Label:Profan
Cat-No:Profan46
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101449635
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Cat-No:Profan46
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Genre:House / Techno
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Barcode:4250101449635
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1
Love Inc. - R.E.S.P.E.C.T. (Mike Ink Mix)
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Mike Ink - Parade
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M:I:5 - Intoleratio 3
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M:I:5 - Logorrhoee 2
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M:I:5 - Logorrhoee 3
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M:I:5 - Intoleratio 2
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M:I:5 - Rom
Earquake 1996 is the 6th part of the nineties cycle by Wolfgang Voigt, released as a double vinyl series on Profan. Besides the Mike Ink remix of one of his biggest techno hits Love Inc. R.E.S.P.E.C.T., Wolfgang Voigt dedicates this edition mainly to his most dust-dry, stoic, abstract-grooving minimal designs of that time. These are pieces with such sonorous, idiosyncratic names as Logorrhoee and Intoleratio, which enchant us back into a minimal techno cosmos of a very special kind.
It may be collected
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
It may be collected
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Liebigstrasse 2-20
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Germany
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More records from Profan
Label:Profan
Cat-No:Profan41
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101422980
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Label:Profan
Cat-No:Profan41
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101422980
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Love Inc. - Life’s A Gas (Du Musst Nichts Sagen – Mix)
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Love Inc. - Trance Atlantic XS
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Mike Ink - Diagram
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Mike Ink - Musikkk
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Mike Ink - Communicate
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Mike Ink - Eternal Power
To celebrate the first anniversary of "EARQUAKE: Wolfgang Voigt 1991 - 1999", a limited double vinyl series is starting in December 2020. With each release one EARQUAKE year is honoured with a kind of "Best Of". For the loyal vinyl fans and all those who want to become one. The first strike, the double 12inch “EARQUAKE 1991“ with a total of 7 tracks, includes "Love Inc.: Trance Atlantic XS" and "Mike Ink: Dialogue E.P." - two absolute cult classics of the early nine-zero-nine and three-zero-three acid-hysteria era. As a kind of "original sound commentary" on the music of that time, there is also a new interpretation of the interview-based art piece "Wolfgang Voigt - Du musst nichts Sagen", which is combined with a Wolfgang Voigt hit that has been out of print for a long time and which the connoisseur will immediately recognize.
This piece is only available on the vinyl version of “EARQUAKE 1991“!
“EARQUAKE 1991“ is available as double vinyl and as digital download.
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This piece is only available on the vinyl version of “EARQUAKE 1991“!
“EARQUAKE 1991“ is available as double vinyl and as digital download.
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WAS - Word and Sound Medien GmbH
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Germany
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Label:Profan
Cat-No:Profan42
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101422997
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Cat-No:Profan42
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101422997
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1
Mike Ink - M:I:5
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Mike Ink - 5:0:1
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Mike Ink - The Sculpture
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Mike Ink - Swoon
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Vinyl Countdown - Solitude
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Vinyl Countdown - Free Ozone
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Dextro N.R.G. - Beta Stomp!
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Vinyl Countdown - Cure
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Vinyl Countdown - Paul
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Mike Ink - Marsch Ins Roxy
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Mike Ink - Stalink
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Wolfgang Voigt / Various Artists - Step Forward
Talking to machines in the land of happiness.
Machines are machines. Art is art.
Even the greatest artificial-intelligence machine is a machine.
Earquake 1992 is the second part of the man-made "Best Of 90s" music series by the various artist Wolfgang Voigt.
The prayer flags are waving in the stormy wind of truthfulness.
Time for change.
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Machines are machines. Art is art.
Even the greatest artificial-intelligence machine is a machine.
Earquake 1992 is the second part of the man-made "Best Of 90s" music series by the various artist Wolfgang Voigt.
The prayer flags are waving in the stormy wind of truthfulness.
