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Label:London Records
Cat-No:LMS1725227
Release-Date:09.08.2024
Genre:Electronic
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Barcode:5061017252276
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Label:London Records
Cat-No:LMS1725227
Release-Date:09.08.2024
Genre:Electronic
Configuration:2LP Excl
Barcode:5061017252276
Rights: World excluding France & UK
DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker
SHORT PRODUCT INFORMATIONS
SHORT INFOS / KEY POINTS
" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.
TRACKLIST
DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast
More
DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker
SHORT PRODUCT INFORMATIONS
SHORT INFOS / KEY POINTS
" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.
TRACKLIST
DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast
More
More records from ORBITAL
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
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Last in:26.03.2024
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in stock
Last in:26.03.2024
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
More
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
More
Label:London Records
Cat-No:LMS5521858
Release-Date:17.02.2023
Genre:Electronic
Configuration:CD Excl
Barcode:5060555218584
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Last in:03.05.2023
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![](/covers/139046_631B17DB.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:03.05.2023
Label:London Records
Cat-No:LMS5521858
Release-Date:17.02.2023
Genre:Electronic
Configuration:CD Excl
Barcode:5060555218584
Rights: World excluding Fr & UK
CD : 1 x CD, Gatefold sleeve UV gloss finish + Black Inner sleeve.
TRACKLIST CD:
1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
2. Day One (feat. Dina Ipavic)
3. Are You Alive? (feat. Penelope Isles)
4. You Are The Frequency (feat. The Little Pest)
5. The New Abnormal
6. Home (feat. Anna B Savage)
7. Dirty Rat – With Sleaford Mods
8. Requiem For The Pre Apocalypse
9. What A Surprise (feat. The Little Pest)
10. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
CD : 1 x CD, Gatefold sleeve UV gloss finish + Black Inner sleeve.
TRACKLIST CD:
1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
2. Day One (feat. Dina Ipavic)
3. Are You Alive? (feat. Penelope Isles)
4. You Are The Frequency (feat. The Little Pest)
5. The New Abnormal
6. Home (feat. Anna B Savage)
7. Dirty Rat – With Sleaford Mods
8. Requiem For The Pre Apocalypse
9. What A Surprise (feat. The Little Pest)
10. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
2LP Excl
in stock
Label:London Records
Cat-No:LMS5521859
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:5060555218591
in stock
Last in:02.12.2022
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![](/covers/139047_C93A4F1F.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:02.12.2022
Label:London Records
Cat-No:LMS5521859
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:5060555218591
Rights: World excluding Fr & UK
DOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve & 2 x Heavy Weight Printed Inner with UV Gloss Finish
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
DOUBLE BLACK LP : 2 x 140 G Black Vinyl , Sleeve & 2 x Heavy Weight Printed Inner with UV Gloss Finish
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
2LP Excl
in stock
Label:London Records
Cat-No:LMS5521861
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:5060555218614
in stock
Last in:03.05.2023
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![](/covers/139048_8F4A7F76.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:03.05.2023
Label:London Records
Cat-No:LMS5521861
Release-Date:17.02.2023
Genre:Electronic
Configuration:2LP Excl
Barcode:5060555218614
Rights: World excluding Fr & UK
2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
2 x Solid White LP, 5mm spine Sleeve UV Gloss Finish, 2x Heavy Weight Printed Inner Sleeve UV Gloss finish, marketing sticker.
TRACKLIST DOUBLE VINYLS:
A1. Ringa Ringa (The Old Pandemic Folk Song) (feat. The Mediaeval Baebes)
A2. Day One (feat. Dina Ipavic)
A3. Are You Alive? (feat. Penelope Isles)
B1. You Are The Frequency (feat. The Little Pest)
B2. The New Abnormal
C1. Home (feat. Anna B Savage)
C2. Dirty Rat
C3. Requiem For The Pre-Apocalypse
D1. What A Surprise (feat. The Little Pest)
D2. Moon Princess (feat. Coppe)
SHORT INFOS :
Legendary electronic music duo Orbital return Early 2023 with new album “Optical Delusion”, the Hartnoll brothers first studio album since 2018’s Monster’s Exist. Recorded in Orbital’s Brighton studio, “Optical Delusion” includes contributions from Sleaford Mods, Penelope Isles, Anna B Savage, The Little Pest, Dina Ipavic, Coppe, and perhaps most surprisingly, The Medieval Baebes.
Earlier this year, Orbital celebrated their storied history with “30 Something” which, unlike other Best Of’s, contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks including “Chime”, “Belfast”, “Halcyon”, “Satan”, and “The Box”
SHORT BIOG:
“A human being experiences himself, his thoughts and feelings as something separate from the rest [of humanity] – a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest to us. Our task must be to free ourselves from this prison…”
You many have seen this quote attributed to Albert Einstein on social media, the archetypal Smartest Guy Ever apparently having an out-of-character religious epiphany. It certainly leapt out at Paul Hartnoll of Orbital who spotted it in Michael Pollan’s 2018 book How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression and Transcendence.
“As soon as I saw ‘optical delusion’ I thought Oh hey, that’s the album title,” says Paul. “It just seemed to say so much about how people construct their own realities, how we see patterns that aren’t there, how we see what we want to see.
“But it’s actually a misquote. He never quite said that. In the German original what he’s really saying is that human experience is as relative as physics. Wouldn’t it be good if we could accept that, and find a kind of universal theory of everything for the human race? Then you look at everything from history to art to your Twitter feed and you think yeah, that’s what we’re all trying to do all of the time…”
Hence ‘Optical Delusion’, the tenth original Orbital album and the latest in a burst of renewed post-pandemic creativity for two brothers who’ve stayed at the top of their game longer than anyone from the post-1988 Class of Acid House.
Now with ‘Optical Delusion’ the Hartnolls dig deeper into the unquiet psyche of our increasingly surreal and disordered world. Sketched out partly during lockdown but fully recorded in the uncertain After Times, the album summons up conflicting emotions and sometimes beguiling images from years when the science fiction doomsdays that the Hartnolls watched on TV as kids finally came true. There are mesmeric tracks with names like ‘The New Abnormal’ and ‘Requiem For The Pre-Apocalypse’ and ‘Day One’. But there are also straight-up bangers and ethereal cosmic dreams, abstract sound wars and deeply human songs of separation and loss.
And it all starts with a bang. Lead single ‘Dirty Rat’, an outright Fall-meets-Front-242 class rant with vocals by Sleaford Mods mob orator Jason Williamson, harks right back to the Hartnolls’ days of politicised anarcho-squatpunk. It began as a remix swap (Orbital did the Sleafords’ ‘I Don’t Rate You’) and morphed into a comic, brutal, bass-driven harangue not so much against our rulers but at the petty, mean-spirited, frightened, Mail-reading voters who put them there: the people who are “blaming everyone in hospital/blaming everyone at the bottom of the English Channel/blaming everyone who doesn’t look like a fried animal.”
Also key to the album is opening track ‘Ringa Ringa (The Old Pandemic Folk Song)’ which returns to an Orbital truism, that time always becomes a loop. This chugging, cyclical Orbital groove gives way to an unnerving past-meets-present timeslip fit for ‘Sapphire And Steel’ as goth maenads The Mediaeval Baebes materialise to sing ‘Ring O’Roses’ – the innocent nursery rhyme whose roots are in the Black Death.
“I’ve always liked folk music and mediaeval sounds,” says Paul, himself an occasional Morris dancer. “I had the basis of that track and I wanted to spin it off somehow.” Trawling his archives he stumbled on The Mediaeval Baebes’ version of ‘Ring O’Roses’ “and my hackles just went up. I was like, my God, this is the original pandemic folk song.”
?his being Orbital, there are collaborations galore on the album, the roles once played by Alison Goldfrapp, Lady Leshurr or David Gray now filled by new talents. London singer-songwriter Anna B Savage contributes a compellingly fragile, Anohni-like vocal to ‘Home’, in which nature reclaims the scorched and vacant mega-cities. ‘Day One’ is a pulsing techno track featuring the singer Dina Ipavic. Paul got in touch with her after working on a score for a sculpture show of giant robotic installations by his friend Giles Walker during the pandemic. First Paul cut up his own score and Ipavic’s vocals on the track The Crane, which appears on the deluxe version of the album. Then he thought, Why not work with her for real? The result is school of ‘Belfast’, a bassy dreamscape with vocalised clouds billowing above.
The pensive ‘Are You ?live?’ adds to the Orbital product range of existential questions (‘Are We Here?’, ‘Where Is It Going?’) in collaboration Bella Union signings Penelope Isles, AKA brother and sister act Lily and Jack Wolter. “They’re our studio mates, they work upstairs!” says Paul happily. “And they’ve both got amazing voices.”
But Orbital are Orbital and never far from the dancefloor. “Eventually the more abrasive bits came back into the fold…” ‘You Are The Frequency’, first of two tracks to feature mysterious vocalist The Little Pest, surrounds the listener with warped voices ordering you to the dancefloor (Phil: “we wanted the idea that the music is kind of absorbing you”). And the second, the sinister ‘What A Surprise’, traps you in a paranoid electronic hall of mirrors.
In another nod to Orbital’s resurgent past the cover artwork once again comes from fine art painter John Greenwood, creator of fantastical grotesques for the covers of ‘Snivilisation’, ‘In Sides’ and Orbital’s most recent album, 2018’s ‘Monsters Exist’. Orbital had just had a slick Mark Farrow cover for ‘30 Something’ – this is a return to the overripe and bulbous techno-organic constructions that somehow express Orbital’s own uncontrollably fertile sound.
There are gaps in the future that Orbital are desperate to fill too; there will be tours and festivals and rooms and fields full of people. Those long paralysed months when we had little to look forward to but a Zoom DJ set made Paul and Phil appreciate the things that make life worth living.
More
4LP Excl
in stock
Label:London Records
Cat-No:LMS5521698
Release-Date:29.07.2022
Genre:Techno
Configuration:4LP Excl
Barcode:5060555216986
in stock
Last in:21.09.2022
+ Show full info- Close
![](/covers/135084_E3D01318.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:21.09.2022
Label:London Records
Cat-No:LMS5521698
Release-Date:29.07.2022
Genre:Techno
Configuration:4LP Excl
Barcode:5060555216986
Rights: World excluding France & UK
Deluxe cardboard box cmyk+special panton UV Matt,
4 x 180 G vinyl boxset each in a dedicated vinyl sleeve cmyk+ special panton ,
matt uv. 12’’ x 12’’ fold out booklet with new sleeve notes by Andrew Harrison.
Plus exclusive ’30 Something’ Slip Mat !
SHORT INFORMATION/ SHORT BIOG
Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .
TRACKLIST
LP
FACE A
1. Smiley
2. Satan (30 Something Years Later Mix)
FACE B
1. Where Is It Going (feat. Stephen Hawking)
2. Impact (30 Years Later And The Earth Is Still Burning Mix)
FACE C
1. Chime (30 Something Years Later Mix)
2. Halcyon (30 Something Years Later Mix)
FACE D
1. The Box (30 Something Years Later Mix)
2. Belfast (30 Something Years Later Mix)
FACE E
1. The Girl with the Sun in Her Head (Floex Remix)
2. Belfast (David Holmes Remix)
FACE F
1. Halcyon & On (Jon Hopkins Remix)
2. Chime (Eli Brown Remix)
FACE G
1. Impact (John Tejada Remix)
2. Are We Here? (Dusky Remix)
FACE H
1. Belfast (ANNA Techno Remix)
2. The Box (Joris Voorn Remix)
3. Are We Here? (Shanti Celeste Remix) More
Deluxe cardboard box cmyk+special panton UV Matt,
4 x 180 G vinyl boxset each in a dedicated vinyl sleeve cmyk+ special panton ,
matt uv. 12’’ x 12’’ fold out booklet with new sleeve notes by Andrew Harrison.
Plus exclusive ’30 Something’ Slip Mat !
SHORT INFORMATION/ SHORT BIOG
Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .
TRACKLIST
LP
FACE A
1. Smiley
2. Satan (30 Something Years Later Mix)
FACE B
1. Where Is It Going (feat. Stephen Hawking)
2. Impact (30 Years Later And The Earth Is Still Burning Mix)
FACE C
1. Chime (30 Something Years Later Mix)
2. Halcyon (30 Something Years Later Mix)
FACE D
1. The Box (30 Something Years Later Mix)
2. Belfast (30 Something Years Later Mix)
FACE E
1. The Girl with the Sun in Her Head (Floex Remix)
2. Belfast (David Holmes Remix)
FACE F
1. Halcyon & On (Jon Hopkins Remix)
2. Chime (Eli Brown Remix)
FACE G
1. Impact (John Tejada Remix)
2. Are We Here? (Dusky Remix)
FACE H
1. Belfast (ANNA Techno Remix)
2. The Box (Joris Voorn Remix)
3. Are We Here? (Shanti Celeste Remix) More
Label:London Records
Cat-No:LMS5521743
Release-Date:29.07.2022
Genre:Techno
Configuration:2CD Excl
Barcode:5060555217433
in stock
Last in:19.10.2022
+ Show full info- Close
in stock
Last in:19.10.2022
Label:London Records
Cat-No:LMS5521743
Release-Date:29.07.2022
Genre:Techno
Configuration:2CD Excl
Barcode:5060555217433
Rights: World excluding France & UK
2 x CD in deluxe 4 page digisleeve,cmyk+special panton, U
V Matt, 12 page booklet ,cmyk+special panton ,
including new sleeve notes by Andrew Harrison.Sticker
SHORT INFORMATION/ SHORT BIOG
Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .
