Territories: WW -FR -BENELUX -IT -UK

Genre: Electronic, Techno

Tracklist :

01. I LET MYSELF GO BLIND
02. LIFT ME UP
03. I DID NOT FORGET YOU
44. PLAYING / PRAYING
05. GOD IS ON MY SIDE
06. NO STRANGER TO HEARTBREAK
07. ONLY IN YOUR ARMS
08. FOREVER
09. SURRENDER
10. INTELLIGENCE ARTIFICIELLE

Release Info:
After four years of solo festival appearances, the duo formed by Rebeka Warrior and Vitalic is making a grand comeback!

The release of the new album is planed on january 24 and a European and French tour, including a sold out show at the Olympia (Paris) in April 2025 and at Zénith Paris - La Villette on November 5th, 2025.


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Territory: WW -FR -UK - BENELUX







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Territory: WW -FR -UK - BENELUX







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Territories: WW -FR -BENELUX -IT -UK

Genre: Electronic, Techno

Tracklist :

01. I LET MYSELF GO BLIND
02. LIFT ME UP
03. I DID NOT FORGET YOU
44. PLAYING / PRAYING
05. GOD IS ON MY SIDE
06. NO STRANGER TO HEARTBREAK
07. ONLY IN YOUR ARMS
08. FOREVER
09. SURRENDER
10. INTELLIGENCE ARTIFICIELLE

Release Info:
After four years of solo festival appearances, the duo formed by Rebeka Warrior and Vitalic is making a grand comeback!

The release of the new album is planed on january 24 and a European and French tour, including a sold out show at the Olympia (Paris) in April 2025 and at Zénith Paris - La Villette on November 5th, 2025.


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LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984

In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself

Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00



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Anders Trentemøller has become one of the most respected names in cutting edge electronic music in the last few years. His rise to notoriety was sparked by his
early, techy releases for Poker Flat and Audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. His debut album 'The Last Resort‘ was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer
in the house and techno world. As the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning 'Into The Great Wide Yonder‘ LP.Now this special double CD and double vinyl release celebrates some of the producer’s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music. With over 20 super-slick productions to choose from, this is a real treat for any Trentemøller fan, or indeed a great introduction into his sound. From crisp electronic beats, to atmospheric and filmic moments, to heavy post-rock mutations and beyond. This sheer variety in store here is testament to the talent and musical vision of Anders Trentemøller. All the reworked tracks are taken from the 'Into The Great Wide Yonder‘ album, which fused melancholic, emotional melodies with a more indie/electro-rock studio focus.
Tracklistings:
CD1
01. Trentemøller: Sycamore Feeling (Marie Fisker Version) **
02. UNKLE: The Answer feat. Big in Japan (Baltimore) (Trentemøller Remix)
03. The Dø: Too Insistent (Trentemøller Remix)
04. Trentemøller: Tide (Efterklang Remix)
05. Trentemøller: Silver Surfer, Ghost Rider Go !!! (Andrew Weatherall Prinz Mix)
06. Franz Ferdinand: No You Girls (Trentemøller Remix)
07. Trentemøller: Tide (Modeselektors Last Remix Ever) **
08. Modeselektor feat. Thom Yorke: White Flash (Trentemøller Remix)
09. Lars and The Hands Of Light: Me Me Me (Trentemøller Remix)
10. Kasper Bjørke: Does Not Matter feat. The Pierces (Trentemøller Remix)
11. Trentemøller: Tide (Alternative Instrumental Version) **
CD2
01. Trentemøller: Neverglade (Trentemøller Remix) **
02. Chimes And Bells: The Mole (Trentemøller Remix)
03. Trentemøller: ... Even Though You‘re With Another Girl (I Blame Coco Version) **
04. Efterklang: Raincoats (Trentemøller Remix)
05. Trentemøller: Neverglade (UNKLE Surrender Sounds Session #16) **
06. Depeche Mode: Wrong (Trentemøller Club Remix)
07. Sleep Party People: The Dwarf And The Horse (Trentemøller Remix)
08. Mew: Beach (Trentemøller Remix)
09. Trentemøller: ... Even Though You‘re With Another Girl (Kollektiv Turmstrasse Remix)
10. Giana Factory: Dirty Snow (Trentemøller Remix)
11. Trentemøller: Neverglade (Instrumental)
** = new, exclusive & unreleased songs

