Delusions Of Grandeur proudly presents Sidequests Trilogy, a special triple vinyl release from
Session Victim that brings together the previously released Sidequests Chapters 1, 2 and 3 in
one beautifully curated edition.
The collection is housed in a striking, bespoke package designed by John at I Want Design,
elevating the trilogy into a complete, physical statement. Musically, Sidequests Trilogy captures
Session Victim at their most expansive: classic, blissed-out downtempo cuts steeped in dusty,
sample-heavy grooves and warm musicality sit alongside more club-focused tracks built for latenight floors.
It’s a journey through the duo’s deeper impulses and dancefloor instincts alike—rich, soulful and
unmistakably Session Victim. Sidequests Trilogy is available now on Delusions Of Grandeur as a
limited triple vinyl LP on both 180g heavyweight Black vinyl & 12” Olive Green Vinyl.

A1 - Pulse Of Memory w/ Viken Arman
A2 - The Unheard
B1 - Pulse Of Memory w/ Viken Arman (Frits Wentink Remix)
B2 - Defy Gravity
B3 - Sometimes

C1 - Behind The Glass (Jimpster Remix)
C2 - Make It Happen w/ Nebraska
D1 - Too Soft To Be Loud w/ Viken Arman
D2 - Hubcap Candy w/ Nebraska
D3 - Behind The Glass

E1 - Too Soft To Be Loud w/ Viken Arman (Ian Pooley Remix)
E2 - Know Less w/ Viken Arman
E3 - Broken Coast w/ Viken Arman
E4 - Rain Or Shine w/ Eo

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More

Delusions Of Grandeur proudly presents Sidequests Trilogy, a special triple vinyl release from
Session Victim that brings together the previously released Sidequests Chapters 1, 2 and 3 in
one beautifully curated edition.
The collection is housed in a striking, bespoke package designed by John at I Want Design,
elevating the trilogy into a complete, physical statement. Musically, Sidequests Trilogy captures
Session Victim at their most expansive: classic, blissed-out downtempo cuts steeped in dusty,
sample-heavy grooves and warm musicality sit alongside more club-focused tracks built for latenight floors.
It’s a journey through the duo’s deeper impulses and dancefloor instincts alike—rich, soulful and
unmistakably Session Victim. Sidequests Trilogy is available now on Delusions Of Grandeur as a
limited triple vinyl LP on both 180g heavyweight Black vinyl & 12” Olive Green Vinyl.

A1 - Pulse Of Memory w/ Viken Arman
A2 - The Unheard
B1 - Pulse Of Memory w/ Viken Arman (Frits Wentink Remix)
B2 - Defy Gravity
B3 - Sometimes

C1 - Behind The Glass (Jimpster Remix)
C2 - Make It Happen w/ Nebraska
D1 - Too Soft To Be Loud w/ Viken Arman
D2 - Hubcap Candy w/ Nebraska
D3 - Behind The Glass

E1 - Too Soft To Be Loud w/ Viken Arman (Ian Pooley Remix)
E2 - Know Less w/ Viken Arman
E3 - Broken Coast w/ Viken Arman
E4 - Rain Or Shine w/ Eo

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Session Victim need little by way of introduction having been releasing on Delusions consistently for the last 10 years and becoming the undisputed poster boys for the label in the process. Despite their regular appearance however, it’s always a real treat to announce a new record from the German duo and we have to say, the Screen Off EP may well find them in their finest form to date! Coming hot off their latest downtempo LP entitled Low Key, Low Pressure for Night Time Stories, you can tell Hauke and Matthias were ready to take things back to the dance-floor and have delivered an EP which looks set to become a future classic and no doubt big in the box of discerning DJ’s the world over. Screen Off is really it’s own thing, living somewhere on the long and winding road between the Bar Kays and the Bad Brains, suffice to say that what it lacks in easily definable attributes it makes up for in sheer energy and raw attitude. Hauke and Matthias re-invite Jamaican poet and vocalist Ras Stimulant, who contemplates our screen addictions and urges us to disconnect and be present in the moment. Matthias’ rolling bassline provides the backbone, whilst hints of crunchy Moog and chopped guitar samples all bring a sense of urgency to the track. Light The Way acts as an antidote, bringing a sense of calm melancholia in contrast to the title track’s low-end, funked-up fervour. A soft focus and almost distant drum groove draws us in whilst arpeggiating synths add a sense of optimism, reinforcing the tracks title. Closing out the release we have Session Victim’s studio partner, good friend and all-round top producer Iron Curtis in for a remix of Light The Way. Johannes takes an interesting approach for his Illuminati interpretation, enhancing the breakbeat feel and mixing up chopped samples with classic 808 drums. A muscular bassline adds extra weight to his remix but without losing the subtle musicality and positive vibe of the original. Being the vinyl purists they are, Session Victim and Iron Curtis top up the physical 12“ EP with the exclusive Screen Off Acapella and an additional Iron Curtis Remix Reprise.

