Eversines returns to Nous'klaer Audio with a bouncing four-tracker EP. Warm acid lines laced with shimmering pads on top of electro-leaning drums. A versatile release to bring in the bag for club-nights and outdoor morning sessions. Full of feelings and always grooving. More

Nous'klaer Audio proudly presents Nicola Cruz's latest full-length album, Kinesia. On his third studio album, the Ecuadorian producer masterfully blends rich studio sessions with deep analog synthesis. Kinesia invites the listener to channel an inner voice - to pick up thoughts, words, and messages as if ancient information traveling through time has been received. This album functions as a form of 'antenna,' translating these ideas into compositions and movement. The album begins with a 5/4 rhythm structure, summoning the voice of machina into a textural atmosphere, led by Perma, Nicola's vision of an infinite breaks vortex, and sustains the tension with the meditative Telepathine, a substance fictionally associated with telepathy. Regardless of the tempo, each track is intricately laced with chants, subtle percussion, textures, and spacious details that draw you back for more. With Kinesia, Nicola Cruz continues to evolve his signature sound and takes you along for the ride. While the album is crafted for a deep, introspective journey, the kinetic influence remains ever-present on dance floors. More

***Limited Repress in Black Sleeve and Stamp*** Berliner Robert Dietz lands on the Rotterdam label Nous'klaer Audio with the summery five-tracker RIP To My Idea Of You. A record infused with beautiful melodies and bright energy boosting drums - for the club, home and everything in between. More

Preceding Nicola Cruz' new album Kinesia coming on Nous'klaer Audio this autumn, the Rotterdam label and Ecuadorian producer present the first album single with two vinyl only remixes on a limited 12". Under his alter-ego Fauna Extinta, Nicola Cruz reworked the track Perma into a sublime grooving house remix and dub version. Limited to 200 copies. Stamp design by Pedro Zoz. More

Comforter2's 2023 tape album gets the remix treatment! By none other than Peach, Alex Kassian, Downstairs J and RDS. More

Coming soon. More

Repress!

Konduku returns to the nest for the fifth and final installment on his Nous'klaer Audio K-series. A diverse four tracker embodying Konduku's signature style of poly grooves and vibrant euphonies. A flow from dark to light that marks the end of this special series of releases. More

After last year's RIP To My Idea Of You, Robert Dietz is back on Nous'klaer Audio with a complete solo EP of high energy cuts rounded out by the aptly named Sudden Peace. With flying colours, highlight Farbpaletten is as propulsive as it is large. A typical Dietz track that touches on trance, but not in the way you would expect. These are tracks to draw out to sun and fill up any floor. 3 Mirrors is Robert Dietz's most explosive outing yet. Comes with in a duo pantone sleeve by Rotterdam artist Tim Mastik. More

Coming soon. More

Coming soon. More

*2024 black vinyl repress version*

Nous'klaer Audio presents Martinou - Chiral, the followup full-length to his 2021 album Rift. This time nine tracks across two vinyls. An album flowing 'in a way' like Rift, but it's different: More outspoken, heavier sound design and it peaks on a blissful note. "Open up the blinds and take me there. We'll break the surface tension. We'll dive in. I'm locked in your devotion. You give an inclination to our demise. It will be our exit. To bliss, we'll be its guardian. Once there was love. Clear as glassy water. No ripples, no waves. I followed while you led. Our arrival was warm. Hot, even. Stunning to a startling degree. Hands intwined, frolicking towards the blue. Hours passed, and white heat cede to an orange hue. We cooled down. Red. We rallied. Black. It began. Into the deep darkness we ran. White sand, it has a tendency to get everywhere. Salt water will only dehydrate you more. Shriveled and dry. Scratchy and coarse. More. And then we were lost. Fingers once locked grew distant. Morning, dear. Where have you gone? We looked. A glimpse from afar. Red. We rallied. Shall we share a bottle of wine? Black, lost again. Afternoon, friend. Where were you? Red. Alone. Black. We rallied. Shall we try somewhere new? Sand and salt. Evening, sir. Reservation for one? Reservations a plenty, I say. Evening, miss. Dining alone? Aren't we all? Dining, miss, not dying. Oh, yes, alone. Black. Sand and salt. I found you. No. No. Wait, do I know you? You feel like a dream. Don't touch me. Move along, sir. Who are you? Leave. Who are you? Where did you go? Keep moving. I am, I will. Time to move on. I'm moving! Leave. Don't touch me. Leave. Why are you? Exit. Purple. Orange. Yellow. White. Blue. Morning, dear. Shall we have breakfast? I think I'll sleep some more. But it's our last day. I know. See you downstairs when you're ready. OK. I open up the blinds. A bird breaks the surface tension. Locked in. To Devotion? No. Demise. An inclination. Reverie. Take me there. Where? Exit (To Bliss) "