Time for change.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Profan
Cat-No:Profan43
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101423000
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Cat-No:Profan43
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101423000
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1
Mike Ink & The Chain Of Brotherhood - Lovely Ugly Brutal World 1
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Love Inc. - Universe
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Love Inc. - Gymnopedie
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Mike Ink - My Principle
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Vinyl Countdown - Animal Republic
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Mike Ink - Mirage
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Mike Ink - 5 Years On Acid
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Mike Ink - 150 B.T.M.
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Mike Ink - Jingle Bells
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Mike Ink - Trump Tower
The double vinyl "Earquake 1993" is the perfect soundtrack to celebrate the first of March 1993, the birthday of KOMPAKT, because some long out-of-print classics are on it, released exactly at that time: Love Inc's "Monoculture E.P. " or the acid opera "Animal Republic" by Vinyl Countdown. The incomparable gabber monster hit by Mike Ink & Chain Of Brotherhood "Lovely Ugly Brutal World" as well as the thousandteardropdeep pop evergreen "Trump Tower" by Mike Ink.
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Liebigstrasse 2-20
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Germany
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Label:Profan
Cat-No:Profan44
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101428869
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Cat-No:Profan44
Release-Date:22.11.2024
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Barcode:4250101428869
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Mint - Phonogam
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Love Inc. - Trance Atlantic XS / Part 3
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M:I:5 - Autogen
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Mike Ink - Suburbia
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Mike Ink - Master Jack
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Crocker - Box Energy
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Love Inc. - R.E.S.P.E.C.T.
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Mike Ink - Paradise City
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Mike Ink - Live Evil A
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Mike Ink - Live Evil B
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Mike Ink - Live Evil C
The fourth part of the “Best of” Earquake Vinyl series by Wolfgang Voigt is a manifesto of the straight bass drum through the ages. Yesterday, today, the day after tomorrow. Time is running. Live is Life. The bass drum remains straight.
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DE - 22113 Hamburg
Germany
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Label:Profan
Cat-No:Profan45
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
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Grungerman - In Tyrannis
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Grungerman - Ambient Grunge
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Grungerman - Grungerman
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Wolfgang Voigt - Klang
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M:I:5 - Tamastar
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M:I:5 - Logorrhoee
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Mint - Hocker DJ 1
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Mint - Neumint
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Mint - Hocker DJ 2
It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.
Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.
By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.
"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.
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Germany
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Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.
By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.
"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Profan
Cat-No:Profan47
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101458057
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Cat-No:Profan47
Release-Date:22.11.2024
Genre:House / Techno
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Barcode:4250101458057
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1
W.V. - Nachschub
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Mike Ink - 5:0:1 (Auftrieb Mix)
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W.V. - Gabber Ambient
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Wassermann - Fackeln Im Sturm (Schaedel Mix)
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Wassermann - Fackeln Im Sturm (Keil Mix)
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Wassermann - Fackeln Im Sturm (Rauch Mix)
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M:I:5 - Masstab 1:5 2
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M:I:5 - Masstab 1:5 4
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M:I:5 - Masstab 1:5 9
This 7th edition of the "best of" 1990s vinyl edition "Earquake 1991-1999" once again documents Wolfgang Voigt's extremely complex musical work of those years. The subjective compilation, at the first impression only held together by the straight bass drum, results in a strange whole after 25 years.
On “Earquake 1997”, in addition to snotty Mike Ink saw techno, there are also some pieces from the experimental concept album “Massstab 1:5” as well as three versions of the hippie-esque sing-along techno hit “Wassermann – Fackeln Im Sturm” that have never been released on vinyl so far...
„Wir lagen träumend im Gras“ (We lay dreaming on the grass)
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On “Earquake 1997”, in addition to snotty Mike Ink saw techno, there are also some pieces from the experimental concept album “Massstab 1:5” as well as three versions of the hippie-esque sing-along techno hit “Wassermann – Fackeln Im Sturm” that have never been released on vinyl so far...
