1
Jorg Kuning - A1. Klarneto
2
Jorg Kuning - A2. Rodeo Romeo
3
Jorg Kuning - B1. Robotomy
4
Jorg Kuning - B2. Quirl
“Things derive their being and nature by mutual dependance and are nothing in themselves.”
It seems to us that Jorg gives birth to music like the process of amphibian metamorphosis. When the eggs that he so painstakingly delivers are ready to hatch, they morph into fully realised life forms. The hatchlings breathe the sweet air and begin to expand into the universal whole, their tendrils burying deep into the immaterial realm; fulfilling their role in the never ending cosmic dance.
Our dance begins with ‘Klarneto’. A joyous moss sprung bassline flings us readily on our ride down rainbow road, the benign cloud creatures that line its path encourage us humorously along with gentle slaps of their glittering percussive tails. Just as we begin to settle into our trip, the kaleidoscopic tiles beneath us give way, but fear not! Jorg’s interdimensional Klarinet swoops out of the clouds beneath us, catching us gracefully on its tail.
‘Rodeo Romeo’ plucks us out of the clouds into Jorg’s boggy pastures below. A flock of low flying digi-gulls glisten in the sheen of the moon, casting shadows above the writhing grass. Until some unruly marsh-dweller gleefully lifts the lid on the Robo-Drip machine, unleashing a chaotic staccato liquid which bubbles happily out, before Jorg calmly guides it back into its box for another night.
Over to ‘Robotomy’. Here Jorg enlists the services of some of his friendly trans-dimensional machine elves, who revel in the opportunity to play a vocal call and response with Jorg’s rhythm section. The dance climaxes with the riser from heaven, dragging us backwards through the pond portal and spitting us out the other side shrieking with joy. We’re not entirely sure what has just happened, but it felt so good.
Finally then to ‘Quirl’. A thigh burning exercise in sub-aquatic dance meditation, urged forward by Jorg’s tentacle laced chords. All encompassing, deeply hypnotic swirls of colourful keys dance across the vista, occasionally breaking out of their melodic confines to make friends with a twisting serpentine resonance. Ultimately our eyes open too soon, but we take comfort that all the phases of continual being will disseminate infinitely. More
It seems to us that Jorg gives birth to music like the process of amphibian metamorphosis. When the eggs that he so painstakingly delivers are ready to hatch, they morph into fully realised life forms. The hatchlings breathe the sweet air and begin to expand into the universal whole, their tendrils burying deep into the immaterial realm; fulfilling their role in the never ending cosmic dance.
Our dance begins with ‘Klarneto’. A joyous moss sprung bassline flings us readily on our ride down rainbow road, the benign cloud creatures that line its path encourage us humorously along with gentle slaps of their glittering percussive tails. Just as we begin to settle into our trip, the kaleidoscopic tiles beneath us give way, but fear not! Jorg’s interdimensional Klarinet swoops out of the clouds beneath us, catching us gracefully on its tail.
‘Rodeo Romeo’ plucks us out of the clouds into Jorg’s boggy pastures below. A flock of low flying digi-gulls glisten in the sheen of the moon, casting shadows above the writhing grass. Until some unruly marsh-dweller gleefully lifts the lid on the Robo-Drip machine, unleashing a chaotic staccato liquid which bubbles happily out, before Jorg calmly guides it back into its box for another night.
Over to ‘Robotomy’. Here Jorg enlists the services of some of his friendly trans-dimensional machine elves, who revel in the opportunity to play a vocal call and response with Jorg’s rhythm section. The dance climaxes with the riser from heaven, dragging us backwards through the pond portal and spitting us out the other side shrieking with joy. We’re not entirely sure what has just happened, but it felt so good.
Finally then to ‘Quirl’. A thigh burning exercise in sub-aquatic dance meditation, urged forward by Jorg’s tentacle laced chords. All encompassing, deeply hypnotic swirls of colourful keys dance across the vista, occasionally breaking out of their melodic confines to make friends with a twisting serpentine resonance. Ultimately our eyes open too soon, but we take comfort that all the phases of continual being will disseminate infinitely. More
More records from Jorg Kuning
1
Jorg Kuning - Simmons
2
Jorg Kuning - Transplant
3
Jorg Kuning - Dripgroove
4
Jorg Kuning - Bodyscan
We once again call upon Jorg Kuning for his sonic offerings. In answer, he has delivered four bubbling, pulsating tracks that ooze with organic vitality. The fruit of Jorg’s labour comes shrouded in morning mist from the Black Mountains, their meticulous details expanding and collapsing like dew drops in earthly pools.
