1
Isaiah Collier & The Chosen Few - The Time Is Now
2
Isaiah Collier & The Chosen Few - Trials And Tribulations
3
Isaiah Collier & The Chosen Few - Amerikkka The Ugly
4
Isaiah Collier & The Chosen Few - Ahmaud Arbery
5
Isaiah Collier & The Chosen Few - The Hate You Give Is The Love You Lose
6
Isaiah Collier & The Chosen Few - Crash
7
Isaiah Collier & The Chosen Few - Metamorphosis
8
Isaiah Collier & The Chosen Few - The World Is On Fire
9
Isaiah Collier & The Chosen Few - We Don't Even Know Where We'are Headed
The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The album is the final body of work with his quartet, The Chosen Few, marking the closing chapter of the group’s 8-year journey. The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The potency of Collier’s compositions is reinforced by utilizing harrowing real-life news clips throughout the album that radiate the urgency, somberness, and turmoil during this time in history as the album as a whole serves as a requiem for countless lives lost and injustices that remain unacknowledged. The World Is On Fire showcases Collier’s fiery approach as a bandleader with tightly focused solos on both Alto and Tenor Saxophone, that are interwoven with the other musicians. As The Chosen Few prepare for their curtain call, The World is On Fire is a final offering that is more than a collection of songs—it’s a passionate plea for awareness, understanding, and change. Through the journey of sound and reflection, Collier urges us all to play a role in crafting a more just and equitable world.
More
More records from Isaiah Collier & The Chosen Few
1
Isaiah Collier & The Chosen Few - Love Featuring Dee Alexander
2
Isaiah Collier & The Chosen Few - Compassion Featuring Ari Brown
3
Isaiah Collier & The Chosen Few - Perspective (Peace And Love)
4
Isaiah Collier & The Chosen Few - Duality Suite I. +, II -
5
Isaiah Collier & The Chosen Few - Duality Suite III. Divine Masculine, IV. Divine Feminie
6
Isaiah Collier & The Chosen Few - The Almighty Featuring The Celestial's
Black Edition!
Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition.
Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things. The album opens up with LOVE, featuring the legendary Chicago vocalist Dee Alexander channeling her energy to deliver the message of love to the human family. With lyrics written by Collier specific to Alexander's qualities as a maternal figure to him and other musicians, the message remains strong within the music throughout the album. Searching deeper to share more sincerely through our interactions with others, is the albums objective. Collier & The Chosen Few showcase those Principle with Musicianship and an unyielding commitment to put their all into each breath of this episodic journey. The album features the legendary Saxophonist Ari Brown, who has mentored Isaiah for over a decade in their native Chicago. The conversation between student and master evolves on the song "Compassion". Collier's steps into the vocalist roll on the infectious, Perspective (Peace & Love) which serves as Collier's acknowledgement of Pharoah Sanders for his musical contributions, that features percussive sounds that connect the ancestors of the diaspora. Throughout "The Almighty" the group explores elements heard on 2021’s Cosmic Transitions and 2022’s Beyond by I AM (Isaiah Collier and Michael Shekwoaga Ode), and streamline the sound with laser focus in this incarnation. More
Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition.
Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things. The album opens up with LOVE, featuring the legendary Chicago vocalist Dee Alexander channeling her energy to deliver the message of love to the human family. With lyrics written by Collier specific to Alexander's qualities as a maternal figure to him and other musicians, the message remains strong within the music throughout the album. Searching deeper to share more sincerely through our interactions with others, is the albums objective. Collier & The Chosen Few showcase those Principle with Musicianship and an unyielding commitment to put their all into each breath of this episodic journey. The album features the legendary Saxophonist Ari Brown, who has mentored Isaiah for over a decade in their native Chicago. The conversation between student and master evolves on the song "Compassion". Collier's steps into the vocalist roll on the infectious, Perspective (Peace & Love) which serves as Collier's acknowledgement of Pharoah Sanders for his musical contributions, that features percussive sounds that connect the ancestors of the diaspora. Throughout "The Almighty" the group explores elements heard on 2021’s Cosmic Transitions and 2022’s Beyond by I AM (Isaiah Collier and Michael Shekwoaga Ode), and streamline the sound with laser focus in this incarnation. More
More records from Division81
1
Isaiah Collier & The Chosen Few - Love Featuring Dee Alexander
2
Isaiah Collier & The Chosen Few - Compassion Featuring Ari Brown
3
Isaiah Collier & The Chosen Few - Perspective (Peace And Love)
4
Isaiah Collier & The Chosen Few - Duality Suite I. +, II -
5
Isaiah Collier & The Chosen Few - Duality Suite III. Divine Masculine, IV. Divine Feminie
6
Isaiah Collier & The Chosen Few - The Almighty Featuring The Celestial's
Black Edition!
Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition.
Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things. The album opens up with LOVE, featuring the legendary Chicago vocalist Dee Alexander channeling her energy to deliver the message of love to the human family. With lyrics written by Collier specific to Alexander's qualities as a maternal figure to him and other musicians, the message remains strong within the music throughout the album. Searching deeper to share more sincerely through our interactions with others, is the albums objective. Collier & The Chosen Few showcase those Principle with Musicianship and an unyielding commitment to put their all into each breath of this episodic journey. The album features the legendary Saxophonist Ari Brown, who has mentored Isaiah for over a decade in their native Chicago. The conversation between student and master evolves on the song "Compassion". Collier's steps into the vocalist roll on the infectious, Perspective (Peace & Love) which serves as Collier's acknowledgement of Pharoah Sanders for his musical contributions, that features percussive sounds that connect the ancestors of the diaspora. Throughout "The Almighty" the group explores elements heard on 2021’s Cosmic Transitions and 2022’s Beyond by I AM (Isaiah Collier and Michael Shekwoaga Ode), and streamline the sound with laser focus in this incarnation. More
Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition.
Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things. The album opens up with LOVE, featuring the legendary Chicago vocalist Dee Alexander channeling her energy to deliver the message of love to the human family. With lyrics written by Collier specific to Alexander's qualities as a maternal figure to him and other musicians, the message remains strong within the music throughout the album. Searching deeper to share more sincerely through our interactions with others, is the albums objective. Collier & The Chosen Few showcase those Principle with Musicianship and an unyielding commitment to put their all into each breath of this episodic journey. The album features the legendary Saxophonist Ari Brown, who has mentored Isaiah for over a decade in their native Chicago. The conversation between student and master evolves on the song "Compassion". Collier's steps into the vocalist roll on the infectious, Perspective (Peace & Love) which serves as Collier's acknowledgement of Pharoah Sanders for his musical contributions, that features percussive sounds that connect the ancestors of the diaspora. Throughout "The Almighty" the group explores elements heard on 2021’s Cosmic Transitions and 2022’s Beyond by I AM (Isaiah Collier and Michael Shekwoaga Ode), and streamline the sound with laser focus in this incarnation. More
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Neue Grafik - Ladybug
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Neue Grafik - Norwood Junction
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Neue Grafik - Fast Bantu (Outro)
Releasing now for well over a decade - Neue Grafik: known to friends as Fred, has successfully transplanted from Parisian rookie to one- man London Institution. Beginning as a solo producer and DJ,Fred spread his wings upon relocating to South London - at first with his Neue Grafik Ensemble and later with his now iconic twice-weekly Orii Jam - the latter of which has given agency to an entire new generation of musicians; spawning an aesthetic, nurturing a unique sound and becoming a launchpad for countless artists.
Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of
where the project began. I say “attempt” because he’s simply learnt too much and made too many friends
along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat
X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.
This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.
Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School. More
Dalston Tape Volume 1 is Fred’s attempt to fall back in love with beatmaking - taking it back to the roots of
where the project began. I say “attempt” because he’s simply learnt too much and made too many friends
along the way to make a mere DIY beat tape. Since his early MPC-led productions on Parisian label, Beat
X Changers, Fred has learnt to play the keys to a concert hall standard, he has become proficient in double bass and built up a dense network of collaborators who he has composed, recorded, engineered and produced for both at home in SE London and in the iconic Total Refreshment Centre Studios in Dalston.