TRACKLIST CD
CD1
1. Smiley
2. Acid Horse
3. Where Is It Going? (feat. Stephen Hawking)
4. Impact (30 Years Later And The Earth Is Still Burning Mix)
5. Satan (30 Something Years Later Mix)
6. Chime (30 Something Years Later Mix)
7. Halcyon (30 Something Years Later Mix)
8. Belfast (30 Something Years Later Mix)
9. The Box (30 Something Years Later Mix)
10. Are We Here? (Dusky Remix)
11. The Girl with the Sun in Her Head (Floex Remix)
12. Halcyon & On (Logic 1000 Mix)
CD2
1. Belfast (ANNA Techno Remix)
2. Impact (John Tejada Remix)
3. Chime (Octave One Remix)
4. Halcyon & On (Jon Hopkins Remix)
5. Are We Here? (Shanti Celeste Remix)
6. Belfast (Yotto Remix)
7. The Box (Joris Voorn Remix)
8. The Girl with the Sun in Her Head (Lone Remix)
9. Impact - Rich NxT Remix (Edit)
10. Chime (Eli Brown Remix)
11. Belfast (David Holmes Remix) More
2 x CD in deluxe 4 page digisleeve,cmyk+special panton, U
V Matt, 12 page booklet ,cmyk+special panton ,
including new sleeve notes by Andrew Harrison.Sticker
SHORT INFORMATION/ SHORT BIOG
Orbital missed their actual thirtieth anniversary due to lockdown, but it gave Paul and Phil pause to think and find a way to celebrate their past that was actually about the future. Unlike other Best Of’s, the ‘30-Something’ album contains reworks, remakes, remixes and re-imaginings of landmark Orbital tracks based on the duo’s unrivalled live show. Satan, The Box, Impact, Belfast and more appear in new 30-something guises, familiar yet new, time reversing, yesterday becoming tomorrow. Plus new track ‘Smiley’ Also including remixes from Yotto, ANNA, Jon Hopkins, Dusky, Joris Voorn, Logo 1000, Eli Brown, Shanti Celeste and more.
Deluxe 4x 180 Grs Vinyl Boxset , with Slip Mat & 12’’x12’’ Booklet. / 2 X CD edition .
TRACKLIST CD
CD1
1. Smiley
2. Acid Horse
3. Where Is It Going? (feat. Stephen Hawking)
4. Impact (30 Years Later And The Earth Is Still Burning Mix)
5. Satan (30 Something Years Later Mix)
6. Chime (30 Something Years Later Mix)
7. Halcyon (30 Something Years Later Mix)
8. Belfast (30 Something Years Later Mix)
9. The Box (30 Something Years Later Mix)
10. Are We Here? (Dusky Remix)
11. The Girl with the Sun in Her Head (Floex Remix)
12. Halcyon & On (Logic 1000 Mix)
CD2
1. Belfast (ANNA Techno Remix)
2. Impact (John Tejada Remix)
3. Chime (Octave One Remix)
4. Halcyon & On (Jon Hopkins Remix)
5. Are We Here? (Shanti Celeste Remix)
6. Belfast (Yotto Remix)
7. The Box (Joris Voorn Remix)
8. The Girl with the Sun in Her Head (Lone Remix)
9. Impact - Rich NxT Remix (Edit)
10. Chime (Eli Brown Remix)
11. Belfast (David Holmes Remix) More
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Label:London Records
Cat-No:lms1725127
Release-Date:12.07.2024
Genre:Rock
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Label:London Records
Cat-No:lms1725127
Release-Date:12.07.2024
Genre:Rock
Configuration:CD+DVD Excl
Barcode:5061017251279
Rights: World excluding France & UK
4 CD + 1 DVD Boxset, carboard clamshell box, expended booklet
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album ‘Vini Reilly’, Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Remastered and heavily expanded 5 disc version, featuring over 75 tracks:
1. Disc 1. Vini Reilly album + 3 Bonus tracks [16 tracks] The original album (presented in the famous (and as to now unseen) ‘rejected’ sleeve by 8vo) remastered with bonus tracks.
2. Disc 2. The Sporadic Recordings [28 tracks] , a limited edition CD from 1989 [SPORE 1]
3. Disc 3 :=‘Womad Live’ EP plus bonus live tracks and demos [16 tracks]
4. Disc 4 : An exclusive DVD, Live from Porto 1988
5. Disc 5 : Bonus 1 track 3-inch mini CD - ‘I Know Very Well How I Got My Name’ a replica of the bonus addition from the original CD pressing
• Expansive booklet includes new essay by Durutti Column / Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.
Tracklisting:
1. VINI REILLY (CD)
1. Love No More
2. Pol In G
3. Opera I
4. People’s Pleasure Park
5. Red Square
6. Finding the Sea
7. Otis
8. William B
9. They Work Every Day
10. Opera II
11. Homage to Catalonea
12. Requiem Again
13. My Country
14. Otis (No Samples)
15. Dry
16. My Country (Monarchy Mix)
2. THE SPORADIC RECORDINGS (CD)
1. Buddhist Prayer
2. Pathway
3. Nile Opera
4. Shirt No. 7
5. Kind of Love
6. Rob Grey’s Elegy
7. Misere
8. For Steven Patrick
9. We Stumble
10. Sketch for a Manchester Summer 1989
11. Arpeggiator II
12. Diazepam 5 mgs
13. But Was I…?
14. Pol in Ab
15. Real Drums – Real Drummer
16. Another Mirror – Another Wall
17. 30 Oldham Street
18. 4.10 AM
19. For Lydia
20. Detail for Heidi & Jodie
21. Zinni’s Dance
22. PPP Version
23. For Lucy H
24. 4.30 AM
25. It’s a Bright Guilty World – Pt 1
26. It’s a Bright Guilty World – Pt 2
27. Nile Reprise
28. Diazepam 5 mgs
3. WOMAD LIVE EP + DEMOS (CD)
1. Otis (Womad Live)
2. English Landscape Tradition (Womad Live)
3. Finding the Sea (Womad Live)
4. Bordeaux (Womad Live)
5. Day Is Over (Live)
6. Red Shoes (Live)
7. Opera II
8. Finding the Sea I
9. PPP (demo)
10. Juan Montero (Sketch 1)
11. Sample Tune
12. Finding the Sea (2)
13. Juan Montero (Sketch 2)
14. William B (demo)
15. Sketches on Stratocaster
16. Zinni and Vini Tune
4. LIVE IN PORTO 30/04/1988 (DVD)
1. Mercy Theme
2. Arpeggiator
3. What It Is To Me (Woman)
4. Jongleur Grey
5. Pol in B
6. Bordeaux Sequence
7. Jacqueline
8. Sketch for Dawn
9. Tomorrow
10. Requiem Again
11. English Landscape Tradition
12. When the World
13. The Missing Boy
14. Red Shoes
15. The Beggar
16. Sketch for Summer
5. I KNOW VERY WELL HOW I GOT MY NOTE WRONG (Mini CD 3’’)
1. I KNOW VERY WELL HOW I GOT MY NOTE WRONG
More
4 CD + 1 DVD Boxset, carboard clamshell box, expended booklet
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album ‘Vini Reilly’, Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Remastered and heavily expanded 5 disc version, featuring over 75 tracks:
1. Disc 1. Vini Reilly album + 3 Bonus tracks [16 tracks] The original album (presented in the famous (and as to now unseen) ‘rejected’ sleeve by 8vo) remastered with bonus tracks.
2. Disc 2. The Sporadic Recordings [28 tracks] , a limited edition CD from 1989 [SPORE 1]
3. Disc 3 :=‘Womad Live’ EP plus bonus live tracks and demos [16 tracks]
4. Disc 4 : An exclusive DVD, Live from Porto 1988
5. Disc 5 : Bonus 1 track 3-inch mini CD - ‘I Know Very Well How I Got My Name’ a replica of the bonus addition from the original CD pressing
• Expansive booklet includes new essay by Durutti Column / Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.
Tracklisting:
1. VINI REILLY (CD)
1. Love No More
2. Pol In G
3. Opera I
4. People’s Pleasure Park
5. Red Square
6. Finding the Sea
7. Otis
8. William B
9. They Work Every Day
10. Opera II
11. Homage to Catalonea
12. Requiem Again
13. My Country
14. Otis (No Samples)
15. Dry
16. My Country (Monarchy Mix)
2. THE SPORADIC RECORDINGS (CD)
1. Buddhist Prayer
2. Pathway
3. Nile Opera
4. Shirt No. 7
5. Kind of Love
6. Rob Grey’s Elegy
7. Misere
8. For Steven Patrick
9. We Stumble
10. Sketch for a Manchester Summer 1989
11. Arpeggiator II
12. Diazepam 5 mgs
13. But Was I…?
14. Pol in Ab
15. Real Drums – Real Drummer
16. Another Mirror – Another Wall
17. 30 Oldham Street
18. 4.10 AM
19. For Lydia
20. Detail for Heidi & Jodie
21. Zinni’s Dance
22. PPP Version
23. For Lucy H
24. 4.30 AM
25. It’s a Bright Guilty World – Pt 1
26. It’s a Bright Guilty World – Pt 2
27. Nile Reprise
28. Diazepam 5 mgs
3. WOMAD LIVE EP + DEMOS (CD)
1. Otis (Womad Live)
2. English Landscape Tradition (Womad Live)
3. Finding the Sea (Womad Live)
4. Bordeaux (Womad Live)
5. Day Is Over (Live)
6. Red Shoes (Live)
7. Opera II
8. Finding the Sea I
9. PPP (demo)
10. Juan Montero (Sketch 1)
11. Sample Tune
12. Finding the Sea (2)
13. Juan Montero (Sketch 2)
14. William B (demo)
15. Sketches on Stratocaster
16. Zinni and Vini Tune
4. LIVE IN PORTO 30/04/1988 (DVD)
1. Mercy Theme
2. Arpeggiator
3. What It Is To Me (Woman)
4. Jongleur Grey
5. Pol in B
6. Bordeaux Sequence
7. Jacqueline
8. Sketch for Dawn
9. Tomorrow
10. Requiem Again
11. English Landscape Tradition
12. When the World
13. The Missing Boy
14. Red Shoes
15. The Beggar
16. Sketch for Summer
5. I KNOW VERY WELL HOW I GOT MY NOTE WRONG (Mini CD 3’’)
1. I KNOW VERY WELL HOW I GOT MY NOTE WRONG
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Label:London Records
Cat-No:lms1725195
Release-Date:14.06.2024
Genre:Pop
Configuration:LP Excl
Barcode:5061017251958
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Label:London Records
Cat-No:lms1725195
Release-Date:14.06.2024
Genre:Pop
Configuration:LP Excl
Barcode:5061017251958
Rights: World excluding France & UK
Packaging: 1 X Black Vinyl, Sleeve with laminate matt finish, Printed Inner, Marketing Sticker
SHORT INFOS
Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
The vinyl features the 10 Blancmange's essential tracks. The Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came
Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
More
Packaging: 1 X Black Vinyl, Sleeve with laminate matt finish, Printed Inner, Marketing Sticker
SHORT INFOS
Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
The vinyl features the 10 Blancmange's essential tracks. The Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came
Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
More
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Label:London Records
Cat-No:lms1725115
Release-Date:10.05.2024
Genre:Pop
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Barcode:5061017251156
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Label:London Records
Cat-No:lms1725115
Release-Date:10.05.2024
Genre:Pop
Configuration:LP Excl
Barcode:5061017251156
Rights: World excluding France & UK
Packaging: 1 X Colored LP ' Coke-Bottle Green', Sleeve with laminate matt finish, Printed Inner
SHORT INFOS
" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.
" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.
Coke Bottle Green Vinyl LP TRACKLISTING-
Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came
Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
More
Packaging: 1 X Colored LP ' Coke-Bottle Green', Sleeve with laminate matt finish, Printed Inner
SHORT INFOS
" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.
" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.
Coke Bottle Green Vinyl LP TRACKLISTING-
Side One
1 Living On The Ceiling
2 Waves
3 Blind Vision
4 Don't Tell Me
5 The Day Before You Came
Side Two
1 What's The Time?
2 Distant Storm
3 Mindset
4 Reduced Voltage
5 Some Times These
More
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Label:London Records
Cat-No:lms1725114
Release-Date:10.05.2024
Genre:Pop
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Label:London Records
Cat-No:lms1725114
Release-Date:10.05.2024
Genre:Pop
Configuration:2CD Excl
Barcode:5061017251149
Rights: World excluding France & UK
Packaging: Collector Double CD , 4 Panel Digisleeve with laminate matt finish.
SHORT INFOS
" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.
" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.