„Wir lagen träumend im Gras“ (We lay dreaming on the grass)
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DE - 22113 Hamburg
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Label:Profan
Cat-No:Profan48
Release-Date:22.11.2024
Genre:House / Techno
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Barcode:4250101460388
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Label:Profan
Cat-No:Profan48
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101460388
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1
W.V. - Disckoschleifen 2000 1
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W.V. - Disckoschleifen 2000 2
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W.V. - Disckoschleifen 2000 4
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W.V. - Disckoschleifen 2000 5
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W.V. - Babel
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W.V. - Babel (Quecksilber Mix)
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W.V. - Babel (FSK 18 Mix)
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W.V. - Galoppmusik 1
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W.V. - Galoppmusik 2
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W.V. - Loikum 2
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All - Tamastar (Alles Ist Mix)
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All - Diskoschleifen 2000 (Alles Ist Mix)
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All - Intoleratio (Alles Ist Mix)
So, people. The penultimate edition of the Earquake Vinyl series is coming up. 1998. A great year for experiments on the edge of techno-laws and far beyond. Whether he lets the Schaffel bass drum dance with “Galoppmusik” or explores the resilience of trance through exuberant cluster atonality with “Loikum” on the riot label Auftrieb. Wolfgang Voigt's musical 360 degree universe mutates in all directions and once again reaches for the stars. Of course, a finely chiseled pinch of All/M:I:5 should not be missing, as should a generous measure of “Diskoschleifen 2000”, an art-music concept that saves disco from itself through abstraction and deconstruction, right? You have to go through that now.
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Label:Profan
Cat-No:Profan49
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101461491
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Cat-No:Profan49
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M:I:5 - Koch Loop
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M:I:5 - Contenance
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M:I:5 - Mikrophon 1
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M:I:5 - Mikrophon 4
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All - Überall 1
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All - Überall 3
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Mint - Gymnopedie
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Mint - All 99
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Mint - Hochlicht 99
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Wassermann - W.I.R. 2 (Christuskirchen Mix)
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Wassermann - W.I.R. Schaffeln (Christuskirchen Mix)
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Wassermann - W.I.R. Machen Weiter (Christuskirchen Mix)
Earquake 1999 is the ninth and final part of the 1990s “Best of” vinyl series by Wolfgang Voigt. Well-known classics and never-before-released tracks on vinyl from M:I:5 to Wassermann celebrate the finale of a magnificent decade until the bells ring at the end on New Year's Eve... Earquake 1999 comes as part of the exclusive Earquake BOX.
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Label:profan
Cat-No:profan040
Release-Date:28.10.2016
Configuration:12"
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1
wolfgang voigt - Apodiktische Gewissheit
2
wolfgang voigt - Apodiktische Gewissheit ( arp remix )
"Apodiktische Gewissheit" ("apodeictic certainty") is the title of an audio-visual cooperative project from Berlin-based artist Gerhard Mantz and Wolfgang Voigt. The project is premised on a digital video piece from Gerhard Mantz. Steadily flowing geometric forms and themes move evenly around a fixed center towards the viewer. A hypnotic undertow-like effect of seductive beauty emerges - impossible to elude, whether you want to or not. Wolfgang Voigt seizes on the digital aesthetic and the mechanical flow of the images, giving them a musical equivalent. The result is a successful amalgamation of imagery and music that generates maximum intensity with minimum motion. An Impression of concurrency between loop-ish continuity and a constant forward thrust, always the same and always different, beginninglessness and endlessness is created. The vinyl release at hand is a part of the audio-visual art installation "Apodiktische Gewissheit", developed in cooperation with Cologne-based gallery Hammelehle and Ahrens at Cologne's Gertrudenkirche and starting on Friday, November 4th 2016.
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Label:profan
Cat-No:profan039
Release-Date:02.10.2014
Genre:Techno
Configuration:12"
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1
sog - Stoa 1. 1
2
sog - Stoa 1. 2
Stoicism is one of the most influential philosophical schools in western civilization. In fact, the name traces back to a portico on the Agora, the town square of Athen: it is here that Zeno of Citium founded the dotrine in the early 3rd century BC. An essential property of stoic philosophy is the cosmological perspective on a holistic experience of the world, resulting in a universal principle that prevails in all natural phenomena and correlations. The stoic individual is mostly concerned with recognizing and occupying his place in this order - he does so by embracing his fate through the stoic practice of emotional self-restraint, striving for wisdom by means of serenity and tranquility.