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CD-TRACKLIST:
1. intro - 2. bien venida a tijuana - 3. mac hine gun - 4. por donde saldra el sol ? - 5. peli gro - 6. welcome to tijuana - 7. El viento - 8. casa babylon
- 9. por el suelo - 10. blood and fire - 11. EZLN… para tod @s todo … - 12. mr bobby - 13. bon go bon g - 14. radio bemba - 15. que paso que paso - 16. pinocc hio (vaggio in groppa al tonno ) - 17. ca hi en la trampa - 18. clan - destino - 19. rumba de barcelona - 20. la despedida - 21. mala vida - 22. RADIO BEMBA 2 - 23. QUE PASO QUE PASO 2 - 24. pinocc hio 2 (vaggio in groppa al tonno ) - 25. la prima vera - 26. the mon key - 27. kin g kon g five - 28. min ha galera - 29. PRomiscuit Y

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Genre: Folk, Alternative, Psychedelic

CD: Digipack, Stickers

Tracklisting CD
01. Mukai Kaze
02. Shiroi Hana
03. Himawari
04. Tenjo
05. Help Me
06. Hitori Uta
07. Harmonica Fuki No Otoko
08. Tsunawatari
09. Utaitaino
10. Tanjo Iwai
11. Yurusarezaru Koi (Bonus Track - Digital & CD Only)

WRWTFWW Records is proud to present the first official worldwide reissue of the sophomore album from fabled Japanese folk singer-songwriter/actress/writer Hako Yamasaki, Tsunawatari. The limited edition 180g vinyl LP comes in a heavy sleeve with the original artwork, and the digipack CD has one bonus track. Tsunawatari is also available in digital formats.

Recorded right after her outstanding debut Tobimasu, Tsunawatari was released in 1976 on Elec Records, one of the first independent labels in Japan, and solidified Hako Yamasaki as one of the most gorgeous voices of the country and an exceptional musician and singer. A truly perfect follow-up, it immortalizes the bitter beauty of heartache with tearful performances and nostalgic empowerment.

The beauty of melancholic songs reaches heartbreaking heights in Tsunawatari, a magnificent ode to the sorrow of lost love and the time that passes offered to the world with a very unique brand of folk music. The kind of folk that goes for the guts, folk that shamelessly flirts with tearful blues, contemplative soft pop and psychedelic nostalgia. Put the needle on "Help Me" - there’s simply no holding back.

Hako Yamasaki, a pioneer in both the creative boom and the rise of feminism of 1970s Japan, went on to release over thirty albums, building an impressive discography and a fascinating career filled with ups and downs. Her work, inimitable and timeless, deserves the utmost recognition and should be celebrated. Again and again and again.

Tsunawatari is released in conjunction with Hako Yamasaki’s classic debut album Tobimasu, also available on WRWTFWW Records.

Points of interests

- For fans of folk, alternative, ballads, psychedelic, poetic music, the joy of love, the sorrow of love, nostalgia, nature, Janis Joplin, Lana Del Rey, being human.

- Official reissue of Hako Yamasaki’s sophomore album in pristine 180g vinyl.