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This June Session Victim return to Jimpster's ' Delusions Of Grandeur' imprint with a third studio album. 'Listen To Your Heart' is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP 'See you When You Get There'. Sampling still remains an ever present backbone throughout the album. Session Victim have dug deep for sounds, resulting in a richly detailed and organic sound collage that goes hand-in-hand with their live instrumentation, this time enhanced through several guest musician appearances, most notably Carsten "Erobique" Meyer (ex-International Pony). Smooth guitar samples are built up on 'Over and Over' while on 'Moons & Flowers' the live instrumentals that Session Victim do so well come to the fore. The treasure trove of San Francisco's record shops proved to be a hard bait to resist and the pair spent a large part of their Californian time hunting for records to sample. Three new tracks emerged from these digging sessions, with the sweeping disco string arrangements on 'Shadows' standing out as a prime ode to days spent combing through bargain bins. Listen To Your Heart is equally a product of the road. While heavy touring is often cited as a hindrance to the creativity of artists, Session Victim see their live shows as a catalyst to their creativity. Two US tours in 2016 gave the Hamburg duo the opportunity to take track sketches and fragments on the road to incorporate into their live shows and then digest them back in the studio. The playful funk soaked groove of 'Matching Half' captures the sense of movement present throughout Listen To Your Heart and the LP mix of 'Up To Rise', which caused heavy ripples when it dropped as part of 2016's Matching Half EP is an extension of the upbeat and euphoric groove that permeates the album.

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Session Victim’s 5th studio album ‘LOW KEY, LOW PRESSURE’ feels like an anathema to today’s fast paced, industry driven musical landscape – and for all the right reasons.

Having released two intense, dancefloor-focused 12“s on Rhythm Section and Delusions Of Grandeur over the past year, their return to NIGHT TIME STORIES brings out their trippy, headsy side once again.

And despite the pandemic downtime being over, Hauke and Matthias remain holed up in the studio, jamming, head nodding to drum breaks and churning out records like the one in front of you.

Spanning 10 tunes – 12 if you count the limited bonus 7“ that comes with the first pressing – the LP is undiluted Session Victim, with their occasional trio partner Carsten “Erobique“ Meyer as the sole musical guest on the library-esque SOFT LANDING, a tune reminiscent of something the boys would try to hunt down on one of their compulsive record store rummages to feed it to their Akais.
You’ll also find the sequel to one of their cornerstone tracks from their 2020 album NEEDLEDROP, Jazzbeat 07. (It’s JAZZBEAT 08, in case you were wondering.)

Having acquired a taste for the occasional cover version over the years, the duo closes the album out with their rendition of Instra:mental’s PHOTOGRAPH. Tackling such a classic is a daunting task which they approach in a gentle way, not swaying too far from the original, subtly reimagining the rhythmical foundation and exchanging the distinctive playground sounds from the original with field recordings of the locals populating the gritty area around their Neukölln studio.

Being long time fans of Swedish organ player Bo Hansson, Hauke and Matthias tried to reach out to the people responsible for his cover artwork - who today are in their late 80ies and have not answered ever since. Things came together in the most fortunate way when the pair were introduced to French artist Xavier d’espinay Saint Luc and his enchanting pencil wizardry. The outstanding result is what you’re holding in your hands right now.

But what do you really need to know? This is ‘low key, low pressure’. It’s got pristine drum chops to zoom in, hazy melodies to zone out, and all the texture you need to lose yourself in the details.
Including download codes for the unmixed tracks and original DJ mix in MP3 / FLAC / WAV formats.

- For fans of: DJ Shadow, AIR, HNNY, Cinematic Orchestra and RJD2

Tracklisting:
a1 enlightenment
a2 soft landing
a3 jazzbeat 08
a4 the hidden trail
a5 porchless
b1 mycelium dub
b2 walk in the park
b3 assembler
b4 one trick ponies
b5 photograph

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Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats. Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove. Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct. Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop.

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Session Victim have become something of a phenomenon since their inception a little over 12 years ago. They bring a sense of fun and unrivalled energy to their live shows and DJ sets which instantly connects with any crowd in front of them and their charming disregard for musical boundaries ensures that you never know quite what to expect or where they’re heading next. When not feeding their addiction to pinball machines, the duo of Hauke Freer and Matthias Reiling are constantly creating, keeping things fresh by forming labels such as Retreat run by Hauke and Quarion, Pen & Paper run by the duo themselves and Hauke’s new baby Save The Books. Last year’s Needledrop LP for Night Time Stories saw them step away from the dance floor and head into deep, downtempo mode to great effect, and now we’re proud to welcome Session Victim back to Delusions Of Grandeur for the release of Two Crowns which sees them edging back towards clubbier sounds, albeit with their trademark live instrumentation and highly musical approach. The EP gives us three original tracks which move smoothly from the low-slung funky wobble of the title track with it’s stabbing analogue synths and house not house live drum groove, through to the lush, expansive sounds of Village Youth. Once again, Session Victim have created a collection of tracks which give us a sense of nostalgia for early 90’s Fila Brazilia/Solid Doctor records on the influential Porky label. A world where trippy spoken word samples, cut up breakbeats, deep pads and sine wave basslines live in perfect harmony and a sense of optimism flows through every note. Let’s face it, we can all do with some of that right now!

