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Jerome Hill - All My Friends
2
Jerome Hill - The Ghost Of New Beat
3
Jerome Hill - Dog Booty
4
Jerome Hill - Blip Trick Track
Jerome Hill returns to the long running Don't label (24 years strong) with a four tracker of big boned Techno/Booty music that swaggers along, at times with tongue in cheek and mainly giving no fucks.
On the A side, taking inspiration from Relief and Dance Mania records, 'All My Friends' meets the bombastic New-New-Beat rave stylings of 'The Ghost Of New Beat' while over on the flip, you're faced with 'Dog Booty', an obscenely filthy Ghetto Techno track that only your dog will understand, before finishing off with the Miami Bass apocalypse that is 'Blip Trick Track'. More
On the A side, taking inspiration from Relief and Dance Mania records, 'All My Friends' meets the bombastic New-New-Beat rave stylings of 'The Ghost Of New Beat' while over on the flip, you're faced with 'Dog Booty', an obscenely filthy Ghetto Techno track that only your dog will understand, before finishing off with the Miami Bass apocalypse that is 'Blip Trick Track'. More
More records from Jerome Hill
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Jerome Hill - The Warning
2
Jerome Hill - Harlesden Shuffle (Extended 12" Disco Mix)
3
Jerome Hill - Combustion Zone
4
Jerome Hill - House Thing
Jerome Hill returns with his 5th full EP on the label to warm you up for winter and it’s maybe stylistically, his widest offering yet.
A joyous mash of influences collide and Hill spits them out of the blender with some typically unexpected curveballs.
From the strikingly moody break beat acid of The Warning, to the 8 minute long extended Disco workout of ‘Harlseden Shuffle’. Then on the flip side, a reliably gnarly wedge of Technoey Acid House in ‘Combustion Zone’ and the EP culminates with a tip of the hat to mid nineties House with the rumbling bass and catchy percussion of ‘House Thing’.
Its obvious Jerome’s having fun with this EP and hopefully you will too ! More
A joyous mash of influences collide and Hill spits them out of the blender with some typically unexpected curveballs.
From the strikingly moody break beat acid of The Warning, to the 8 minute long extended Disco workout of ‘Harlseden Shuffle’. Then on the flip side, a reliably gnarly wedge of Technoey Acid House in ‘Combustion Zone’ and the EP culminates with a tip of the hat to mid nineties House with the rumbling bass and catchy percussion of ‘House Thing’.
Its obvious Jerome’s having fun with this EP and hopefully you will too ! More
1
Jerome Hill - Snake Charmer
2
Jerome Hill - Bunker 7
3
Jerome Hill - Gaffney
4
Jerome Hill - Mind The Bleep
Turntable magician and champion of all things strange in the world of dance music, Jerome Hill, joins Craigie Knowes for his debut record on the imprint. 4 mind-melting acid trax primed to contort even the most rigid of dancefloors.
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1
Jerome Hill - Intro
2
Jerome Hill - Walk The Plank
3
Jerome Hill - Don't Be Afraid
4
Jerome Hill - The Doctor Will See You Now
5
Jerome Hill - Chickens
6
Jerome Hill - Deafening Lull
7
Jerome Hill - Trainspotting
8
Jerome Hill - Brought Up Badly
9
Jerome Hill - Afterlife
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Jerome Hill - Knob Jitter
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Jerome Hill - Stax Had The Funk
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Jerome Hill - More Chicken
13
Jerome Hill - I Don't
At the very coalface of the UK rave/breakbeat/techno/call it what you like scene since the 1990s, Jerome Hill is something of a hidden treasure amongst the plethora of DJs and producers to have dropped both bangers and bloopers over the ensuing three decades. With minimum of fuss and fanfare, Hill has steered record labels like Super Rhythm Trax, Don’t, Fat Hop and Hornsey Hardcore to revered acclaim, as well as firing out a consistent stream of releases for imprints such as Matthew Herbert’s Accidental Jr, Exalt Records, and I Love Acid, to name but a few. Surprisingly, ‘Flow Mechanics’ is Hill’s debut album after a production career that kicked off in 1998 as one half of Groove Asylum. And its collection of unabashed acid and rave bangers is a perfect fit for the Hypercolour label, whose personnel over the last few years has included Luke Vibert, DMX Krew, Shelley Parker and Gary Gritness. Tracks produced directly for club play; the album features 8 cuts destined to fit in cross-genre sets. With pumping electro cuts such as ‘Deafening Lull’ and ‘Knob Jitter’, four to the floor acid stompers like ‘Walk The Plank’, the mutant garage of ‘Brought Up Badly’ and the house groover ‘Stax Had The Funk’, ‘Flow Mechanics’ is a joyous romp through rave’s sound palette, replete with playful samples and skits (featured on the vinyl LP version), and a mischievous demeanour that affords the listener an lively album that doesn’t take itself too seriously. ‘Flow Mechanics’ by Jerome Hill is available from 3rd March 2023 on Hypercolour.