The record begins with ‘Simmons’. Deep, amphibious sub bass drives the elements in perpetual forward motion. Atonal squeals wriggle through the undergrowth, cutting swathes of space to make room for the chords; whose arrival descend like manna to nourish us in all their microtonal glory.
We then ramble onto ‘Transplant’. Joyful squelches tumble around an Entish kick drum; the healing vibrations of which swell with the clinical serenity of the jazz indebted stabs. Pads swell and shine above the vegetation, leaving fractal trails in their wake.
The B side marches on with ‘Dripgroove’. The crystal clear, angular elements are playfully squeezed out of Jorg’s machines. The rhythm section approaches us with primeval generosity, until the quaking tension is finally released and the dam is open.
The holistic ‘Bodyscan’ concludes the trip. Beginning with gentle warming movement, the energy quickly takes a decidedly more twisted turn. When the sun sets on the shimmering keys, Jorg’s synthetic seagulls signal our return to the murk; the ensuing groove driving us deeper towards the earth’s core. More
The record begins with ‘Simmons’. Deep, amphibious sub bass drives the elements in perpetual forward motion. Atonal squeals wriggle through the undergrowth, cutting swathes of space to make room for the chords; whose arrival descend like manna to nourish us in all their microtonal glory.
We then ramble onto ‘Transplant’. Joyful squelches tumble around an Entish kick drum; the healing vibrations of which swell with the clinical serenity of the jazz indebted stabs. Pads swell and shine above the vegetation, leaving fractal trails in their wake.
The B side marches on with ‘Dripgroove’. The crystal clear, angular elements are playfully squeezed out of Jorg’s machines. The rhythm section approaches us with primeval generosity, until the quaking tension is finally released and the dam is open.
The holistic ‘Bodyscan’ concludes the trip. Beginning with gentle warming movement, the energy quickly takes a decidedly more twisted turn. When the sun sets on the shimmering keys, Jorg’s synthetic seagulls signal our return to the murk; the ensuing groove driving us deeper towards the earth’s core. More
1
Jorg Kuning - No Title
2
Jorg Kuning - No Title
3
Jorg Kuning - No Title
4
Jorg Kuning - No Title
BH003 comes in the form of another 4 track EP from our own Jorg Kuning. Drawing as much from the collective euphoria of the dance as his expansive surroundings in the Welsh valleys; these four carefully crafted tracks evolve and pulsate with a driving, essential life force.
The EP starts with ‘Vera’ - a joyful and tender exercise in dance floor functionality. Round kicks and an undulating bass line lay the cement for flowing and idiosyncratic melodies. This is followed by ‘Quixo’, where sparse metallic percussion is peppered with life affirming bleeps, topped off with transcendent chords that could roll out indefinitely.
The B side begins with ‘Spirals’. Here Jorg temporarily ditches his characteristic playfulness in aid of a thunderous dance floor destroyer. Psychedelic, atonal yelps twist around a powerfully dubbed out rhythm section - willingly forcing us into a cosmic dread march. Closing the party is ‘Aevr’ - fluttering synth arpeggios echo into cold, glassy percussion and moody bass lines, a perfect example of Jorg’s distinctive style: at once meditative and floor-focused. More
The EP starts with ‘Vera’ - a joyful and tender exercise in dance floor functionality. Round kicks and an undulating bass line lay the cement for flowing and idiosyncratic melodies. This is followed by ‘Quixo’, where sparse metallic percussion is peppered with life affirming bleeps, topped off with transcendent chords that could roll out indefinitely.