This experience adds unavoidable dimensions to his toolbox - resulting in something more akin to a miniature-magnum-opus than a simple beat-tape.
Yes, we hear the influences of Pete Rock, Mad Lib, J Dilla and Al Dobson Jr but we also hear the musicality of D’Aneglo, James Blake and live contributions from an ever growing army of young graduates of the Orii School. More
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Kaoru Inoue - Malam
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Kaoru Inoue - Selva
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Kaoru Inoue - Kamui
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Kaoru Inoue - Sphere
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Kaoru Inoue - Etenraku
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Kaoru Inoue - She Was In Ecstasies
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Kaoru Inoue - Escape Dub
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Kaoru Inoue - Healing Force
kaoru inoue is a japanese veteran producer and dj since late 90’s. he has been releasing from his own label “seeds and ground” and some other labels like mule musiq,groovement. the original release of this album was released in 2013 in only japan. it’s a very own style mix of world music, field recording, ambient and electronic music. the album is started by minimal gamelan ambient “malam”,the second track “selva” is minimal afro brazilian house which reminds us early luciano or villalobos. third track “kamui fuchi” is electric jazz fusion house, fourth track “sphere” is like joan bibiloni in late 80’s. on b side,”etenraku” is avant-garde tribal break beats,”she was in ecstasies”&”escape dub” are typical his style balearic slow house. the album is closed with beautiful melancholic new age music “healing force”. this album is a timeless masterpiece for us.
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1
Chiminyo - Enter The Dragon
2
Chiminyo - Search The Rune
3
Chiminyo - Stories Untold
4
Chiminyo - Saga (Pt. 1)
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Chiminyo - Saga (Pt. 2)
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Chiminyo - The Motive
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Chiminyo - Avalon
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Chiminyo - Vale Tudo (ft. Nadeem Din-Gabisi)
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Chiminyo - Fred Not Again
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Chiminyo - The Alchemist
No Return!
The brainchild of drummer/producer Chiminyo, NRG is more than just an album, label or event. It’s a concept. Born out of a conversation about the UK Jazz scene (is it really jazz?) Chiminyo concluded that this musical expression is less about ‘jazz’ and more about energy (NRG).
So with this in mind, he set about to explore, celebrate and harness this NRG in its purest form. No labels, no promoters, no industry, no control. Just Chiminyo and members of his musical community exchanging (strictly improvised) NRG with audiences and capturing the spontaneous beauty to be shared with the world.
This third edition, NRG 3, features an all-star line-up. Modular synth wizard and Ariwo band leader Pouya Ehsaei, electro synth-pop artist and incredible keyboard/synth player Maria Chiara Argiró, and Hak Baker's trumpet player Sam Warner. And you can really feel the vibrant NRG of the capital pulsating throughout. Raucous dance-floor stompers such as 'Enter the Dragon' and 'Fred not Again' are beautifully contrasted with the dreamy, cinematic 'Avalon'. And the addition of instrumental and vocal guests on the night really adds a special touch. 'Stories Untold' opens with flautist Lluis Domènech Plana's lyrical exploration on bamboo flute before developing into an up-tempo house inspired dance tune, whilst Nadeem Din Gabisi's 'Fire' presents a unique perspective on a trap groove that you simply couldn't imagine outside of the context of NRG 3, and towards the end of the track the audio cuts to camera audio due to an issue with the desk recording, a magical moment that puts you in right there in the room and reminds you that this was a live gig!
It is incredible to think this record is improvised, because each tune comes across as a carefully sculpted master-piece, a clear testament to the incredible musicians on the line-up.
Chiminyo - Drums
Pouya Ehsaei - Modular Synths
Maria Chiara Argiró - Keyboard synths
Sam Warner - Trumpet & Effects
+ featured vocalists/musicians
Nadeem Din Gabisi (Fire)
Lluis Domènech Plana (Stories Untold)
Rob Milne (The Alchemist)
1. VITAL SALES POINTS:
- Third album from Chiminyo’s NRG series.
