Label:Phonica AM
Cat-No:PHONICAM004
Release-Date:29.11.2024
Genre:techhouse
Configuration:12"
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Label:Phonica AM
Cat-No:PHONICAM004
Release-Date:29.11.2024
Genre:techhouse
Configuration:12"
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Rhythms Of Prescott - Beat Heat
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Rhythms Of Prescott - RGRT
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Rhythms Of Prescott - The Instigator
Phonica AM proudly introduces the latest release from upcoming Irish-born producer and DJ, Rhythms Of Prescott. For fans of Pepe Bradock and Derrick Carter, this record is a must-have.
The A-side kicks off with 'Beat Heat', a driving filter house monster underpinned by dubbed-out percussion, playful vocal interjections, and infectious disco stabs. Following up is 'RGRT', which delves into a deeper vibe with slick jazz samples and a pulsating filtered bass line. The B-side brings 'The Instigator', a tension-filled mind melter perfect for early morning trippiness, featuring Rhythms Of Prescott's masterful sample manipulation and unique wonkiness.
This release showcases Rhythms Of Prescott's raw approach and jackin' sample manipulation to rock any dancefloor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The A-side kicks off with 'Beat Heat', a driving filter house monster underpinned by dubbed-out percussion, playful vocal interjections, and infectious disco stabs. Following up is 'RGRT', which delves into a deeper vibe with slick jazz samples and a pulsating filtered bass line. The B-side brings 'The Instigator', a tension-filled mind melter perfect for early morning trippiness, featuring Rhythms Of Prescott's masterful sample manipulation and unique wonkiness.
This release showcases Rhythms Of Prescott's raw approach and jackin' sample manipulation to rock any dancefloor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Phonica AM
Label:Phonica AM
Cat-No:PHONICAM003
Release-Date:29.09.2023
Genre:House
Configuration:12"
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Label:Phonica AM
Cat-No:PHONICAM003
Release-Date:29.09.2023
Genre:House
Configuration:12"
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Snad - Quark
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Snad - Labyrinthine
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Snad - Quark (Huerta Remix)
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Snad - Revival
No stranger to the limelight with a string of forward-thinking, sought-after releases under his belt, Snad joins the roster of cutting-edge artists bringing his spark to Phonica AM under curation of Luther Vine.
The 'Labyrinthine EP' opens with a relentless 4 to the floor club ready firestarter. Aptly titled 'Quark' hits the spot in all the right places. Its swinging drum work out and oscillating chords swirl to a frenzy and guarantee to set any a dance floor ablaze.
The A2 'Labyrinthine' boots off with Snad's unique take on UK 90s Tech-House, full groove, snare syncopation and whirlwind of off-centre synth cords, adding to his effervescent sound design.
The flip side opens with a killer remix fellow Berliner expat, Huerta's take on 'Quark'. The remix retains the destructive dance floor potential of the original and adds somewhat in the hypnotic trip out department. Full engagement is guaranteed from start to finish even for the more of an absent-minded listener on this one.
Snad closes the EP with 'Revival'. This cross-genre juggernaut effortlessly marries puncy breaks with dubbed out echos while the resonant synth chords and muddled vocal chops expand listener's perception of sonar possibilities to places few have imagined possible. One of the rare tracks which hovers on the fringe of experimentation but guarantees to move the peak time crowd of the most discerning listening habits.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The 'Labyrinthine EP' opens with a relentless 4 to the floor club ready firestarter. Aptly titled 'Quark' hits the spot in all the right places. Its swinging drum work out and oscillating chords swirl to a frenzy and guarantee to set any a dance floor ablaze.
The A2 'Labyrinthine' boots off with Snad's unique take on UK 90s Tech-House, full groove, snare syncopation and whirlwind of off-centre synth cords, adding to his effervescent sound design.
The flip side opens with a killer remix fellow Berliner expat, Huerta's take on 'Quark'. The remix retains the destructive dance floor potential of the original and adds somewhat in the hypnotic trip out department. Full engagement is guaranteed from start to finish even for the more of an absent-minded listener on this one.