DOUBLE CD TRACKLISTING
DISC ONE:
1 Sad Day (Original Version)
2 I've Seen The Word
3 God's Kitchen
4 Feel Me
5 Living On The Ceiling
6 Waves
7 Game Above My Head (12 inch version)
8 Blind Vision
9 That's Love, That It Is
10 Vishnu
11 Don't Tell Me
12 The Day Before You Came
13 What's Your Problem
14 Lose Your Love
15 Why Don't They Leave Things Alone
16 Drive Me
17 I'm Having A Coffee
18 The Western
19 Just Another Spectre
DISC TWO:
1 The Fall
2 Last Night (I Dreamt I Had A Job)
3 Jack Knife (Red Shift EP)
4 What's The Time?
5 We Are The Chemicals
6 Anna Dine
7 Distant Storm
8 I Smashed Your Phone
9 Not A Priority
10 Mindset
11 This Is Bliss
12 Clean Your House
13 Commercial Break
14 Some Times These
15 Reduced Voltage
16 Take Me
17 Again, I Wait For The World
18 Wish
19 Empty Street
More
Packaging: Collector Double CD , 4 Panel Digisleeve with laminate matt finish.
SHORT INFOS
" Celebrating 45 years of Blancmange, Everything Is Connected (Best Of) is the first collection to be curated by Neil Arthur, tastefully blending a mixture of hits and personal favourites.
" Originally from the UK's post punk DIY scene, Blancmange found success in 1982, long player 'Happy Families' selling Gold in the UK, and its 3 singles becoming international hits. They went on to have 7 Top 40 hits and 70 weeks in the UK album charts.
" Long-standing admirers include Moby, John Grant and Honey Dijon, who states that "British synth pop was hugely influential in the burgeoning house music scene and Blancmange was a big part of that."
" All formats contain the Top 40 hits 'Living On the Ceiling', 'Waves', 'Blind Vision', 'Don't Tell Me' and Abba cover 'The Day Before You Came', as well as recent favourites 'What's The Time', 'Reduced Voltage', and 'Some Times These'.
" The vinyl is being pressed onto special Coke-bottle green vinyl.It features the 10 Blancmange's essential tracks.
" Double CD 38 tracks includes many bonus songs as well as 2 previously unreleased tracks 'Again, I Wait For The World' and 'Wish'.
DOUBLE CD TRACKLISTING
DISC ONE:
1 Sad Day (Original Version)
2 I've Seen The Word
3 God's Kitchen
4 Feel Me
5 Living On The Ceiling
6 Waves
7 Game Above My Head (12 inch version)
8 Blind Vision
9 That's Love, That It Is
10 Vishnu
11 Don't Tell Me
12 The Day Before You Came
13 What's Your Problem
14 Lose Your Love
15 Why Don't They Leave Things Alone
16 Drive Me
17 I'm Having A Coffee
18 The Western
19 Just Another Spectre
DISC TWO:
1 The Fall
2 Last Night (I Dreamt I Had A Job)
3 Jack Knife (Red Shift EP)
4 What's The Time?
5 We Are The Chemicals
6 Anna Dine
7 Distant Storm
8 I Smashed Your Phone
9 Not A Priority
10 Mindset
11 This Is Bliss
12 Clean Your House
13 Commercial Break
14 Some Times These
15 Reduced Voltage
16 Take Me
17 Again, I Wait For The World
18 Wish
19 Empty Street
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Cat-No:lms1725126
Release-Date:20.04.2024
Genre:Electronic
Configuration:LP Excl
Barcode:5061017251262
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Label:London Records
Cat-No:lms1725126
Release-Date:20.04.2024
Genre:Electronic
Configuration:LP Excl
Barcode:5061017251262
RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK
1 x 140 grs Black Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album as Record Store Day Exclusive
• The album is presented in the famous (and as to now unseen) ‘rejected’ artwork sleeve by 8vo. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Vinyl mastered by Peter Beckmann at Technology Works.
• Numbered limited edition – 2 200 copies for the World
TRACKLIST
A1. Love No More – A2. Pol in G – A3. Act I Opera – A4. People’s Pleasure Park – A5. Finding the Sea
B1. Otis – B2. They Work Every Day – B3. Act II Opera – B4. Homage to Catalonea -B5. My Country More
1 x 140 grs Black Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• 35th Anniversary edition of the seminal 1989 album as Record Store Day Exclusive
• The album is presented in the famous (and as to now unseen) ‘rejected’ artwork sleeve by 8vo. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).
• Vinyl mastered by Peter Beckmann at Technology Works.
• Numbered limited edition – 2 200 copies for the World
TRACKLIST
A1. Love No More – A2. Pol in G – A3. Act I Opera – A4. People’s Pleasure Park – A5. Finding the Sea
B1. Otis – B2. They Work Every Day – B3. Act II Opera – B4. Homage to Catalonea -B5. My Country More
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Cat-No:lms1725128
Release-Date:20.04.2024
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RSD 2024 - don't sell before 20th of April - Rights: World excluding France & UK
1 x Yellow Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• Numbered, limited edition on yellow vinyl only as Record Store Day 2024 Exclusive
• First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indie-rave scene of the early 90s
• Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas)
• Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’
• Vinyl cut from the original Factory Records masters
• Restored artwork by Central Station Design
• Numbered limited edition – 1 600 copies for the World
TRACKLIST
A1. Take 5 - A2. Weight Of Air - A3. Funky Munky - A4. A Change Is On Its Way - A5. Yeah Man
B1. Tour De World - B2. Wishful Thinking - B3. Shall We Take A Trip - B4. Who’s To Blame
B5. Practise Makes Perfect More
1 x Yellow Vinyl , Numbered Sleeve , printed inner sleeve, marketing front sticker.
PRODUCT INFORMATIONS
• Numbered, limited edition on yellow vinyl only as Record Store Day 2024 Exclusive
• First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indie-rave scene of the early 90s
• Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas)
• Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’
• Vinyl cut from the original Factory Records masters
• Restored artwork by Central Station Design
• Numbered limited edition – 1 600 copies for the World
TRACKLIST
A1. Take 5 - A2. Weight Of Air - A3. Funky Munky - A4. A Change Is On Its Way - A5. Yeah Man
B1. Tour De World - B2. Wishful Thinking - B3. Shall We Take A Trip - B4. Who’s To Blame
B5. Practise Makes Perfect More
Label:London Records
Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
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Cat-No:lms1725116
Release-Date:19.04.2024
Genre:Electronic
Configuration:2CD Excl
Barcode:5061017251163
Rights: World excluding France & UK
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
More
DOUBLE CD: 2 x CD, 22 tracks, 4 page digisleeve remus spine, printed inners, sticker.
TRACKLIST DOUBLE CD
CD 1
1 The Moebius - 2 Speed Freak - 3 Oolaa / Different mix to Vinly (Scream at start)
4 Desert Storm - 5 Fahrenheit 303 - 6 Steel Cube Idolatry - 7 High Rise
8 Chime (Live) - 9 Midnight (Live) - 10 Belfast - 11 I Think Its Disgusting
CD 2
1 Torpedo town (PKA untitled) - 2 Macrohead - 3 Satan - 4 L.C.1
5 Belfast / Wasted (Wasted Vocal Mix) - 6 Crime - 7 Fahrenheit 3D3
8 Open Mind Jam - 9 The Other One - 10 Satan (Rhyme and Reason Vocal Mix)
11 Midnight (Sasha Remix)
SHORT INFOS / KEY POINTS
Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
1. The album will be remastered and represented in multiple formats, to be released alongside the band's 'Green Album' UK tour (the band performing Green & Brown albums) starting on 24th April . They've just be announced for Coachella , as well as Miami's Ultra Festival & headline shows in New York & Chicago.
2. Last available on vinyl in 2015 - long time sold out. Back On Double Vinyl editions.
3. First repress on CD for over 20 years ! Back on Double CD - Bonus CD featuring rarities and classic remixes
BIOG / SHORT PR INFOS
Following on from the UK Top 20 success of 2022's 30 Something, and the Top 10 for 2023's Optical Delusion, London Records launch an extensive 2024 campaign for Orbital, revisiting 1991's seminal debut Orbital (aka The Green Album).
The Green Album heralded a brave new world for the UK musical landscape (DJ Mag would later decry that the album "rewrote the rule book for rave"). Brothers Paul and Phil Hartnoll eschewed formulas and clichés, choosing to explore wider textures, rhythms and stranger mind spaces within dance music. Their resulting album would enjoy both chart success and an enduring legacy, influencing and inspiring artists from Björk to Bicep, with the Hartnoll brothers going on to collaborate with artists as diverse as Madonna, Ennio Morricone, Kraftwerk, Sleaford Mods and Professor Brian Cox.
33 years since its original release the album is revisited, from black vinyl , limited colored vinyl and CD editions (long out of print), to special Record Store Day double Splatter Lp. In the digital space 'Tonight In Belfast' will be lauched on February 2nd, :a reworking of the band's seminal track 'Belfast', remixed by David Holmes and re-interpolated with new lyrics and vocal by acclaimed street poet Mike Garry.
Orbital will be supporting The Green Album with an extensive headline UK tour this April (performing both their Green and Brown albums). Ahead of that they've just been announced today for Coachella 2024, as well as Miami's Ultra Festival and headline shows in New York and Chicago.
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Label:London Records
Cat-No:lms1725046
Release-Date:19.04.2024
Genre:Rock
Configuration:2CD Excl
Barcode:5061017250463
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Last in:06.03.2024
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Last in:06.03.2024
Label:London Records
Cat-No:lms1725046
Release-Date:19.04.2024
Genre:Rock
Configuration:2CD Excl
Barcode:5061017250463
Rights: World excluding France & UK
Packaging: 2 x CD , 6 page Digipack - 2 clear trays + 1 pocket, Booklet, marketing sticker
BIOG /SHORT INFO :
- Iconic UK indie band Flowered Up, seen as London's answer to Happy Mondays and The Stone Roses, reissue their debut album 'A Life With Brian' remastered and ehnhanced via London Records.
- 2 x CD & digital to include 12 bonus tracks : 'Beyond The Wizard Sleeve' remix of Weekender - their first remix for 7 years. Plus unreleased tracks, further new remixes and rarities. Also included is the 'Everyone You Know' remix of Crackerjack.
- The reissue follows a BFI documentary on the video of 'Weekender' and it's legendary status in UK club culture of the time
- The album remastering was overseen by Flowered Up keyboard player Tim Dorney.
TRACKLISTINGS
DOUBLE CD
CD1
01: Sunshine
02: Take It
03: Crackerjack
04: Mr Happy Reveller
05: Hysterically Blue
06: It's On
07: Silver Pan
08: Phobia
09: Egg Rush
10: Doris…..Is A Little Bit Partial
11: Weekender - Original Version
12: Weatherall's Weekender (Audrey Is A Little Bit Partial Mix)
CD2
01: Weekender (BTWS Re-Animation)
02: It's On (Feel Pain Mix)
03: Phobia (Paranoid Mix)
04: I'll Be Your Dog
05: Take It (Pure Sexy Dub)
06: Flapping
07: Crackerjack - Clive Langer Version
08: Don't Talk Just Kiss
09: Better Life
10: Take It (Edge of the Box Mix)
11: Weatherall's Weekender (Audrey is a Little Bit More Partial Mix)
12. Crackerjack (Everyone You Know Naughty Remix)
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Packaging: 2 x CD , 6 page Digipack - 2 clear trays + 1 pocket, Booklet, marketing sticker
BIOG /SHORT INFO :
- Iconic UK indie band Flowered Up, seen as London's answer to Happy Mondays and The Stone Roses, reissue their debut album 'A Life With Brian' remastered and ehnhanced via London Records.
- 2 x CD & digital to include 12 bonus tracks : 'Beyond The Wizard Sleeve' remix of Weekender - their first remix for 7 years. Plus unreleased tracks, further new remixes and rarities. Also included is the 'Everyone You Know' remix of Crackerjack.
- The reissue follows a BFI documentary on the video of 'Weekender' and it's legendary status in UK club culture of the time
- The album remastering was overseen by Flowered Up keyboard player Tim Dorney.
TRACKLISTINGS
DOUBLE CD
CD1
01: Sunshine
02: Take It
03: Crackerjack
04: Mr Happy Reveller
05: Hysterically Blue
06: It's On
07: Silver Pan
08: Phobia
09: Egg Rush
10: Doris…..Is A Little Bit Partial
11: Weekender - Original Version
12: Weatherall's Weekender (Audrey Is A Little Bit Partial Mix)
CD2
01: Weekender (BTWS Re-Animation)
02: It's On (Feel Pain Mix)
03: Phobia (Paranoid Mix)
04: I'll Be Your Dog
05: Take It (Pure Sexy Dub)
06: Flapping
07: Crackerjack - Clive Langer Version
08: Don't Talk Just Kiss
09: Better Life
10: Take It (Edge of the Box Mix)
11: Weatherall's Weekender (Audrey is a Little Bit More Partial Mix)
12. Crackerjack (Everyone You Know Naughty Remix)
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in stock
Label:London Records
Cat-No:lms1725047
Release-Date:19.04.2024
Genre:Rock
Configuration:2LP Excl
Barcode:5061017250470
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in stock
Last in:24.10.2023
Label:London Records
Cat-No:lms1725047
Release-Date:19.04.2024
Genre:Rock
Configuration:2LP Excl
Barcode:5061017250470
Rights: World excluding France & UK
Packaging: 2 x 180 grs black Vinyl , 5mm spine sleeve, 2 x Printed Inner, Marketing Sticker
BIOG /SHORT INFO :
- Iconic UK indie band Flowered Up, seen as London's answer to Happy Mondays and The Stone Roses, reissue their debut album 'A Life With Brian' remastered and ehnhanced via London Records.