- NRG has been featured on BBC Radio 6xtra, Jazz FM, NTS and so many international stations across Europe, The Americas, Asia and Australia.
- supported by tastemakers such as Gilles Peterson, Somewhere Soul, Tina Edwards and Tim Garcia
- write-ups in The Guardian, Jazzwise, Echoes Magazine and more.
1. Enter The Dragon
2. Search The Rune
3. Stories Untold
4. Saga (Pt. 1)
5. Saga (Pt. 2)
6. The Motive
7. Avalon
8. Vale Tudo (ft. Nadeem Din-Gabisi)
9. Fred Not Again
10. The Alchemist More
The brainchild of drummer/producer Chiminyo, NRG is more than just an album, label or event. It’s a concept. Born out of a conversation about the UK Jazz scene (is it really jazz?) Chiminyo concluded that this musical expression is less about ‘jazz’ and more about energy (NRG).
So with this in mind, he set about to explore, celebrate and harness this NRG in its purest form. No labels, no promoters, no industry, no control. Just Chiminyo and members of his musical community exchanging (strictly improvised) NRG with audiences and capturing the spontaneous beauty to be shared with the world.
This third edition, NRG 3, features an all-star line-up. Modular synth wizard and Ariwo band leader Pouya Ehsaei, electro synth-pop artist and incredible keyboard/synth player Maria Chiara Argiró, and Hak Baker's trumpet player Sam Warner. And you can really feel the vibrant NRG of the capital pulsating throughout. Raucous dance-floor stompers such as 'Enter the Dragon' and 'Fred not Again' are beautifully contrasted with the dreamy, cinematic 'Avalon'. And the addition of instrumental and vocal guests on the night really adds a special touch. 'Stories Untold' opens with flautist Lluis Domènech Plana's lyrical exploration on bamboo flute before developing into an up-tempo house inspired dance tune, whilst Nadeem Din Gabisi's 'Fire' presents a unique perspective on a trap groove that you simply couldn't imagine outside of the context of NRG 3, and towards the end of the track the audio cuts to camera audio due to an issue with the desk recording, a magical moment that puts you in right there in the room and reminds you that this was a live gig!
It is incredible to think this record is improvised, because each tune comes across as a carefully sculpted master-piece, a clear testament to the incredible musicians on the line-up.
Chiminyo - Drums
Pouya Ehsaei - Modular Synths
Maria Chiara Argiró - Keyboard synths
Sam Warner - Trumpet & Effects
+ featured vocalists/musicians
Nadeem Din Gabisi (Fire)
Lluis Domènech Plana (Stories Untold)
Rob Milne (The Alchemist)
1. VITAL SALES POINTS:
- Third album from Chiminyo’s NRG series.
- NRG has been featured on BBC Radio 6xtra, Jazz FM, NTS and so many international stations across Europe, The Americas, Asia and Australia.
- supported by tastemakers such as Gilles Peterson, Somewhere Soul, Tina Edwards and Tim Garcia
- write-ups in The Guardian, Jazzwise, Echoes Magazine and more.
1. Enter The Dragon
2. Search The Rune
3. Stories Untold
4. Saga (Pt. 1)
5. Saga (Pt. 2)
6. The Motive
7. Avalon
8. Vale Tudo (ft. Nadeem Din-Gabisi)
9. Fred Not Again
10. The Alchemist More
1
Red Axes - A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
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Red Axes - A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
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Red Axes - B1 Phu Quok (feat. Minh Duong)
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Red Axes - B2 Hue (feat. Music Acadamy Students)
2020 repress
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
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SE62 - WUE
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Ingi Visions - Ikaro
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Stiel - UW3
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Reflex Blue - The Breaks
SlapFunk returns with another slamming various artist ep full of on point joints that bring the raw to the floor.
Hitting volume 7 in the Raw Joints series the label has finely selected a range of tracks, representing the spectrum of their infectious sound that never fails to get the party jumping and fists pumping. Swinging house, tribal rhythms, maximal grooves and ravey breaks will all do the damage on the dancefloor.