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Label:profan
Cat-No:profancd013
Release-Date:06.09.2013
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Label:profan
Cat-No:profan038
Release-Date:01.08.2013
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Assumedly most of us are familiar with FREILAND from younger Profan releases, namely Klaviermusik (Piano Music) and Geduld (Patience). In fact, however, FREILAND (Open Land), primarily was the successor project of the legendary Studio 1 series that started in 1998 and was limited to 6 maxis. No hi-hats, no snares, no samples. Less is more. With its consistent concept of a single synthetic sound, evolving in a stoic-minimal rhythm around one bass drum only, FREILAND, alongside Sog (Undertow), is and was Wolfgang Voigt's most important project of this kind. The piece, FREILAND - ROT 2 (Open Land – Red 2), to some degree is an epitome of the concept of "the art of omission". Accordingly, "ROT 2" is the first part of the remix series "FREILAND - FREIE SICHT" (Open Land – Clear View). Like a rusty steel sculpture à la Richard Serra, the original is set on an open field, defying wind and storm to this very day. For his Z.O.M. mix, Wolfgang Voigt brought the sculpture indoors and enveloped it in an almost club-like, warm groove coat. Neatly wrapped up, it's put through the silver glittering tinsel machine rain and out through the arpeggiator, offering a small taste of the album to be released in September, "Zukunft Ohne Menschen" (Future without people). "ROT 3" (Red 3), the mother of all shaffel bombs, dressed in gaffel mix. Meaning: gabber meets schaffel (shuffle). Greetings from Kompakt Extra / Speicher, home of glam hog-rock. The musical alter ego of painter Albert Oehlen, virtually guest of honour, reverences Wendy Gondeln. His work on the original and so far unpublished version of "ROT 4" is in line with the expressive, radical nature of his paintings. Using aggressive, abstract violin sounds in real time, he pushes the stable statics of the beat to its limits. A short but intensive intermezzo and an unusual approach to techno. The final shine is added by Michael Mayer's smart and confident dancefloor-style, in the best kompakt'esque sense, by condensing the ingredients of the subtle grooving schaffel track "GELB 3" (Yellow 3) to a hissing filigree of blurred drum sounds. Musical own-blood therapy with short and thrifty sombre house-like chords.
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Label:profan
Cat-No:profan37
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In the beginning God created the bass drum. He made it beat 8,601 days. Then he left it away. God said: Death is the greatest work of art. And it's expensive. Finally infinite. That's politics and science and art. The art of omission. The art of refusal. Death is absolute. The bass drum is absolute. Do you want the absolute bass drum? If you manage to convince him, God will be happy to lend you his axe, because what happens is what he wants. Just like the people. They want it to happen, too. The most expensive work of art in the world is a skull encrusted with 8,601 diamonds.
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Label:profan
Cat-No:profan036
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Du musst nichts sagen" ("You don't have to say anything") was a puristic sound study with lots of bassdrum and a hint of flourish, which threw a tight girdle over Wolfgang Voigt's sonic cosmos. Originally the b-side to "Rückverzauberung 2", a much more freeform exploit, "Du musst nichts..." marched towards a dark fortress, following a point-blank trail and inspired by the mute grit of the many. But the original's rigor is neither unknown to this oeuvre, nor would the artist not have other strategies in mind to reach his designated goal. The remixes at hand present three distinct alternatives, starting with the Fanfaren Mix that cranks up the amount of fanfare – hence its name –, but also explicitly carves out the underlying 4/4 rhythm. By contrast, the Informel Mix dabs on his percussion in a more intuitive way: created as the soundtrack for an experimental video, this version doesn't so much buy into the source's drama, but focuses on what was heard between the notes in the first place. The flipside is an old acquaintance too: the Doppelvoigt Mix was showcased in a video of the same name, which took an interview given by Wolfgang Voigt and translated it into some sort of documentary Techno both abstract and humoristic. In the end, all three versions share one classic Voigt verdict: Techno is essentially Ambient... only without the Ambient part
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1
Wolfgang Voigt, - Kafkatrax 3.4
2
Wolfgang Voigt, - Kafkatrax 3.3
3
Wolfgang Voigt, - Kafkatrax 3.2
4
Wolfgang Voigt, - Kafkatrax 3.1
5
Wolfgang Voigt, - Kafkatrax 2.3
6
Wolfgang Voigt, - Kafkatrax 2.2
7
Wolfgang Voigt, - Kafkatrax 2.1
8
Wolfgang Voigt, - Kafkatrax 2.0
9
Wolfgang Voigt, - Kafkatrax 1.2
10
Wolfgang Voigt, - Kafkatrax 1.1
11
Wolfgang Voigt, - Kafkatrax 1.0
Creates a claustrophobic, nightmarish atmosphere that can definitely be described as "Kafkaesque".