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Territories: World excl. UK

FORMAT 12" vinyl, dl card incl. digital bonus

TRACKLIST
1. / A1 The Way 05:31
2. / A2 Elisir 05:03
3. / B1 Activate 05:15
4. / B2 Family Trees 05:01
5. / DX Fixed In Flux (Digital Bonus)


On April 3rd, 2026, Fireground returns to Tresor Records with Refreshing Part 2.
As with the band’s 2023 release of the same name, Refreshing Part 2 is a decisive and fierce collection of percussive techno that nonetheless travels its path with a heightened level of funkiness.
The Italian duo describe the concept behind this collection as being “not about resetting, but about balancing. Refreshing means reconnecting with the present and with the future…focusing on one’s own way in order to prevent the flow from becoming automatic, uncontrolled, and
without orientation. It is more a direction than a path.”
The four tracks on the 12” are hypnotic dives into a full spectrum of club music: the rhythms and sound design guiding the subconscious into visions of past, present and future intermingled, a reminder that all moments co-exist simultaneously.
Side A passes from the stripped-down intensity of The Way through to Elisir (Elixir), which manages to pull off a trick of feeling light and floaty while maintaining the power of its predecessor. The flip side opens with the forceful drive of Activate before making way to the
percussive elasticity of Family Tree, a track which closes out the EP by recalling, in both name and sound, how that which came before deeply affects the now, though often in ways only subliminally perceived.
Digital-only track Fixed in Flux continues this concept, and the overall themes of Refreshing Part 2, with further evocations of intent and movement; remaining present in change, without resisting it, yet without dissolving into it.

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LP
Genre : Electronic - Downtempo - Jazz

Tracklist :
A1. A traveling Light - A2 - Ritual in G# - A3. Lion Water (feat. Avishai Cohen) - A4. Grace Was
Happy (I Found Nothing) - A5. Further (with you) (feat. Nitai Hershkovits) - B1. Handle with Care
(Ice-Cream) - B2. Southern Cross - B3. Her Hair in the Air (Sahtain) - B4. Early Porpoises - B5.
Oceanic Friends

Short Info :
Yuvi Havkin aka Rejoicer returns with an exceptional collaborative album, California Space Craft. On
this aptly titled record, he joins forces with seasoned LA bass polymath Sam Wilkes — known for his
inspired studio work with Sam Gendel and his dynamic live performances alongside Louis Cole and
KNOWER — and drummer Tamir Barzilay, completing the LA-connected trifecta alongside a select
handful of key featured guests.

The idea for California Space Craft was born out of a series of inspired live sessions in Los Angeles
between 2019 and 2022, notably at Listen to Music Outside in the Daylight Under a Tree, where the
trio’s natural chemistry first began to bloom.
The resulting recordings encompass a wide variety of inspired sound stylings, as one would expect from
any of these accomplished artists on their own; however, the sum is truly greater than the parts here,
with the fluidity of their freeform improvisations over a dedicated three-day recording session feeling
remarkably focused as a cohesive whole.
Opening track “Traveling Light” sets the LP’s tone with equal parts Sly & Robbie-style, space echo–
drenched rhythms and the cozy kosmische, guitar-led feel of early-2000s genre-fluid explorers like
Tortoise. As we continue on to “Ritual in G#,” we are reminded that this is indeed a unique and timeless
sonic space the trio has created, as Havkin’s crisp Rhodes chords anchor an ever-evolving psychedelic
sound bed.

The soaring trumpet of Avishai Cohen adorns the Afrobeat-indebted “Lion Water,” with Barzilay laying
down a proper Allen-esque groove, while “Further (with you),” featuring Nitai Hershkovits on keys, offers
a defining look at the titular concept of the album — with pure Cali feels coalescing effortlessly into sciNew Release Information
fi narrative modes and a proper dose of Rejoicer futurism. Elsewhere, “Her Hair in the Air” shines with
fresh polyrhythmic intention, illustrating the balanced bond between the three collaborators at their
conversational peak, and the brisk synth strokes of “Early Porpoises,” alongside LP closer “Oceanic
Friends” — again ideally named — double as a grand, in-stereo ride into the blissful Pacific sunset
horizon.

California Space Craft embodies the power of open, collective intention and musical kinship, offering
memorable, uplifting moments and an aural glimpse of hope, warmth, and loving melodious calm in an
otherwise quite chaotic time for humanity.

