Tracklisting
A1 Kita - Destroyer
A2 Kita - Mr Spock's Nightmare
B1 Chris Liberator & Sam Dfl - Wake Up
B2 Dirty Stable & Sam Dfl - Harpee

Sales Note
Absolutely driving buzz-saw Acid Techno 4 tracker from Junkyard, the collab label from SUF and Polands Acid Addicts. More

Tracklisting
A1 DBFB - Akord
A2 DBFB - Reminisce
B1 DBFB - Source
B2 DBFB - Radiant More

Tracklisting
A1 Pushmann - Closing In Medallo
A2 Pushmann - The Chinese Hardgroove Track
B1 Pushmann - Organo Do Tempio
B2 Pushmann - Organo Do Tempio (Vinicius Honorio Rework)

Sales Note
Pushmann is back on End Of Dayz with the new EP Alone In The World, delivering three Detroit-influenced, hard-driving yet groovy techno tracks. The 12" is rounded out by a Vinicius Honorio remix, which takes the record into the tribal area. More

G-Man (aka Gez Varley, formerly of LFO) returns with a new excellent dub techno 4-track EP on Syncrophone Records. Don’t miss this one ! Comes in a limited coloured vinyl. More

Tracklisting
A1 Axel Karakasis - Nightbreak
A2 Axel Karakasis - Moulder
B1 Axel Karakasis - The Line
B2 Axel Karakasis - Radiant More

Tracklisting
A1 Klint - Blue Liquid
A2 Klint - Horus & Seth
B1 Klint - Nobody Here
B2 Klint - 19.5 More

[ni:'o] is the final project for Neo Festen’s studies at the Conservatory of Amsterdam, marking a milestone in his musical journey. The five-track EP showcases a blend of energetic yet deep sounds, exploring emotional themes throughout.

"Test Run 4 U," a standout track, carries a long expressive story, while "Protocol 1.625" is an fun experiment to the use of different time signatures.

[ni:'o], Introduces the listener to his personal and approach to dance music.

While this EP closes one chapter, this is just the beginning. More

Tracklist
A1. Kr!z - Angels Landing
A2. Kr!z - Medusa

B1. Kr!z - Oblivion
B2. Kr!z - Ninth Circle


(early support by Luke Slater, Ben UFO, Marron & Border One) In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' highlighting his mission statement. 4 delirious & dissonant techno cuts from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.

In the wake of a string of record releases, Token's curator returns to his label with 'Angels Landing' to highlight his mission statement. Four cuts of delirious and dissonant techno from the Belgian artist have proven to be a stylistic favorite in both his productions and his DJ sets. With a wink to older production techniques, Kr!z keeps this contribution to Token fresh and efficient while reaffirming the historic label's sonic identity.

While using a steady bassline for his tracks, Kr!z ups the ante with a Detroit-style pad that floats around the rest of the record for the 'Angels Landing' title track. By opening and closing hihats, rolling the claps all along, and pitching his rides, he creates tension by fully utilizing his drum machine.The synth stabs and overall pace make for a modern twist, however; it's applicable music for layered sets that the Token boss has been known for performing over the years. This dance-ready, nostalgic-nudging kind of techno is spread throughout the entirety of the EP, but is most transparent on the B1 'Oblivion'. Key stab sequences have been iconic in the scene for some time, but it's Kr!z's persistence and minimalism that renders this track so exciting. Opening and shutting filters, sliding portamento, and pushing the release, the seasoned artist manifests tension through minimal elements and relies on his transitions to keep up the pace. Usually juggling between rounder and sharper sound design, 'Medusa' boasts both; Kr!z's electric lead bites a low- swaying synth line. Destined for peak use, complete with white noise transitions and open rides, Kr!z combines the sound of a club at its climax with his almost psychotic low-mid arpeggio to createone of his most hypnotic tracks to date. 'Ninth Circle', on the other hand, dials it back as the last track. More keys, yet obscure in intention and effect, the closer creates a question mark at the end of the EP with big transitions and a groovy use of toms. Cementing himself as a game player in production as much as in DJing, Kr!z's 'Angels Landing' continues his search in eerie sounds and expressive drums to add to his label's catalog of savant club music.



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