The B side begins with ‘Spirals’. Here Jorg temporarily ditches his characteristic playfulness in aid of a thunderous dance floor destroyer. Psychedelic, atonal yelps twist around a powerfully dubbed out rhythm section - willingly forcing us into a cosmic dread march. Closing the party is ‘Aevr’ - fluttering synth arpeggios echo into cold, glassy percussion and moody bass lines, a perfect example of Jorg’s distinctive style: at once meditative and floor-focused. More
1
Jorg Kuning - No Title
2
Jorg Kuning - No Title
3
Jorg Kuning - No Title
4
Jorg Kuning - No Title
Bakk Heia Records has evolved as an extension of Manchester/Salford based club night Bakk.Heia.
The label mirrors the party's ethos: blurring the lines between ambient drones, performance, abstraction, hedonism, and dance music.
Bakk Heia Records' second offering comes in the form of a 4 track EP from their own Jorg Kuning.
Based in Wales via Manchester, Jorg has been instrumental in the development of both the party and the labels sonic aesthetic.
Having played the inaugural Bakk Heia several years ago in the now defunct Bunker in Salford and at various parties at the White Hotel since then.
Jorg Kuning's music explores the symbiotic relationship between the biological and the electronic; inspired as much by the raw natural beauty of the Welsh valleys as it is by dark rooms with massive sound systems. Live hardware jams evolve and mutate, incorporating intricate percussion and sparse organic melodies.
The A side begins with the deep and earthy broken beat patterns of 'Hibbert' - a track which is weirdly unsettling in its familiarity. Following this is 'Tunnels', perhaps the most conventionally club-focused track on the EP - hypnotic and dubby grooves roll out with humanistic functionality.
Over on the B side, the cybernetic counselling session of 'Algotherapy', gently reminds us of the absurdity of the human/robotic condition - all set to a heavy-as-lead bass line under redemptive chords.
'Bumrush' finishes the job in fine style - woody percussion moves over earth shattering kick drums; dance music at its most primordial... More
The label mirrors the party's ethos: blurring the lines between ambient drones, performance, abstraction, hedonism, and dance music.
Bakk Heia Records' second offering comes in the form of a 4 track EP from their own Jorg Kuning.
Based in Wales via Manchester, Jorg has been instrumental in the development of both the party and the labels sonic aesthetic.
Having played the inaugural Bakk Heia several years ago in the now defunct Bunker in Salford and at various parties at the White Hotel since then.
Jorg Kuning's music explores the symbiotic relationship between the biological and the electronic; inspired as much by the raw natural beauty of the Welsh valleys as it is by dark rooms with massive sound systems. Live hardware jams evolve and mutate, incorporating intricate percussion and sparse organic melodies.
The A side begins with the deep and earthy broken beat patterns of 'Hibbert' - a track which is weirdly unsettling in its familiarity. Following this is 'Tunnels', perhaps the most conventionally club-focused track on the EP - hypnotic and dubby grooves roll out with humanistic functionality.
Over on the B side, the cybernetic counselling session of 'Algotherapy', gently reminds us of the absurdity of the human/robotic condition - all set to a heavy-as-lead bass line under redemptive chords.
'Bumrush' finishes the job in fine style - woody percussion moves over earth shattering kick drums; dance music at its most primordial... More
More records from Bakk Heia Records
1
schuttle - Shadout
2
schuttle - Souvlaki
3
schuttle - Swords Dance (Parts 1 & 2)
4
schuttle - Junkman
Born from the party of the same name held at Manchester’s storied White Hotel, the increasingly essential Bakk Heia label has consistently put out thrilling 12”s from co-founders schuttle and low-key cult favourit Jorg Kuning since 2019. Stepping up for the imprint’s sixth release, schuttle brings four tripped-out cuts of contemporary dance music, showcasing his production chops across four stellar tracks, already getting an airing from Ben UFO on the Hessle Audio Rinse FM show, as well as support from Joe Delon, Kiernan Laveaux, Om Unit, K Means, Barker, Pariah & Terry Francis.
“schuttle’s latest offering begins with ‘Shadout’. Fractured celestial voices materialize from a mist of frosted percussion while a merciful kickdrum splutters above the surface, bringing with it the viscous, swampy murk. ‘Souvlaki’ follows with playful impish chatter that stumbles over the moss-covered bassline, whilst cascading snare hits tumble down abandoned wells, a gentle guiding presence through the forest.