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A1 Needledrop (Laurence Guy Remix)
A2 Still High (Jackmate's Juke Rework)
B1 Isle of Taste (Patrice Scott Remix)
B2 Jazzbeat 7 (Dday One Remix)
B3 No Sky, Blue Sound (Panoram Rework)
Expanding upon their recently released album Needledrop, which has
received support from the likes of CRACK, Dummy, Mixmag, DJ Mag,
Resident Advisor, XLR8R and more, the Remixed EP invites some of the
pairs favourite artists for a deeper exploration of the album.
With a blend of jazz, electronic and downtempo, each of the remixers
instill their own production styles to reimagine one of underground
music’s most intriguing and genre-crossing acts into a new listening
experience. From Laurence Guy’s melodic yet driving remix of
‘Needledrop’, to Jackmate’s transformation of ‘Still High’ into 5-minute,
experimental rework, the ‘Needledrop’ remix EP continues to reaffirm
the original album as Session Victim’s most eclectic LP to date.
Patrice Scott 90’s influenced take on ‘Isle Of Taste’ is a longer and more
contemporary offering, whilst Dday One’s remix of ‘Jazz Beat’ adds a
sinuous saxophone solo to fully embrace the experimental spirit of the
original. The neo-jazz feel of ‘No Sky, Blue Sound’ is flipped to a slower
tempo by Panoram, yet retains the explorative guitar solo heard on the
album.

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This June Session Victim returned to Delusions Of Grandeur imprint with their third studio album.Listen To Your Heart is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco’s Room G Studios where the duo had worked on their 2014 LP See You When You Get There. Here we present the third of three LP samplers containing four tracks each, cut nice and loud for the vinyl crew. We kick things off with Almost Midnight, another uplifting summer jam loaded with trademark Session Victim energy and positive vibrations. Next up we have Castle For Sale which drops the bpm’s for a dub influenced, spaced out jam session sounding like King Tubby and Nightmares On Wax getting stuck in the proverbial lift with a large bong for company. Flipping over we have a Head Over Heels, which goes heavy on the lush orchestral strings and a brilliant bouncing Moog bassline bringing a deft touch. Finally we’re treated to Thermal Explorer, which incorporates some wonderful Larry Heard-esque keyboards for a perfect wind-down track to close the release. An impeccable demonstration of retro-inspired yet forward thinking house and downtempo music,Listen To Your Heartsees Session Victim at the top of their game.

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Italian producer Gledd has been quietly carving out a reputation for groove-led house music that balances raw dancefloor energy with rich musicality. His latest offering for Delusions of Grandeur, ‘My House Is Your Church’, delivers a statement of intent: music as ritual, the dancefloor as sanctuary ..

A1 - On His Way
A2 - It’s Not that Easy
B1 - Habibi Gospel
B2 - Can You Hear My Noise?

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Limited Silver Vinyl EP
Mexican brothers Soul Of Hex are back on Delusions Of Grandeur and deliver an absolute gem of an EP entitled Constellation. With recent releases on Underground Resistance (as Mano De Fuego) and an upcoming release on Kilometro 4.5 which features Mad Mike Banks and Kuniyuki it’s safe to say Soul Of Hex are keeping good company and have earned the respect they deserve through their talent, consistency and hard work. Leading the charge we have Face Down which is an absolute barnstormer of a track which features a killer electric bass line and low slung dubby disco drums and twisted FX. Simple, powerful and funky AF! Constellation is up next, picking up the BPM’s for a full on soulful piano house jam which features Javonntte and Mariana Phelts on vocals. Far from being a retro throwback, Soul Of Hex have successfully created a fresh and original slice of feel good, disco-influenced house music while doffing their caps to to the OG maestro Marshall Jefferson. Next up is Dimension Spell which brings some full on funk vibes to the table courtesy of More Lotion’s heavy guitar work. Euphoric synth pads bring the deep ness while the stripped back beats and punchy Moog bassline ensure maximum dance floor pressure. Closing out this brilliant EP we have Into The Night, a beast of a tune which fizzes with an understated energy thanks to it’s rolling, minimal groove. In your face syncopated Rhodes stabs skip around the disco drums while a repeating vocal sample brings that top line ear candy.

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Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and
vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending
analogue hardware and live musicianship with deep, groove-driven production, the release
showcases a confident and colourful voice in contemporary underground house.
Hailing from Sydney and now based in Berlin, Declan McDermott has quietly evolved into one of the
most intriguing new names in left-of-centre house music. A lifelong instrumentalist and vintage gear
authority he shifted from producer/musician-for-hire, to step into his own spotlight after falling in love
with the hypnotic pull of late-night deep house and dub-influenced dance records. His studio work
draws on analogue synths, vintage drum machines, field recordings, and his own understated vocal
delivery, forming a sound that’s warm, textural, and effortlessly soulful. With his debut release turning
heads among selectors who value emotion as much as groove, this EP marks his development as
one to watch.
Why Don’t You Believe Me? is a slow-mo deep-house meditation wrapped in warmth and weight.
Declan and his featured vocalists lay down their spoken and vocodered vocals across minimal,
stripped-back house drums, weaving through DX7 and OBX-a melodies with subtle dubby inflections.
It’s intimate but floor-friendly - an introspective nocturnal groove that sways rather than shouts.
Next up we have a remix from the revered French luminary I:Cube who lifts the BPM and launches
the track straight onto the club floor. Leaning into cosmic-disco and classic filter house, the remix is
propelled by a rolling, hypnotic bassline and warm Rhodes chops that drive the groove along. It’s a
classy, elevated rework with the signature I:Cube balance of drive and dreaminess.
Flipping over we have the legendary NYC-based DJ Nature (founding member of Bristol’s Wild
Bunch crew and sound system) who injects raw soul into the original, keeping things crunchy, real,
and deeply felt. Clipped drums, dusty organ textures, and a warm, human touch guide this version -
equal parts basement grit and emotive mood. It’s the kind of remix that feels like it could only come
from a seasoned hand.
The EP floats to a close on a serene, atmospheric note with Yara-Kimba (Lindeman Island).
Named after Yara-Kimba, the Indigenous name for Lindeman Island in the Ngaro Nation /
Whitsundays region of Australia, given by the Ngaro people, the traditional custodians of the land
meaning ‘place of the snapper fish. Echoes of Ron Trent’s spacious, spiritual deep house permeate
the arrangement, with gentle percussion, tropical tones, and a calm-breathing groove. As Declan
says “This track is a tribute to Yara-Kimba, inspired by childhood memories, the island’s natural
soundscape, and my vision of a distinctly Australian / Oceanic house sound.”