This will be another essential ep that crosses over to a wide variety of DJ’s and stay in their bags and playlists for a while. Music that hits so hard and hurts so good, that's the SlapFunk sound. More
Hitting volume 7 in the Raw Joints series the label has finely selected a range of tracks, representing the spectrum of their infectious sound that never fails to get the party jumping and fists pumping. Swinging house, tribal rhythms, maximal grooves and ravey breaks will all do the damage on the dancefloor.
This will be another essential ep that crosses over to a wide variety of DJ’s and stay in their bags and playlists for a while. Music that hits so hard and hurts so good, that's the SlapFunk sound. More
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Derwin Daniels - Catch Me When I'm Falling (feat. La Donna Wells)
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Derwin Daniels - In My Mind
Derwin Daniels, Soprano Sax player and composer, made this little R&B 45 in 1989. Recorded with vocals by the unfortunately passed away La Donna Wells who brings a Mary J Level performance 3 years before "What's The 411" hit the streets. Slick, deep R&B that's soulful enough for modern soul and disco sets, what's not to love. Flipped with some Jazz Bizznes from Derwin, utter gold!
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Glass Beams - Mirage
2
Glass Beams - Taurus
3
Glass Beams - Kong
4
Glass Beams - Rattlesnake
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences. The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
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Pearly Queen - Quit Jive’ In
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Pearly Queen - Jungle Walk
Proudly presenting a 7-inch reissue of this mythical, raw funk rarity by the Miami-based, Cuban rock band, Pearly Queen. Featuring the hugely sought after, infectious cut ‘Quit Jive’ In’ and a fantastic cover of The Rascals ‘Jungle Walk’, this is a double header of mid ‘70s funk fire.
Originally released on Cuban record producer Manuel J. Mato’s Sound Triangle Records in 1974, who had emigrated to the US in 1960, this scarce funk gem has long been a prized funk 45 find. DJs and collectors such as Keb Darge and Jazzman Gerald brought this to our attention in the 1990s, with the status of the track amplified by its inclusion on DJ Shadow & Cut Chemist's landmark 7" DJ mix ‘Brainfreeze’. DJ Shadow, also used the drums and horns break to masterful effect on his track 'The Number Song' (1996) taken from his infamous 'Endtroducing.....' album on Mo Wax.
Written by Ray Fernandez of Ray & His Court fame, 'Quit Jive' In' is a swaggering funk throwdown, dripping in groove and underpinned by heavy breaks and punchy horns. Whilst on the B side, the rock-funk 'Jungle Walk', is a cover version of The Rascals 1972 original. Penned by the singer, songwriter and guitarist Buzzy Feiten, it wouldn’t be out of place as part of the soundtrack to a Tarantino movie.
We can't think of many deep funk tracks we love as much as this beauty. Sadly, for collectors, this original 7" has remained elusive to even some of the most hardened and dedicated diggers, so it feels a fitting release to re-issue for all to savour. More
Originally released on Cuban record producer Manuel J. Mato’s Sound Triangle Records in 1974, who had emigrated to the US in 1960, this scarce funk gem has long been a prized funk 45 find. DJs and collectors such as Keb Darge and Jazzman Gerald brought this to our attention in the 1990s, with the status of the track amplified by its inclusion on DJ Shadow & Cut Chemist's landmark 7" DJ mix ‘Brainfreeze’. DJ Shadow, also used the drums and horns break to masterful effect on his track 'The Number Song' (1996) taken from his infamous 'Endtroducing.....' album on Mo Wax.
Written by Ray Fernandez of Ray & His Court fame, 'Quit Jive' In' is a swaggering funk throwdown, dripping in groove and underpinned by heavy breaks and punchy horns. Whilst on the B side, the rock-funk 'Jungle Walk', is a cover version of The Rascals 1972 original. Penned by the singer, songwriter and guitarist Buzzy Feiten, it wouldn’t be out of place as part of the soundtrack to a Tarantino movie.