Text by Gregory Markus More

Fluid, perspicuous, hypnotic, deep, Amsterdam's Human Space Machine, co-founder of the renown De Lichting collective, offers up a Swiss Army Knife of poignant techno tracks perfect for the mid-day festival set when the afternoon sun beats down and for the dark corners of the night when all you want to do is disappear. Record opener "Mopo" thuds hypnotically with a digital, crystallized, acid-tinged bass line into the second track "Arp", whose squishy chord stabs punctuate a mesmerizing rolling shuffle. Penultimate track "Lyf" plays out like a high speed pursuit- where pulsating tension propels the listener deeper into the groove while record closer "Newendam" bubbles around a bouncing bass hook offering teetering glimpses of light and bliss as the sun rise teases. Comes in a special duo-pantone printed jacket by Rotterdam based artist Tim Mastik. With words by Gregory Markus. More

Coming soon. More

Nous'klaer Audio is proud to present a stellar line-up of remixers for Nadia Struiwigh's third album Pax Aurora. DJ Nobu kicks things off with his mind-bending IDM version of Nana. Followed by JakoJako's pulsating hypnotic metamorphosis of Dreaming About Rollercoasters. On the flip, Om Unit turns the healing sounds of Organic into a powerful club tool fusing influences of jungle, dubstep & electronica. The record is completed by Norwegian classical artist Julia Gjertsen, whose layered pianos playfully transform Feroit into a stunning kosmische track. More

Nous'klaer Audio and Sound & Vision's RE:VIVE initiative have teamed up for the third and final LP in their film scoring trilogy. Capping off with a soundtrack made for a progressive, angular take on a color-soaked, geometric educational archival film. Combined with a soundtrack for a film that is a personal intensifier to the city of Rotterdam, which is the home of Nous'klaer Audio. The collaboration invites two musicians to compose for these archival films from the collection of Sound & Vision, the national media archive of the Netherlands. This final instalment features through and through Rotterdammer, Kems Kriol and the Amsterdam based Turkish composer, pianist and DJ Loradeniz. Kems Kriol accompanies the amateur documentary collage film "Rotterdam in de Jaren 90", a dark period of strife, economic and social crisis for the now booming metropolis, with the compassion and empathy of someone who experienced those years first-hand but with enough time removed to reflect with heart. Loradeniz angularly and precisely moves her way through the delicate film "Tegenlicht", a surprisingly colorful and fluid educational film about painting, a bold juxtaposition that propels the film into the 2020s. Extended info: Side A, Tegenlicht (English: back lit) is a 1969 education film by Ton Gramsbergen. The short meditative film, follows stained glass artist Leo Hofman through his entire workflow to create beautifully abstract stained glass window panes. Loradeniz?angularly and precisely moves her way through the delicate Tegenlicht creating a bold juxtaposition that propels the film into the 2020s. Employing processed vocal work, deep dry kicks, and jarring percussion-- reminiscent of scratching glass-- Loradeniz's haunting modernization suits the cinema and the club equally, a testament to the rising composer's fluid versatility and creative prowess as a musical pantomath. Side B, Rotterdam in de Jaren 90 directly contrasts the zoomed in artistry of Tegenlicht. The amateur documentary Super 8 footage captures Rotterdam in one of its most tumultuous times from police brutality, poverty, drugs, violence, racism and the city's ongoing architectural modernization. Kems Kriol, who lived in Rotterdam during this time period, brings a deeply emotional weight to the Ed Millecam amateur documentation, as an artist with the compassion and empathy of who experienced those years first-hand but with enough time removed to reflect with heart. Kems Kriol's influences from modern and avant garde composers, jazz, acid bass lines and field recording Kems Kriol made at different locations featured in the film equate to a musical collage wholly comparable to the city's diverse population. The prior installments in this series featured Nous'klaer Audio staples, Ranie Ribeiro, Mattheis, Thessa Torsing (upsamy) and Tammo Hesselink. More

