Corben shows us what could be the most sentimental and human side of an imaginary and futuristic artificial intelligence.
TRACKLISTS:
a1 Make It Move
a2 Fire to Flame
a3 Six Inches
a4 Get Open
b1 Staring Into the Sun
b2 Potion
b3 Precious
b4 Falling Backwards
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Label:Baby Blue Records
Cat-No:BLU004
Release-Date:03.05.2024
Genre:Breaks
Configuration:12"
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Label:Baby Blue Records
Cat-No:BLU004
Release-Date:03.05.2024
Genre:Breaks
Configuration:12"
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1
Chris Simmonds - We've Got Power
2
Chris Simmonds - Basic Bassis
3
Chris Simmonds - This Is The Night
4
Chris Simmonds - I Need You
Original '92 breakbeat gems from the ever forward-thinking Chris Simmonds.
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12"
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Label:Moonshine Recordings
Cat-No:MS072
Release-Date:19.04.2024
Genre:Dub/Reggae
Configuration:12"
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Label:Moonshine Recordings
Cat-No:MS072
Release-Date:19.04.2024
Genre:Dub/Reggae
Configuration:12"
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1
Another Channel feat. Prince Morella - Nameless Woman
2
Another Channel feat. Marina P - Find a Way
3
Another Channel - Version of Love
Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love More
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love More
Label:Mad About Records
Cat-No:MAR085
Release-Date:26.04.2024
Genre:Jazz
Configuration:LP
Barcode:4040824092580
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Label:Mad About Records
Cat-No:MAR085
Release-Date:26.04.2024
Genre:Jazz
Configuration:LP
Barcode:4040824092580
1
Belair - Close Enough For Jazz
2
Belair - Money Isn't Everything
3
Belair - Debby Duck
4
Belair - Samba For A Cold Warrior
5
Belair - Cruisin' With Mr. B
6
Belair - Morning Rainwalk
7
Belair - Something's Cooking (& It Ain't A T-Bone)
8
Belair - Caffeine
DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI
Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts.
This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.
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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts.
This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.
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Label:Star Creature
Cat-No:SC7069
Release-Date:09.04.2024
Configuration:7"
Barcode:
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Label:Star Creature
Cat-No:SC7069
Release-Date:09.04.2024
Configuration:7"
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1
David Zylberman - New Perspective
2
David Zylberman - Solstice
LA via Paris classically trained keyboard wizard DAVID ZYLBERMAN AKA GHOST from EGYPTIAN LOVER's spaced out synthfunk backing band follows up his sold out/out of print STAR CREATURE debut with another set of Contemporary Electronic Jazz Funk primed for peak hour dance floor action. After flipping bananas covers of LONNIE LISTON SMITH and ROY AYERS, he drops an original production that gives that same synth driven, rhythm forward dance vibe. The B Side takes us straight to deep space with an uptempo cracker of a remix of BRIAN BENNETT's ‘SOLSTICE” done in a zero-gravity flavor previously considered impossible. The promo copies have already seen major support from Chicago and NYC heavyweights.
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Label:Curtis Electronix
Cat-No:CRTSX012
Release-Date:10.05.2024
Genre:Electro
Configuration:12"
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Label:Curtis Electronix
Cat-No:CRTSX012
Release-Date:10.05.2024
Genre:Electro
Configuration:12"
Barcode:
1
CEM3340 - Future Tribe (Feat. 2030)
2
CEM3340 - Voce
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CEM3340 - Profondo Rosso
4
CEM3340 - Jimmy Cricket
The Curtis Electronix saga follows up with new material from its head and curator CEM3340. Despite keeping its roots firmly into the deepest depths of electro, Future Tribe EP moves slightly away from his usual purism and across the four tracks manages to strike a careful balance between beauty and austerity, harmonizing elegance and restraint with the booming energy of techno and funk.
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Label:Astigmatic Records
Cat-No:AR028s
Release-Date:10.05.2024
Genre:Jazz
Configuration:12"
Barcode:
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Label:Astigmatic Records
Cat-No:AR028s
Release-Date:10.05.2024
Genre:Jazz
Configuration:12"
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1
EABS - Boratka
2
EABS - Flute's Ballad
3
EABS - My Night, My Day
4
EABS - Flair
5
EABS - Introduction (for Janusz Stefanski)
6
EABS - Purple Sun
2023 was a breakthrough year for EABS in many ways. It was all thanks to the well received, fully self-produced album entitled In Search of a Better Tomorrow, recorded in collaboration with the Pakistani band Jaubi. EABS' forthcoming sixth album is a return to their roots – literally and figuratively. It is an in-depth study on rhythm, which materialised in the form of the album titled Reflections of Purple Sun.