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Label:profan
Cat-No:profan35
Release-Date:07.07.2011
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Limited to 400 copies! Like its predecessors, this SOG release stands in the tradition of "The Art of Omission".
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Label:profan
Cat-No:profan03
Release-Date:30.10.2009
Configuration:12"
Barcode:4250101410994
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1
Mike Ink - Dadajack
2
Mike Ink - A.S.V.
3
Mike Ink - Astral Theorie
4
Mike Ink - Polier
5
Mike Ink - Playtex
6
Mike Ink - Statistik
In 1993, Wolfgang Voigt started his label Profan. From its very beginning, it provided a universal platform for Voigt’s unconventional musical hustle. Under several project names the resilience of the bass drum is fathomed again and again. Under the – even then – well introduced hooligan-techno alias MIKE INK, the 12 inch DADAJACK is released in 1994. Like the title indicates, Voigt construes the ubiquitous use of the TB 303 and the TR 909 machines very “artfully”: Reckless, elastic groove-drafts and abstract-dadaistic Acid textures create a funkiness far off Soul and Disko. Mike Ink goes Polier.
In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
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In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
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1
Juan Atkins & Moritz von Oswald present - Concave 1 07:28
2
Juan Atkins & Moritz von Oswald present - Concave 2 07:28
FORMAT 12“ vinyl, printed sleeve, dl card
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
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TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
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1
Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
2
Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
3
Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
GENRE/S: Techno
TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
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TRACKLISTS:
A: Aural Float - South Of The Clouds Pt.2 (Gregor Tresher Remix)
B1: Aural Float - South Of The Clouds Pt.2 (Extrawelt Remix)
B2: Aural Float - South Of The Clouds Pt.2 (2025 Remastered Edit)
SHORT INFO:
We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.
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Label:Kompakt
Cat-No:Kompakt354
Release-Date:31.01.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:880319817113
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1
the orb - First, Consider The Lillys
2
the orb - Wireless MK2
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the orb - Siren 33 (Orphee Mirror)
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the orb - 4am Exhale (Chill Out, World!)
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the orb - 5th Dimensions
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the orb - Sex (Panoramic Sex Heal)
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the orb - 7 Oaks
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the orb - Just Because I Really Really Luv Ya
9
the orb - 9 elms over river eno (channel 9)
10
the orb - The 10 Sultans Of Rudyard (Moo Moo Mix)
Repress!
Being pioneers with a new album created in no more than 6 months, THE ORB are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. It's especially jarring as the duo of accomplished soundsmiths Alex Paterson and Thomas Fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. The funny thing is, though, that whatever the context, you know a track from THE ORB when you hear it. Case in point: COW / CHILL OUT, WORLD!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like THE ORB in either ear (and probably to your third ear, too).