‘Swords Dance’ is a 10-minute display of cosmic glory, where conventional momentum is abandoned in favour of complete ecstatic, unbridled chaos. After the dust settles on this fiendish bacchanalia, ‘Junkman’ creeps into the fore. Caustic mire oozes into focus, mist rising sluggishly from the reeds while an elemental pad sweeps across the terrain.” More
“schuttle’s latest offering begins with ‘Shadout’. Fractured celestial voices materialize from a mist of frosted percussion while a merciful kickdrum splutters above the surface, bringing with it the viscous, swampy murk. ‘Souvlaki’ follows with playful impish chatter that stumbles over the moss-covered bassline, whilst cascading snare hits tumble down abandoned wells, a gentle guiding presence through the forest.
‘Swords Dance’ is a 10-minute display of cosmic glory, where conventional momentum is abandoned in favour of complete ecstatic, unbridled chaos. After the dust settles on this fiendish bacchanalia, ‘Junkman’ creeps into the fore. Caustic mire oozes into focus, mist rising sluggishly from the reeds while an elemental pad sweeps across the terrain.” More
1
Jorg Kuning - Simmons
2
Jorg Kuning - Transplant
3
Jorg Kuning - Dripgroove
4
Jorg Kuning - Bodyscan
We once again call upon Jorg Kuning for his sonic offerings. In answer, he has delivered four bubbling, pulsating tracks that ooze with organic vitality. The fruit of Jorg’s labour comes shrouded in morning mist from the Black Mountains, their meticulous details expanding and collapsing like dew drops in earthly pools.
The record begins with ‘Simmons’. Deep, amphibious sub bass drives the elements in perpetual forward motion. Atonal squeals wriggle through the undergrowth, cutting swathes of space to make room for the chords; whose arrival descend like manna to nourish us in all their microtonal glory.
We then ramble onto ‘Transplant’. Joyful squelches tumble around an Entish kick drum; the healing vibrations of which swell with the clinical serenity of the jazz indebted stabs. Pads swell and shine above the vegetation, leaving fractal trails in their wake.
The B side marches on with ‘Dripgroove’. The crystal clear, angular elements are playfully squeezed out of Jorg’s machines. The rhythm section approaches us with primeval generosity, until the quaking tension is finally released and the dam is open.
The holistic ‘Bodyscan’ concludes the trip. Beginning with gentle warming movement, the energy quickly takes a decidedly more twisted turn. When the sun sets on the shimmering keys, Jorg’s synthetic seagulls signal our return to the murk; the ensuing groove driving us deeper towards the earth’s core. More
The record begins with ‘Simmons’. Deep, amphibious sub bass drives the elements in perpetual forward motion. Atonal squeals wriggle through the undergrowth, cutting swathes of space to make room for the chords; whose arrival descend like manna to nourish us in all their microtonal glory.
We then ramble onto ‘Transplant’. Joyful squelches tumble around an Entish kick drum; the healing vibrations of which swell with the clinical serenity of the jazz indebted stabs. Pads swell and shine above the vegetation, leaving fractal trails in their wake.
The B side marches on with ‘Dripgroove’. The crystal clear, angular elements are playfully squeezed out of Jorg’s machines. The rhythm section approaches us with primeval generosity, until the quaking tension is finally released and the dam is open.
The holistic ‘Bodyscan’ concludes the trip. Beginning with gentle warming movement, the energy quickly takes a decidedly more twisted turn. When the sun sets on the shimmering keys, Jorg’s synthetic seagulls signal our return to the murk; the ensuing groove driving us deeper towards the earth’s core. More
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Format: 2LP
Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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K-Lone - Give It Up
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K-Lone - Wait 4 U
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K-Lone - What I Want
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K-Lone - Own Way
Track list:
A1. Give It Up
A2. Wait 4 U
B1. What I Want
B2. Own Way
Highlight:
Wisdom Teeth co-founder K-Lone is dropping two EPs on Aus Music: the first instalment nods to UKG and house flavours, landing mid-May, while the second offers a deeper, broken techno vibe, arriving in late June. 'Give It Up' opens Part 1 with a bubbly rhythm and bassline that percolates through the woody, organic percussion. Lush pads and neon lines swirl skyward to silky and seductive effect as various other samples and daubs of colour bring the groove to life. The heady 'Wait 4 U' is a textbook K-Lone house cut with low swinging bass, sultry sax stabs and molten R&B samples that get the juices going next to warm, diffused synth lines.
