Naya Beat continues to champion South Asian musical heritage with the aptly titled Bhangra House Xtc EP featuring music from the late great Manjeet Kondal with remixes from Mr. Scruff and new tracks from label heads Filip Nikolic and Raghav Mani aka Turbotito & Ragz. It celebrates the overlooked influence of late 80s dance and dub music on Bhangra and comes complete with over-the-top artwork, an ode to Bhangra sleeves from the era.

This EP pays homage to a special and relatively untold time when Asian and Western producers collaborated to bridge musical cultures on the dance floor and when British Asian youths were finding their own space at daytime raves. It is in part a tribute to Bhangra innovator Manjeet Kondal, who passed away late last year, and part a tribute to the forgotten yet scintillating confluence of acid house and dub music with late 80s and early 90s Bhangra, now highly sought after as long out of print 12”s.
Kondal, a founding member and percussionist of the legendary band Alaap, left to pursue his solo career as a vocalist. He helped broaden the Bhangra sound by incorporating elements of dub and house into Punjabi folk and traditional instrumentation. His first album, Holle Holle became a household hit, and it is from there that the originals for this package are taken.

The famously deep digging and eclectic selector that is Manchester's Ninja Tune regular Mr. Scruff remixes Kondal’s proto-house banger Ishkaan De Mamle. He first became a fan of Turbotito & Ragz after their label’s superb Naya Beat Volume 1 release and doesn’t disappoint here with a sublime acid house-inspired take with the most infectious and bounciest of basslines. He also serves up an Instrumental Dub and Vocal Strip Down that twists the original into subtly different moods.

Next up, Turbotito & Ragz deliver a dub tribute that works with Kondal’s vocal stems from an assortment of tracks from his album ‘Holle Holle’. It's a compelling and vibrant sound with exotic instrumentals and dubbed-out low ends, all held together by hooky Punjabi vocals. It also comes as a Lovey Dubby Dub version.
With dance music now coming full circle and South Asian DJs increasingly regular faces on the mainstream festival, club, and underground circuit, this release is a fitting and timely modern tribute to the pioneers that came before.

A1 - Ishkaan De Mamle (Mr. Scruff Remix)
A2 - Pyaar
B1 - Ishkaan De Mamle (Mr. Scruff Instrumental Dub)
B2 - Pyaar (Lovey Dubby Dub)

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Bollywood rarities handpicked and remastered on a double LP release with laminate gatefold and multi-layered flower petal foldout. Featuring rare, overlooked or not-previously-on-vinyl music from Bappi Lahiri, R. D. Burman, Ilaiyaraaja, Kalyanji-Anandji, Anand Milind, Raamlaxman and Kirti Anuraag released between 1982 and 1986. Mastered for and cut to vinyl by multi Grammy-nominated Frank Merritt at his mastering studio The Carvery.

Naya Beat is incredibly proud to present the first in our series of ‘Awaaz’ (‘sound’ in Hindi) archival projects focused on uncovering the sounds of 1980s Bollywood Original Soundtrack Recordings (OSTs). Series 1 focuses exclusively on the musical output of CBS Gramophone Records & Tapes (India) Ltd. Active during India’s peak disco era – a time when synthesisers and drum machines became a mainstay in Indian popular music – CBS India became a home for established composers to be experimental, up-and-coming composers to get their start, B-movie soundtracks, and straight-to-VHS releases.

Expertly curated by Naya Beat co-founders Turbotito and Ragz, who were given unprecedented access to the original label archives, this compilation is not just a collection of four-to-the-floor Bollywood disco (although there are plenty of those). ‘Awaaz’ is designed to take listeners on a musical journey that includes everything from leftfield electronic and mood music to outrageous proto house.

Be it classic and hard to find cuts like Ilaiyaraaja's "Aye Zindagi Gale Lagaa Le" and “Mere Jaisi Mehbooba” (Bappi Lahiri’s Hindi remake of Herbie Hancock's “Rockit”), or the instrumental mood music of Kirti Anuraag’s VHS movie soundtracks, to the proto house of Raamlaxman’s “Dil Gadbad Jhala” and Kalyanji-Anandji’s “Aage Bhi Dushman,” or the synth and guitar drenched breakdance madness of R. D. Burman’s “Dekho Idhar Jano Jigar,” the music on this compilation captures the output of a label that was unique as it was unconventional.