- 2 x Vinyl edition also includes the 1992 cult epic 13 minute 'Weekender' song and the much sought after Andrew Weatherall remix, both for the first time added to the LP !
- The reissue follows a BFI documentary on the video of 'Weekender' and it's legendary status in UK club culture of the time
- The album remastering was overseen by Flowered Up keyboard player Tim Dorney.
Tracklist DOUBLE 180 Grs Black VINYL
Disc One
A1 Sunshine 5:22
A2 Take It 4:31
A3 Crackerjack 3:30
A4 Mr Happy Reveller 3:10
A5 Hysterically Blue 4:12
B1 It's On 3:54
B2 Silver Pan 2:37
B3 Phobia 4:00
B4 Egg Rush 4:46
B5 Doris... Is A Little Bit Partial 5:01
Disc Two
C1. Weekender 12:53
D2. Weekender - Weatherall's Weekender (Audrey Is A Little Bit Partial mix) 15:22"
More
Packaging: 2 x 180 grs black Vinyl , 5mm spine sleeve, 2 x Printed Inner, Marketing Sticker
BIOG /SHORT INFO :
- Iconic UK indie band Flowered Up, seen as London's answer to Happy Mondays and The Stone Roses, reissue their debut album 'A Life With Brian' remastered and ehnhanced via London Records.
- 2 x Vinyl edition also includes the 1992 cult epic 13 minute 'Weekender' song and the much sought after Andrew Weatherall remix, both for the first time added to the LP !
- The reissue follows a BFI documentary on the video of 'Weekender' and it's legendary status in UK club culture of the time
- The album remastering was overseen by Flowered Up keyboard player Tim Dorney.
Tracklist DOUBLE 180 Grs Black VINYL
Disc One
A1 Sunshine 5:22
A2 Take It 4:31
A3 Crackerjack 3:30
A4 Mr Happy Reveller 3:10
A5 Hysterically Blue 4:12
B1 It's On 3:54
B2 Silver Pan 2:37
B3 Phobia 4:00
B4 Egg Rush 4:46
B5 Doris... Is A Little Bit Partial 5:01
Disc Two
C1. Weekender 12:53
D2. Weekender - Weatherall's Weekender (Audrey Is A Little Bit Partial mix) 15:22"
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Label:London Records
Cat-No:lms1725063
Release-Date:08.03.2024
Genre:Pop
Configuration:2CD Excl
Barcode:5061017250630
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Last in:03.04.2024
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Last in:03.04.2024
Label:London Records
Cat-No:lms1725063
Release-Date:08.03.2024
Genre:Pop
Configuration:2CD Excl
Barcode:5061017250630
Rights: World excluding France & UK
Packaging: 2 x CD, 6 pages Digisleeve with 3 pockets - matt varnish lamination + Spot UV gloss- , 12 page booklet, marketing front sticker
BIOG
- Bananarama celebrate over 40 years at the top with the release of 'Glorious - The Ultimate Collection'. With 40 tracks selected by Sara and Keren themselves, the double CD album revisits every decade of the band's career, with hits including Cruel Summer, Venus, Love in the First Degree, Only Your Love, Preacher Man, Move in My Direction and more, along with two new singles, Feel The Love (released October 18) and Supernova.
- The 1LP edition features 16 tracks : singles + new remixes of classic hits and "Feel the Love" & "Supernova "for the first time on vinyl.
- Bananarama are THE original girl group. They're featured in Guinness World of Records for the most internationally charted hits by an all female band, with in excess of 30+ million sales worldwide.
TRACKLISTING:
DOUBLE CD
CD 1
1. 'Really Saying Something' 2. 'Cruel Summer' 3. 'Robert De Niro's Waiting' 4. 'Venus' 5. 'More Than Physical' 6. 'A Trick of the Night' 7. 'I Heard a Rumour' 8. 'Love in the First Degree' 9. 'Only Your Love' 10. 'Preacher Man' 11. 'I Could Be Persuaded'
12. 'Movin' On' [Disco Chic] 13. 'Last Thing on My Mind' [Electrified] 14. 'Every Shade of Blue' 15. 'Take Me to Your Heart'
16. 'Prove Your Love' 17. 'If'18. 'Crazy' 19. 'Move in My Direction' 20.'Look on the Floor (Hypnotic Tango)'
CD 2
1. 'Feel for You' 2. 'Lovebite' 3. 'Love Comes' 4. 'Love Don't Live Here' 5. 'Seventeen' 6. 'Extraordinary' 7. 'Baby It's Christmas'
8. 'Now or Never' 9. La La Love' 10. 'Stuff Like That' 11. 'Looking for Someone' 12. 'I'm on Fire' 13. 'It's Gonna Be Alright'
13. 'Favourite' 15. Masquerade' 16. 'Forever Young' 17. 'Running With The Night' 18. 'Cruel Summer' (3am Mix)
19. 'Feel The Love' 20. 'Supernova'
More
Packaging: 2 x CD, 6 pages Digisleeve with 3 pockets - matt varnish lamination + Spot UV gloss- , 12 page booklet, marketing front sticker
BIOG
- Bananarama celebrate over 40 years at the top with the release of 'Glorious - The Ultimate Collection'. With 40 tracks selected by Sara and Keren themselves, the double CD album revisits every decade of the band's career, with hits including Cruel Summer, Venus, Love in the First Degree, Only Your Love, Preacher Man, Move in My Direction and more, along with two new singles, Feel The Love (released October 18) and Supernova.
- The 1LP edition features 16 tracks : singles + new remixes of classic hits and "Feel the Love" & "Supernova "for the first time on vinyl.
- Bananarama are THE original girl group. They're featured in Guinness World of Records for the most internationally charted hits by an all female band, with in excess of 30+ million sales worldwide.
TRACKLISTING:
DOUBLE CD
CD 1
1. 'Really Saying Something' 2. 'Cruel Summer' 3. 'Robert De Niro's Waiting' 4. 'Venus' 5. 'More Than Physical' 6. 'A Trick of the Night' 7. 'I Heard a Rumour' 8. 'Love in the First Degree' 9. 'Only Your Love' 10. 'Preacher Man' 11. 'I Could Be Persuaded'
12. 'Movin' On' [Disco Chic] 13. 'Last Thing on My Mind' [Electrified] 14. 'Every Shade of Blue' 15. 'Take Me to Your Heart'
16. 'Prove Your Love' 17. 'If'18. 'Crazy' 19. 'Move in My Direction' 20.'Look on the Floor (Hypnotic Tango)'
CD 2
1. 'Feel for You' 2. 'Lovebite' 3. 'Love Comes' 4. 'Love Don't Live Here' 5. 'Seventeen' 6. 'Extraordinary' 7. 'Baby It's Christmas'
8. 'Now or Never' 9. La La Love' 10. 'Stuff Like That' 11. 'Looking for Someone' 12. 'I'm on Fire' 13. 'It's Gonna Be Alright'
13. 'Favourite' 15. Masquerade' 16. 'Forever Young' 17. 'Running With The Night' 18. 'Cruel Summer' (3am Mix)
19. 'Feel The Love' 20. 'Supernova'
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Label:London Records
Cat-No:lms1725097
Release-Date:08.03.2024
Genre:Pop
Configuration:LP Excl
Barcode:5061017250975
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Last in:20.03.2024
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Last in:20.03.2024
Label:London Records
Cat-No:lms1725097
Release-Date:08.03.2024
Genre:Pop
Configuration:LP Excl
Barcode:5061017250975
Rights: World excluding France & UK
Packaging: 1 x Transparent Red Vinyl, 3mm spine sleeve, printed inner sleeve, marketing front sticker
BIOG
- Bananarama celebrate over 40 years at the top with the release of 'Glorious - The Ultimate Collection'. With 40 tracks selected by Sara and Keren themselves, the double CD album revisits every decade of the band's career, with hits including Cruel Summer, Venus, Love in the First Degree, Only Your Love, Preacher Man, Move in My Direction and more, along with two new singles, Feel The Love (released October 18) and Supernova.
- The 1LP edition features 16 tracks : singles + new remixes of classic hits and "Feel the Love" & "Supernova "for the first time on vinyl.
- Bananarama are THE original girl group. They're featured in Guinness World of Records for the most internationally charted hits by an all female band, with in excess of 30+ million sales worldwide.
TRACKLISTING:
VINYL (* versions on vinyl for the first time )
A Side
1. CRUEL SUMMER (3AM MIX) *
2. ROBERT DE NIRO'S WAITING
3. VENUS (BOYS NOIZE REWORK EDIT) *
4. LOVE IN THE FIRST DEGREE
5. PREACHER MAN
6. MOVIN' ON (DISCO CHIC) *
7. FOREVER YOUNG *
8. MOVE IN MY DIRECTION
B Side
1. LOOK ON THE FLOOR
2. LOVE DON'T LIVE HERE *
3. STUFF LIKE THAT *
4. LOOKING FOR SOMEONE
5. FAVOURITE
6. MASQUERADE
7. FEEL THE LOVE *
8. SUPERNOVA *
More
Packaging: 1 x Transparent Red Vinyl, 3mm spine sleeve, printed inner sleeve, marketing front sticker
BIOG
- Bananarama celebrate over 40 years at the top with the release of 'Glorious - The Ultimate Collection'. With 40 tracks selected by Sara and Keren themselves, the double CD album revisits every decade of the band's career, with hits including Cruel Summer, Venus, Love in the First Degree, Only Your Love, Preacher Man, Move in My Direction and more, along with two new singles, Feel The Love (released October 18) and Supernova.
- The 1LP edition features 16 tracks : singles + new remixes of classic hits and "Feel the Love" & "Supernova "for the first time on vinyl.
- Bananarama are THE original girl group. They're featured in Guinness World of Records for the most internationally charted hits by an all female band, with in excess of 30+ million sales worldwide.
TRACKLISTING:
VINYL (* versions on vinyl for the first time )
A Side
1. CRUEL SUMMER (3AM MIX) *
2. ROBERT DE NIRO'S WAITING
3. VENUS (BOYS NOIZE REWORK EDIT) *
4. LOVE IN THE FIRST DEGREE
5. PREACHER MAN
6. MOVIN' ON (DISCO CHIC) *
7. FOREVER YOUNG *
8. MOVE IN MY DIRECTION
B Side
1. LOOK ON THE FLOOR
2. LOVE DON'T LIVE HERE *
3. STUFF LIKE THAT *
4. LOOKING FOR SOMEONE
5. FAVOURITE
6. MASQUERADE
7. FEEL THE LOVE *
8. SUPERNOVA *
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2LP Excl
in stock
Label:London Records
Cat-No:lms5521922
Release-Date:08.12.2023
Genre:Rock
Configuration:2LP Excl
Barcode:5060555219222
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in stock
Last in:04.10.2023
Label:London Records
Cat-No:lms5521922
Release-Date:08.12.2023
Genre:Rock
Configuration:2LP Excl
Barcode:5060555219222
Rights: World excluding France & UK
Packaging: 2 x 140 G Black LP, 5mm spine Sleeve (matt finish), 2x Printed Inner (matt finish), marketing sticker.
Short Product Infos: Double Vinyl : full set of the finale concert of their 1985 'Kick Over Apartheid!' tour + BBC broadcast tracks from their 1986 concert at the Town And Country Club. 2 x 140 grs Black LP , 25 tracks. Printed inners. introduction by Redskins founding member Martin Hewes + liner notes.
SHORT INFOS
In the mid '80s, in the midst and direct aftermath of the era defining Miner's Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet 'Tamla Motormouth'.
The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of 'fighting fund' benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.
'These Furious Flames!' is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 'Kick Over Apartheid!' tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.
The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.
The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated.
Tracklisting - Double Vinyl:
A1 Lean On Me! (Live in 1985 from the 'Kick Over Apartheid Tour')
A2 Reds Strike The Blues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A3 Hold On! (Live in 1985 from the 'Kick Over Apartheid Tour')
A4 Unionize! (Live in 1985 from the 'Kick Over Apartheid Tour')
A5 Kick Over The Statues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A6 99 And A Half (Won't Do) (Live in 1985 from the 'Kick Over Apartheid Tour')
B1 It Can Be Done! (Live in 1985 from the 'Kick Over Apartheid Tour')
B2 Turnin' Loose (These Furious Flames) (Live in 1985 from the 'Kick Over Apartheid Tour')
B3 Plateful Of Hateful (Live in 1985 from the 'Kick Over Apartheid Tour')
B4 Bring It Down! (This Insane Thing) (Live in 1985 from the 'Kick Over Apartheid Tour')
B5 Don't Talk To Me About Whether (Live in 1985 from the 'Kick Over Apartheid Tour')
B6 The Power Is Yours… (Live in 1985 from the 'Kick Over Apartheid Tour')
C1 Take No Heroes! (Live in 1985 from the 'Kick Over Apartheid Tour')
C2 Let's Make It Work! (Live in 1985 from the 'Kick Over Apartheid Tour')
C3 Tracks Of My Tears / People Get Ready* (Live in 1985 from the 'Kick Over Apartheid Tour') *with Billy Bragg & Jerry Dammers
C4 Back In The USSR (Live in 1985 from the 'Kick Over Apartheid Tour') with Billy Bragg & Jerry Dammers
C5 Skinhead Moonstomp (Live in 1985 from the 'Kick Over Apartheid Tour') with Jerry Dammers
C6 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour')
D1 The Power is Yours… (Live At The Town And Country Club, 22nd Apr, 1986)
D2 Kick Over the Statues! (Live At The Town And Country Club, 22nd Apr, 1986)
D3 Hold On! (Live At The Town And Country Club, 22nd Apr, 1986)
D4 The Crack (Live At The Town And Country Club, 22nd Apr, 1986)
D5 99 And A Half Won't Do (Live At The Town And Country Club, 22nd Apr, 1986)
D6 Let's Make It Work! (Live At The Town And Country Club, 22nd Apr, 1986)
D7 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour') (Speech Version with Bruce George, South African Activist)
More
Packaging: 2 x 140 G Black LP, 5mm spine Sleeve (matt finish), 2x Printed Inner (matt finish), marketing sticker.