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CD - Territory: WORLD EX France



Tracklist CD:

01_Doxa Notes (feat. Myra Davies) - 05:27
02_Fabula (feat. Scalde) - 04:38
03_Capriccio - 03:16
04_Præludium - 03:23
05_Sonatina (Spring Quartet Version) (feat. Thomas Bloch) - 02:54
06_Nos Contours (feat. Ornette) - 05:03
07_Invention 1 - 01:15
08_Octobre - 03:35
09_Bluette (In Muta Musica Version) (feat. Thomas Bloch)- 03:16
10_Invention n°5 - 01:53
11_Concerto For No Keyboard - 03:42
12_Myriade (feat. Bridget St. John) - 04:21

Short Info:

Sharing his InBach album with the world in 2020 set events into motion that ultimately led to Arandel making second edition in the critically acclaimed, borderless project that unites rare instruments, musical reimanigation.

Arandel unites once again behind the musical phrases of the Leipzig composer specialists of ancient and modern instruments (Thomas Bloch), modern synthesizers and moogs, strings experts (Gaspar Claus), and the poetic spoken word of Myra Davies and Bridget St.John.

Textextext - (add your write up)

"There is a Bach for everyone" Arandel says, "and that discovery is what led me here, to InBach". Beneath the intricate history, the godlike adoration placed upon Bach, he was a playful musician, an eclectic one even. And so, a full year after the release of the first InBach record on InFiné, there is enough material to make a second one. "There is so much about Bach I didn't even know when making the first one - but after the release, people kept coming to me, telling me about certain pieces I should listen to or rework; songs that I had never even heard of."

The second InBach grew like a garden from the seeds of the first one - an eclectic journey through melodic fantasies, intricate sound design and a certain Pop silver lining. Some tracks were born out of Arandel's band performing on stage, experimenting with the songs live and composing them anew, like "Nos Contours", a new, French-lyrics version of Bodyline with Ornette, Arandel's stage partner.

InBach vol. 2 is a logical consequence then, of someone diving into a pool of music and history so large that it is being chronicled to this day. A substantial part of the instruments used on the lofty, eclectic album were recorded at the Musée de la Musique Paris: rare instruments like the *Erard square piano, ondioline, Zach's cello, Stroh violins*. They help shape the unique sound of Arandel's InBach project: sometimes _eerily familiar, always otherworldly and elusive.

In the vein of rare instruments, the first guest musician Arandel approached for InBach was Thomas Bloch, who lends his gift to four tracks over the two albums, playing the ondes Martenot, one of the first electronic musical instruments ever invented. Thomas has worked with many major artists in his career of ike of Radiohead, Gorillaz, Marianne Faithful, Tom Waits, Daft Punk.

The record travels *between styles, ideas and moods elegantly - it is a distinctly fun and personal album. Freeing himself from the weighty shackles of expectation surrounding the classical maestro, Arandel goes for the core of every Bach piece he tackles, making them his own. on "Octobre", based on Air On G-String, from Orchestral Suite No. 3 D-dur, BWV 1068, his nephew tells a dreamlike story of an ominous gang of children, literally blossoming in the mud. "Fabula" - featuring the French singer Scalde - based on the melancholic, Christian lament Meine Seele wartet auf den Herrn, becomes a grandiose, auto-tuned pop ballad on InBach vol. 2, featuring the virtuoso cello of fellow InFiné associate *Gaspar Claus*.

The use of spoken word is another new layer to InBach, and acts a lyrical thread carrying the listener through InBach vol.2: the closing track features Bridget St.John, John Peel-associated folk legend from the UK to offer to collaborate on a poem for this second volume, she replied to him with a line from André Gide : "You can't discover new land if you aren't willing to lose sight of every shore". A lovely way to sum up the InBach experience for both artist and listener.


Vital Sales Points:

- A hybrid album with a mix of rare instrument sounds, synthesizers and innovative creative bias.
- Album features in The Wire, The Times, Arcana, BBC3 and many others
- French Tour in October
- Featurings
o Thomas Bloch x the expert for "Ondes Martenot" (Notable collaborations includes Radiohead, John Cage,Daft Punk,Damon Albarn/Gorillaz, Marianne Faithfull, Tom Waits…
o Myra Davies x spoken words (closed to Gudrun Gut on Moabit Music)
o Bridget St.John x spoken words (a old UK folk legend sitting next to Vashti Bunyan)
o Gaspar Claus (InFiné), Ornette (Circus Company), Flore..,.