"The idea was simply to make an ambient album", Dr Paterson explains, "we didn't look back and study earlier recordings, but wanted a more spontaneous approach, a focus on THE ORB today, our vibe in 2016." In contrast to their much-acclaimed previous full-length MOONBUILDING 2703 AD (KOMPAKT 330 CD 124) - which took years to prepare and finetune -, the new album was produced over the course of only five sessions in six months, directly following the like-minded ALPINE EP (KOMPAKT 339): "it got so spontaneous that a track like 9 ELMS OVER RIVER ENO (CHANNEL 9) consisted only of material collected at North Carolina's Moogfest in May – second-hand records from local stores, field recordings, live samples from gigs that we liked, and of course an excursion to the Eno River, which actually exists. This geographic intimacy and the spontaneity are among the top reasons why we love this album so much."
Herr Fehlmann sees the duo's relentless gigging schedule as a formative influence on the new album: "the countless performances we've played in the last years - probably up to 300 - have brought us closer as a musical unit. The spice of our concerts is improvisation - a fertile process that we’ve brought to the studio, where we operate with very simple rules of engagement (in this case "ambient") and go wherever the flow takes us." It's an approach that one might expect from traditional acoustic instrumentation, not necessarily an electronic set-up, but for THE ORB it works wonders: "we're quite happy and also a little bit proud that we've reached this level of unscripted levity with purely electronic means. We're finessing ourselves, sort of, always looking for the next sonic surprise that leaves us rubbing our eyes about how the heck we got there."
Once more, THE ORB's trademark playfulness is on full display on COW / CHILL OUT, WORLD!, and it doesn't limit itself to the multi-layered sampling and psychedelic sound composites that the duo has become known for - you'll find it in the album title as well. The simple invitation (or order?) to chill out (relax? Calm the eff down?) is converted into an acronym – and the cow that you might expect to find on a Pink Floyd cover or with iconic UK chill-out/dance pranksters The KLF. It's not so much an obscure trope coming full circle as a perfect example for THE ORB's multitimbral approach to sound and meaning - a compelling, immersive journey to diverse places and impressions. Each track title is a conceptual work in its own right, playing with multiple references, some of which remain highly personal and mysterious. But the greatest feat of THE ORB's latest outing might just be how all this semantic doodling never gets in the way of the actual listening, at all times directly relating the artists' sonic vitality and cheerful nosiness. Chill out world! and treat yourself to an outstanding new ambient experience from THE ORB.
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Being pioneers with a new album created in no more than 6 months, THE ORB are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. It's especially jarring as the duo of accomplished soundsmiths Alex Paterson and Thomas Fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. The funny thing is, though, that whatever the context, you know a track from THE ORB when you hear it. Case in point: COW / CHILL OUT, WORLD!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like THE ORB in either ear (and probably to your third ear, too).
"The idea was simply to make an ambient album", Dr Paterson explains, "we didn't look back and study earlier recordings, but wanted a more spontaneous approach, a focus on THE ORB today, our vibe in 2016." In contrast to their much-acclaimed previous full-length MOONBUILDING 2703 AD (KOMPAKT 330 CD 124) - which took years to prepare and finetune -, the new album was produced over the course of only five sessions in six months, directly following the like-minded ALPINE EP (KOMPAKT 339): "it got so spontaneous that a track like 9 ELMS OVER RIVER ENO (CHANNEL 9) consisted only of material collected at North Carolina's Moogfest in May – second-hand records from local stores, field recordings, live samples from gigs that we liked, and of course an excursion to the Eno River, which actually exists. This geographic intimacy and the spontaneity are among the top reasons why we love this album so much."
Herr Fehlmann sees the duo's relentless gigging schedule as a formative influence on the new album: "the countless performances we've played in the last years - probably up to 300 - have brought us closer as a musical unit. The spice of our concerts is improvisation - a fertile process that we’ve brought to the studio, where we operate with very simple rules of engagement (in this case "ambient") and go wherever the flow takes us." It's an approach that one might expect from traditional acoustic instrumentation, not necessarily an electronic set-up, but for THE ORB it works wonders: "we're quite happy and also a little bit proud that we've reached this level of unscripted levity with purely electronic means. We're finessing ourselves, sort of, always looking for the next sonic surprise that leaves us rubbing our eyes about how the heck we got there."