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1
Jerome Hill - "Quibble"
2
Jerome Hill - "Chicken"
3
Jerome Hill - "Potatoland"
4
Jerome Hill - "Bleeper"
Following his debut on the label with last year’s ‘The Pob Routine’, Jerome Hill returns to AccidentalJnr with another absolute stonker of a release which we’ll let him describe in his own words...
“After my last EP for Jnr I spoke with label boss Matthew Herbert and he challenged me to write a track for the next EP, containing only sounds I'd recorded 'in the wild'. I was about to spend a little time on an organic Vegetable farming co-op just outside Munich, 'Kartoffel Kombinat' which I'd previously nicknamed Potato Land, so I brought my recorder and during my stay made lots of recordings, carrots being bitten and snapped, various gardening tools clattering around, voices and even the big tombola-like machine that cleans the freshly picked vegetables. The resulting track was Potatoland and the only non-organic noise in it is the kick. Various 'Potatoland’ elements also make guest appearances in the other tracks, although they are less easy to spot.
'Quibble’, was also written specifically for the label and was influenced by Herbert who I've been a huge fan of for decades... I wanted to make something suitably wobbly and humorous that shuffles along but then really slams when the kick comes in. Add in the Dance Mania influenced ‘Chicken’ and the final track ‘Bleeper’ and that's the EP... Very happy to be back!!” More
“After my last EP for Jnr I spoke with label boss Matthew Herbert and he challenged me to write a track for the next EP, containing only sounds I'd recorded 'in the wild'. I was about to spend a little time on an organic Vegetable farming co-op just outside Munich, 'Kartoffel Kombinat' which I'd previously nicknamed Potato Land, so I brought my recorder and during my stay made lots of recordings, carrots being bitten and snapped, various gardening tools clattering around, voices and even the big tombola-like machine that cleans the freshly picked vegetables. The resulting track was Potatoland and the only non-organic noise in it is the kick. Various 'Potatoland’ elements also make guest appearances in the other tracks, although they are less easy to spot.
'Quibble’, was also written specifically for the label and was influenced by Herbert who I've been a huge fan of for decades... I wanted to make something suitably wobbly and humorous that shuffles along but then really slams when the kick comes in. Add in the Dance Mania influenced ‘Chicken’ and the final track ‘Bleeper’ and that's the EP... Very happy to be back!!” More
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Jerome Hill - Mind Goes Blank
2
Jerome Hill - Knock Knock
3
Jerome Hill - Bombing With Imase
4
Jerome Hill - A Million Ways To Get Ill
Jerome Hill returns to the label with a solid 4 tracker to mark his fourth EP on the label.