A1 - Why Don’t You Believe Me?
A2 - Why Don’t You Believe Me? (I:Cube ‘Pourquoi’ Remix)
B1 - Why Don’t You Believe Me? (DJ Nature Remix)
B2 - Yara-Kimba (Lindeman Island)

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Delusions Of Grandeur proudly presents Sidequests Trilogy, a special triple vinyl release from
Session Victim that brings together the previously released Sidequests Chapters 1, 2 and 3 in
one beautifully curated edition.
The collection is housed in a striking, bespoke package designed by John at I Want Design,
elevating the trilogy into a complete, physical statement. Musically, Sidequests Trilogy captures
Session Victim at their most expansive: classic, blissed-out downtempo cuts steeped in dusty,
sample-heavy grooves and warm musicality sit alongside more club-focused tracks built for latenight floors.
It’s a journey through the duo’s deeper impulses and dancefloor instincts alike—rich, soulful and
unmistakably Session Victim. Sidequests Trilogy is available now on Delusions Of Grandeur as a
limited triple vinyl LP on both 180g heavyweight Black vinyl & 12” Olive Green Vinyl.

A1 - Pulse Of Memory w/ Viken Arman
A2 - The Unheard
B1 - Pulse Of Memory w/ Viken Arman (Frits Wentink Remix)
B2 - Defy Gravity
B3 - Sometimes

C1 - Behind The Glass (Jimpster Remix)
C2 - Make It Happen w/ Nebraska
D1 - Too Soft To Be Loud w/ Viken Arman
D2 - Hubcap Candy w/ Nebraska
D3 - Behind The Glass

E1 - Too Soft To Be Loud w/ Viken Arman (Ian Pooley Remix)
E2 - Know Less w/ Viken Arman
E3 - Broken Coast w/ Viken Arman
E4 - Rain Or Shine w/ Eo

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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Contact: [email protected]More

Delusions Of Grandeur proudly presents Sidequests Trilogy, a special triple vinyl release from
Session Victim that brings together the previously released Sidequests Chapters 1, 2 and 3 in
one beautifully curated edition.
The collection is housed in a striking, bespoke package designed by John at I Want Design,
elevating the trilogy into a complete, physical statement. Musically, Sidequests Trilogy captures
Session Victim at their most expansive: classic, blissed-out downtempo cuts steeped in dusty,
sample-heavy grooves and warm musicality sit alongside more club-focused tracks built for latenight floors.
It’s a journey through the duo’s deeper impulses and dancefloor instincts alike—rich, soulful and
unmistakably Session Victim. Sidequests Trilogy is available now on Delusions Of Grandeur as a
limited triple vinyl LP on both 180g heavyweight Black vinyl & 12” Olive Green Vinyl.

A1 - Pulse Of Memory w/ Viken Arman
A2 - The Unheard
B1 - Pulse Of Memory w/ Viken Arman (Frits Wentink Remix)
B2 - Defy Gravity
B3 - Sometimes

C1 - Behind The Glass (Jimpster Remix)
C2 - Make It Happen w/ Nebraska
D1 - Too Soft To Be Loud w/ Viken Arman
D2 - Hubcap Candy w/ Nebraska
D3 - Behind The Glass

E1 - Too Soft To Be Loud w/ Viken Arman (Ian Pooley Remix)
E2 - Know Less w/ Viken Arman
E3 - Broken Coast w/ Viken Arman
E4 - Rain Or Shine w/ Eo

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Delusions Of Grandeur proudly welcomes back 6th Borough Project, the Scottish duo known for their deep-rooted devotion to dusty MPC jams, late-night disco refractions, and the raw, low-slung house grooves that have made them underground staples for over a decade. The Deal EP hears them at their best.

A1 - The Deal
A2 - The Hertz
B1 - Let Me Know
B2 - For Life



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Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur, bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music. Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy.

Doin It All 4 U sees Declan laying down a soulful, funky house jam and getting busy on the vocoder to great effect! With a bubbling live bassline, shimmering Rhodes, and crisp, crunchy drums, the track radiates warmth while maintaining a driving dance-floor sensibility.