Short Product Infos: Double Vinyl : full set of the finale concert of their 1985 'Kick Over Apartheid!' tour + BBC broadcast tracks from their 1986 concert at the Town And Country Club. 2 x 140 grs Black LP , 25 tracks. Printed inners. introduction by Redskins founding member Martin Hewes + liner notes.
SHORT INFOS
In the mid '80s, in the midst and direct aftermath of the era defining Miner's Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet 'Tamla Motormouth'.
The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of 'fighting fund' benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.
'These Furious Flames!' is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 'Kick Over Apartheid!' tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.
The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.
The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated.
Tracklisting - Double Vinyl:
A1 Lean On Me! (Live in 1985 from the 'Kick Over Apartheid Tour')
A2 Reds Strike The Blues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A3 Hold On! (Live in 1985 from the 'Kick Over Apartheid Tour')
A4 Unionize! (Live in 1985 from the 'Kick Over Apartheid Tour')
A5 Kick Over The Statues! (Live in 1985 from the 'Kick Over Apartheid Tour')
A6 99 And A Half (Won't Do) (Live in 1985 from the 'Kick Over Apartheid Tour')
B1 It Can Be Done! (Live in 1985 from the 'Kick Over Apartheid Tour')
B2 Turnin' Loose (These Furious Flames) (Live in 1985 from the 'Kick Over Apartheid Tour')
B3 Plateful Of Hateful (Live in 1985 from the 'Kick Over Apartheid Tour')
B4 Bring It Down! (This Insane Thing) (Live in 1985 from the 'Kick Over Apartheid Tour')
B5 Don't Talk To Me About Whether (Live in 1985 from the 'Kick Over Apartheid Tour')
B6 The Power Is Yours… (Live in 1985 from the 'Kick Over Apartheid Tour')
C1 Take No Heroes! (Live in 1985 from the 'Kick Over Apartheid Tour')
C2 Let's Make It Work! (Live in 1985 from the 'Kick Over Apartheid Tour')
C3 Tracks Of My Tears / People Get Ready* (Live in 1985 from the 'Kick Over Apartheid Tour') *with Billy Bragg & Jerry Dammers
C4 Back In The USSR (Live in 1985 from the 'Kick Over Apartheid Tour') with Billy Bragg & Jerry Dammers
C5 Skinhead Moonstomp (Live in 1985 from the 'Kick Over Apartheid Tour') with Jerry Dammers
C6 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour')
D1 The Power is Yours… (Live At The Town And Country Club, 22nd Apr, 1986)
D2 Kick Over the Statues! (Live At The Town And Country Club, 22nd Apr, 1986)
D3 Hold On! (Live At The Town And Country Club, 22nd Apr, 1986)
D4 The Crack (Live At The Town And Country Club, 22nd Apr, 1986)
D5 99 And A Half Won't Do (Live At The Town And Country Club, 22nd Apr, 1986)
D6 Let's Make It Work! (Live At The Town And Country Club, 22nd Apr, 1986)
D7 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour') (Speech Version with Bruce George, South African Activist)
More
2CD Excl
in stock
Label:London Records
Cat-No:lms5521921
Release-Date:08.12.2023
Genre:Rock
Configuration:2CD Excl
Barcode:5060555219215
in stock
Last in:04.10.2023
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![](/covers/146868_B468A396.jpg?p=cover_thumbnail_width_only_nocrop)
![](/covers/146868_30868F8B.jpg?p=cover_thumbnail_width_only_nocrop)
![](/covers/146868_891B36FB.jpg?p=cover_thumbnail_width_only_nocrop)
in stock
Last in:04.10.2023
Label:London Records
Cat-No:lms5521921
Release-Date:08.12.2023
Genre:Rock
Configuration:2CD Excl
Barcode:5060555219215
Rights: World excluding France & UK
Packaging: 2 x CD boxset, Double-walled CD slipcase with spine, 2 x CD Card Wallet (uncoated stock),40 page booklet (uncoated stock), marketing sticker
Short Product Infos: Double Cd set : full set of the finale concert of their 1985 'Kick Over Apartheid!' tour +BBC broadcast tracks from their 1986 concert at the Town And Country Club. 2 x CD Boxset, 25 tracks. includes a 40 page booklet with introduction by Redskins founding member Martin Hewes + liner notes.
SHORT INFOS
In the mid '80s, in the midst and direct aftermath of the era defining Miner's Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet 'Tamla Motormouth'.
The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of 'fighting fund' benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.
'These Furious Flames!' is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 'Kick Over Apartheid!' tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.
The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.
The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated.
Tracklisting - Double CD:
Disc 1:
1 Lean On Me! (Live in 1985 from the 'Kick Over Apartheid Tour')
2 Reds Strike The Blues! (Live in 1985 from the 'Kick Over Apartheid Tour')
3 Hold On! (Live in 1985 from the 'Kick Over Apartheid Tour')
4 Unionize! (Live in 1985 from the 'Kick Over Apartheid Tour')
5 Kick Over The Statues! (Live in 1985 from the 'Kick Over Apartheid Tour')
6 99 And A Half (Won't Do) (Live in 1985 from the 'Kick Over Apartheid Tour')
7 It Can Be Done! (Live in 1985 from the 'Kick Over Apartheid Tour')
8 Turnin' Loose (These Furious Flames) (Live in 1985 from the 'Kick Over Apartheid Tour')
9 Plateful Of Hateful (Live in 1985 from the 'Kick Over Apartheid Tour')
10 Bring It Down! (This Insane Thing) (Live in 1985 from the 'Kick Over Apartheid Tour')
11 Don't Talk To Me About Whether (Live in 1985 from the 'Kick Over Apartheid Tour')
12 The Power Is Yours… (Live in 1985 from the 'Kick Over Apartheid Tour')
Disc 2:
1 Take No Heroes! (Live in 1985 from the 'Kick Over Apartheid Tour')
2 Let's Make It Work! (Live in 1985 from the 'Kick Over Apartheid Tour')
3 Tracks Of My Tears / People Get Ready* (Live in 1985 from the 'Kick Over Apartheid Tour') *with Billy Bragg & Jerry Dammers
4 Back In The USSR (Live in 1985 from the 'Kick Over Apartheid Tour') with Billy Bragg & Jerry Dammers
5 Skinhead Moonstomp (Live in 1985 from the 'Kick Over Apartheid Tour') with Jerry Dammers
6 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour')
7 The Power is Yours… (Live At The Town And Country Club, 22nd Apr, 1986)
8 Kick Over the Statues! (Live At The Town And Country Club, 22nd Apr, 1986)
9 Hold On! (Live At The Town And Country Club, 22nd Apr, 1986)
10 The Crack (Live At The Town And Country Club, 22nd Apr, 1986)
11 99 And A Half Won't Do (Live At The Town And Country Club, 22nd Apr, 1986)
12 Let's Make It Work! (Live At The Town And Country Club, 22nd Apr, 1986)
13 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour') (Speech Version with Bruce George, South African Activist)
More
Packaging: 2 x CD boxset, Double-walled CD slipcase with spine, 2 x CD Card Wallet (uncoated stock),40 page booklet (uncoated stock), marketing sticker
Short Product Infos: Double Cd set : full set of the finale concert of their 1985 'Kick Over Apartheid!' tour +BBC broadcast tracks from their 1986 concert at the Town And Country Club. 2 x CD Boxset, 25 tracks. includes a 40 page booklet with introduction by Redskins founding member Martin Hewes + liner notes.
SHORT INFOS
In the mid '80s, in the midst and direct aftermath of the era defining Miner's Strike, the Redskins, as political activists, delivered their electrifying and radical Socialist Workers Party missives and broadsides through the ministry of their music - a unique post-punk rock/soul hybrid that gained their lead singer, Chris Dean, the sobriquet 'Tamla Motormouth'.
The Redskins were taking a stand for the working man and by standing up, they stood out - and never so forcefully as in the live arena! With their stellar musicianship and crack brass section honed through a never ending whorl of 'fighting fund' benefit gigs, they were the furious flames that kept the anti-Thatcher fires of dissent burning throughout those challenging years marked by her seeming unassailability.
'These Furious Flames!' is a 25 track documentation of the energy, commitment and drive of the Redskins as that campaigning live act. Issued in 2xCD capacity wallet, double vinyl and digital editions, each format couples together a recording of the full set of the finale concert of their 1985 'Kick Over Apartheid!' tour - including guest appearances from Jerry Dammers and Billy Bragg - with the BBC broadcast tracks from their 1986 concert at the Town And Country Club.
The double CD edition comes with a 40 page booklet that compiles new and period quotes by band members Martin Hewes, Chris Dean, Paul Hookham and Kevin Robertson as well as thoughts by an array of associates and celebrity fans including poet Atilla The Stockbroker, Billy Bragg, Colin Revolting, their studio album producers Pat Foley & Chris Silagyi and DJ Gary Crowley. The booklet also contains gig reviews, photographs and a condensed digest of media quotes about the band.
The double vinyl LP format has printed inner bags replete with evocative archive photographs and a written introduction by Redskins founding member Martin Hewes, with whose co-operation and input this celebratory release has been curated.
Tracklisting - Double CD:
Disc 1:
1 Lean On Me! (Live in 1985 from the 'Kick Over Apartheid Tour')
2 Reds Strike The Blues! (Live in 1985 from the 'Kick Over Apartheid Tour')
3 Hold On! (Live in 1985 from the 'Kick Over Apartheid Tour')
4 Unionize! (Live in 1985 from the 'Kick Over Apartheid Tour')
5 Kick Over The Statues! (Live in 1985 from the 'Kick Over Apartheid Tour')
6 99 And A Half (Won't Do) (Live in 1985 from the 'Kick Over Apartheid Tour')
7 It Can Be Done! (Live in 1985 from the 'Kick Over Apartheid Tour')
8 Turnin' Loose (These Furious Flames) (Live in 1985 from the 'Kick Over Apartheid Tour')
9 Plateful Of Hateful (Live in 1985 from the 'Kick Over Apartheid Tour')
10 Bring It Down! (This Insane Thing) (Live in 1985 from the 'Kick Over Apartheid Tour')
11 Don't Talk To Me About Whether (Live in 1985 from the 'Kick Over Apartheid Tour')
12 The Power Is Yours… (Live in 1985 from the 'Kick Over Apartheid Tour')
Disc 2:
1 Take No Heroes! (Live in 1985 from the 'Kick Over Apartheid Tour')
2 Let's Make It Work! (Live in 1985 from the 'Kick Over Apartheid Tour')
3 Tracks Of My Tears / People Get Ready* (Live in 1985 from the 'Kick Over Apartheid Tour') *with Billy Bragg & Jerry Dammers
4 Back In The USSR (Live in 1985 from the 'Kick Over Apartheid Tour') with Billy Bragg & Jerry Dammers
5 Skinhead Moonstomp (Live in 1985 from the 'Kick Over Apartheid Tour') with Jerry Dammers
6 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour')
7 The Power is Yours… (Live At The Town And Country Club, 22nd Apr, 1986)
8 Kick Over the Statues! (Live At The Town And Country Club, 22nd Apr, 1986)
9 Hold On! (Live At The Town And Country Club, 22nd Apr, 1986)
10 The Crack (Live At The Town And Country Club, 22nd Apr, 1986)
11 99 And A Half Won't Do (Live At The Town And Country Club, 22nd Apr, 1986)
12 Let's Make It Work! (Live At The Town And Country Club, 22nd Apr, 1986)
13 Keep On Keepin' On! (Live in 1985 from the 'Kick Over Apartheid Tour') (Speech Version with Bruce George, South African Activist)
More
2LP Excl
in stock
Label:London Records
Cat-No:lms5521960
Release-Date:29.09.2023
Genre:Funk
Configuration:2LP Excl
Barcode:5060555219604
in stock
Last in:21.07.2023
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in stock
Last in:21.07.2023
Label:London Records
Cat-No:lms5521960
Release-Date:29.09.2023
Genre:Funk
Configuration:2LP Excl
Barcode:5060555219604
Rights: World excluding France, UK , North America & Japan
Format 1: 2 x 180 grs LP , 2 x Printed Inner
SHORT INFOS
- 2023 marks 35 years since the first single by The Brand New Heavie
- Twenty-one seminal tracks from Acid Jazz royalty, The Brand New Heavies, who transcended London’s local funk scene to become to enjoy global success across with hits such as ‘Sometimes’, ‘You Are The Universe’, ‘Dream on Dreamer’, ‘Midnight at The Oasis’ and more.
- This new compilation brings together all the singles from the band’s time with London Records, featuring 15 Top 40, 5 Top 20, and 1 Top 10 UK hits.