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Territory: World excl. US & CA

Tracklist:
A1 Blinded By The Dark (feat. Dave Clarke)
A2 Riot Gear
A3 Full Circle
B1 Echoes From A Wasted Land (feat. Exzakt)
B2 The Hooded Figure
C1 Modesty Is A Virtue (feat. Perel)
C2 Harvester
C3 It Doesn´t Matter If We All Die
D1 Phantom Pain (feat. Kira)
D2 Sanctuary Of Vices (feat. Jay Denham)
D3 Infrapunch

Short Info
Turbo Recordings is proud to present the revival of German techno giant Gregor Tresher’s Sniper Mode alias with the Riot Gear LP. We have been promised that this release will usher in a Golden Age of Electro in which we will serve at the right hand of the Lord for a starting annual salary of €43,000. Not bad.

Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks. Lead single “Blinded by the Dark” is a collaboration with Dave Clarke, the most respected man in electro and perhaps just in general, and features the most punishing drop in recent memory. The album also includes standout vocal contributions from Detroit techno pioneer Jay Denham (“Sanctuary of Vices”), Miami Bass kingpin Exzakt (“Echoes From a Wasted Land”), dance-world enigma Kira (“Phantom Pain”), and Turbo favorite Perel (“Modesty Is a Virtue”). We would argue that this album represents a landmark achievement in the genre, which you have to admit would reflect pretty well on us as a label.

It is not every day that Turbo Recordings embraces the responsibility of husbanding a full-album release, and you should know that it comes as a cost. The additional listening time, track title typing, and intensive download/upload workload have pushed our dedicated staff of 90 to its breaking point. We have a lot going on over here.

Key Selling Points
- German techno giant Gregor Tresher revives his decades-old Sniper Mode alias with the Riot Gear LP
- This Sniper Mode LP will usher in a golden age of modern electro
- Riot Gear showcases Tresher’s established production genius over 11 cuts of S-tier electro marked by menace, depth, and sharp melodic hooks.


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LP - Territory: WORLD EX France
LP/CD

Tracklist LP:

A1. Doxa Notes (feat. Myra Davies) - 05:27
A2. Fabula - 04:45
A3. Capriccio - 03:24
A4. Invention 1 - 01:17
A5. Præludium - 03:23
A6. Sonatina (Spring Quartet version) - 03:08

B1. Nos Contours - 05:07
B2. Octobre - 03:35
B3. Bluette (In Muta Musica version) - 03:02
B4. Invention n°5 - 01:55
B5. Concerto For No Keyboard - 03:40
B6. Myriade (feat. Bridget St. John) - 06:38


Short Info:

Sharing his InBach album with the world in 2020 set events into motion that ultimately led to Arandel making second edition in the critically acclaimed, borderless project that unites rare instruments, musical reimanigation.

Arandel unites once again behind the musical phrases of the Leipzig composer specialists of ancient and modern instruments (Thomas Bloch), modern synthesizers and moogs, strings experts (Gaspar Claus), and the poetic spoken word of Myra Davies and Bridget St.John.

Textextext - (add your write up)

"There is a Bach for everyone" Arandel says, "and that discovery is what led me here, to InBach". Beneath the intricate history, the godlike adoration placed upon Bach, he was a playful musician, an eclectic one even. And so, a full year after the release of the first InBach record on InFiné, there is enough material to make a second one. "There is so much about Bach I didn't even know when making the first one - but after the release, people kept coming to me, telling me about certain pieces I should listen to or rework; songs that I had never even heard of."

The second InBach grew like a garden from the seeds of the first one - an eclectic journey through melodic fantasies, intricate sound design and a certain Pop silver lining. Some tracks were born out of Arandel's band performing on stage, experimenting with the songs live and composing them anew, like "Nos Contours", a new, French-lyrics version of Bodyline with Ornette, Arandel's stage partner.