Dutch house and disco heavyweight Tom Trago steps up for the first remix, transforming the original into a bass-heavy, club-ready edit. With his trademark groove and deep knowledge of house music’s roots, Trago reshapes the track into a peak-time weapon, pushing Declan’s soulful original straight onto the floor with tough low-end pressure and hypnotic flow.

New York-based artist Lovetempo, known for blending funk, soul and electronic textures into his productions, delivers the second remix. With rolling 808 drums and lush layers of moog synths, Lovetempo injects a heavy boogie sensibility into the track, reimagining it as a cosmic, groove-laden journey. His version adds a playful, analog richness that pays homage to disco and electro while carving its own forward-thinking space.

The EP closes with Dani, a deep and rolling jazzy house number featuring Luxonous (aka Omri Abramov) on soprano saxophone and EWI (electronic wind instrument). Built on a bed of liquid grooves and subtle atmospheres, the track conjures the spirit of Frederick Galliano and St Germain, weaving acoustic and electronic textures into a sophisticated whole. Both meditative and dynamic, it’s a fitting finale that underlines Declan’s range and sensitivity as a producer.

A1 - Doin’ It All 4 U
A2 - Doin’ It All 4 U (Tom Trago Remix)
B1 - Doin’ It All 4 U (Lovetempo Remix)
B2 - Dani ft. Luxonous

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With South Londons’ indomitable Medlar having just released his album Islands and winning serious support so far, it’s time to drop a killer remix package on you! UK acid-mavericks Paranoid London get dark n twisted on Luv Interlude turning in a serious club work-out which will hook you in with it’s sonic-trickery and muscular house groove. Crazy P’s James Baron aka Ron Basejam sculpts Dot The T’s into a funked up electro jam with glitchy bit-crushed fills and lush, David Axelrod-esque outro chords laying the bedrock for Deevoenay’s brilliant vocals. A proper fusion of flavours on this one make for a fresh and forward-looking track for both club and home listening. Flipping over we have Josh Ludlow of Make A Dance stepping up and delivering a tripped out, slo-mo Balearic remix of Atlantean ft. Alfa Sackey which goes heavy on the percussion and dubby flourishes. Finally, Medlar reworks his own Midnight Cicadas, pumping up the drums and adding some lovely old-school Cowboy/ Tomato-era progressive house synths. Rebekah Reid’s violin gets washed with reverb making for a hazy, summery track with a retro sound which Medlar carries off with aplomb!

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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South Londons’ indomitable Medlar delivers an ambitious new album The long-time underground favourite has collaborated with the likes of Dele Sosimi, Rebekah Reid, Deevoenay, Finn Peters, Sam Virdie, Afla Sackey and Arnau Obiols on an album that finds him taking his production to new levels. From roots playing illegal raves in the South West to building up a cultured catalogue that bounces between house and garage, Medlar has long been part of the underground conversation. He has dropped a previous album and many innovative remixes and edits for the likes of Billy Cobham and Shirley Lites, worked in the studio and on stage with Afro legend Dele Sosimi and most recently released an album under his own name that collected myriad different sonic sketches from the past 15 years. Islands is an altogether different proposition that comes after establishing himself as a mix engineer and producer of other people's music. In that time, Medlar has honed his skills, learnt new tricks and grown more able to express himself in sound. The result is an album that explores a more electronic palette inspired by '80s fusion sounds whilst maintaining a loose, organic flow through his use of live instrumentation. “The idea for the LP was for a collection of music which could sit alone as club tracks, but would work equally well as part of a whole. The name Islands came from this, as there's some connecting ideas but the tracks sit independently in their own little sonic worlds. I took a lot of inspiration from early 80’s electronic music produced during early years of MIDI technology… proto house, jazz fusion, electronic disco and experimental ambient. I wanted to juxtapose some of these methods with more contemporary production and make something that's ultimately quite fun!” says Medlar of the record which could easily soundtrack a summer road trip. Across 11 tracks, he blends old-school techniques like a fusion of live instruments, FM synthesis and MIDI triggered vocal samples with more contemporary touches such as punchy, club-friendly drums and dub inspired, speaker-wobbling low end. The result is less reliant on samples than his previous works and makes for a perfect blend of retro authenticity and future freshness.

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Keita Sano joins forces with fellow Japanese producer XTAL and makes a welcome return to Delusions following last years amazing Love Is Emotion EP.

Those familiar with Keita’s production will know that his sound is a unique blend of raw, crunchy disco beats, touches of acid and a left-field sensibility which creates an intense and captivating atmosphere on the dance floor. A vibe that has seen his tracks become secret weapons for DJ’s as diverse as Ivan Smagghe, Pablo Fierro, DJ Nature, Frank Tope and Hot Toddy.

Kicking off the EP we have a track called Broken, a high energy and uplifting slice of loopy filter disco which hits all the right notes. Things roll along perfectly, building to a crescendo as a full on string break cuts loose, everything dropping away before slamming in with timbale fills joining the party.

Let Us Have Nice Days, The Sun is up next and makes great use of a classic Italo bassline to drive the track along whilst dub delay FX and side chained pads keep the energy bubbling. Bending bass synth notes bring an extra bit of drama without upsetting the flow and rolling 16th note intensity from the bassline. Feel the love!

Closing the release, we have Time Passing which slows the BPM slightly for a chugging slice of string-drenched gorgeousness. Drop this at sunset and watch as this melancholic gem creates a little bit of magic on the dance floor.

