El Barrio by Aire Terra is a powerful statement on unity and humanity during times of change and conflict.
featuring remixes by renowned artist Ricardo Villalobos and
Argenis Brito, this record captures the essence of community and resilience.

Side A is a dance floor piece, by Aire Terra _a.k.a Guillermo de Caminos and Manglus feat vocals by Juki Vemo, led by hypnotic and earthy drums, the labels signature South’American flavor.
On the flip side, Ricardo Villalobos & Argenis Brito feat. an edit piano from Ryuichi Sakamoto, brings a slightly darker, more intriguing version, an invitation to breathe deeply into the sound. More

For the 6th release, Mung Records presents the Future Empire EP by acclaimed Italian DJ and producer Gianmaria Coccoluto, known in the scene as GNMR.

Raised in a musical environment, Gianmaria’s passion for music developed from an early age, shaping his profound sensitivity to sound, which reflects in every creation. GNMR’s productions entail an accurate musical exploration, blending various arrangement techniques with both analog warmth and digital precision. His works are characterized by an exquisite aesthetic and an intuitive mastery of groove. More

Tracklisting
A1 UFO95 - Réalité Irréelle
A2 UFO95 - Against Everything
B1 UFO95 - Champ de Bataille
B2 UFO95 - Cold Sun
B3 UFO95 - Obeissance
C1 UFO95 - This Brutal Society
C2 UFO95 - Artefact
C3 UFO95 - Solution
D1 UFO95 - Substractive Synthesis
D2 UFO95 - A world of self Concern More

Out of the murky, mystic world of Komodo Kolektif slides the Gamma Knife.

In the corner of a dank, dark mind, a nebulous notion condenses and solidifies, featureless and blind...and from that Komodo Klay a new kreature is hacked, molded and (mal)formed.

“The foundations of some of these pieces were laid almost a decade ago, others more recently. All of them came into being as sketches intended as Komodo Kolektif tracks to develop but for various reasons this didn't happen. The Seven Heavenly Elements was first presented to the group in 2019 but partly through personal differences in musical taste as well as COVID throwing a spanner in the works it was put aside and never worked on collectively. The two Disciple of the Drum 'dubs' are essentially rhythm tracks using the rhythm and percussion of Disciple Of The Drone, also from 2019, stripping away the drone, the gamelan melody and finally, even the bass line, which was initially intended to be the fundamental driving force of at least one of these dubs. In the end neither of these two tracks became anything like the idea that I had in mind, but that's how creativity works sometimes. The vocal parts in Cantation Dub were added most recently, just a few months ago. Fire Dub is just an exercise in me trying to rein in some insane delays and barely managing. The Ghost of Water is an anomaly because many of the fundamental parts are taken from the same jam session recorded in 2015 that led to Djakarta 3001 from the first EP. If you listen closely you'll hear Graeme Miller on guitar (back when guitar was still featured in our weekly jam sessions). I discovered this unedited hour-long jam session on an older hard drive in late 2023 and decided to fashion something from it until what became Ghost of Water materialised: the heavily delayed saron instruments, the jaw harp, the percussion and so on. What makes the track an anomaly is that it is in some ways both the oldest and newest piece of the five. The Seventh Element takes one of the seven elements of The Seven Heavenly Elements (in this case the Mopho synth tuned to the Indonesian pelog scale and ran through the Boss DE-200's depth modulator) to which I then added some gong parts and field recordings from Bali.

Once complete, I realised with an album's worth of material sitting there which was more “Komodo Kolektif” than anything I would normally produce solo, there came the problem of trying to work out what to do with this distinctly Komodo-esque, non-Komodo material. I came up with the idea of releasing it under the name Komodo Kuts...but a part of me felt I'd be cashing in on the Komodo name so ditched that part entirely...but the kuts remained, which seemed appropriate when used alongside my Gamma Knife moniker (which has a long story of its own...in a nutshell I had a benign brain tumour which only 1 in 10,000 people get and which is most frequently removed with a gamma knife (radiation). In medical parlance the device used in this treatment is often shortened to GK machine. I had been using the DJ name GK Machine, which came from my signature GK Mackinnon, since 1994, in other words long before this diagnosis. In the end I had brain surgery in Spain without use of gamma radiation...but the synchronicity of the name connection fascinated me nevertheless. Sometimes the world works in mysterious ways).