Each track offers something different, the crispy and playful minimalism of ‘Mind Goes Blank’ pairs up with the wistful crunch of ‘Knock Knock’ on the Aside, while things take a decidedly more ACID approach on the flip beginning with the big boned banger of the EP ‘Bombing With Imase’ and culminating with weaving 303 lines sets against strangled otherworldly transmissions in ‘A Million Ways To Get ill’ . More
Each track offers something different, the crispy and playful minimalism of ‘Mind Goes Blank’ pairs up with the wistful crunch of ‘Knock Knock’ on the Aside, while things take a decidedly more ACID approach on the flip beginning with the big boned banger of the EP ‘Bombing With Imase’ and culminating with weaving 303 lines sets against strangled otherworldly transmissions in ‘A Million Ways To Get ill’ . More
1
Jerome Hill - No Title
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Jerome Hill - No Title
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Jerome Hill - No Title
4
Jerome Hill - No Title
Long time friend of Dixon Avenue Basement Jams and collaborator (going back 20 years) makes his debut on the label with four helpings of weird and wonky machine funk jackers. This ep perfectly encapsulates the sound of Monox where we all met many years ago. If you close your eyes whilst listening you could be there - minus the damp smells and farting subwoofers!
Presented on lurid pink marbled vinyl and hand stamped labels with insert art from the talented Matt Consume!
Enjoy! More
Presented on lurid pink marbled vinyl and hand stamped labels with insert art from the talented Matt Consume!
Enjoy! More
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Jerome Hill - No Title
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Jerome Hill - No Title
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Jerome Hill - No Title
4
Jerome Hill - No Title
Jerome Hill, the man synonymous with the UK Underground for a couple of decades now arrives on DEXT with this 4 track EP and shows just why he is one of the country’s most underrated talents.
After his superb remix for Nightwave on our LTD label, we had to get him on board for an EP. The Super Rhythm Trax / Don’t Records boss really flexes his muscles on these heavyweight offerings – effortlessly blending super sharp drum programming with his signature “acidic bleeps and breaks” style, delivering 4 clever-yet-no-nonsense jams to make you move for a long time to come.
This is a man unquestionably at the top of his game both in the studio and behind the decks, and we couldn’t be happier to have him as part of the DEXT family.
More
After his superb remix for Nightwave on our LTD label, we had to get him on board for an EP. The Super Rhythm Trax / Don’t Records boss really flexes his muscles on these heavyweight offerings – effortlessly blending super sharp drum programming with his signature “acidic bleeps and breaks” style, delivering 4 clever-yet-no-nonsense jams to make you move for a long time to come.
This is a man unquestionably at the top of his game both in the studio and behind the decks, and we couldn’t be happier to have him as part of the DEXT family.
More
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jerome hill - Mole Hole Acid
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jerome hill - Mole Hole Acid (Auto Sound City Remix)
We welcome Jerome Hill with his stomping acid monster Mole Hole Acid plus an insane remix from Auto Sound City. Pressed on a one-sided, hand stamped and numbered standard weight black vinyl release. Accompanied by a printed info sheet insert.
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jerome hill - No Title
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jerome hill - No Title
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jerome hill - No Title
Super Rhythm Trax boss Jerome Hill is back on the label with 3 otherworldly tracks cut loud for maximum dancefloor devastation. Beginning with the wistful acid pump of ‘Back & Forth’ moving through to the alien jacking of ‘Weird Language’ and leaving you wide eyed in the grip of ‘Close Encounters’.
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More
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jerome hill - A1. The Creeper
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jerome hill - B1. Drumwar
3
jerome hill - B2. Drumapella
4
jerome hill - B3. Plastic Jam (Original Mix)
Jerome Hill (Super Rhythm Trax / Don’t) dons his Techno hat once again for an outing on fresh new label ’Swords’ and opens up with ‘The Creeper’, a brooding ear worm of a banger that skulks around unhinged as FM synthesis drills a hole in your eardrums with solid and moreish bass keeping things very heavy indeed. On the flip we have ‘Drum War’ which is just that; Sharp snare rolls puncture a heaving carcass of crunchy kicks and bass with tension riding high. Also included is a bonus Drumapella for DJs to utilise when extra snares are needed!! Lastly, the original mix of ‘Plastic Jam’ gets a deserved release after a more stripped back drum heavy mix appeared on the excellent Power Vacuum label last year. The original mix sees a happy melding of broken beat Techno with old skool 1992 Hardcore.