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It’s been exactly a year since the 6th Borough boys emerged from their hiatus to bring us the Rhythm & Truth EP. This killer three tracker picked up where they left off and showed us that fans of deep, dusty, dubbed-out disco were as hungry as ever for new 6BP material and went on to garner praise from the likes of Jamie 3:26, Luke Solomun, Dam Swindle, Young Pulse and the Faith crew to name a few. Here on their follow up we’re treated to more of the good stuff and sees Craig Smith and Graeme ‘Revenge’ Clark whipping up four new cuts spanning speaker- wobbling sub-aquatic grooves and stripped back deep house. One Way sets the tone with a subtle yet infectious percussive workout which is one of those mood setting tools which looks set to become a lot of DJ’s secret weapons this summer. Filtering strings and tweaked synths add that classic Chicago energy which won’t fail to get you locked into it’s groove. Spare Change treads a similar path but goes heavier on the echoing synth stabs and deep string pads proving that when the rhythm is rolling this nicely just let it roll. Flip over for Backlash which takes us deeper still with lush chords and driving square wave bassline taking centre stage supported by an unrelent ing kick drum which helps to keep an intensity throughout the arrangement. Closing out the EP we have The Other, which sees 6BP dropping the BPM’s to create a low-slung slice of deep, underground house perfection.

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Session Victim need little by way of introduction having been releasing on Delusions consistently for the last 10 years and becoming the undisputed poster boys for the label in the process. Despite their regular appearance however, it’s always a real treat to announce a new record from the German duo and we have to say, the Screen Off EP may well find them in their finest form to date! Coming hot off their latest downtempo LP entitled Low Key, Low Pressure for Night Time Stories, you can tell Hauke and Matthias were ready to take things back to the dance-floor and have delivered an EP which looks set to become a future classic and no doubt big in the box of discerning DJ’s the world over. Screen Off is really it’s own thing, living somewhere on the long and winding road between the Bar Kays and the Bad Brains, suffice to say that what it lacks in easily definable attributes it makes up for in sheer energy and raw attitude. Hauke and Matthias re-invite Jamaican poet and vocalist Ras Stimulant, who contemplates our screen addictions and urges us to disconnect and be present in the moment. Matthias’ rolling bassline provides the backbone, whilst hints of crunchy Moog and chopped guitar samples all bring a sense of urgency to the track. Light The Way acts as an antidote, bringing a sense of calm melancholia in contrast to the title track’s low-end, funked-up fervour. A soft focus and almost distant drum groove draws us in whilst arpeggiating synths add a sense of optimism, reinforcing the tracks title. Closing out the release we have Session Victim’s studio partner, good friend and all-round top producer Iron Curtis in for a remix of Light The Way. Johannes takes an interesting approach for his Illuminati interpretation, enhancing the breakbeat feel and mixing up chopped samples with classic 808 drums. A muscular bassline adds extra weight to his remix but without losing the subtle musicality and positive vibe of the original. Being the vinyl purists they are, Session Victim and Iron Curtis top up the physical 12“ EP with the exclusive Screen Off Acapella and an additional Iron Curtis Remix Reprise.

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Jimpster dons his Franc Spangler cap and joins forces with up and coming London-based producer and DJ Hudson’s Choice for a four track EP entitled Myatts Field. Touching on trippy slo-mo electronic grooves, tropical moods and percussive house jams it brings a more experimental and left field sound to Delusions Of Grandeur which we’re sure you’re going to love!

Opening track AcidMan sets the tone of the EP with a bubbling 303 line taking centre stage while pitched down vocals add a hint of menace, heightening the psychedelic mood. Dubby FX and analogue synth lines drift in and out of focus and give a live jam feel to the arrangement reminding us of something that might grace the decks of A Love From Outer Space. Heavily Percussed continues offering up a crazy percussion tool loaded with wonky cross rhythms, glitchy found sounds and a hypnotic synth sequence for good measure.
Flip over for Myatts Field, another slower tempo mutant discoid house groove which takes us on a deep trip into the jungle. Echoing sax and hazy vocals transport us to another world where Weather Report experimented with rolling four on the floor grooves and spacious dub.

Closing out the EP Roots picks up the pace with another percussion-heavy slice of tropical sounds which doffs a cap to masters such as Gregory and Osunlade. Steel pan melodic lines intersperse with chiming synth sequences making for an unusual yet hooky club track which will lock the dancers into its incessant groove.

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Dersu and Diego Figueura are Basel-based brothers also known as Alma Negra and have been responsible for some seriously fresh and funky, afro-inspired dance music since their inception a decade ago. With releases on Heist, Lumberjacks In Hell, Basic Fingers and their own Alma Negra imprint, the duo wear their Cape Verdean roots proudly on their sleeves ensuring a warm, tropical sound emanates through their productions. For their Delusions debut Alma Negra have delivered a compelling and well-rounded EP which shows off their skills across two original tracks, a dub version and a brilliant remix from Yuksek.

Title track Madrugada takes us directly to the afterparty. More specifically, the kitchen of the house party where the action invariably continues to the early hours. Live horns, guitar, percussion and bass all bring a big sound and real band groove to the production making for a feel good modern-day boogie tune guaranteed to lift the spirits.