On the flip, 'What I Want' ups the pace but keeps it deep and smooth with rubbery kicks and gooey bass overlaid with soft-edged chord stabs that will pump the floor. Lastly, 'Own Way' closes down with a tumbling bassline that takes you deeper as muted vocal sounds and glowing chords hook you into an infectious groove suited to the most intimate dancefloors.
UK trailblazer K-Lone heads up the label Wisdom Teeth with fellow producer Facta and has released everything from club-primed garage to innovative home listening records. Whether cooking up kinetic beats and bouncy bass or soundtracking a lazy summer's afternoon with synthesised bird calls and lush marimbas, the London-bred artist is a proven studio wizard. Critical acclaim has come for both his ‘Swells’ and ‘Cape Cira’ albums, and now his ‘Catching Wild’ EPs for Aus Music offer yet another portal into the colourful world of his idiosyncratic, signature sound.
More
A1. Give It Up
A2. Wait 4 U
B1. What I Want
B2. Own Way
Highlight:
Wisdom Teeth co-founder K-Lone is dropping two EPs on Aus Music: the first instalment nods to UKG and house flavours, landing mid-May, while the second offers a deeper, broken techno vibe, arriving in late June. 'Give It Up' opens Part 1 with a bubbly rhythm and bassline that percolates through the woody, organic percussion. Lush pads and neon lines swirl skyward to silky and seductive effect as various other samples and daubs of colour bring the groove to life. The heady 'Wait 4 U' is a textbook K-Lone house cut with low swinging bass, sultry sax stabs and molten R&B samples that get the juices going next to warm, diffused synth lines.
On the flip, 'What I Want' ups the pace but keeps it deep and smooth with rubbery kicks and gooey bass overlaid with soft-edged chord stabs that will pump the floor. Lastly, 'Own Way' closes down with a tumbling bassline that takes you deeper as muted vocal sounds and glowing chords hook you into an infectious groove suited to the most intimate dancefloors.
UK trailblazer K-Lone heads up the label Wisdom Teeth with fellow producer Facta and has released everything from club-primed garage to innovative home listening records. Whether cooking up kinetic beats and bouncy bass or soundtracking a lazy summer's afternoon with synthesised bird calls and lush marimbas, the London-bred artist is a proven studio wizard. Critical acclaim has come for both his ‘Swells’ and ‘Cape Cira’ albums, and now his ‘Catching Wild’ EPs for Aus Music offer yet another portal into the colourful world of his idiosyncratic, signature sound.
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Nitai Hershkovits & Daniel Dor - Of Florals
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Nitai Hershkovits & Daniel Dor - The Garden's Humble
3
Nitai Hershkovits & Daniel Dor - Five Folk
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Nitai Hershkovits & Daniel Dor - Polka Gigue
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Nitai Hershkovits & Daniel Dor - For the Faint of Heart
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Nitai Hershkovits & Daniel Dor - Moonlit
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Nitai Hershkovits & Daniel Dor - Gnome Worthy
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Nitai Hershkovits & Daniel Dor - Dance of the Petals
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Nitai Hershkovits & Daniel Dor - Brook
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Nitai Hershkovits & Daniel Dor - Hidden Glow
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Nitai Hershkovits & Daniel Dor - Of Giving
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Nitai Hershkovits & Daniel Dor - Waltz of the Clocks
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Nitai Hershkovits & Daniel Dor - Locust Tale
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Nitai Hershkovits & Daniel Dor - Travelers Gift
15
Nitai Hershkovits & Daniel Dor - More Clocks
Genre: Electronic, Jazz, Ambient
Tracklist LP:
A1. Of Florals - A2. The Garden's Humble - A3. Five Folk - A4. Polka Gigue - A5. For the Faint of Heart - A6. Moonlit - A7. Gnome Worthy - A8. Dance of the Petals - B1. Brook - B2. Hidden Glow - B3. Of Giving - B4. Waltz of the Clocks - B5. Locust Tale - B6. Travelers Gift - B7. More Clocks
Short Info:
Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.