An homage to the genre, every detail in this stunning release has been lovingly crafted. From the laminate cover to the absolutely incredible foldout, to the cut-out and collage design, to the font type and layout, there are countless authentic details and nods to classic Bollywood releases of the era. As much of the album has been made in India as is possible. The sleeves have been handmade in New Delhi. The liner notes have been compiled by music archivist Nishant Mittal (aka Digging In India).

A1 - Bappi Lahiri & Asha Bhosle - Deewana Dil Sangeet Ka
A2 - Amit Kumar - Hero
A3 - Zingadi to Zingadi Hai (Outro)
A4 - Asha Bhosle - Meri Ankhon Mein Zara Jhanko To
B1 - Urban Flesh Market (Instrumental)
B2 - Amit Kumar, Mahendra Kapoor, Chorus - Becho Becho
B3 - Birth Of Shiva (Music)
B4 - Kishore Kumar - Dekho Idhar Jano Jigar
C1 - Suresh Wadkar - Aye Zindagi Gale Lagaa Le
C2 - Kishore Kumar & Asha Bhosle - Baahon Me Leke Mujhe
C3 - Rural Flesh market (Instrumental)
C4 - Sharon Prabhakar & Bappi Lahiri - Mere Jaisi Mehbooba
D1 - Suresh Wadkar & Sadhana Sargam - Aage Bhi Dushman
D2 - Asha Bhosle & Chorus - Prem Ashram
D3 - Asha Bhosle, Behrose Chatterjee, Vinod Sehgal - Dil Gadbad Jhala
D4 - Instrumental Music

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Cult South Asian New Wave! Naya Beat is proud to announce its second release, Tere Liye, the highly
sought after and impossible to find New Wave album by the unsung pioneers of the British Asian music
scene, Pinky Ann Rihal. Remastered for vinyl by multi Grammy-nominated Frank Merritt at The Carvery
and available for the first time since its limited 1985 release, the album is as fresh and relevant today as it
was 37 years ago.
South Asian New Wave. Four words that you will rarely see together. Pinky Ann Rihal were the brainchild of
two London-based Punjabi immigrants and progressive rock musicians – Harry Rihal and Jati Sodhi – at a time
in the U.K. when progressive rock musicians were almost exclusively white and Punjabi musicians were almost
exclusively making Bhangra. Encouraged by their friend and disco pioneer Biddu (yes, that Biddu!), they
cut ‘Tere Liye’ – a one-off Hindi-language New Wave album with producer John Hamilton and vocalists Pinky
Rihal (married to Harry) and Anne Barrett (married to John). It is an album that exemplifies the cultural
collaboration and musical synthesis of the time. Complementing the rich, cosmic and layered synths and
drum programming of Hamilton and the distorted guitars of Rihal and Sodhi are the Hindi lyrics of vocalists
Pinky and Anne. The result is an amazing one-of-a-kind South Asian New Wave album. Nothing like it has
come out before or since.
Stymied on its original release by bungled distribution, poor marketing and plenty of bad luck, this incredible
album seemed destined to be lost to history. With Asian electronic music in the U.K. seeing a rebirth and
capturing imaginations around the world,‘Tere Liye’ can finally take its rightful place as one of the
pioneering albums of the Asian underground.
This is Naya Beat’s second release in a series of reissues, reworks and remixes, and compilations dedicated
to uncovering electronic and dance music from the overlooked ‘80s and ‘90s South Asian music
scene. Their first release Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 was
named by the Vinyl Factory as the Number 1 reissue of 2021.