Next up we have the aptly named Funky Fever which treads a similar path with big horn parts rubbing up alongside Moog synth lines and punctuated with 80’s tom fills and a rock solid rhythm guitar riff. The real star of the show is the vocal which is unashamedly raw and unpolished giving an authentic and endearing hook to the track.

French producer Yuksek is someone whose productions we’ve been loving for some time and really happy to finally have him onboard for a remix for what we feel is the perfect project for him. Like Alma Negra, Yuksek is another talent who is difficult to pigeonhole and enjoys mashing up genres and incorporating many outernational influences into his sound. On his remix of Madrugada he keeps many of the live parts intact but generally ‘houses’ up the drums and mix which increases the energy without losing the overall vibe of the original.

Closing out the EP we have Alma Negra’s own Dub Mix of Madrugaga which goes for a classic dub approach; pairing back the parts, muting the vocals and creating space for the groove to shine, all making for a perfect track to warm up the dance floor early doors.

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Lex makes a welcome return to Delusions Of Grandeur with a brilliant follow up to last years 7 Day Path EP. The Athenian producer, DJ and former record shop owner has been honing his unique sound for the last 7 or 8 years resulting in releases for labels such as Leng, Samosa, King Street, Black Riot and B2. His densely layered textures incorporating lots of live elements and expansive Ron Trent inspired arrangements bring a warm, musical flavour to his productions but without ever losing sight of the dance floor. Without You sets the tone with touches of acid melting into sun-drenched strings and Rhodes making for an atmospheric tune tailor-made for daytime beach sets and late night dancing under the stars. Both hypnotic and trippy in equal measures, this is the kind of versatile track that will make a big impression and put you under its summery spell. Next up we have Strip Town which features some brilliant live bass bringing a jazz-funk swagger whilst the tasty synth chords ensure maximum deepness. Flipping over we have a percussive roller going by the name Purity which features the spoken word of Guto Fernandez and sees Lex joining up with regular collaborator Locke. Closing out this special EP Dennis Liber joins the party injecting pure energy with the help of a serotonin-boosting classic piano house riff and old school house beats

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This June Session Victim return to Jimpster's ' Delusions Of Grandeur' imprint with a third studio album. 'Listen To Your Heart' is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP 'See you When You Get There'. Sampling still remains an ever present backbone throughout the album. Session Victim have dug deep for sounds, resulting in a richly detailed and organic sound collage that goes hand-in-hand with their live instrumentation, this time enhanced through several guest musician appearances, most notably Carsten "Erobique" Meyer (ex-International Pony). Smooth guitar samples are built up on 'Over and Over' while on 'Moons & Flowers' the live instrumentals that Session Victim do so well come to the fore. The treasure trove of San Francisco's record shops proved to be a hard bait to resist and the pair spent a large part of their Californian time hunting for records to sample. Three new tracks emerged from these digging sessions, with the sweeping disco string arrangements on 'Shadows' standing out as a prime ode to days spent combing through bargain bins. Listen To Your Heart is equally a product of the road. While heavy touring is often cited as a hindrance to the creativity of artists, Session Victim see their live shows as a catalyst to their creativity. Two US tours in 2016 gave the Hamburg duo the opportunity to take track sketches and fragments on the road to incorporate into their live shows and then digest them back in the studio. The playful funk soaked groove of 'Matching Half' captures the sense of movement present throughout Listen To Your Heart and the LP mix of 'Up To Rise', which caused heavy ripples when it dropped as part of 2016's Matching Half EP is an extension of the upbeat and euphoric groove that permeates the album.

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Salon Records is proud to welcome Lil Mark & Jason Hodges for the single Wait. Pure house anthem with a strong focus on groove and funky drums declined also in an instrumental version. Stuttgart based producer Anneke Laurent, known for his production with Markus Schatz under Neverm!nd, delivers a classy deep house version of Wait, while Moritz Piske & Antislash, long label buddies joined their forces to produce a badass remix, slightly more funky, minimal and full of off beat humour.

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Repress!

The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The album is the final body of work with his quartet, The Chosen Few, marking the closing chapter of the group’s 8-year journey. The World is On Fire is Collier’s observation journal reflecting on the tumultuous period from before the pandemic to the present day. The title itself wields his lens on vile acts committed by those in power addressing themes of economic upheaval, systemic racism, and the relentless fight for justice. The potency of Collier’s compositions is reinforced by utilizing harrowing real-life news clips throughout the album that radiate the urgency, somberness, and turmoil during this time in history as the album as a whole serves as a requiem for countless lives lost and injustices that remain unacknowledged. The World Is On Fire showcases Collier’s fiery approach as a bandleader with tightly focused solos on both Alto and Tenor Saxophone, that are interwoven with the other musicians. As The Chosen Few prepare for their curtain call, The World is On Fire is a final offering that is more than a collection of songs—it’s a passionate plea for awareness, understanding, and change. Through the journey of sound and reflection, Collier urges us all to play a role in crafting a more just and equitable world.

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https://www.youtube.com/watch?v=PNrZLJdVbB0

Two 80s gems from this sweet duo. Blue vinyl pressed in 2017.