We can't think of many deep funk tracks we love as much as this beauty. Sadly, for collectors, this original 7" has remained elusive to even some of the most hardened and dedicated diggers, so it feels a fitting release to re-issue for all to savour. More
1
Malik Alston - Are We There Yet (ft. West Felton , Howard Wazeerud-Din II, Malik Alston)
2
Malik Alston - Boom Bap Jazz 7 (FT Dave MCmurry , Takashi Iio, Malik Alston)
3
Malik Alston - We Have Been Assimilated(Malik's Linwood Mix)FT. Malik Alston, Dave Mcmurry & Th
4
Malik Alston - Vampires (FT. Elmus,Allan Barnes, Cen Dervin, Craig Huckaby)(Malik's Afro Remix)
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Malik Alston - Shine(Instrumental)
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Malik Alston - The Doctor (FT. Zacland)
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Malik Alston - Soul Guitar Love (FT. Gabe Gonzalez & Bubz Fiddler & Malik Alston)
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Malik Alston - We Can Make It Through (FT. Doc Link, LaRonn Dolley, Malik Alston)
Truth Manifest Records is proud and excited to release Beyond Jazz Volume 2, the second volume in this wonderful, futuristic four-part series! This stellar vinyl release on Truth Manifest Records is from executive producer Malik Alston, with distribution from Mother Tongue. As we travel to the edge of our senses with Beyond Jazz Volume 2, it is immersed in poetry pulling on the heartstrings of urban reality. This is where live meets a hip-hop foundation, sped up and transformed into a dance jazz Afro-Cuban up-tempo banger, to tell the story of the groove.
Put Volume 2 to a funky jazz lick phrase, reminding us that through the struggle, there is victory. Let your spirit shine as you feel the essence of boom bap jazz. This powerful collection has special new remixes and edits based on Malik’s current radio show, Beyond Jazz, on motionfm.com. More
Put Volume 2 to a funky jazz lick phrase, reminding us that through the struggle, there is victory. Let your spirit shine as you feel the essence of boom bap jazz. This powerful collection has special new remixes and edits based on Malik’s current radio show, Beyond Jazz, on motionfm.com. More
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Spekki Webu - Cycleon
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DJ Ibon - Slug Knife
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LDS - ere audio (Vinyl Edit)
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Vel - Tunnel
Omni – meaning all-encompassing – is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hour's imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.
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Mike Ink - Dadajack
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Mike Ink - A.S.V.
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Mike Ink - Astral Theorie
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Mike Ink - Polier
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Mike Ink - Playtex
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Mike Ink - Statistik
In 1993, Wolfgang Voigt started his label Profan. From its very beginning, it provided a universal platform for Voigt’s unconventional musical hustle. Under several project names the resilience of the bass drum is fathomed again and again. Under the – even then – well introduced hooligan-techno alias MIKE INK, the 12 inch DADAJACK is released in 1994. Like the title indicates, Voigt construes the ubiquitous use of the TB 303 and the TR 909 machines very “artfully”: Reckless, elastic groove-drafts and abstract-dadaistic Acid textures create a funkiness far off Soul and Disko. Mike Ink goes Polier.
In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
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In addition to the encyclopedic digital release “EARQUAKE – Wolfgang Voigt 1991-1999”, several selected reissues and new releases are published exclusively via kompakt.fm on vinyl. MIKE INK – DADAJACK, out of print for 20 years, breaks the first ground.
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Gary Bartz NTU Troop - Nation Time
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Gary Bartz NTU Troop - Ju Ju man
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Gary Bartz NTU Troop - Medley: Rise / Celestial Blues / The Sounding Song / Incident / Uhuru Saga
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Gary Bartz NTU Troop - Peace and Love
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Gary Bartz NTU Troop - Sifa Zote
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Gary Bartz NTU Troop - I've known rivers
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Gary Bartz NTU Troop - Sweet tooth
Gary Bartz (alto & soprano sax, vocals) - Charles Mims (piano, syntheziser) - Curtis Robertson (electric bass, back vocals) - Howard King (drums). A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s! 1 hour and 46 minutes of free and spiritual jazz.
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