For their recent capsule collection in collaboration with Obey Clothing, Klasse Wrecks label owners Mr. Ho and Luca Lozano turn their hands to an EP entitled 'FREE TEKNO'. Inkeeping with the range's celebration of free spirited exploration and unbridled creativity the well seasoned and experienced production duo provide 4 tracks of various flavours. The mood is a little darker and faster than usual KW fare and throws knowing glances to late 90s genres such as Tribal Techno and Acid Breaks. The resulting EP is a good reflection of two producers happily in their own lane, enjoying the journey that come alongside with making music and running a record label. More

A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.

A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton. More

Multi Culti World Records venture deeper into the new new age with the release of 'Ocean of Beauty - Meditations for Synthesizer and Bansuri Flute,' a collaboration between California-based artist/DJ Earthtones and Indian classical musician Sheela Bringi. Earthtones, fresh off his genre-defying debut album on Wonderwheel, here dives into the deep end of the ocean of ambient. With music that traverses cultures,he’s known for bridging influences from Cumbia to hip hop and house music. Here he presents his most consciousness-expanding work yet, no doubt influenced by his involvement in Ojai new age culture,years living in ashrams, practicing Shaktism,+ spending as much time curating sounds suitable foraural healing and meditation as for dance-floors. He’s found a perfect muse in Boulder-based Sheela Bringi, whose virtuosity in Indian classical music sets the tone of the record with her bansuri (Indianbamboo flute) & harp, blending traditional instrumentation with more contemporary influences. Bringi was a direct disciple of bansuri master GSSachdev, and represents a devotional musical lineage. She has released two solo albums, 'Shakti Sutra' and 'Incantations,' and her work has been featured on over 50 world and ambient records, plus publicly on outlets from NPR to NBC News, & more. 'Ocean of Beauty' is the English translation of an ancient Sanskrit text devoted to the divine mother, the Sri Saundarya Lahari, The song titles are taken from verses in that text, and the album is in fact a dedication to the goddess Lalita Devi. It creates a serene, meditative space which seamlessly blends traditions; synth-driven ragas with a spirit of tranquility that nurtures Multi Culti’s philosophical bent towards ‘music without borders.’ More

This rare Brit Funk 12” was originally released in 1984 and is now officially reissued for the first time. Licensed from producer Lindel Lewis, the 12” was heavily influenced by US Boogie and Disco and there’s a Dub influence at play as Lindel was also producing a lot of reggae around this time, most famously ‘Night Over Egypt’ by Mystic Harmony.

The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.

This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton. More

Repress!

at mule musiq, we’ve focused on shining light on the many aspects of what electronic music can be, putting out house, techno and ambient releases on our main label, while releasing alternative-leaning dance music through our endless flight imprint. but with the launch of our new label, studio mule, we are stepping away from electronic club music for a bit. the label will not be tied to a specific genre, as we will instead focus on releasing any kind of music that we feel is a little bit different and interesting, but somehow make sense in this day and age. for our first batch of releases, we will be focusing on japanese music.

to be honest, i have been watching the recent rise of global interest in japanese music with a skeptical eye, not sure of how to feel about all these labels overseas licensing great albums that were birthed in our country. but then, i was told by somebody i greatly respect that i should do something similar with mule, and put our own spin on it, which sounded like a good idea to me. after a period of procrastination, i finally got around to doing it. we are starting things off with a compilation of japanese disco, boogie and soul music that we selected from a modern dance music perspective — the kind of songs that we feel would intrigue music fans across the world.

at first, i started seeking authentic-sounding disco that sound like it could have been recorded in the states, but after struggling to get licensing rights for many of those tracks, i started to wonder if that was really the direction we should be going in. when we start new labels or projects, we often come up with the title or artwork first, before deciding on the actual music. we came up with the title midnight in tokyo first, which dictated that we needed to find music that would be a perfect soundtrack to listen to at night in tokyo. we ended up compiling a selection of tracks that you could both listen to at home, and play in clubs at certain time slots. the compilation also ended up sounding a lot more pop than we initially imagined…

during the selection process, we did not care whether the tracks have been reissued already or not, and how rare the original copies of the records were. our sole purpose was to gather a handful of songs from across labels, major or otherwise, that we felt could be listened to for many years to come — even after this whole japanese music trend dies down. although we put together this release mainly for listeners outside of japan, the compilation can also be a chance for japanese music lovers to rediscover the greatness of domestic music, as we did during the process.

the compilation starts off with the afro disco classic “mi mi africa” by harmonica player nobuo yagi, which was also included in the compilation mastercuts.