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jerome hill - Paper Bag Acid
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jerome hill - Dustbin Acid
3
jerome hill - Bully Beef
Super Rhythm Trax follows up Mike Ash's immense 'Return To Acid' EP with another smasher.. With a slew of releases due to drop on some very respected labels in the coming months, DJ's DJ, Jerome Hill steps up and serves up 3 tracks of pure groove Acid music. Owner over at Don't Recordings and Fat Hop, Jerome zones in on that 'Ultra-Vibe' and takes you back whilst keeping you up to date in a style all of his own.. Never one to release music for the sake of it, Paper Bag acid is finally seeing a Vinyl release after being tried and tested extensively on the airwaves of London's finest Rinse and Kool FM and in the clubs and festivals over the summer..This one's a killer!
More
More records from Don't
1
Rob Stow - Gravitation
2
Rob Stow - Mono 90
3
Rob Stow - Chug
4
Rob Stow - Don't FM
Here’s a brand new Rob Stow four track EP ! His first full EP for 20 years.
Rob was a huge part of the birth of the label back in 2000. During 1998/1999 he ran his own label Gravitation and played live with Jerome Hill under the name Groove Asylum, amassing a bunch of tracks which led to the birth of Don’t as a home to release them for others to play. Rob knows his onions when it comes to Techno and this record is everything it should be. Hard hitting, expertly produced, minimal with no clutter or pointless frills but instead, just the right amount of lean dance floor funk. More
Rob was a huge part of the birth of the label back in 2000. During 1998/1999 he ran his own label Gravitation and played live with Jerome Hill under the name Groove Asylum, amassing a bunch of tracks which led to the birth of Don’t as a home to release them for others to play. Rob knows his onions when it comes to Techno and this record is everything it should be. Hard hitting, expertly produced, minimal with no clutter or pointless frills but instead, just the right amount of lean dance floor funk. More
Customers who bought this also bought this
1
Juan Atkins & Moritz von Oswald present - Transport (Carl Craig Remix - 12” Edit) 05:09
2
Juan Atkins & Moritz von Oswald present - Transport (Carl Craig Remix)
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A Transport (Carl Craig Remix - 12” Edit) 05:09
2. / B Transport (Carl Craig Remix
- DJ Deep & Roman Poncet Rework) 04:30
3. Transport (Carl Craig Remix) (Digi Only) 20:24
Closely following the release of the Borderland single Riod, the focus returns on Transport, the collaborative album by Juan Atkins and Moritz von Oswald.
Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side. The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally.
Both are available to anyone who purchases the record, through the enclosed download card. On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect. More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A Transport (Carl Craig Remix - 12” Edit) 05:09
2. / B Transport (Carl Craig Remix
- DJ Deep & Roman Poncet Rework) 04:30
3. Transport (Carl Craig Remix) (Digi Only) 20:24
Closely following the release of the Borderland single Riod, the focus returns on Transport, the collaborative album by Juan Atkins and Moritz von Oswald.
Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side. The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally.
Both are available to anyone who purchases the record, through the enclosed download card. On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect. More
1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
2LP
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
A1. Xerrox Topia
A2. Xerrox Sans Nom I
A3. Xerrox Sans Nom II
B1. Xerrox Ascent I
B2. Xerrox Ascent II
B3. Xerrox Sans Repit
C1. Xerrox Nausicaa
C2. Xerrox Xenonym
C3. Xerrox Ada
D1. Xerrox Arc
D2. Xerrox Kryogen
D3. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
DJ Pierre - acid love
2
DJ Pierre - acid love dub
1
Mike Dunn Presents MDIII - 43-31
2
Mike Dunn Presents MDIII - Acid Feet Phaze One
3
Mike Dunn Presents MDIII - Time Machine