Once more, THE ORB's trademark playfulness is on full display on COW / CHILL OUT, WORLD!, and it doesn't limit itself to the multi-layered sampling and psychedelic sound composites that the duo has become known for - you'll find it in the album title as well. The simple invitation (or order?) to chill out (relax? Calm the eff down?) is converted into an acronym – and the cow that you might expect to find on a Pink Floyd cover or with iconic UK chill-out/dance pranksters The KLF. It's not so much an obscure trope coming full circle as a perfect example for THE ORB's multitimbral approach to sound and meaning - a compelling, immersive journey to diverse places and impressions. Each track title is a conceptual work in its own right, playing with multiple references, some of which remain highly personal and mysterious. But the greatest feat of THE ORB's latest outing might just be how all this semantic doodling never gets in the way of the actual listening, at all times directly relating the artists' sonic vitality and cheerful nosiness. Chill out world! and treat yourself to an outstanding new ambient experience from THE ORB.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Profan
Cat-No:Profan45
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
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Release-Date:22.11.2024
Genre:House / Techno
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1
Grungerman - In Tyrannis
2
Grungerman - Ambient Grunge
3
Grungerman - Grungerman
4
Wolfgang Voigt - Klang
5
M:I:5 - Tamastar
6
M:I:5 - Logorrhoee
7
Mint - Hocker DJ 1
8
Mint - Neumint
9
Mint - Hocker DJ 2
It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.
Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.
By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.
"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.
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Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.
By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.
"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.
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Label:Profan
Cat-No:Profan49
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101461491
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1
M:I:5 - Koch Loop
2
M:I:5 - Contenance
3
M:I:5 - Mikrophon 1
4
M:I:5 - Mikrophon 4
5
All - Überall 1
6
All - Überall 3
7
Mint - Gymnopedie
8
Mint - All 99
9
Mint - Hochlicht 99
10
Wassermann - W.I.R. 2 (Christuskirchen Mix)
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Wassermann - W.I.R. Schaffeln (Christuskirchen Mix)
12
Wassermann - W.I.R. Machen Weiter (Christuskirchen Mix)
Earquake 1999 is the ninth and final part of the 1990s “Best of” vinyl series by Wolfgang Voigt. Well-known classics and never-before-released tracks on vinyl from M:I:5 to Wassermann celebrate the finale of a magnificent decade until the bells ring at the end on New Year's Eve... Earquake 1999 comes as part of the exclusive Earquake BOX.
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Being pioneers with a new album created in no more than 6 months, THE ORB are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. It's especially jarring as the duo of accomplished soundsmiths Alex Paterson and Thomas Fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. The funny thing is, though, that whatever the context, you know a track from THE ORB when you hear it. Case in point: COW / CHILL OUT, WORLD!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like THE ORB in either ear (and probably to your third ear, too).
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Label:Profan
Cat-No:Profan47
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101458057
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1
W.V. - Nachschub
2
Mike Ink - 5:0:1 (Auftrieb Mix)
3
W.V. - Gabber Ambient
4
Wassermann - Fackeln Im Sturm (Schaedel Mix)
5
Wassermann - Fackeln Im Sturm (Keil Mix)
6
Wassermann - Fackeln Im Sturm (Rauch Mix)
7
M:I:5 - Masstab 1:5 2
8
M:I:5 - Masstab 1:5 4
9
M:I:5 - Masstab 1:5 9
This 7th edition of the "best of" 1990s vinyl edition "Earquake 1991-1999" once again documents Wolfgang Voigt's extremely complex musical work of those years. The subjective compilation, at the first impression only held together by the straight bass drum, results in a strange whole after 25 years.
On “Earquake 1997”, in addition to snotty Mike Ink saw techno, there are also some pieces from the experimental concept album “Massstab 1:5” as well as three versions of the hippie-esque sing-along techno hit “Wassermann – Fackeln Im Sturm” that have never been released on vinyl so far...
„Wir lagen träumend im Gras“ (We lay dreaming on the grass)
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On “Earquake 1997”, in addition to snotty Mike Ink saw techno, there are also some pieces from the experimental concept album “Massstab 1:5” as well as three versions of the hippie-esque sing-along techno hit “Wassermann – Fackeln Im Sturm” that have never been released on vinyl so far...