“silver top” is a jazzy fusion disco taken from composer, arranger and multi-instrumentalist nobuyuki shimizu’s first album, which he released when he was 19. the track features singer epo, whom he worked with many times over the years as an arranger.

“samba night” is by vocalist keisuke yamamoto and his band piper, from their masterpiece second album summer breeze. a delightful city pop number that should appeal to tatsuro yamashita fans.

“akogareno sundown” is a japanese soul classic, sang by singer haruko kuwana (the sister of well-known musi-cian masahiro kuwana). recorded in hawaii and produced by mackey feary band, known for the soulful classic “a million stars.”

“koiwa saiko (i’m in love)” is a mellow and groovy track by singer aru takamura, the great-grandchild of sculptor kouun takamura, whose son kotaro takamura is a famed poet and sculptor. can be thought of as japan’s answer to cheryl lynn’s “got to be real.”

“what the magic is to try” is a cult electropop track by honma express, a project helmed by producer kanji honma. hailed as japan’s trevor horn, he is also known as the producer of legendary techno pop band tpo.

“colored music” is a song by colored music, a duo of pianist ichiko hashimoto and her partner atsuo fujimoto, who have gone on tour with ymo. taken from colored music’s sole album, the japanese rare groove treasure is a mesh of new wave, synth pop and jazz influences.

the dubby electronic new wave disco “electric city” is a b side of pop idol group shohjo-tai’s debut 12” single, but the girls aren’t actually singing on it, making the instrumental one of japan’s greatest ’80s dance tracks.

“love is the competition” is a breezy disco jam by okinawa-born bilingual artist hitomi tohyama. featured on her album next door, the song’s melody seems like an interpolation of the whispers’ “it’s a love thing.”

taken from mariah project’s diva yumi murata’s first album, “krishna” is a funky and soulful rockin’ disco cut.reminiscent of chaka khan’s “i know you, i live you,” “live hard, live free” is a song by jazz vocalist eri ohno who is known for her work with dj krush and singing on the soundtrack to anime rupin the third.

“rocket 88” is a melancholic disco number by singer minnie. though the track was released through sapporo’s independent label paradise records, the superb production quality suggests otherwise.

closing out the 13-track compilation is japanese disco staple “tokyo melody,” sang by half african and half swedish american singer shoody and backed by tetsuji hayashi’s disco band the eastern gang. More

Repress!

Midnight In Tokyo 2, the second installment to the compilation series that rounds up hidden gems by Japanese artists that's perfect for listening at night in Tokyo, is here. This time the collection brings together some tasty electric jazz fusion from the '80s , compiled by Dubby, the man behind the online record store Ondas.

The compilation begins with "Hikobae," a dark and slow cosmic jazz by saxophonist Genji Sawai, followed by "Danza Lucumi," an odd Caribbean-style jam by Today's Latin Project, a band fronted by Tadaaki Misago of Tokyo Cuban Boys, with arrangements by Yasuaki Shimizu. "On The Coast" is a soulful and mellow vocal track arranged by Ryuichi Sakamoto, from guitarist Shigeru Suzuki's album White Heat, and fusion boogie cut "In The Hot City" is by Mr. Theodore, which was a one-off project by a mysterious artist.

The melancholic soul jazz number "So Long America" is the title track from the album Yasunori Soryo released in '82, following a stint in America with the band Brown Rice. "Twisty" is a tropical reggae tune from the album Samba Kathy, an underrated classic by Jugando which was released on Trash, a sublabel of one of Japan's finest jazz labels, Trio. "Samarkand" is an electric Latin jazz jam that sounds like something Miles Davis and Santana could have played on, performed by a Latin funk band from Fussa. "Imagery" is a primal African fusion track by Katsutoshi Morizono, a member of the prog rock band Yoninbayashi.