“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.
Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his fiveyear tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.
Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.
With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating. More
Tracklist LP:
A1. Of Florals - A2. The Garden's Humble - A3. Five Folk - A4. Polka Gigue - A5. For the Faint of Heart - A6. Moonlit - A7. Gnome Worthy - A8. Dance of the Petals - B1. Brook - B2. Hidden Glow - B3. Of Giving - B4. Waltz of the Clocks - B5. Locust Tale - B6. Travelers Gift - B7. More Clocks
Short Info:
Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.
“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.
Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his fiveyear tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.
Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.
With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating. More
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Danny Scott Lane - 21st Street
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Danny Scott Lane - Mike’s Kitchen
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Danny Scott Lane - Too Much Time
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Danny Scott Lane - Each Day Is Every day
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Danny Scott Lane - Be Outside Talking
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Danny Scott Lane - Closing In 5 Minutes, Customers
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Danny Scott Lane - 10’Clock Ride
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Danny Scott Lane - Not Home
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Danny Scott Lane - Spring Street
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Danny Scott Lane - Late Love Walk
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Danny Scott Lane - Metal From Out A Window
12
Danny Scott Lane - Her Coming In
Genre: Ambient, Chillout, Cool Jazz, Minimalism, Downtempo
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
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Passepartout Duo and Inoyama Land - Strange Clouds
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Passepartout Duo and Inoyama Land - Abstract Pets
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Passepartout Duo and Inoyama Land - Simoom
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Passepartout Duo and Inoyama Land - Tangerine Fields
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Passepartout Duo and Inoyama Land - Observatory
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Passepartout Duo and Inoyama Land - Mosaic
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Passepartout Duo and Inoyama Land - King in a Nutshell
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Passepartout Duo and Inoyama Land - Xiloteca
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Passepartout Duo and Inoyama Land - Solivago
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Passepartout Duo and Inoyama Land - Berceuse
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Passepartout Duo and Inoyama Land - Axolotl Dreams
1. LTD LP - Territory: WW Minus UK/Eire,Usa, Canada
For fans of: 'Kankyo Ongaku', Hiroshi Yoshimura (Green, Surround), Yasuaki Shimizu, the new album ‘Radio Yugawara’
is a masterclass in 'Kankyo Ongaku' (environmental music), new age and ambient.
-- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Locked Groove
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Electronic / Ambient
3. TRACKLISTS:
Please add track lists for all listed formats.
A1. Strange Clouds
A2. Abstract Pets
A3. Simoom
A4. Tangerine Fields
A5. Observatory
B1. Mosaic
B2. King in a Nutshell
B3. Xiloteca
B4. Solivago
B5. Berceuse
B6. Axolotl Dreams
4. SHORT INFO:
Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.
Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."
Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.
"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."
More
For fans of: 'Kankyo Ongaku', Hiroshi Yoshimura (Green, Surround), Yasuaki Shimizu, the new album ‘Radio Yugawara’
is a masterclass in 'Kankyo Ongaku' (environmental music), new age and ambient.
-- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Locked Groove
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Electronic / Ambient
3. TRACKLISTS:
Please add track lists for all listed formats.
A1. Strange Clouds
A2. Abstract Pets
A3. Simoom
A4. Tangerine Fields
A5. Observatory
B1. Mosaic
B2. King in a Nutshell
B3. Xiloteca
B4. Solivago
B5. Berceuse
B6. Axolotl Dreams
4. SHORT INFO:
Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.
Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."
Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.
"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."
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Hotspring - Blood
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Hotspring - Could You?
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Hotspring - Day, Moment
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Hotspring - Dealt Hand
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Hotspring - Don't Hum Without Me
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Hotspring - Fifty Summers
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Hotspring - Glanzstrasse 6
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Hotspring - Organ With Fire
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Hotspring - Three Of Swords
Hotspring is the alias of musician Scott Gailey.
Recent collaborative releases include a 2023 appearance on 0 Records’ 02 alongside C3D-E and Hashman, and a 2022 drop of three releases by loose Vancouver collective Kinda Green; past solo releases include 2019’s Polysensuality on Séance Centre and 2020’s Obit for Sunshade, also on Mood Hut.