- All formats feature new liner notes from producer and long-time fan Mark Ronson.
- Presented on double heavyweight vinyl with 21 hits – all their biggest hits + 4 US Singles- and expanded 2 x CD with remixes by Masters at Work, Dimitri from Paris, Roger Sanchez and a new remix of ‘Stay This Way’ by Bob Sinclar
Tracklisting:
1. Never Stop
2. Dream Come True
3. Got to Give
4. Don’t Let It Go to Your Head
5. Stay This Way
6. Dream on Dreamer
7. Back to Love
8. Midnight at the Oasis
9. Spend Some Time
10. Close to You
11. Sometimes
12. You Are the Universe
13. You’ve Got a Friend
14. Shelter
15. Saturday Nite
16. Apparently Nothing
17. People Get Ready
18. Bonafied Funk (featuring Main Source and Large Professor)
19. Brother Sister
20. Mind Trips
21. You Can Do It
More
Format 1: 2 x 180 grs LP , 2 x Printed Inner
SHORT INFOS
- 2023 marks 35 years since the first single by The Brand New Heavie
- Twenty-one seminal tracks from Acid Jazz royalty, The Brand New Heavies, who transcended London’s local funk scene to become to enjoy global success across with hits such as ‘Sometimes’, ‘You Are The Universe’, ‘Dream on Dreamer’, ‘Midnight at The Oasis’ and more.
- This new compilation brings together all the singles from the band’s time with London Records, featuring 15 Top 40, 5 Top 20, and 1 Top 10 UK hits.
- All formats feature new liner notes from producer and long-time fan Mark Ronson.
- Presented on double heavyweight vinyl with 21 hits – all their biggest hits + 4 US Singles- and expanded 2 x CD with remixes by Masters at Work, Dimitri from Paris, Roger Sanchez and a new remix of ‘Stay This Way’ by Bob Sinclar
Tracklisting:
1. Never Stop
2. Dream Come True
3. Got to Give
4. Don’t Let It Go to Your Head
5. Stay This Way
6. Dream on Dreamer
7. Back to Love
8. Midnight at the Oasis
9. Spend Some Time
10. Close to You
11. Sometimes
12. You Are the Universe
13. You’ve Got a Friend
14. Shelter
15. Saturday Nite
16. Apparently Nothing
17. People Get Ready
18. Bonafied Funk (featuring Main Source and Large Professor)
19. Brother Sister
20. Mind Trips
21. You Can Do It
More
2CD Excl
in stock
Label:London Records
Cat-No:lms5521959
Release-Date:29.09.2023
Genre:Funk
Configuration:2CD Excl
Barcode:5060555219598
in stock
Last in:21.07.2023
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in stock
Last in:21.07.2023
Label:London Records
Cat-No:lms5521959
Release-Date:29.09.2023
Genre:Funk
Configuration:2CD Excl
Barcode:5060555219598
Rights: World excluding France, UK , North America & Japan
Format: 2 x CD – Digipack / 24 page booklet
SHORT INFOS
- 2023 marks 35 years since the first single by The Brand New Heavie
- Twenty-one seminal tracks from Acid Jazz royalty, The Brand New Heavies, who transcended London’s local funk scene to become to enjoy global success across with hits such as ‘Sometimes’, ‘You Are The Universe’, ‘Dream on Dreamer’, ‘Midnight at The Oasis’ and more.
- This new compilation brings together all the singles from the band’s time with London Records, featuring 15 Top 40, 5 Top 20, and 1 Top 10 UK hits.
- All formats feature new liner notes from producer and long-time fan Mark Ronson.
- Presented on double heavyweight vinyl with 21 hits – all their biggest hits + 4 US Singles- and expanded 2 x CD with remixes by Masters at Work, Dimitri from Paris, Roger Sanchez and a new remix of ‘Stay This Way’ by Bob Sinclar
Tracklisting:
CD1 of the Double CD set
1. Never Stop
2. Dream Come True
3. Got to Give
4. Don’t Let It Go to Your Head
5. Stay This Way
6. Dream on Dreamer
7. Back to Love
8. Midnight at the Oasis
9. Spend Some Time
10. Close to You
11. Sometimes
12. You Are the Universe
13. You’ve Got a Friend
14. Shelter
15. Saturday Nite
16. Apparently Nothing
17. People Get Ready
18. Bonafied Funk (featuring Main Source and Large Professor)
19. Brother Sister
20. Mind Trips
21. You Can Do It
CD 2 of the Double CD set – Bonus Remixes
1. Stay This Way (Bob Sinclar Remix)
2. Dream Come True (Heavies Mix)
3. Never Stop (Heavies Mix)
4. Back to Love (GP Club Mix)
5. Midnight at the Oasis (Roger S Underground Network Mix)
6. Spend Some Time (Brothers In Rhythm Club Mix)
7. Close to You (Masters At Work Remix)
8. Sometimes (Monsieur D’s Underground Behaviour Mix)
9. You Are the Universe (Tuff Jam’s 2 in 1 Remix)
10. Saturday Nite (Full Intention Club Mix)
More
Format: 2 x CD – Digipack / 24 page booklet
SHORT INFOS
- 2023 marks 35 years since the first single by The Brand New Heavie
- Twenty-one seminal tracks from Acid Jazz royalty, The Brand New Heavies, who transcended London’s local funk scene to become to enjoy global success across with hits such as ‘Sometimes’, ‘You Are The Universe’, ‘Dream on Dreamer’, ‘Midnight at The Oasis’ and more.
- This new compilation brings together all the singles from the band’s time with London Records, featuring 15 Top 40, 5 Top 20, and 1 Top 10 UK hits.
- All formats feature new liner notes from producer and long-time fan Mark Ronson.
- Presented on double heavyweight vinyl with 21 hits – all their biggest hits + 4 US Singles- and expanded 2 x CD with remixes by Masters at Work, Dimitri from Paris, Roger Sanchez and a new remix of ‘Stay This Way’ by Bob Sinclar
Tracklisting:
CD1 of the Double CD set
1. Never Stop
2. Dream Come True
3. Got to Give
4. Don’t Let It Go to Your Head
5. Stay This Way
6. Dream on Dreamer
7. Back to Love
8. Midnight at the Oasis
9. Spend Some Time
10. Close to You
11. Sometimes
12. You Are the Universe
13. You’ve Got a Friend
14. Shelter
15. Saturday Nite
16. Apparently Nothing
17. People Get Ready
18. Bonafied Funk (featuring Main Source and Large Professor)
19. Brother Sister
20. Mind Trips
21. You Can Do It
CD 2 of the Double CD set – Bonus Remixes
1. Stay This Way (Bob Sinclar Remix)
2. Dream Come True (Heavies Mix)
3. Never Stop (Heavies Mix)
4. Back to Love (GP Club Mix)
5. Midnight at the Oasis (Roger S Underground Network Mix)
6. Spend Some Time (Brothers In Rhythm Club Mix)
7. Close to You (Masters At Work Remix)
8. Sometimes (Monsieur D’s Underground Behaviour Mix)
9. You Are the Universe (Tuff Jam’s 2 in 1 Remix)
10. Saturday Nite (Full Intention Club Mix)
More
2CD Excl
in stock
Label:London Records
Cat-No:lms5521937
Release-Date:01.09.2023
Genre:Pop
Configuration:2CD Excl
Barcode:5060555219376
in stock
Last in:07.07.2023
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in stock
Last in:07.07.2023
Label:London Records
Cat-No:lms5521937
Release-Date:01.09.2023
Genre:Pop
Configuration:2CD Excl
Barcode:5060555219376
Rights: World excluding France, UK
Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
More
Format: DOUBLE CD : Expanded double CD 27 tracks in Purple Digipak with new liner notes, new and classic remixes, unreleased demos and B-sides, deluxe 24 page booklet, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
CD One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love) 5 Don't Know What To Do (Without You) 6 Adieu! (Madame Tata Mix)
7 Read My Lips (Enough Is Enough) 8 My Heart Is In Your Hands 9 Control 10 And You Never Thought This Could Happen To You 11 Rain 12 Not So God Almighty 13 From This Moment On 14 I Believe in Love 15 Tell The World 16 Stranger
CD Two
1 Read My Lips (Enough Is Enough) (AMYL Remix) 2 You Make Me Feel (Mighty Real) (Gerd Janson Remix) 3 Comment Te Dire Adieu (Commercial Mix) 4 Rain (Pascal Gabriel Mix) 5 You Make Me Feel (Mighty Real) (Arpeggius Club Vocal)
6 Run From Love (ft. Claudia Brücken) (12" Remix) 7 Until I Get Over You (Demo) 8 I Won't Let You See Me Cry (Demo)
9 And You Never Thought This Could Happen To You (Demo) 10 Read My Lips (Enough Is Enough) (Demo) 11 You Make Me Feel (Mighty Real) (William Orbit Remix)
More
2LP Excl
in stock
Label:London Records
Cat-No:lms5521939
Release-Date:01.09.2023
Genre:Pop
Configuration:2LP Excl
Barcode:5060555219390
in stock
Last in:07.07.2023
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in stock
Last in:07.07.2023
Label:London Records
Cat-No:lms5521939
Release-Date:01.09.2023
Genre:Pop
Configuration:2LP Excl
Barcode:5060555219390
Rights: World excluding France, UK
Format: Expanded double crystal clear vinyl in Orange Sleeve with new liner notes, 6 bonus new and classic remixes and B-sides, 5mm spine outer, 2 x printed inners, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
Side One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love)
5 Don't Know What To Do (Without You)
Side Two
6 Read My Lips (Enough Is Enough) 7 My Heart Is In Your Hands 8 Control
9 And You Never Thought This Could Happen To You 10 Rain
Side Three
11 Read My Lips (Enough Is Enough) (AMYL Remix) 12 You Make Me Feel (Mighty Real) (William Orbit Remix) 13 Adieu! (June et Jim présentent Madame Tata Mix)
Side Four
14 From This Moment on (from 'Red Hot + Blue') 15 I Believe in Love (from 'Merge')
16 Comment Te Dire Adieu (Commercial Mix) 17 Rain (Pascal Gabriel Mix)
More
Format: Expanded double crystal clear vinyl in Orange Sleeve with new liner notes, 6 bonus new and classic remixes and B-sides, 5mm spine outer, 2 x printed inners, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
Side One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love)
5 Don't Know What To Do (Without You)
Side Two
6 Read My Lips (Enough Is Enough) 7 My Heart Is In Your Hands 8 Control
9 And You Never Thought This Could Happen To You 10 Rain
Side Three
11 Read My Lips (Enough Is Enough) (AMYL Remix) 12 You Make Me Feel (Mighty Real) (William Orbit Remix) 13 Adieu! (June et Jim présentent Madame Tata Mix)
Side Four
14 From This Moment on (from 'Red Hot + Blue') 15 I Believe in Love (from 'Merge')
16 Comment Te Dire Adieu (Commercial Mix) 17 Rain (Pascal Gabriel Mix)
More
LP Excl
in stock
Label:London Records
Cat-No:lms5521938
Release-Date:01.09.2023
Genre:Pop
Configuration:LP Excl
Barcode:5060555219383
in stock
Last in:07.07.2023
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in stock
Last in:07.07.2023
Label:London Records
Cat-No:lms5521938
Release-Date:01.09.2023
Genre:Pop
Configuration:LP Excl
Barcode:5060555219383
Rights: World excluding France, UK
Format: Original album in Blue Sleeve with solid blue vinyl, 3mm spine outer, printed inners, new liner notes, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
Side One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love)
5 Don't Know What To Do (Without You)
Side Two
6 Read My Lips (Enough Is Enough) 7 My Heart Is In Your Hands 8 Control
9 And You Never Thought This Could Happen To You 10 Rain
More
Format: Original album in Blue Sleeve with solid blue vinyl, 3mm spine outer, printed inners, new liner notes, marketing sticker
GENRE : POP
SHORT INFO :
- Jimmy Somerville's debut solo album Read My Lips is re-issued with rarities and new remixes.
- Originally released in 1989, the album enjoyed Gold Sales and 3 Top 30 hits, as well as Jimmy's Top 10 cover of Sylvester's 'You Make Me Feel (Mighty Real)'.
- Across these expanded versions are remixes from Gerd Janson, AMYL, Arpeggius and William Orbit; unreleased demos, B-Sides and rarities such as 'From This Moment On' (from Red, Hot + Blue)
and I Believe in Love (with Arthur Baker and The Beat Disciples).
- New liner notes from journalist and author Paul Burston.