"Windmill" is the most acoustic sounding tune on this compilation, a breezy Brazilian affair with a Hermeto Pascoal feel. "Mystery Of Asian Port" is by the band Parachute, which consisted of Japa-nese fusion giants like Akira Inoue, Tatsuo Hayashi and Masaki Matsubara. The cosmic jazz record sounds like something Daniele Baldelli would play in his sets. "Bay Sky Provincetown 1977" is a classic Japanese fusion tune by guitarist Yuji Toriyama.

The set also features the mellow but danceable "Heatwave" by keyboardist Keiichi Oku, featuring a female vocalist (which some have identified as Rie Ida), and last but not least, closing out the 13 track compilation is "Day Dream At The Bob's Beach," a wonderful urban fusion with a beautiful vibraphone melody, from the Japanese fusion classic album that was a one-off project by studio musicians More

Desde los oídos de un sapo

We are very excited to announce a new chapter in our journey. Here we are blazing a new trail, making our way to document and leave a first-class record of sound design, Field Recording and cutting-edge electronic music made in South America. We present our first album, 'Desde los oídos de un sapo', by our favourite amphibian, a man ahead of his time, the Uruguayan Lechuga Zafiro.

"How could I call it my sound if I had not found it myself?"___

States the artist, who finished forging his outstanding musical identity based on field recordings. Metal, wood, plastic, glass, rock, toads, birds, sea lions, pigs and water (in its various forms) captured in Uruguay, El Salvador, Chile, China, Argentina and Portugal, coexist and exchange harmonic and dynamic properties. By altering, editing, or simply letting the sounds manifest themselves, Lechuga generates a wide and complex rhythmic-timbral universe. These are 7 tracks that never cease to have consistency and a fierce character.

Lechuga's debut album is a milestone in Latin electronic music. This document opens a new territory, one so genuine and challenging, so real and fertile, that we are confident it will be a must-have anywhere on the planet. This collaboration is our new contribution to the mission of contemplation, so please stop, come to this frog's ear, to feel with both Pablo and us. More

Robert Rental takes up residence with Dark Entries again for an expanded double vinyl reissue of Mental Detentions. Robert Rental was a Scottish pioneer of DIY electronic music. Along with his illustrious collaborators like Thomas Leer and Daniel Miller, Rental helped shape the countercultural sound of the UK with his timely melding of Krautrock, dub, and punk. Originally from Port Glasgow, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Rental however released very little of his solo music - the only solo recording from The 1970s is the 7" single "Paralysis" first released on the homemade Regular Records in 1978, and re-released on Dark Entries in 2020.

Mental Detentions was released as a cassette in 1979, the same year as his masterpiece The Bridge, a collaboration with Thomas Leer. Using an assortment of budget electronics - a Roland drum machine, a kid’s Stylophone keyboard, and an Electroharmonix DrQ - Robert takes us on a gauzy, trip, at once expansive and intimate, minimalist and maximalist. “Stuck” is mangled motorik, like Neu! run through a meat grinder, while “Vox” meanders like an 18 minute ambient fever dream. Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio - it was these demos' sound that he wanted to create. Sometimes having only access to the most rudimentary of equipment can sharpen one’s craft - necessity is the mother of invention, indeed. This ethic shines in his work, providing a throughline to the now, as the world feels bigger and smaller than ever. More

*Vinyl reissue* Now available for the first time on limited edition 12”.

After two albums on A Strangely Isolated Place as Comit, James Clements brings his ASC alias to the label with a completely new and revealing style, focusing on the piano and creating space for the listener to construct their own associations with an imaginary Soundtrack.

Bridging the majority of Electronic styles over the past twenty years, from Autonomic and Jungle, to Ambient, Techno and IDM, James Clements can be held up as a master of these styles by many of us, but when it comes to boiling down his musical intricacies to focus on a single instrument, you’d be hard stretched to find something within his vast catalog until now. In 'Original Soundtrack' the piano is now the focus across eight introspective acts, with the spaces and places left open for further interpretation.

Mastered by Rafael Anton Irisarri and featuring photography by Greg Nunn, Original Soundtrack was originally available as a limited Digipak CD and digital download and is now available as a limited edition 12” pressed on black vinyl. More