„Wir lagen träumend im Gras“ (We lay dreaming on the grass)
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12" Excl
in stock
Label:Turbo Recordings
Cat-No:turbo228p
Release-Date:21.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4062548102451
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Label:Turbo Recordings
Cat-No:turbo228p
Release-Date:21.02.2025
Genre:Techno
Configuration:12" Excl
Barcode:4062548102451
1
Tiga & Hudson Mohawke - IN ORDER 2 (Quelza Remix)
2
Tiga & Hudson Mohawke - IN ORDER 2 (Jump Source Remix)
3
Tiga & Hudson Mohawke - Silence of Love ft. Jesse Boykins III (Reznik Remix)
Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)
Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.
Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.
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A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)
Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.
Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.
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Label:Profan
Cat-No:Profan44
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101428869
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Cat-No:Profan44
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101428869
1
Mint - Phonogam
2
Love Inc. - Trance Atlantic XS / Part 3
3
M:I:5 - Autogen
4
Mike Ink - Suburbia
5
Mike Ink - Master Jack
6
Crocker - Box Energy
7
Love Inc. - R.E.S.P.E.C.T.
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Mike Ink - Paradise City
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Mike Ink - Live Evil A
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Mike Ink - Live Evil B
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Mike Ink - Live Evil C
The fourth part of the “Best of” Earquake Vinyl series by Wolfgang Voigt is a manifesto of the straight bass drum through the ages. Yesterday, today, the day after tomorrow. Time is running. Live is Life. The bass drum remains straight.
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Label:Profan
Cat-No:Profan48
Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101460388
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Release-Date:22.11.2024
Genre:House / Techno
Configuration:2LP
Barcode:4250101460388
1
W.V. - Disckoschleifen 2000 1
2
W.V. - Disckoschleifen 2000 2
3
W.V. - Disckoschleifen 2000 4
4
W.V. - Disckoschleifen 2000 5
5
W.V. - Babel
6
W.V. - Babel (Quecksilber Mix)
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W.V. - Babel (FSK 18 Mix)
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W.V. - Galoppmusik 1
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W.V. - Galoppmusik 2
10
W.V. - Loikum 2
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All - Tamastar (Alles Ist Mix)
12
All - Diskoschleifen 2000 (Alles Ist Mix)
13
All - Intoleratio (Alles Ist Mix)
So, people. The penultimate edition of the Earquake Vinyl series is coming up. 1998. A great year for experiments on the edge of techno-laws and far beyond. Whether he lets the Schaffel bass drum dance with “Galoppmusik” or explores the resilience of trance through exuberant cluster atonality with “Loikum” on the riot label Auftrieb. Wolfgang Voigt's musical 360 degree universe mutates in all directions and once again reaches for the stars. Of course, a finely chiseled pinch of All/M:I:5 should not be missing, as should a generous measure of “Diskoschleifen 2000”, an art-music concept that saves disco from itself through abstraction and deconstruction, right? You have to go through that now.
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Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
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Label:NOTON
Cat-No:N-062-2
Release-Date:29.11.2024
Configuration:2LP Excl
Barcode:4251804155137
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
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Label:Voodoos And Taboos
Cat-No:V&T005
Release-Date:31.01.2025
Genre:techhouse
Configuration:12"
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1
Voodoos And Taboos - Estetica Cibernetica Feat. Lourene
2
Voodoos And Taboos - La Musica Del Futuro
3
Voodoos And Taboos - This Is A Request
4
Voodoos And Taboos - Stop Waving
Voodoos and Taboos are back with a bold new release on their own label, pushing boundaries with a fusion of Mediterranean influences, tribal grooves, and sexy vocals. This time, the duo ventures into new territory, blending house-inspired beats with Balearic vibes and electro textures, creating a dynamic and fresh sound which confirms their personal touch. The A1 track features a captivating collaboration with Brazilian vocalist Lourene, adding a unique vocal dimension to their signature style. Limited edition, no repress — grab your copy before it’s gone!
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