Tracklist:

A1 - Tere Liye
A2 - The Indian Dance
A3 - Teri Yaad
A4 - Jabse Dekha Hai
B1 - Jagee Raat
B2 - Party Tonight
B3 - Meri Bahon
B4 - Tu Aaja


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For the fourth Serie Pegaso release, Periodica invites the listener on an escapist adventure through the ‘Citta’ Futura’ of Bassolino. With arrangements assisted by Paolo Petrella and a host of contributing musicians joining along, the album presents a paradise of sun-seared fusion colorations…horns skronking and six strings riffing over latin dance rhythms, liquid keys and cosmic leads setting the air aflame, and filmic guitar themes riding across epic deserts as spaghetti western belles sing romantic tales amidst flute and piano. It’s a sonic world of texture, mood, and cinematic magic, where midnite funk grooves transition into sorcerous prog rock melodrama, and where symphonic soul themes sing out over galactic percolations and kinetic disco jamming.


A1 - Napoli Visionaria
A2 - 'E Parole
A3 - Oro Di Miele
B1 - Malavita
B2 - Città Futura
B3 - Fuga Finale

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Growing up in Chicago, later Detroit-based music producer, Theo Parrish is internationally well known for his own inimitable downtempo house music style. The approach Parrish took to compiling DJ-Kicks was very ambitious, inviting his Detroit peers to produce a collection of brand new material, and in turn creating the first ever all exclusive entry to the esteemed series.
3LP TRACKLIST
A1: De'Sean Jones & Ideeyah - Pressure
A2: Donald Lee Roland II - Simba's Theme
A3: Jason Hogans - Surrounded By Trees
B1: John C & Meftah - Full
B2: Meftah - When The Sun Falls
B3: De'Sean Jones - Psalm 23
C1: Ian Fink - Moonlight (Duality/Detroit Live Version)
C2: KESSWA - Chasing Delerium feat. Nova Zai
D1: Specter - The Upper Room
D2: Raj Mahal - Hudsons
E1: Raybone Jones - Green Funk
E2: Whodat & Sophiyah.e - Don’t Know
F1: Howard Thomas - Experiment 10
F2: mBtheLight - aGAIN (T’s Edit)
F3: Sterling Toles - Janis

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Fiery Subwoofer Decoding Rackets

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Tracklist

A1. Ultimately (feat. Coby Sey)
A2. Escape Velocity

B1. Restrained
B2. Nothing Else
B3. Our Sector (feat. Flowdan)

C1. The Vanishing
C2. Clean Slate (feat. Coby Sey)

D1. Rest Assured
D2. The Machine
D3. Melatonin

(2XLP, gatefold cover, printed inner-sleeves) Ben Klock & Fadi Mohem announce debut collaborative album featuring Coby Sey and Flowdan on new label LAYER

Ben Klock and Fadi Mohem present their first collaborative album on their new label LAYER. The ten-track full length project titled Layer One follows the hypnotic EP Klockworks 34 that set the stage in 2022. In a bold departure from the techno roots that have defined and nurtured their careers, Klock and Mohem are now pushing genre boundaries, exploring IDM, ambient and experimental electronic music while still retaining the brilliance that characterised their earlier work.
The conceptual direction of Layer One delves into a post-human world, where humans are close to extinction on Earth, leaving only imprints, traces, and relics behind—digital fossils and machine-generated images capturing fleeting moments of non-human photography, as Artificial Intelligence remains in a world that quietly thrives without us. We do not perceive this as a bleak apocalyptic dystopia, but more a sober and serene reflection of a world that continues to exist and flourish, indifferent to the absence of humanity. Despite this unremitting setting, through this journey we find survivors who signal a remembrance of the human sensibilities.
Elevating this project are two very human and dynamic collaborations featuring the charismatic Coby Sey and the legendary grime MC Flowdan. Sey, a prominent figure in the British music scene known for his work with artists like Tirzah and Mica Levi, injects his music with a mesmerizing emotional depth. Opening the album with the powerful track ‘Ultimately,’ Sey offers spoken-word musings on creativity and life over experimental landscapes meticulously crafted by Klock and Mohem. Nostalgia permeates this opening track, and track 7 ‘Clean Slate’ reinforces this sentiment with Sey’s stream-of-consciousness wordplay.
Flowdan, the gritty MC whose verses have become anthems of the UK grime movement, made headlines in 2023 with two songs that reached the top 20 of the UK singles chart. In 2024, he was awarded his first Grammy for the Skrillex and Fred Again collaboration Rumble, becoming the first grime artist to win in any category. On track ‘Our Sector,’ Flowdan unleashes his raw energy and dynamic flow, adding a thrilling vocal dimension to the album’s narrative. The fluid delivery of his lyrics and rhythmic timing are enhanced by the staccato beats and abstract synths. These collaborations are not mere features; they are pivotal moments that crystallize the album’s vision—an experimental re-imagining of electronic music’s possibilities.
Immediately offering an impressive entry to Klock and Mohem’s changing sonic universe ‘Escape Velocity’ shows the collaboration at its strongest. Deftly juggling between ambient chords and more densely intricate rhythmic moments. These tightly layered textures and intense clashing moments are continued through most of the album. On other tracks the duo are just as innovative ‘Rest Assured’ rips open the sound palette Klock and Mohem are known for, synths dart around flickering through into unexpected areas. Penultimate track ‘The Machine’ feels like the internal innards of a PC or synthesizer brought to life. Electricity flows through the track like an auditory exploration of the digital world's hidden mechanical and electrical processes. In contrast, final track ‘Melatonin’ does exactly what the name suggests; its soothing melodic ambience cradles the listener as the album draws to a close.
Alongside the album’s release, the duo will release two singles. This album represents the work of two artists at the peak of their creative powers, inviting listeners to step outside the familiar and explore a different musical perspective.