Snad closes the EP with 'Revival'. This cross-genre juggernaut effortlessly marries puncy breaks with dubbed out echos while the resonant synth chords and muddled vocal chops expand listener's perception of sonar possibilities to places few have imagined possible. One of the rare tracks which hovers on the fringe of experimentation but guarantees to move the peak time crowd of the most discerning listening habits.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Phonica AM
Cat-No:PHONICAM002
Release-Date:22.07.2022
Genre:House / Techno
Configuration:12"
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Label:Phonica AM
Cat-No:PHONICAM002
Release-Date:22.07.2022
Genre:House / Techno
Configuration:12"
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Subb-An - Synchronicity
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Subb-An - Salvia Apiana
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Subb-An - Higher Frequency
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Subb-An - Atlantis
Hot on the heels of the success of the Phonica AM’s debut release, lable curator Luther Vine has un- earthed another rare find. London based Subb-An is no stranger to all manner of Tech and Minimal sounds. He’s well known for the high calibre releases on his own One Records and countless seminal releases on lablel far too many to mention. Yet on ‘Synchronicity EP’ you will discover Subb-An like you’ve never heard him before. The newly found sound that he explores here with ease and panache is both steeped in 90’s history yet with knowledge of modern dancefloors.
The tight and driving opener ‘Synchronicity’ is sharp as a tack. The relentless kick of the 909 is pep- pered with Acid-tinged synths. A banger by all means, yet due to the eerie sensual vocals the overall feel of the track is positively hypnotic. It is followed by ‘Salvia Apiana’. The track evokes the Tribal rites with its gamelan influenced arrangement and superbly inventive use of playful arps. This melodic yet danceable sage scrub is guaranteed to rejuvenate all manner of tiered dancefloors.
The flip side opens with ‘Higher Frequency’ and travels far beyond the straight forward beatscapes of obvious and mundane. It resonates on mystic frequencies of Techno spectrum but remains infectiously danceable at all times.The closing track of the EP is an understated meditative masterpiece. ‘Atlantis’ takes bright jubilant semi-tones and sees them timidly burst through the artfully constructed dusty soundframe. The more you listen to it the more you will hear. Pure magic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The tight and driving opener ‘Synchronicity’ is sharp as a tack. The relentless kick of the 909 is pep- pered with Acid-tinged synths. A banger by all means, yet due to the eerie sensual vocals the overall feel of the track is positively hypnotic. It is followed by ‘Salvia Apiana’. The track evokes the Tribal rites with its gamelan influenced arrangement and superbly inventive use of playful arps. This melodic yet danceable sage scrub is guaranteed to rejuvenate all manner of tiered dancefloors.
The flip side opens with ‘Higher Frequency’ and travels far beyond the straight forward beatscapes of obvious and mundane. It resonates on mystic frequencies of Techno spectrum but remains infectiously danceable at all times.The closing track of the EP is an understated meditative masterpiece. ‘Atlantis’ takes bright jubilant semi-tones and sees them timidly burst through the artfully constructed dusty soundframe. The more you listen to it the more you will hear. Pure magic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:BOY Records
Cat-No:BOY8824-12
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
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Label:BOY Records
Cat-No:BOY8824-12
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
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Time Modem - Welcome To The 90s
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Time Modem - Intensive World
BOY Records re-issues one of the most wanted records.
It's Time Modem - Welcome To The 90s from 1990!!!
Re-mastered edition.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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It's Time Modem - Welcome To The 90s from 1990!!!