Lastly, now that I've sent these tracks out into the world, I feel somewhat liberated and can move on from this fairly niche and specific sound. The gamelan instruments have been returned to Gamelan Naga Mas, from who we'd borrowed them, and the masks hung up. This does not mean that Graeme Miller and I won't work together again in future...I'm sure we will...it just means we won't be tied to working within the constraints of gamelan, synths, percussion and dub that we became known for. So stay tuned...surely something lurks around the corner” GKM, November 2024 More

The next in the Undercover Lovers series from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Number 5 features a steel band cover of an 80's classic (itself sampled on a 90's hip hop classic!) backed with the Balearic banger of the year; an edit of a rare 'Everybody's Gotta Learn Sometime' cover...

Limited pressing as usual, be quick! More

Tracklist
A1. Amorphic & Tensal - AT1
A2. Amorphic & Tensal - AT2

B1. Amorphic & Tensal - AT7
B2. Amorphic & Tensal - AT8

Amorphic & Tensal join James Ruskin's Blueprint Records family with their "Distant Landscapes EP" this November, which closes out the label's 2024 catalogue.

Amorphic is the pseudonym of Scottish artist Vince Watson, aimed at exploring more raw and hypnotic signatures. Launched in 2022, Amorphic has featured on labels like Token, Symbolism and Modularz as well as Vince's self-formed labels Amorphic and Morph. With almost 30 years in the industry, Vince has released over 1000 tracks, which has allowed him to work and gig with some of the very best. He now teams up with Spanish artist Tensal for this new EP.

Tensal is the alias of Héctor Sandoval (who is also one half of Exium, Komatssu and Selección Natural), created togive space to his more cyclical and modern vision of Techno in which he combines different rhythms and textures. After a handful of works released on his own label, he has recorded for the likes of Mord, Modularz, Arcing Seas, Warm Up, Perc Trax, Cabrera, Polegroup (of which he is a founding member) and Soma, where he released his first LP in 2018.

Together they've drawn on their individual skills to deliver 4 deep and driving Techno cuts that perfectly fit James Ruskin's influential label.
More

Tracklisting
A1 Frenk Dublin - Deep Stone
A2 Frenk Dublin - Valorum
B1 Frenk Dublin - Voodoo Dub
B2 Frenk Dublin - The Ancient Order

Sales Note
Mastered on a reel to reel tape machine cut on 12" 180g green marbled vinyl. More

Repress!

Forest Drive West delivers the ‘Parallel Space’ EP via Copenhagen’s Echocord this December, backed with a remix from Conforce.

London’s Forest Drive West has gained widespread recognition as a purveyor of raw and emotive techno over the past few years, releasing material on the likes of Livity Sound, Hidden Hawaii, Neighbourhood and Whities. Here though see him returning to Echocord following his recent remix of Babe Roots on the imprint earlier this year. ‘Creation Dub’ leads, fusing echoing dub chords and off-kilter drums with cavernous atmospherics and pulsating low-end tones before ‘Drift’ edges into darker territories with murky synth textures, glitched out percussion and tension building drones creating a hypnotic and subtly nuanced six and a half minutes. Title-track ‘Parallel Space’ then opens the B-Side, bring the rhythmic aspects into the spotlight this time as bumpy broken drums, a rounded sub line and oscillating percussion ebb and flow amongst hazy pads, fluttering echoes and expansive reverbs. Conforce’s take on ‘Parallel Space’ rounds out the package next and the Delsin regular delivers a typically classy interpretation with choppy bass stabs dynamically driving the composition as snippets of the original’s ethereal textures and spiralling percussion are weaved within.
Downloads

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Tracklisting
A1 Endlec - Tactical Steps
A2 Endlec - The Process
A3 Endlec - Portal One
B1 Endlec - Hunter In The Shadows
B2 Endlec - Critical Pressure
B3 Endlec - Timesplitter

Sales Note
Mord sublabel: Kazerne More

Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation. More