The forthcoming Apodelia is Gailey’s second solo release on Canadian mainstay electronic label Mood Hut, and is partly a further exploration of song forms, studio techniques and instrumentation explored on 2020’s Obit for Sunshade. Apodelia explores lifting into revealing; scouring fidelities, playing with emotion, and improvising by night. More
Recent collaborative releases include a 2023 appearance on 0 Records’ 02 alongside C3D-E and Hashman, and a 2022 drop of three releases by loose Vancouver collective Kinda Green; past solo releases include 2019’s Polysensuality on Séance Centre and 2020’s Obit for Sunshade, also on Mood Hut.
The forthcoming Apodelia is Gailey’s second solo release on Canadian mainstay electronic label Mood Hut, and is partly a further exploration of song forms, studio techniques and instrumentation explored on 2020’s Obit for Sunshade. Apodelia explores lifting into revealing; scouring fidelities, playing with emotion, and improvising by night. More
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Bartosz Kruczynski - Dream I
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Bartosz Kruczynski - Dream II
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Bartosz Kruczynski - Dream III
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Bartosz Kruczynski - Dream IV
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Bartosz Kruczynski - V
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Bartosz Kruczynski - VI
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Bartosz Kruczynski - Dream VII
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Bartosz Kruczynski - Whisper I
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Bartosz Kruczynski - Whisper II
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Bartosz Kruczynski - Whisper III
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Bartosz Kruczynski - Whisper IV
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Bartosz Kruczynski - Whisper V
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Bartosz Kruczynski - Whisper VI
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Bartosz Kruczynski - Whisper VII
We’ve always been careful not to call Balmat an ambient label, because we like having the freedom to move, to drift, to morph. But with our 11th release, we turn our ears—proudly, blissfully—to a strain of ambient at its most timeless. The appropriately titled Dreams & Whispers comes from Warsaw’s Bartosz Kruczynski, who has recorded under a number of guises, Earth Trax, as well as his own name. Over the years, he’s touched upon deep house, breakbeats, acid, techno, electro, IDM, and more; often, the throughline running through a given album is simply the refusal to remain in any one place for long—well, that, and his unusually nuanced ear for harmony and texture.
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
Those qualities come to the fore on Dreams & Whispers, which might be the most focused encapsulation of Kruczynski’s atmospheric sensibilities to date.. Across 14 stripped-down tracks for shimmer and pulse, Kruczynski evokes overlapping styles in ambient—warm vibraphones, taut arps, massing strings, lonesome delay chains —but always with his own twist. Fitting the album’s title, the album is loosely divided into two distinct moods: The A-side, “Dreams,” is charged with subtle movement, rhythms spreading out like rings around skipped stones, while the B-side, “Whispers,” plunges into a zone of shadows and hush. The two complementary moods flow into one another like the faces of a Moebius strip, yielding an album that’s intuitively shaped and rich in emotion. More
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Ago - Your Eyes
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Ago - Crippling
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Ago - Eight Times Eight
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Ago - Riverwind
System Music is pleased to welcome Italian supernova Ago to the label with an incredible 4 track EP showing his mastery in diversity within the 140 bpm realm. A break-from-the-norm EP that encapsulates the refined character of the producer. The title track "Your Eyes" opens the EP with moving chords and swirling futuristic arpeggios that brings to light Ago's amazing melodic prowess. An intense track that evokes distant memories and resolves into an anthemic second drop that has been a true dancefloor favourite all over the world in recent years. Crippling follows with sinister synths pulses that stumble into a 2-step groove, enriched by shuffling percussion and Ago’s signature bleeps and sound design. The dreamy bridge temporarily elevates the track into a new melodic realm before falling back into ringing pulses and deep atmospheres. Eight Times Eight takes the listener into a dark room dense with experimental patterns. Pounding techno kicks, airy hi-hats, scattering percussion, strobing melodies and obscure samples that gets the head nodding and the feet stepping. To be listened to the very end. Riverwind is in the name. The final tune flows like water across a beautifully crafted ethereal sound that is encompassed around floating percussive drums, occasionally awakened by sudden effects. Intertwined visions of air and water take us to the banks of new digital rivers.