Mike Dunn is a pivotal house artist who brought his own famously raw and stripped-back style combined with infectious hip hop elements. He is behind plenty of well-known anthems, most famously 'Dance You Mutha' and 'God Made Me Phunky', and founded Dance Mutha in 1988. It released music by MD Connection, Gershon Jackson and I-ROC-T, while Dunn also co-founded seminal acid labels Warehouse Records and Muzique Records which played a key role in the development of Chicago and acid house. Dunn has continued to produce over the ensuing four decades and has landed on the likes of Defected, Nu-Groove, Classic, Trax and many more. The relaunch of the Dance Mutha label has been inspired in part by Dunn's discovery of a raft of 'lost' unreleased masters from the late '80s and early '90s. It's these tracks that provide the jumping-off point with this new release. '43:31' is the first out of the blocks and brings prickly acid texture to raw analogue drums. Slapping hits add extra bite to this most stripped-back and effective slice of pure warehouse music. Then come the snappy snares and deep bass of 'Acid Feet (Phaze 1)'. This spare, impactful cut is riddled with shapeshifting acid and caustic synth textures that bring the rugged drums to life. Last of all, the excellent Time Machine' will indeed take you all the way back to the dark, delirious and delicious days of the earliest acid house with its wonky 303s burrowing deep into the night next to coarse claps and ice-cold hits. Support from Francois K DJ Bone Paranoid London Gerd Tasha Ben Sims DJ Deep Josh Wink Massimiliano Pagliara Eclair Fifi Optimo Alexander Nut
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Emotive Response - Welcome To The Club
2
Emotive Response - Belgium
3
Emotive Response - The Kings Tribute
4
Emotive Response - The Day After
Second part in a Belgian Trance trilogy by the hand of Thomas Blanckaert (Innershades). Things speed up with tracks reaching up till 140 beats per minute. While the streets were filled with massive crowds and Love Parades in the early 2000s, people in Belgium escaped reality in small night clubs until dawn or even midday. This second EP is more than a homage to the heydays of Belgian Trance, it's a small homage to one of the most notorious after clubs in Belgium 'The Kings Club' located in our shared hometown Aalst. The club's building was torn down this year but just like this 'hard hypnotic Belgian music' its legacy will remain... Limited repress!
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UFO95 & Rødhåd - LAVENDE 01 [240107.2]
2
UFO95 & Rødhåd - LAVENDE 02 [240107.1]
3
UFO95 & Rødhåd - LAVENDE 03 [240106]
4
UFO95 & Rødhåd - LAVENDE 04 [240110]
We are excited to announce the next collaborative release on the WSNWG Label. LAVANDE is the result of a one week long jam session between french producer and live performer UFO95 and label head Rødhåd in January this year.
The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.
Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.
A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd
More
The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.
Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.
A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd
More
DARKSIDE is the collaborative duo of guitarist/composer Dave Harrington and electronic producer Nicolas Jaar. DARKSIDE summon a hybrid of electronic music, psychedelic rock, and dancefloor techno with the sort of artistic depth and breadth for which the term "progressive" was coined. DARKSIDE's first fulllength album-released on Nico's own Other People label in conjunction with Matador Records-is called Psychic. DARKSIDE's Psychic is a watershed moment for the duo, a quantum leap forward from their 3-song debut, 2011's DARKSIDE EP. At any given moment, Psychic encompasses the ritualistic structures and methodologies of krautrock, the cosmic exploration of classic space-rock, and the immersive, body-moving transcendence of 21st century house and techno-but, working with the finishingeach- others'-sentences fluidity of kindred spirits, Dave and Nico synthesize it all into a living, breathing whole. DARKSIDE are deep listeners and creators
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1
Alva Noto - Xerrox Topia
2
Alva Noto - Xerrox Sans Nom I
3
Alva Noto - Xerrox Sans Nom II
4
Alva Noto - Xerrox Ascent I
5
Alva Noto - Xerrox Ascent II
6
Alva Noto - Xerrox Sans Repit
7
Alva Noto - Xerrox Nausicaa
8
Alva Noto - Xerrox Xenonym
9
Alva Noto - Xerrox Ada
10
Alva Noto - Xerrox Arc
11
Alva Noto - Xerrox Kryogen
12
Alva Noto - Xerrox Isotope
CD
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
Tracklist:
01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope
NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.
For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.
Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.
Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.
The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”
Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”
The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.
“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”
Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.
Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.
Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.
More
1
Lavan / L&F - Can't Wait
2
Lavan / L&F - Can't Wait (L&F Remix)
3
Lavan / L&F - Ring The Alarm
4
Lavan / L&F - Who's Laughing Now
Super limited Warehouse find! last copies.... be quick!