Re-mastered edition.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Groovin Recordings
Cat-No:GR-12124
Release-Date:22.11.2024
Configuration:12"
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Label:Groovin Recordings
Cat-No:GR-12124
Release-Date:22.11.2024
Configuration:12"
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Gusto - Disco's Revenge (Mole Hole Dirty Mix)
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Gusto - Disco's Revenge (David Anthony UK Full Vocal Mix)
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Gusto - Disco's Revenge (Freemasons Club Mix)
2024 official blue vinyl reissue
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Orange Wedge
Cat-No:OW007-LMV
Release-Date:24.01.2025
Genre:House
Configuration:12"
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Label:Orange Wedge
Cat-No:OW007-LMV
Release-Date:24.01.2025
Genre:House
Configuration:12"
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1
Paolo Mosca - Mantra
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Code 90 - Operator
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Sindaco vs Uovo - Ombra Silenziosa Redux
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Luis Del Barrio - Smoke Comes Green
Our beloved Orange Wedge is back with the first volume of the Local Motion series. Selected by the label owner Code 90, a 4tracks EP courtesy of Paolo Mosca, Sindaco, Uovo and Luis Del Barrio.
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Label:Undercover Lovers
Cat-No:UCL003
Release-Date:22.11.2024
Configuration:12"
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Label:Undercover Lovers
Cat-No:UCL003
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Psychemagik - I Feel Love
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Psychemagik - I Can't Go For That
Repress!
The 1st of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.
Finally on vinyl after some considerable time, this one has a limited pressing!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The 1st of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.
Finally on vinyl after some considerable time, this one has a limited pressing!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Call 4 Rhythm
Cat-No:C4R002
Release-Date:14.02.2025
Genre:House
Configuration:12"
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Label:Call 4 Rhythm
Cat-No:C4R002
Release-Date:14.02.2025
Genre:House
Configuration:12"
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Kléo - Acid Coolada
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Kléo - Sand Waves
Kléo s second release Acid Coolada’ is a meticulous blend of deep, groove-heavy acid house elements with a spontaneous flair and live instrumentation, striking the perfect balance of fiery heat and warm groove.
2023 saw the birth of Kléo’s label Call 4 Rhythm, brought into the world with her much-lauded debut EP 'Agogo'. Now, exactly a year later, hotlines have opened once again as the next call for rhythm is upon us. ‘Acid Coolada’ retains Kléo's direct and honest attitude, but this second offering also unveils a bold new live approach. Carefully layering compelling house elements with live keys by Dion Groebe the two tracks diverge into vigorous, alternative directions like contrasting sides of the same coin. The result is another essential offering for discerning dancers, ready to be put on speed dial.
Opener ‘Acid Coolada’ starts off unapologetically and pulls us straight to the dancefloor. In case you were wondering whether the title is referring to a brisk after sun ritual or a spicy party cocktail, it’s definitely the latter. Located somewhere in the middle of a jackin’ pit we’re greeted with acid house, jazzy progressions and unmistakable live twists and turns. Be prepared to get stuck—though in the best way, as Dion Groebe guides us with a reckless Rhodes solo in full live mode throughout the whole track. The frenzy swallows you up in a relentless, euphoric ride that seems to have no end, and perhaps no begining— being present is what matters most here.
The flip side takes a trippy turn, ascending to a moodier realm of the galaxy. With ‘Sand Waves’ Kléo reveals a deeper side of herself. The jackin’ touch is undeniably there, but this side lifts off more gently, slowly immersing into a spacey synth journey, highlighted by Groebe’s playful live keys wandering like a lizard eagerly exploring a rocky surface. As ‘Sand Waves’ unfolds into another dance floor igniter, the blazing heat of 'Acid Coolada' cools down beneath a sweeping breeze reminding us that we’re getting that ‘feel good’ after-sun ritual after all.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2023 saw the birth of Kléo’s label Call 4 Rhythm, brought into the world with her much-lauded debut EP 'Agogo'. Now, exactly a year later, hotlines have opened once again as the next call for rhythm is upon us. ‘Acid Coolada’ retains Kléo's direct and honest attitude, but this second offering also unveils a bold new live approach. Carefully layering compelling house elements with live keys by Dion Groebe the two tracks diverge into vigorous, alternative directions like contrasting sides of the same coin. The result is another essential offering for discerning dancers, ready to be put on speed dial.