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Robbie Belchamber - Coalesce
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Robbie Belchamber - Slack Tide
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Robbie Belchamber - Shallow Crossing
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Robbie Belchamber - Interchange
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Robbie Belchamber - Interlude (A Platypus Under The Suspension Bridge)
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Robbie Belchamber - Eddy
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Robbie Belchamber - Runoff (Feat. Aidan Ryan)
"Trails" is a 7-track EP by Guitarist and composer Robbie Belchamber, which draws upon elements of jazz, brazilian, west african and folk music. The compositions are centered around the soft timbre of fingerstyle nylon-string guitar, with subtle arrangements incorporating voice, flute, percussion, mandolin, accordion and electric guitar filling out the texture.
"During lockdown I spent a lot of time exploring Melbourne's northern waterways, riding my bike along the Birrarung, Darebin creek and Merri creek. These opportunities to slow down, reflect, observe and spend time in nature formed the genesis of many of the compositions. "Trails" sonifies these experiences, the bubbling rhythms of water, melodic inventions of currawongs and magpie-larks, pervasive scents of the bush, all changing with the seasons."
"Trails" is the first release under Robbie Belchamber, and features collaborations Melbourne musicians such as Lucky Pereira (Glass Beams, 30/70), Hannah McKittrick, Grace Robinson (Empress), Moses Carr, Aidan Ryan (NoLess) and Erica Tuccerri. More
"During lockdown I spent a lot of time exploring Melbourne's northern waterways, riding my bike along the Birrarung, Darebin creek and Merri creek. These opportunities to slow down, reflect, observe and spend time in nature formed the genesis of many of the compositions. "Trails" sonifies these experiences, the bubbling rhythms of water, melodic inventions of currawongs and magpie-larks, pervasive scents of the bush, all changing with the seasons."
"Trails" is the first release under Robbie Belchamber, and features collaborations Melbourne musicians such as Lucky Pereira (Glass Beams, 30/70), Hannah McKittrick, Grace Robinson (Empress), Moses Carr, Aidan Ryan (NoLess) and Erica Tuccerri. More
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Jonathan Bockelmann - Aoneko No Torso (02:15 min)
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Jonathan Bockelmann - Dream (01:15 min)
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Jonathan Bockelmann - Bibo No Aozora (03:19 min)
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Jonathan Bockelmann - Blu (02:59 min)
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Jonathan Bockelmann - A Flower Is Not a Flower (03:12 min)
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Jonathan Bockelmann - 20220302 (02:42 min)
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Jonathan Bockelmann - Opus (05:21 min)
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Jonathan Bockelmann - Dancing in the Sky (01:04 min)
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Jonathan Bockelmann - Suite for Krug in 2008: Movement I. (06:30 min)
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Jonathan Bockelmann - Suite for Krug in 2008: Movement II. (07:10 min)
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Jonathan Bockelmann - Suite for Krug in 2008: Movement III. (05:14 min)
LP
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
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Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
More
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Kyle Hall - Shark
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Kyle Hall - Vexed
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Kyle Hall - Distant
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Kyle Hall - Slam Deep
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Kyle Hall - Channel & Transmission (Hidden Vinyl Bonus Track)
Repress!
Written and Produced By Kyle Julian Hall
Artwork By Michio James
Shark Mixed by Pirahnahead @ Rust Belt Studios
Distant and Slam Deep Mixed by Miloco Studios
Mastered By Beau Thomas : Ten Eight Seven
Pressed by Archer Records
Video 3d Animation Andre Edwards-Roderique More
Written and Produced By Kyle Julian Hall
Artwork By Michio James
Shark Mixed by Pirahnahead @ Rust Belt Studios
Distant and Slam Deep Mixed by Miloco Studios
Mastered By Beau Thomas : Ten Eight Seven
Pressed by Archer Records
Video 3d Animation Andre Edwards-Roderique More
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nimu - At Dawn
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nimu - Room Of Mirrors
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nimu - Little Break
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nimu - Ultramarine
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nimu - Headache Pill
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nimu - Picture In Picture
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nimu - Deja Vu
Mushroom Tea Garden Ceremony
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