Text lifted from the great Monorail Glasgow here "Classic archive work from Em's micro label Em Custom, offering a glimpse into the world of post-punk folk pop. Fantastic Something's most iconic moment fits very much into Mike Alway's Cherry Red aesthetic of the time. Two good looking Greek guys (brothers) coming on like Simon & Garfunkel fronting Aztec Camera or Maurice Deebank era Felt with sweeter singing. Pre-empting Johnny Marr at his most melodic and also weirdly, Gerard Love's Lightships project (from memory, Norman was a fan). As punk, and the DIY ethic, had changed the landscape, enabling bands to self-release their material, eventually a slew of genres crept out of the woodwork. By the early 80s, there was a reaction against wilder guitar bands, one being a trend of indie, bedsit-folk-pop. 1983 saw the release of this jangly summer single, by Fantastic Something (Alex and Constantin Veis), with an instrumental version on the flip. It was followed by an album two years later for Cherry Red's offshoot, Blanco Y Negro."

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Crackazat returns to Freerange for his latest EP entitled Shine, and sees the artist in his finest form to date! An absolute anthem in the making the title track appears here in Club Mix and
Mana’s Dub form, plus an amazing flip of Crouching Tiger from Baltimore legend Karizma Shine is a soulful, jazz-inflicted epic which will have any dance floor worth it’s salt fully locked in.
Crackazat’s own vocals bring hints of Jamiroquai whilst his production calls golden era MAW and Blaze to mind. Add an incredible arrangement, live horns, bass and drums to this already heady
concoction and you get an idea of why we’re so excited about this release. These kind of club tracks are few and far between these days!
Next up we have one of Crackazat’s own Mana’s Dubs of Shine. A chance for Ben to strip things back, loop things up and dub things out. Keeping the funk intact, we’re treated to a feelgood party-starting house track which has a classic sound that can’t fail to warm the cockles! Flip over for a proper curve-ball from everyone’s favourite Baltimore house hero Karizma who turns Crouching Tiger into the kind of twisted, rolling, jazzy and leftfield workout we love him for.A driving force of the city’s underground, he always comes with the raw energy and fearless
creativity. A staple of the dance floor and a leader beyond it, Karizma represents the past,
present, and future of Baltimore House and once again proves why he’s such a don. Drop this one and run for cover whilst the dancers throw crazy shapes!
Closing out the EP we have Crackazat’s Mana’s Dub take on previous single Watchu Say. Looping up the killer piano hook and his live bass line, Ben manages to craft the kind of warm, uplifting slice of house music which simply works. And for those who love a big drop, this one should fit the bill with a trademark Mana’s Dub seratonin-boosting build that hits all the right buttons

A1 - Shine (Club Mix)
A2 - Shine (Mana's Dub)
B1 - Crouching Tiger ft. Lyric Jones (Karizma Version)
B2 - Watchu Say (Mana's Dub)

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One of Vince Watson’s biggest selling tracks (but rarest vinyl records) finally gets a repress on wax. This time fully remastered and mixed and on his own Everysoul Audio imprint. The original vinyl release on Osunlade’s Yoruba Records in 2015, and was a very limited vinyl run. Now it sounds better than ever and on fresh wax. The track is backed up by a new dancefloor version of ‘Reach For The Sun’, a track that featured on the ‘Every Soul Needs A Guide’ album. This time its flexing jazz vibes, a driving addictive rhythm and ‘Jaguar-esque’ uplifting chords and strings.

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Repress!

Alleviated Records is proud to present the second of hopefully a succession of releases sharing selections from our own Archive of recordings that either have never been issued or that have never been issued on the Alleviated imprint. After many years of being "on-the-shelf" we are extremely pleased to share these with the public.

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For his next trick, Danny Krivit serves up a fitting musical tribute to what he refers to as "the royal family of soul" aka The Jacksons. This double A-side brings two classics to 7" for the first time having been pulled from the golden era of 90s house. Both original Michael and Janet remixes have long been staples in Krivit's sets and here he refines E-Smoove's Late Nite remix of 'Remember The Time' into a mix-friendly gem that keeps the essence and bumps up the beats. On the flip, Janet's 'Any Time, Any Place' appears as the beloved D&D remix, which is uplifting, funky and timeless.

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Daybreakers keep it moving in 2026 with another essential drop from Chicago’s Vick Lavender. Following on from Vol. 1, Essential Traxx Vol. 2 digs even deeper into that soulful, live house sound that Vick’s been perfecting for decades on his label Sophisticado.

A musician, producer and DJ whose work bridges house, jazz and soul, Vick’s music has always carried that feeling — spiritual, rhythmic, and full of life. Part of Glenn Underground’s Strictly Jaz Unit back in the 90s, he helped carve out a sound that still resonates through clubs today. Sophisticado is his world now — real musicians, real instruments, and real emotion.

On the A side, Consequences featuring Spike Rebel rolls with organic percussion, warm keys and that signature Lavender groove — fluid, human, alive. Music built for the dance.

Flip it for Thanks I Get featuring Cei Bei — straight deep house from the source. Soulful vocals, deep chords, and that unmistakable Chicago energy that hits right where it should. Essential Traxx Vol. 2 continues the story. Real house music, deeper than deep.

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Internationally acclaimed producer INKSWEL makes a vibrant return to his house and club foundations with a powerful new 7 track EP. Featuring reworks from ANTON ZAP & SEAN McCABE and a never heard before collaboration with the late great ERIK RICO.

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