Opener ‘Acid Coolada’ starts off unapologetically and pulls us straight to the dancefloor. In case you were wondering whether the title is referring to a brisk after sun ritual or a spicy party cocktail, it’s definitely the latter. Located somewhere in the middle of a jackin’ pit we’re greeted with acid house, jazzy progressions and unmistakable live twists and turns. Be prepared to get stuck—though in the best way, as Dion Groebe guides us with a reckless Rhodes solo in full live mode throughout the whole track. The frenzy swallows you up in a relentless, euphoric ride that seems to have no end, and perhaps no begining— being present is what matters most here.
The flip side takes a trippy turn, ascending to a moodier realm of the galaxy. With ‘Sand Waves’ Kléo reveals a deeper side of herself. The jackin’ touch is undeniably there, but this side lifts off more gently, slowly immersing into a spacey synth journey, highlighted by Groebe’s playful live keys wandering like a lizard eagerly exploring a rocky surface. As ‘Sand Waves’ unfolds into another dance floor igniter, the blazing heat of 'Acid Coolada' cools down beneath a sweeping breeze reminding us that we’re getting that ‘feel good’ after-sun ritual after all.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Last in:22.11.2024
Label:Mitsubasa
Cat-No:MTB016
Release-Date:22.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:0640813321444
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Ecilo - Phylyps Frequencies
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Ecilo - Eternal Source
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Ecilo - Forgotten City
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Ecilo - Frost Will Never Come
Genre: Techno
Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist 12":
A1 Ecilo – Phylyps Frequencies
A2 Ecilo – Eternal Source
B1 Ecilo – Forgotten City
B2 Ecilo – Frost Will Never Come
Short Info: Fast paced and detroit infused driving dub techno machines
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Sacred Rhythm Music
Cat-No:CIRCUIT.T.LP06
Release-Date:22.11.2024
Genre:House
Configuration:12"
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Label:Sacred Rhythm Music
Cat-No:CIRCUIT.T.LP06
Release-Date:22.11.2024
Genre:House
Configuration:12"
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Originally stated to be released sometime during the year 2019 here you have what was originally planned to be the last of an iconic series of unofficial edits & overdubs produced and performed by Joaquin Joe Claussell. This release will also mark the end of a concept that has garnered massive interest and till this day highly sought after, but also the beginning of what’s coming next.
Stay Tuned
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Stay Tuned
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Label:Groovin Recordings
Cat-No:GR-N11
Release-Date:22.11.2024
Configuration:12"
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Label:Groovin Recordings
Cat-No:GR-N11
Release-Date:22.11.2024
Configuration:12"
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Eternal Love - Vita
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Eternal Love - Rusa Ft. Dea Barandana
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Eternal Love - La Pantera
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Eternal Love - More D'Amore
Eternal Love's "L'Amore È" is a vibrant musical journey that radiates with nostalgic beats and modern electronic flair. Each track is a testament to the duo’s ability to reimagine their Italian roots through pulsating synths, captivating percussion, and ethereal vocals. With contributions from Marquis, Marianne Mirage and Dea Barandana, the EP intertwines stories of love, passion, and euphoria, all wrapped in infectious grooves that are sure to electrify any dance floor.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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12"
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Label:Red Laser
Cat-No:RL53
Release-Date:22.11.2024
Configuration:12"
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Cat-No:RL53
Release-Date:22.11.2024
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Il Bosco - Destiny (Il Bosco Edit)
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Il Bosco - Flavia (Il Bosco Edit)
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Il Bosco - Newsin (Il Bosco Edit)
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Il Bosco - Lace (Il Bosco Edit)
Before we pack away the poppers for another year, let Red Laser take you for one last spin on the waltzers.
Tried and tested at our recent road block parties in Manchester, these edits shine a light on four primo-grade Italo face melters. Fervently excavated by Bosco over countless visits to Bel Paese and streamlined for the hydrofoil, with some extra added calories for the club.