TRACKLISTING:
Side One
1 Comment Te Dire Adieu 2 You Make Me Feel (Mighty Real) 3 Perfect Day 4 Heaven Here On Earth (With Your Love)
5 Don't Know What To Do (Without You)
Side Two
6 Read My Lips (Enough Is Enough) 7 My Heart Is In Your Hands 8 Control
9 And You Never Thought This Could Happen To You 10 Rain
More
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Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
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Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
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Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
+ Show full info- Close
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Label:Aus Music
Cat-No:AUS196PHY
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4062548091656
1
Space Dimension Controller - A1. Jet Free
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Space Dimension Controller - A2. Cryfaze
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Space Dimension Controller - A3. Tiraquon's Final Quest
4
Space Dimension Controller - B1. 1 4 U
5
Space Dimension Controller - B2. Acid Funk Sequel (Vinyl Exclusive)
6
Space Dimension Controller - B3. Beyond2
Track list:
A1. Jet Free
A2. Cryfaze
A3. Tiraquon's Final Quest
B1. 1 4 U
B2. Acid Funk Sequel (Vinyl Exclusive)
B3. Beyond2
Highlight:
Space Dimension Controller returns to Aus Music with six tracks of superb cosmic adventure
EP arrives digitally or as a six-track 12" including exclusive vinyl-only cut 'Acid Funk Sequel' on July 26th
Space Dimension Controller is an intergalactic musical explorer. His sci-fi sounds paint technicolour pictures
in widescreen. Whether crafting definitive albums like Love Beyond The Intersect on R&S, club-ready EPs
for Aus and Running Back or dropping collections of unreleased tracks on his own Tiraquon Recordings, his
work sounds futuristic yet nostalgic for the past. It is fueled by funk and crafted on synths, hardware, tape
machines and various other imperfect tools that lend it a loveable character.
His Final Quest EP is a "French-inspired" release, which is an influence that predates the Space Dimension
Controller alias and goes back to Hamill's teenage years. It is also the last EP from his current studio before
it is dismantled and moved to Amsterdam sometime this summer.
From start to finish, this new EP showcases Hamill's ability to craft emotionally evocative melodies and
genuinely absorbing soundtracks. Opener 'Jet Free' is awash with filtered synths that are sugary sweet and
underpinned by funky guitar riffs and laissez-faire grooves. The wonderful 'Cryfaze' has rueful pads spiralling
around sleek drums that bounce along next to supple neon arps, while 'Tiraquon's Final Quest' is a bubbling
and elastic rhythm run through with soft acid squelches and pixelated pads full of cosmic charm. '1 4 U' rides
on heavier drums but is no less joyous thanks to the crystalline melodies and dreamy vocals that swell the
heart. Vinyl exclusive 'Acid Funk Sequel' is another playful moon safari with buoyant bass patterns and
snappy drum funk under ever-evolving melodic refrains and 'Beyond2' closes down with forlorn, introspective
melodies that ripple over heavy-hearted chords.
More
A1. Jet Free
A2. Cryfaze
A3. Tiraquon's Final Quest
B1. 1 4 U
B2. Acid Funk Sequel (Vinyl Exclusive)
B3. Beyond2
Highlight:
Space Dimension Controller returns to Aus Music with six tracks of superb cosmic adventure
EP arrives digitally or as a six-track 12" including exclusive vinyl-only cut 'Acid Funk Sequel' on July 26th
Space Dimension Controller is an intergalactic musical explorer. His sci-fi sounds paint technicolour pictures
in widescreen. Whether crafting definitive albums like Love Beyond The Intersect on R&S, club-ready EPs
for Aus and Running Back or dropping collections of unreleased tracks on his own Tiraquon Recordings, his
work sounds futuristic yet nostalgic for the past. It is fueled by funk and crafted on synths, hardware, tape
machines and various other imperfect tools that lend it a loveable character.
His Final Quest EP is a "French-inspired" release, which is an influence that predates the Space Dimension
Controller alias and goes back to Hamill's teenage years. It is also the last EP from his current studio before
it is dismantled and moved to Amsterdam sometime this summer.
From start to finish, this new EP showcases Hamill's ability to craft emotionally evocative melodies and
genuinely absorbing soundtracks. Opener 'Jet Free' is awash with filtered synths that are sugary sweet and
underpinned by funky guitar riffs and laissez-faire grooves. The wonderful 'Cryfaze' has rueful pads spiralling
around sleek drums that bounce along next to supple neon arps, while 'Tiraquon's Final Quest' is a bubbling
and elastic rhythm run through with soft acid squelches and pixelated pads full of cosmic charm. '1 4 U' rides
on heavier drums but is no less joyous thanks to the crystalline melodies and dreamy vocals that swell the
heart. Vinyl exclusive 'Acid Funk Sequel' is another playful moon safari with buoyant bass patterns and
snappy drum funk under ever-evolving melodic refrains and 'Beyond2' closes down with forlorn, introspective
melodies that ripple over heavy-hearted chords.
More
Label:Ilian Tape
Cat-No:ITLP19
Release-Date:03.07.2024
Genre:Electronic
Configuration:2LP
Barcode:
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Label:Ilian Tape
Cat-No:ITLP19
Release-Date:03.07.2024
Genre:Electronic
Configuration:2LP
Barcode:
1
Skee Mask - Hedwig Transformation Group
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Skee Mask - Nostaglitch
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Skee Mask - Reminiscrmx
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Skee Mask - Vitamin 313
Label:WRWTFWW
Cat-No:WRWTFWW087
Release-Date:23.08.2024
Configuration:LP Excl
Barcode:4251804180344
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Label:WRWTFWW
Cat-No:WRWTFWW087
Release-Date:23.08.2024
Configuration:LP Excl
Barcode:4251804180344
1
Yoshio Ojima - a1. entrance
2
Yoshio Ojima - a2. orientation
3
Yoshio Ojima - a3. club-a
4
Yoshio Ojima - a4. club-b
5
Yoshio Ojima - b1. days-man
6
Yoshio Ojima - b2. boy in vision
7
Yoshio Ojima - b3. schooling
8
Yoshio Ojima - b4. graduation
LP, Heavy 350gsm Sleeve, Sticker
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
Genre: Ambient, Proto-Techno, Experimental, Minimalism
Tracklisting LP
a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation
WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.
A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.
Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.
Experience the roots of Japanese electronica!
Points of interests
For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)
First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club. More
LP Excl
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Cat-No:MMDS24003LP
Release-Date:06.09.2024
Genre:Techno
Configuration:LP Excl
Barcode:4582116562895
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Cat-No:MMDS24003LP
Release-Date:06.09.2024
Genre:Techno
Configuration:LP Excl
Barcode:4582116562895
1
Ken Ishii - A1. Into The Inside (2024 Remaster)
2
Ken Ishii - A2. Fading Sky (2024 Remaster)
3
Ken Ishii - A3. Non Essential (2024 Remaster)
4
Ken Ishii - B1. Finite Time (2024 Remaster)
5
Ken Ishii - B2. Interjection (2024 Remaster)
6
Ken Ishii - B3. Scene One (2024 Remaster)
LP 180g Heavyweight vinyl, Remastered, with original track-list available on vinyl for the first time
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
"Ken Ishii has risen to be one of techno's biggest names" Bandcamp Daily
"A pivotal moment in the history of techno, ambient and electronic music from Japan. An important milestone in a journey to explore the endless possibilities of music and a precious result of our passion and adventure at the time" Manabu Yamazaki (Sublime Records)
GENRE: Techno, Ambient
Tracklist:
1. Into The Inside (2024 Remaster)
2. Fading Sky (2024 Remaster)
3. Non Essential (2024 Remaster)
Side B
1. Finite Time (2024 Remaster)
2. Interjection (2024 Remaster)
3. Scene One (2024 Remaster)
New liner notes by Martyn Pepperell
The musician and DJ Ken Ishii sits right at the pinnacle of techno's most noteworthy, but although a game changer for the artist personally - and for Japanese electronic music in general - his 1994 album 'Reference to Difference' is something of an unsung gem today.
Now reissued and remastered, released to mark the 30th anniversary of Musicmine / Sublime Records, and available on vinyl with its original track-list for the first time, this stunning, lesser-known classic is ripe for rediscovery.
Born 1970 in Sapporo, Ishii was introduced to electronic music at a young age through arcade games, and Japanese and German pioneers like Yellow Magic Orchestra, Isao Tomita and Kraftwerk. During his teens, he absorbed new wave, synth-pop, EBM and industrial, before making a life-changing discovery of Detroit techno in the late 80s.
As the 1990s dawned, so did his introduction to Black Dog Productions and Warp Records' Artificial Intelligence compilations. Blown away by the emerging British and American IDM, braindance, and ambient techno movements, he quickly folded their influence into his still-developing but cultivated aesthetic.
A futuristic confluence of unplaceable ambient atmospheres, space age techno, IDM and minimalist composition, 'Reference To Difference' unfolds as an effortless series of exercises in pristine synth textures, robust man/machine rhythm and understated melodies. It teleports the listener back to a golden moment in the mid-1990s, when a dedicated generation rose out of Tokyo's storied clubs and took the innovation, energy, and creativity of Japan's unique techno culture to the world.
Opened in 1993, Maniac Love was a new nightclub where Manabu Yamazaki aka DJ Yama promoted the Sublime parties, which soon became a crucial hub within the burgeoning Tokyo underground. It was here where Yamazaki rubbed shoulders with peers including Ishii and Susumu Yokota, and the trio's future became intertwined.
Much like Ishii, the late Susumu Yokota began his musical career by reaching out to Europe. Not long before Ishii released his debut longplayer 'Garden On The Palm' through Belgium's R&S, Yokota released his debut LP 'The Frankfurt-Tokyo Connection' through Harthouse, the German label co-founded by Sven Väth. In the wake of both records' overseas success, Ishii and Yokota set a benchmark for techno in Japan.
By 1993, as they both became in-demand producers and DJs, it felt like their dreams were coming true. Through talking with Ishii and Yokota, Yamazaki became emboldened to transform Sublime into a record label.
Soon after, Yamazaki partnered with Hideoki Amano, who was on the verge of founding Musicmine, a now respected and longstanding independent Japanese music company. As Yamazaki tells it, Amano helped him turn his dream into a reality: Sublime Records.
For Musicmine and Sublime Records' inaugural album releases, Yamazaki and Amano approached both Ishii and Yokota, resulting in the simultaneous drop of 'Reference To Difference' and 'Acid Mt. Fuji' respectively, on June 29th 1994.
Yamazaki remembered 'Reference To Difference' being well received by DJs, listeners, record store buyers and journalists, stating "people were excited by this new wave of music coming out of Japan, and had high praise for its unique sound."
With the pair of LPs further stamping Japan on the contemporary musical globe, the scene was beginning to boom at home too. Specialist record stores, and club music magazines like Ele-King and Loud spread the word, and in the wake of Maniac Love's impact, new nightclubs like the legendary Liquid Room were opening up, bringing a steady stream of world-famous DJs to the Japanese capital.
"Without a doubt, I think the arrival of Ken Ishii was a major turning point for the Japanese music industry in the 1990s," Amano reflected. "Nowadays, the Western club music scene is rediscovering Japanese techno from the 1990s, and digging our music is a common sight, but before Ken Ishii, no Japanese DJ was in sync with the global club music scene. He was the catalyst."
"Looking back, I can tell it was meaningful that this was one of the first techno albums by a Japanese artist that was released on a Japanese label," Ishii reflects. "Maybe I did something that bridged between old school Japanese electronic music and 'new school' techno in line with the Detroit sound with this record" he adds, in modest understatement.
The new liner notes were written Martyn Pepperell, a well-regarded music journalist who has covered Susumu Yokota for Wax Poetics and Midori Takada for Dazed, amongst numerous other articles.
Ken Ishi DJ dates:
Fri 14 June Tokyo, Japan : MUSICMINE 30th Anniversary @ WWW
Sat 15 June Nagano Pref, Japan : Re:birth Festival 2024 @ Kurumayama-Kogen Skypark Resort
Sat 22 June Tbilisi, Georgia : Tbilisi Open Air (Khidi Stage) @ Lisi Wonderland
Fri 12 July Tokyo, Japan : TECHNOH LAB. @ Suigian (*Non+techno performance with Manjiro Tatsumi)
Fri 12 July Tokyo, Japan : @ Vent
Fri 26 July Tokyo, Japan : @ Shinjuku Loft
Sun 28 July Naeba, Japan : @ Fuji Rock Festival
Sat 31 August Amsterdam, The Netherlands : Wooferland 2024 @ Houtrak Halfweg
More
Label:Running Back
Cat-No:rb129
Release-Date:05.07.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144926
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Label:Running Back
Cat-No:rb129
Release-Date:05.07.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804144926
1
Solomun - Can't Stop
2
Solomun - Follow The Disco Ball
3
Solomun - Can't Stop (Dub)
Can't Stop .There seems no better way to describe the work, party and music ethic of Solomun. Carrying the mirror ball on his shoulders like Atlas, it is impossible to imagine the modern disco world without his dynamics. While his countless DJ sets give fresh impetus to the many shades of house, techno and their siblings, conversely they are a driving force behind his studio and remix excursions. Can't Stop provides an impressive insight into his musical universe.
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
Resulting from a rather casual after-dinner-listening-session during a car ride on Ibiza with a zesty Gerd Janson, who coaxed the title track out of Solomun making use of their friendship to full capacity, it is a triptych of direct, functional and free-spirited dance floor approach. After some back and forth in the search of the missing pieces to make it so, Solomun managed to deliver the perfect Running Back peak time record.
While Can't Stop channels UK dance music highs through German engineering values, which makes it perfect for dance hall and car rides (yes, indeed!) alike, its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball leads us back to the aforementioned Greek titan and can be read as a love letter to the genre that can be found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. We repeat: the perfect Running Back peak time record. Can't Stop, won't stop!