For our 7th vinyl release, we welcome 'Lavan' to +98.
Producing music for over a decade with a vast musical knowledge spanning funk, garage, house, hip hop to name a few. His sound is a unique blend of tastes for all ears.
Born out of East London and now living in Berlin, the talented Lavan delivers a variety of House & UKG Club tracks that will guarantee to move hips and feet on every occasion its played.
And finally, we have L&F stepping up on remix duties and hits the spot with a House & Garage romper stomper.
TRACKLISTS:
A1. Can't Wait
A2. Can't Wait (L&F Remix)
B1. Ring The Alarm
B2 Who's Laughing Now
More
For our 7th vinyl release, we welcome 'Lavan' to +98.
Producing music for over a decade with a vast musical knowledge spanning funk, garage, house, hip hop to name a few. His sound is a unique blend of tastes for all ears.
Born out of East London and now living in Berlin, the talented Lavan delivers a variety of House & UKG Club tracks that will guarantee to move hips and feet on every occasion its played.
And finally, we have L&F stepping up on remix duties and hits the spot with a House & Garage romper stomper.
TRACKLISTS:
A1. Can't Wait
A2. Can't Wait (L&F Remix)
B1. Ring The Alarm
B2 Who's Laughing Now
More
1
Felipe Gordon - Self Love
2
Felipe Gordon - The Punk Automata
3
Felipe Gordon - Your Feelings
4
Felipe Gordon - Please Don't Go (Feat. Bob The Egoist)
Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".
The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.
The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.
Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs. More
The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.
The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.
Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs. More
1
Mutiny - Black Hat Daddy & The Silver Comb Gang (Single Version)
2
Mutiny - Child Support (Instrumental)
7"
* Regrooved Company Outer sleeve
* Analogue Remastered
* Limited Edition 150pcs made
Versions:
150 x Black Vinyl Edition
Tracklist:
Side A
A1 Black Hat Daddy & The Silver Comb Gang (Single Version)
Side B
B1 Child Support (Instrumental)
Release Notes:
Regrooved Records proudly presents this limited 45 by Mutiny, the band led by the legendary
Parliament/Funkadelic drummer Jerome "Bigfoot" Brailey. These tracks, previously only released as a
part of the limited J.Romeo edition of the album "Black Hat Daddy and The Silver Comb Gang" on
Regrooved Records, now stand alone as a rare collection of funk mastery. Experience the raw power
and unmatched talent of Mutiny in this essential release for funk aficionados everywhere. Secure
your piece of musical history with this must-have 7" record! More
* Regrooved Company Outer sleeve
* Analogue Remastered
* Limited Edition 150pcs made
Versions:
150 x Black Vinyl Edition
Tracklist:
Side A
A1 Black Hat Daddy & The Silver Comb Gang (Single Version)
Side B
B1 Child Support (Instrumental)
Release Notes:
Regrooved Records proudly presents this limited 45 by Mutiny, the band led by the legendary
Parliament/Funkadelic drummer Jerome "Bigfoot" Brailey. These tracks, previously only released as a
part of the limited J.Romeo edition of the album "Black Hat Daddy and The Silver Comb Gang" on
Regrooved Records, now stand alone as a rare collection of funk mastery. Experience the raw power
and unmatched talent of Mutiny in this essential release for funk aficionados everywhere. Secure
your piece of musical history with this must-have 7" record! More
1
PERYL & Rødhåd - KALLAIT 01 [230509]
2
PERYL & Rødhåd - KALLAIT 02 [230831]
3
PERYL & Rødhåd - KALLAIT 03 [230211.3]
4
PERYL & Rødhåd - KALLAIT 04 [230211.1]
For the next release on Rødhåd’s WSNWG imprint the label head invited Berlin based producer and live performer Peryl to his studio for various sessions between February and August of 2023. The result is 'KALLAIT' - five deep, driving techno cuts.
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More
The vinyl release consists of four tracks with a digital Bonus added on top, all produced with maximum care and attention to detail. More