The back to the roots part not only manifests itself in the lack of guest instrumentalists, but also in a renewed focus on the history of Polish jazz. The band's debut album Repetitions... was dedicated to Krzysztof Komeda. This time, the band picked up the entire Purple Sun album, which Tomasz Stanko recorded half a century ago. From the POV of Purple Sun fans, a hard-to-find and somewhat forgotten album, it may seem like a doomed undertaking. However, in order to pay tribute to one of the most iconic figures of Polish jazz, it was worth embarking on this mission and attempting to engage in a non-verbal conversation with the Slavic spirit that Master Tomasz Stanko undoubtedly was.
You can learn more about Reflections of Purple Sun through the comprehensive booklet accompanying the record. The cover art was created by the label's regular collaborator, Animisiewasz, whose design pays tribute to Pia Burri's original Purple Sun concept. Release date is 10 May 2024.
A1 - Boratka
A2 - Flute's Ballad
A3 - My Night, My Day
B1 - Flair
B2 - Introduction (for Janusz Stefanski)
B3 - Purple Sun More
The back to the roots part not only manifests itself in the lack of guest instrumentalists, but also in a renewed focus on the history of Polish jazz. The band's debut album Repetitions... was dedicated to Krzysztof Komeda. This time, the band picked up the entire Purple Sun album, which Tomasz Stanko recorded half a century ago. From the POV of Purple Sun fans, a hard-to-find and somewhat forgotten album, it may seem like a doomed undertaking. However, in order to pay tribute to one of the most iconic figures of Polish jazz, it was worth embarking on this mission and attempting to engage in a non-verbal conversation with the Slavic spirit that Master Tomasz Stanko undoubtedly was.
You can learn more about Reflections of Purple Sun through the comprehensive booklet accompanying the record. The cover art was created by the label's regular collaborator, Animisiewasz, whose design pays tribute to Pia Burri's original Purple Sun concept. Release date is 10 May 2024.
A1 - Boratka
A2 - Flute's Ballad
A3 - My Night, My Day
B1 - Flair
B2 - Introduction (for Janusz Stefanski)
B3 - Purple Sun More
Label:Be With Records
Cat-No:bewith157lp
Release-Date:07.06.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:4251804141963
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Last in:29.07.2024
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Last in:29.07.2024
Label:Be With Records
Cat-No:bewith157lp
Release-Date:07.06.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:4251804141963
1
Superstar Quamallah - Mr. Righteous (Intro) (0:35)
2
Superstar Quamallah - You Need Knowledge (3:45)
3
Superstar Quamallah - 88 Soul (3:12)
4
Superstar Quamallah - Black Shakespeare (3:02)
5
Superstar Quamallah - For My People...It's Spiritual (2:55)
6
Superstar Quamallah - Lonely At The Top (3:56)
7
Superstar Quamallah - Just Listen (4:05)
8
Superstar Quamallah - California Dreamin' (4:33)
9
Superstar Quamallah - Purity (3:59)
10
Superstar Quamallah - Kunta Kente (4:20)
11
Superstar Quamallah - 1993 Shit (3:49)
12
Superstar Quamallah - We Got Plots (3:38)
13
Superstar Quamallah - Do Win-Dis (4:11)
14
Superstar Quamallah - Hope She Remembers Me (3:15)
Format Notes: 2024 first time vinyl release, 140g double vinyl, remastered audio with restored artwork
Track List:
A1 Mr. Righteous (Intro) 0:35
A2 You Need Knowledge 3:45
A3 88 Soul 3:12
A4 Black Shakespeare 3:02
B1 For My People...It's Spiritual 2:55
B2 Lonely At The Top 3:56
B3 Just Listen 4:05
B4 California Dreamin' 4:33
C1 Purity 3:59
C2 Kunta Kente 4:20
C3 1993 Shit 3:49
D1 We Got Plots 3:38
D2 Do Win-Dis 4:11
D3 Hope She Remembers Me 3:15
Release Notes:
Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world.
Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen.
Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley.
With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr.
Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow!
Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational.
Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!"
This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.
More
Track List:
A1 Mr. Righteous (Intro) 0:35
A2 You Need Knowledge 3:45
A3 88 Soul 3:12
A4 Black Shakespeare 3:02
B1 For My People...It's Spiritual 2:55
B2 Lonely At The Top 3:56
B3 Just Listen 4:05
B4 California Dreamin' 4:33
C1 Purity 3:59
C2 Kunta Kente 4:20
C3 1993 Shit 3:49
D1 We Got Plots 3:38
D2 Do Win-Dis 4:11
D3 Hope She Remembers Me 3:15
Release Notes:
Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world.
Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen.
Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley.
With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr.
Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow!
Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational.
Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!"
This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.
More
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