Short: Solomun on Running Back. Dance floor fanatics at work. A triptych of fun, friendship and functionality. Can't Stop channels UK dance music highs through German engineering values. Perfect for dance hall and car rides alike. Its heavy dub is constructed with fearless techno DJs in mind who like new beat excerpts, rave stabs and a lot of bass in equal parts. Follow The Disco Ball can be read as a love letter to the genre that is found in its name. Catchy, compelling and cool, it is a masterclass in user-friendly, yet edgy arrangement and dancing shoe compatibility. The perfect Running Back peak time record. Can't Stop, won't stop! More
Label:Be With Records
Cat-No:bewith008seven
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:7" Excl
Barcode:4251804182386
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Label:Be With Records
Cat-No:bewith008seven
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:7" Excl
Barcode:4251804182386
1
Edric Connor - A Manchester United Calypso
2
Edric Connor - B Manchester Football Double
Format Notes: First-time 7" vinyl single reissue, remastered by Simon Francis, full colour printed sleeve with specially commissioned artwork from Stanley Chow
Track List:
A Manchester United Calypso
B Manchester Football Double
Release Notes:
We can't hide the fact that we're a Manchester label with some very strong feelings for the Red side of the city. Regardless of your tribal affiliation - whether you have one or not - Edric Connor's "Manchester United Calypso" is an undisputedly joyous, soulful classic. Like the bunch of bouncing Busby Babes the song sought to raise up, it's remarkable, stylish and profoundly memorable; and its magical legacy has only grown in the 70 years since it first surfaced.
A testament to its enduring brilliance, "Manchester United Calypso" is heard to this day on the terraces of Old Trafford and beyond. However, it's impossible to find a copy of the original 78rpm shellac release or, indeed, the 45rpm vinyl. So, we're delighted to reissue this unforgettable anthem - with Lord Kitchener's equally dazzling "Manchester Football Double" on the B-Side - and make it available on 7" vinyl to United fans of any vintage; as well as fans of vintage calypso fire! Featuring typically striking, specially commissioned artwork from the legendary Stan Chow, this record is a collectors item for the ages.
"Manchester,
Manchester United
A bunch of bouncing "Busby Babes",
They deserve to be knighted
If ever they're playing in your town,
You must get to that football ground
Take a lesson come to see,
Football taught by Matt Busby
Manchester,
Manchester United"
Whether you have United in your heart or not, "Manchester United Calypso" is a record that, like the best football teams in Old Trafford's history, swaggers with an addictive beauty that's impossible to ignore.
It's impossible to discuss the significance of the calypso without remembering what ultimately ripped through the heart of this most beloved youthful side.
Eight of the Babes who were celebrated in the Calypso tragically lost their lives on 6th February 1958 in the Munich air disaster.
Like the players and the club itself, the United calypso radiates a special type of magic and speaks to the spirit of United:
the demand to be fearless, unrelenting, creative and obliged to entertain the viewing public.
The Calypso was written by Eric Watterson and Ken Jones and sung by Edric Connor, who moved to England from Trinidad in 1944.
Connor is considered a pioneer, popularising calypso music, becoming the first black actor to perform with the Royal Shakespeare Company, setting up the Afro-Asian Caribbean Agency to represent Black and minority artists with his wife, Pearl and establishing a theatre workshop.
“I would think coming to this country right after the war, as Edric did, and getting into BBC radio, and moving among the people, he did a great deal of good for our own community,” Pearl once revealed.
He saw himself as a self-appointed ambassador for his country, Trinidad. We were very nationalistic back then. We believed we had a country worthy of recognition”.
The B-Side is another doozy.
Swoon along to Lord Kitchener's fantastically woozy "Manchester Football Double" - a fitting ode to the city where you'll "find football's headquarters".
Then and, after the 2024 FA Cup Final, now.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 7" well and truly soars.
The immaculate Record Industry pressing will ensure this sought-after gem finds a home in many more collections, from Manchester to Malta, Mumbai to Malaysia. More
Track List:
A Manchester United Calypso
B Manchester Football Double
Release Notes:
We can't hide the fact that we're a Manchester label with some very strong feelings for the Red side of the city. Regardless of your tribal affiliation - whether you have one or not - Edric Connor's "Manchester United Calypso" is an undisputedly joyous, soulful classic. Like the bunch of bouncing Busby Babes the song sought to raise up, it's remarkable, stylish and profoundly memorable; and its magical legacy has only grown in the 70 years since it first surfaced.
A testament to its enduring brilliance, "Manchester United Calypso" is heard to this day on the terraces of Old Trafford and beyond. However, it's impossible to find a copy of the original 78rpm shellac release or, indeed, the 45rpm vinyl. So, we're delighted to reissue this unforgettable anthem - with Lord Kitchener's equally dazzling "Manchester Football Double" on the B-Side - and make it available on 7" vinyl to United fans of any vintage; as well as fans of vintage calypso fire! Featuring typically striking, specially commissioned artwork from the legendary Stan Chow, this record is a collectors item for the ages.
"Manchester,
Manchester United
A bunch of bouncing "Busby Babes",
They deserve to be knighted
If ever they're playing in your town,
You must get to that football ground
Take a lesson come to see,
Football taught by Matt Busby
Manchester,
Manchester United"
Whether you have United in your heart or not, "Manchester United Calypso" is a record that, like the best football teams in Old Trafford's history, swaggers with an addictive beauty that's impossible to ignore.
It's impossible to discuss the significance of the calypso without remembering what ultimately ripped through the heart of this most beloved youthful side.
Eight of the Babes who were celebrated in the Calypso tragically lost their lives on 6th February 1958 in the Munich air disaster.
Like the players and the club itself, the United calypso radiates a special type of magic and speaks to the spirit of United:
the demand to be fearless, unrelenting, creative and obliged to entertain the viewing public.
The Calypso was written by Eric Watterson and Ken Jones and sung by Edric Connor, who moved to England from Trinidad in 1944.
Connor is considered a pioneer, popularising calypso music, becoming the first black actor to perform with the Royal Shakespeare Company, setting up the Afro-Asian Caribbean Agency to represent Black and minority artists with his wife, Pearl and establishing a theatre workshop.
“I would think coming to this country right after the war, as Edric did, and getting into BBC radio, and moving among the people, he did a great deal of good for our own community,” Pearl once revealed.
He saw himself as a self-appointed ambassador for his country, Trinidad. We were very nationalistic back then. We believed we had a country worthy of recognition”.
The B-Side is another doozy.
Swoon along to Lord Kitchener's fantastically woozy "Manchester Football Double" - a fitting ode to the city where you'll "find football's headquarters".
Then and, after the 2024 FA Cup Final, now.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 7" well and truly soars.
The immaculate Record Industry pressing will ensure this sought-after gem finds a home in many more collections, from Manchester to Malta, Mumbai to Malaysia. More
LP Excl
pre-sale
Label:Squama Recordings
Cat-No:SQM026
Release-Date:12.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
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![](/covers/152418_7A58259C.jpg?p=cover_thumbnail_width_only_nocrop)
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Label:Squama Recordings
Cat-No:SQM026
Release-Date:12.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
1
Damian Dalla Torre - A1)Ago
2
Damian Dalla Torre - A2) Solo
3
Damian Dalla Torre - A3) Santi
4
Damian Dalla Torre - A4) Battery
5
Damian Dalla Torre - B1) I Can Feel My Dreams
6
Damian Dalla Torre - B2) Soup
7
Damian Dalla Torre - B3) Acryl
8
Damian Dalla Torre - B4) Domenica
9
Damian Dalla Torre - B5) Memo
LP
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
More
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
More
LP Excl
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Label:Energy Exchange Records
Cat-No:EXRECLP003
Release-Date:26.07.2024
Configuration:LP Excl
Barcode:4251804180382
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Label:Energy Exchange Records
Cat-No:EXRECLP003
Release-Date:26.07.2024
Configuration:LP Excl
Barcode:4251804180382
1
EX GENERATION - Juno, Minerva, Venus e Fortuna
2
EX GENERATION - Napoli Fresca
3
EX GENERATION - A Pusteggia
4
EX GENERATION - Holding Your Heart
5
EX GENERATION - Seratina
6
EX GENERATION - Cavalluccio Rosso
7
EX GENERATION - Hurting Lies
8
EX GENERATION - Girovago
9
EX GENERATION - Controra
In an unprecedented international collaboration, Energy Exchange Records presents 'The Napoli Exchange' - the brainchild of Energy Exchange Records co-founders, Lewis and Ziggy, joining forces with producer and label boss Federico Gallotti (Tartelet / La Scimmia), the project was inspired by numerous visits to Naples, allured by the mediterranean breeze and of course the underground disco and funk forged by labels such as Early Sounds and Periodica Records. This meeting of minds created an opportunity to build bridges from the historic Italian city to the broader european scene of club crossover music.
A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
More
A1. Juno, Minerva, Venus e Fortuna
A2. Napoli Fresca
A3. A Pusteggia
A4. Holding Your Heart
B1. Seratina
B2.Cavalluccio Rosso
B3. Hurting Lies
B4. Girovago
B5. Controra
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Label:Public Possession
Cat-No:pp-uti-13
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182331
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Label:Public Possession
Cat-No:pp-uti-13
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182331
1
Bell Towers - A1) Can U Feel It (05:16 min)
2
Bell Towers - A2) On The Spectrum (05:48 min)
3
Bell Towers - A3) Lucky (04:33 min)
4
Bell Towers - B1) Shower Scene (Extra Steam) (07:08 min)
5
Bell Towers - B2) Time Slips Away (05:54 min)
12" - VINYL ONLY
Tracklist:
A-Side
A1) Can U Feel It (05:16 min)
A2) On The Spectrum (05:48 min)
A3) Lucky (04:33 min)
B-Side
B1) Shower Scene (Extra Steam) (07:08 min)
B2) Time Slips Away (05:54 min)
Short info:
Like phoenix rising from the ashes. Buero Hahn is back. Laying off on the edits for 6 years Bell
Towers, who currently scrambles eggs in the kitchen of his wine bar, has still got. Exquisite selection,
soft touch, strong finish. Hey D.J. you will need these songs. More
Tracklist:
A-Side
A1) Can U Feel It (05:16 min)
A2) On The Spectrum (05:48 min)
A3) Lucky (04:33 min)
B-Side
B1) Shower Scene (Extra Steam) (07:08 min)
B2) Time Slips Away (05:54 min)
Short info:
Like phoenix rising from the ashes. Buero Hahn is back. Laying off on the edits for 6 years Bell
Towers, who currently scrambles eggs in the kitchen of his wine bar, has still got. Exquisite selection,
soft touch, strong finish. Hey D.J. you will need these songs. More
2LP
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Last in:19.06.2024
Label:Defected
Cat-No:HOMAS38LP
Release-Date:07.06.2024
Genre:House
Configuration:2LP
Barcode:826194639273
1
Ten City - - Devotion (Club Mix)
2
Marshall Jefferson Presents Truth - - Open Our Eyes (Celestial Mix)
3
Marshall Jefferson Vs. Noosa Heads - - Mushrooms (Salt City Orchestra Out There Mix)
4
Jungle Wonz - - Time Marches On (Re Vision)
5
Cece Rogers - - Someday (Club Mix)
6
Hercules - - 7 Ways (Vocal)
7
Sterling Void & Paris Brightledge - - It's Alright (House Mix)
8
Sleezy D. - - I've Lost Control (Re Vision)
Defected welcomes one of Chicago house’s founding fathers Marshall Jefferson into the illustrious list of House Masters with this exclusive wax release. An artist that has successfully navigated major cross-over success while retaining utmost respect from the inner circle of electronic music’s underground, Marshall has been behind countless seminal records over his five-decade career. Now a selection of the very best tracks from his new House Masters compilation appear together on vinyl for the very first time, showcasing the impressive output of this house pioneer from his most well-known solo records, to major production credits, key remixes and the underground gems still favoured by selectors today. Cutting his teeth as a producer for Chicago’s Universal Recording Studios, Marshall was one of the most active DJ and producers on the Windy City’s music scene during the 1980’s house music boom. Working under a plethora of aliases such as Virgo, Jungle Wonz, Truth and On The House, as well as producing for names such as CeCe Rogers, Curtis McClain and Evelyn "Champagne" King, Marshall’s status as a bona fide house music luminary is well documented. ‘Defected presents House Masters - Marshall Jefferson’ is an all-encompassing guide to his tremendous career. A trailblazer and genre-defining artist, Defected is honoured to welcome Marshall into the House Masters Hall of Fame with this very special vinyl compilation.
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Label:Warme Deken Records
Cat-No:wd.003
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182294
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Label:Warme Deken Records
Cat-No:wd.003
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182294
1
Club Warme Deken - Smokey And The Fundance Kid ft. Nikolai
2
Club Warme Deken - Mixdemos ft. San Proper
3
Club Warme Deken - Mind The Gap ft. Testa Rosa
4
Club Warme Deken - Droidt ft. San Proper
5
Club Warme Deken - Grappa ft. Nikolai
GENRE/S: HOUSE
TRACKLISTS:
A1. Smokey And The Fundance Kid ft. Nikolai
A2. Mixdemos ft. San Proper
B1. Mind The Gap ft. Testa Rosa
B2. Droidt ft. San Proper
B3. Grappa ft. Nikolai
SHORT INFO:
Time to freshen up
More
TRACKLISTS:
A1. Smokey And The Fundance Kid ft. Nikolai
A2. Mixdemos ft. San Proper
B1. Mind The Gap ft. Testa Rosa
B2. Droidt ft. San Proper
B3. Grappa ft. Nikolai
SHORT INFO:
Time to freshen up
More