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Meticulously Serviced Liminal Portal

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2024 Repress!

Mystic Jungle makes a much-awaited return with Deviant Disco, a new 12” of sun-soaked groovers released through Periodica Records. A culmination of several years of writing, vibing, and influence mining, these compositions represent the producer’s most varied and expansive works yet, and to fully realize his vision, Mystic Jungle invited the entire West Hill Studio crew to contribute narcotizing layers of pop vocal mesmerism, and additional touches of guitar, bass, percussion, and synth.

Strains of Italo disco, balearic boogie, and freaky funk are interspersed amidst passages of Nigerian highlife, soft focus AOR, kinetic Hi-NRG, and exotic lover’s rock, resulting in a personalized voyage through a paradise of sound, one that is unmoored from the concerns of modernity, and celebrates instead a hedonistic naivety, and a desire to dance all day in spiritual ecstasy.

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The Bongo Hop is back with another highly danceable, genre bending and colorful effort. Always navigating back and forth across the Atlantic in search of his musical dreamland, he offers a deeper insight into the making of his music, an organic sounding, almost live approach to his infectiously groovy compositions, topped with impeccable collaborations.
(feat Nidia Gongora, Lucas Santtana, Moonlight Benjamin...)

Tracklist:

A1 - Mi Ola
A2 - Magica Bonita
A3 - La Pata Coja
A4 - L’Oubli Mauve
A5 - Memento
B1 - Eko Eko
B2 - Dekonekte
B3 - Ah Kumana
B4 - Magica Bonita (Radio Edit)
B5 - La Pata Coja (Radio Edit)

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DJ Support: Alex Kassian, DJ Cosmo, Lovefingers, Sean Johnston, Laurent Garnier, Massimiliano Pagliara, Moxie, Colleen 'Cosmo' Murphy

Following Alex Kassian’s massive ‘E2–E4’, he reunites with Hiroaki Oba as Opal Sunn. Opal Sunn have played live at some of the worlds finest clubs and festivals and are tipped by many as the ones to watch. This EP is the first in a trilogy of releases. ‘Elastic’ runs from deep electronic trance inspired dancefloor driven House on the A side, to reggae-tinged dub groover and a beautiful ambient version on the B side; both with more than a nod to Kassian’s Sound and Garden of Eden tracks. Yet again, you need this in your life. Buy or cry.

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Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker. Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971.

The Mississippi-born, Memphis-based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971.

Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker’s trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of ‘Taxman’, ‘Lady Madonna’ and ‘Tomorrow Never Knows’. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped-out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill’s use of ‘Taxman’, since the ‘70s Parker’s legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker’s Love Ain't Nothin' But A Business Goin' On is a superb example of the early ‘70s crossover funk/soul sound.

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