InBach vol. 2 is a logical consequence then, of someone diving into a pool of music and history so large that it is being chronicled to this day. A substantial part of the instruments used on the lofty, eclectic album were recorded at the Musée de la Musique Paris: rare instruments like the *Erard square piano, ondioline, Zach's cello, Stroh violins*. They help shape the unique sound of Arandel's InBach project: sometimes _eerily familiar, always otherworldly and elusive.

In the vein of rare instruments, the first guest musician Arandel approached for InBach was Thomas Bloch, who lends his gift to four tracks over the two albums, playing the ondes Martenot, one of the first electronic musical instruments ever invented. Thomas has worked with many major artists in his career of ike of Radiohead, Gorillaz, Marianne Faithful, Tom Waits, Daft Punk.

The record travels *between styles, ideas and moods elegantly - it is a distinctly fun and personal album. Freeing himself from the weighty shackles of expectation surrounding the classical maestro, Arandel goes for the core of every Bach piece he tackles, making them his own. on "Octobre", based on Air On G-String, from Orchestral Suite No. 3 D-dur, BWV 1068, his nephew tells a dreamlike story of an ominous gang of children, literally blossoming in the mud. "Fabula" - featuring the French singer Scalde - based on the melancholic, Christian lament Meine Seele wartet auf den Herrn, becomes a grandiose, auto-tuned pop ballad on InBach vol. 2, featuring the virtuoso cello of fellow InFiné associate *Gaspar Claus*.

The use of spoken word is another new layer to InBach, and acts a lyrical thread carrying the listener through InBach vol.2: the closing track features Bridget St.John, John Peel-associated folk legend from the UK to offer to collaborate on a poem for this second volume, she replied to him with a line from André Gide : "You can't discover new land if you aren't willing to lose sight of every shore". A lovely way to sum up the InBach experience for both artist and listener.


Vital Sales Points:

- A hybrid album with a mix of rare instrument sounds, synthesizers and innovative creative bias.
- Album features in The Wire, The Times, Arcana, BBC3 and many others
- French Tour in October
- Featurings
o Thomas Bloch x the expert for "Ondes Martenot" (Notable collaborations includes Radiohead, John Cage,Daft Punk,Damon Albarn/Gorillaz, Marianne Faithfull, Tom Waits…
o Myra Davies x spoken words (closed to Gudrun Gut on Moabit Music)
o Bridget St.John x spoken words (a old UK folk legend sitting next to Vashti Bunyan)
o Gaspar Claus (InFiné), Ornette (Circus Company), Flore..,.





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Tracklist:
A1) My Name Is Who
A2) Fluorescent Horizons
B1) Approaching Area
B2) SVT HD
B3) For Several Eternals Before There Were Years

Short info:
The story of how we heard about D.J. City.
Once upon a time P.P. D.J.ed in Stockholm. Picked up by legend Sling from the airport, with what I recall was a very nice old Jeep, that had a tape deck.
That Tape deck was playing a cassette that quickly caught our attention. We found out, on it was „1- 800 Techno“, a project by another local legend D.J. City. Somehow we received the tape and digital files and have been playing them ever since.
Years later we met D.J. City at a gig for Cocktail D’Amore, it was a brief and pleasant introduction as he was handing over the decks to us.
It took some more time until we really got in touch and started a work relation that quickly turned into friendship. Circa 10 years later, we have the opportunity to properly shine light on this project that started it all.
You can listen to the full release digitally and on Vinyl for the first time. „1-800 Techno“ that is Karl Lihagen & Johan Norling (aka D.J. City) with „For Several Eternals Before There Were Years“. This I guess is what you call a „full circle moment“. Enjoy!


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2026 repress


Tracklist 12":
A1) Back In The Days
A2) Native Riddim (Vinyl Bonus Track)
B1) Jugendstil
B2) +++
Info:
COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP "Back In The Days" is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.


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