Opener 'Destiny' tweaks and shudders under analogue arpeggios, dazzling Strat chops and cosmic bass interplay before dropping into a simply glorious female vocal that, thankfully, gets plenty of airtime before Bosco calls close. A track so close to perfection we had to make it longer.
'Flavio', up next - and half sung in Italian so we only know a bit of what she's on about - is another supreme slice of Italo disco from the upper echelons that Bosco snaffled between glugs of Barolo and a face full of worm cheese. Sure to instigate group hugs, 4AM declarations of love, tears of happiness and huge pelvic thrusts dependant on environment and inebriation.
The tingles continue on side B with another supernova burning bright across the stars. 'Newsin' introduces itself with a joyous marriage of marimba and synth before yet another vocal proves Italians really do, do it better when it comes to writing some of the catchiest hooks and choruses in the universe.
'Lace', featuring the record's only male vocal appearance, has a romantic, proto-goth-new-wave vibe; like if Robert Smith and Richard Butler had a chem-sex love child after a wild night in Baia Degli Angeli.
Not sure who the woman in lace is, but we'd defo like to see her down The White Hotel one night...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tried and tested at our recent road block parties in Manchester, these edits shine a light on four primo-grade Italo face melters. Fervently excavated by Bosco over countless visits to Bel Paese and streamlined for the hydrofoil, with some extra added calories for the club.
Opener 'Destiny' tweaks and shudders under analogue arpeggios, dazzling Strat chops and cosmic bass interplay before dropping into a simply glorious female vocal that, thankfully, gets plenty of airtime before Bosco calls close. A track so close to perfection we had to make it longer.
'Flavio', up next - and half sung in Italian so we only know a bit of what she's on about - is another supreme slice of Italo disco from the upper echelons that Bosco snaffled between glugs of Barolo and a face full of worm cheese. Sure to instigate group hugs, 4AM declarations of love, tears of happiness and huge pelvic thrusts dependant on environment and inebriation.
The tingles continue on side B with another supernova burning bright across the stars. 'Newsin' introduces itself with a joyous marriage of marimba and synth before yet another vocal proves Italians really do, do it better when it comes to writing some of the catchiest hooks and choruses in the universe.
'Lace', featuring the record's only male vocal appearance, has a romantic, proto-goth-new-wave vibe; like if Robert Smith and Richard Butler had a chem-sex love child after a wild night in Baia Degli Angeli.
Not sure who the woman in lace is, but we'd defo like to see her down The White Hotel one night...
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:29.11.2024
Label:UTE.REC
Cat-No:UTE014
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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Oprofessionell - Become (Something Else Mix)
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Oprofessionell - Longing (Heavenly Bongo Mix)
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Oprofessionell - Chemical Attraction
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Oprofessionell - Salva (My Mind Mix)
Ute co-head Oprofessionell crafts expansive soundscapes for the adventurous listener, weaving together analog ever-evolving textures, with bouncing basslines and cathartic breaks. Expect wooded psychedelia combined with introspective trips and euphoric highs from the Ute mainstay.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Balmat
Cat-No:BALMAT13
Release-Date:22.11.2024
Genre:Electronic, Electronica
Configuration:LP
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Last in:10.06.2025
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Last in:10.06.2025
Label:Balmat
Cat-No:BALMAT13
Release-Date:22.11.2024
Genre:Electronic, Electronica
Configuration:LP
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Luke Wyland - Grounded
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Luke Wyland - Click Clap
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Luke Wyland - Unwinding
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Luke Wyland - Chimes
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Luke Wyland - Voice Valley
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Luke Wyland - Pitch & Bowed
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Luke Wyland - Be Ya
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Luke Wyland - Pollinators
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Luke Wyland - Kuma Cove
“Music is my forever cove,” writes Portland, Oregon’s Luke Wyland of the ideas that give shape to Kuma Cove, his latest album under his own name. Though named after a real place on the Oregon coast, Kuma Cove casts its gaze far beyond the sightseer’s line of vision. Recorded live in the studio and blurring obvious lines between computer-based composition and electro-acoustic instrumentation, it is an album about flow, borders, transitory states, and shelter. Composed of discontinuous ripples and repetitions (“I’m forever searching for a better descriptor than looping, which feels too simple and flattened by overuse,” Wyland says), shaped into richly emotive arcs, and informed by his experience as a person who stutters, it is also an album about identity, self-expression, and the energies that sluice through and across what we perceive as linear time—like floodwaters seeking an exit, like streams running into the sea.
Artist’s Statement:
I made this record while spending significant time in the woods by the Sandy River in Corbett, Oregon,
where I've had my studio for the last five years. It is a diary of spontaneous live recordings edited to highlight the moments of clarity that emerge from long-form improvisations. These compositions express a slowing internal rhythm. An unwinding. A somatic recalibration as I enter middle age. A newly empowered vulnerability.
Here are the internalized cadences of my stutter, flowing freely from my fingers. The musicality of my disfluency is revealed in its frictions, elongations, and foreshortenings. Disruptions in linear time, where the bubbling cadences of my stutter find unexpected pathways, reveal the elasticity of the present moment. This is my idiosyncratic language, shaped and inspired by my disability. Subliminally mirroring internal processes, neural firings, cognitive entanglements...
The title, Kuma Cove, refers to a beloved cove on the coast of Oregon my wife and I return to yearly. There has always been something so magnetic about coves. The way they cradle one from the overwhelming enormity of the ocean beyond, muting a primordial fear. I experience these improvisations as ecosystems I'm able to inhabit for stretches of time, embodying the particular rhythms and sensorial textures within each. Music is my forever cove. Everything you hear is created live in Ableton on a setup I've been honing for 15 years. I celebrate MIDI and computer music as an extension of self and strive to make it as expressive as any analog instrument. I was a visual artist for the first half of my life and quickly adapted those skills to composing and producing on a computer. The transition felt natural within the landscape of DAW's interfaces, especially as a synesthete. Ableton and its community of Max creators continue to surprise me with its expansiveness.
I'm forever searching for a better descriptor than looping, which feels too simple and flattened by overuse. I envision sonic loops as tangled masses of time, three-dimensional knots spinning on tilted axes, or overlapping wreaths refracting out a myriad of colors. My practice is continually refocusing my ear to what is revealed in the repetitions, searching for the fingerprint of each. I find it incredible how technology lets us manipulate time like this. Nothing on this record is quantized or locked to a universal bpm. Experiencing numerous tempos at once feels important. Recordings as mirrors. Freedom from expected (conversational) flow as we hold time for each other.
-Luke Wyland, August 2024
Artist Bio:
Luke Wyland is an interdisciplinary artist, composer, and performer based in Portland, OR (USA). Wyland has been releasing critically acclaimed records for the past 20 years in the groups AU and Methods Body, as LWW, and under his own name, working with such labels as New Amsterdam, Beacon Sound, Balmat, The Leaf Label, and Aagoo Records. As a person who stutters, Wyland’s approach to music is informed by his idiosyncratic relationship with language. Wyland believes deeply in the cathartic power of live performance as a means for collective healing. Through an interdisciplinary art practice that focuses on improvisation, somatic embodiment, bespoke tuning systems, the cadences of disfluent speech, and time manipulation technologies, he’s collaborated with choreographers, high-school choirs, filmmakers, sound designers, and renowned musicians such as John Niekrasz, Holland Andrews, Colin Stetson, and Abraham Gomez-Delgado. He’s also the co-creator of the “It’s A Fucking Miracle” dance class with Tahni Holt.
Wyland has toured nationally and internationally and performed at the Whitney Museum, Ecstatic Music Festival, Issue Project Room, PICA’s Time-Based Arts Festival, End of the Road Festival, and Les Nuits Botanique, among others.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Artist’s Statement:
I made this record while spending significant time in the woods by the Sandy River in Corbett, Oregon,
where I've had my studio for the last five years. It is a diary of spontaneous live recordings edited to highlight the moments of clarity that emerge from long-form improvisations. These compositions express a slowing internal rhythm. An unwinding. A somatic recalibration as I enter middle age. A newly empowered vulnerability.
Here are the internalized cadences of my stutter, flowing freely from my fingers. The musicality of my disfluency is revealed in its frictions, elongations, and foreshortenings. Disruptions in linear time, where the bubbling cadences of my stutter find unexpected pathways, reveal the elasticity of the present moment. This is my idiosyncratic language, shaped and inspired by my disability. Subliminally mirroring internal processes, neural firings, cognitive entanglements...
The title, Kuma Cove, refers to a beloved cove on the coast of Oregon my wife and I return to yearly. There has always been something so magnetic about coves. The way they cradle one from the overwhelming enormity of the ocean beyond, muting a primordial fear. I experience these improvisations as ecosystems I'm able to inhabit for stretches of time, embodying the particular rhythms and sensorial textures within each. Music is my forever cove. Everything you hear is created live in Ableton on a setup I've been honing for 15 years. I celebrate MIDI and computer music as an extension of self and strive to make it as expressive as any analog instrument. I was a visual artist for the first half of my life and quickly adapted those skills to composing and producing on a computer. The transition felt natural within the landscape of DAW's interfaces, especially as a synesthete. Ableton and its community of Max creators continue to surprise me with its expansiveness.
I'm forever searching for a better descriptor than looping, which feels too simple and flattened by overuse. I envision sonic loops as tangled masses of time, three-dimensional knots spinning on tilted axes, or overlapping wreaths refracting out a myriad of colors. My practice is continually refocusing my ear to what is revealed in the repetitions, searching for the fingerprint of each. I find it incredible how technology lets us manipulate time like this. Nothing on this record is quantized or locked to a universal bpm. Experiencing numerous tempos at once feels important. Recordings as mirrors. Freedom from expected (conversational) flow as we hold time for each other.
-Luke Wyland, August 2024
Artist Bio:
Luke Wyland is an interdisciplinary artist, composer, and performer based in Portland, OR (USA). Wyland has been releasing critically acclaimed records for the past 20 years in the groups AU and Methods Body, as LWW, and under his own name, working with such labels as New Amsterdam, Beacon Sound, Balmat, The Leaf Label, and Aagoo Records. As a person who stutters, Wyland’s approach to music is informed by his idiosyncratic relationship with language. Wyland believes deeply in the cathartic power of live performance as a means for collective healing. Through an interdisciplinary art practice that focuses on improvisation, somatic embodiment, bespoke tuning systems, the cadences of disfluent speech, and time manipulation technologies, he’s collaborated with choreographers, high-school choirs, filmmakers, sound designers, and renowned musicians such as John Niekrasz, Holland Andrews, Colin Stetson, and Abraham Gomez-Delgado. He’s also the co-creator of the “It’s A Fucking Miracle” dance class with Tahni Holt.
Wyland has toured nationally and internationally and performed at the Whitney Museum, Ecstatic Music Festival, Issue Project Room, PICA’s Time-Based Arts Festival, End of the Road Festival, and Les Nuits Botanique, among others.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Fuckthegovernment
Cat-No:FTG010
Release-Date:22.11.2024
Genre:Acid House
Configuration:12"
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Last in:18.11.2024
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Last in:18.11.2024
Label:Fuckthegovernment
Cat-No:FTG010
Release-Date:22.11.2024
Genre:Acid House
Configuration:12"
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Virgo Four - SoDp (Gherkin Jerks Remix) -- 33 RPM
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Virgo Four - SoDp (Fuckthegovernment.ltd Remix) -- 33 RPM
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Virgo Four - SoDp (Original Mix)
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Virgo Four - 333 (Original Mix)
“FUCKTHEGOVERNMENT 10 YEARS ANNIVERSARY” with two Virgo Four unreleased tracks, along with remixes by Chicago's iconic Larry Heard (under his Gherkin Jerks alias) and Fuckthegovernment.ltd.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore