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Repress!

The “Serie Pegaso” catalog stems from the need to write music and lyrics that have a strong link with the city of Naples, that speak the same language and tell it through stories, loves and memories. There are countless stories and testimonies of people who left the "land of the sun" to migrate elsewhere in search of fortune and work but not many know that there is a small bird, the “Capinera”, which has instead decided to do the inverted path through a long journey from cold and distant lands to then settle and find a new home on Mount Vesuvius. But there is also another story, between reality and legend, which is that of the most beautiful woman in the neighborhood called by everyone 'A Capinera because of her long and enchanting black hair. She was a widow coveted and desired by all but she will remain faithful to her deceased husband throughout her life. The only source of livelihood for herself and her three children was the smuggling cigarette trade although she could choose and get whatever she wanted thanks to her irresistible beauty. This is what the creators of the Capinera project tell us, and they are: Gianpaolo Della Noce (better known as Dnapoli and half of the acclaimed diggers duo Napoli Segreta, Michele Cesare aka Breakstarr (one of the pillars of the city's beat makers scene) both assisted by the sharp voice of Adriana Salomone. Together with the production team led by Dario di Pace and Raffaele Arcella the result is the nostalgic and exotic Reggae-Pop in Neapolitan colors of "Il Volo" (today in exclusive preview on Spotify) and the sparkling disco infected “Suonno”.

A - Il Volo
B - Suonno

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In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.

Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome

Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc

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At the start of the 60s, a new wave of gospel-influenced jazz started to emerge, with hits such as Art Blakey & The Jazz Messengers' "Moanin'" and Cannonball Adderley's "Work Song" epitomizing this evolution in the genre. The terms "soul jazz" and "funky jazz" were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans.In 1964, Ray Charles made his first visit to Japan. Then, in 1968, Martha & The Vandellas and Stevie Wonder set foot in the country, followed by Sam & Dave in 1969, Ike & Tina Turner in 1970, and B.B. King in 1971. The TV show "Soul Train" also began airing in Japan in the early 1970s. A watershed moment happened in 1973 when Sammy Davis Jr. was cast in a TV commercial for Suntory whisky — and the influence of the US Black entertainment world had really landed, with soul, jazz, and funk artists becoming household names.Nippon Columbia played a pivotal role during this turning point. The company had contracts with Buddah Records and Blue Thumb Records, releasing notable works by artists such as Gladys Knight & The Pips, Curtis Mayfield, The Crusaders, and The Pointer Sisters. At the same time, the label was also releasing several Japanese soul, jazz, and funk projects under the lead of music director Jiro Inagaki. Inagaki, a saxophonist who began his professional career in the early 1950s, honed his skills at U.S. military camps, where he shared his love of music with the Black servicemen. In the 1960s, he played with drummer Hideo Shiraki's band, which was widely considered to be Japan's representative group of the funky jazz movement. Later, Inagaki went on to pursue more cutting-edge sounds with his Soul Media project, including being a pioneering figure in the "jazz rock" genre. By working closely with Inagaki and his various musical projects, Nippon Columbia really placed the company at the center of an exciting and important period in Japanese music.In 1965, Nippon Columbia opened a recording studio in Tokyo's Akasaka neighborhood. Akasaka was also home to the first ever discotheque in Japan, the legendary MUGEN, which ran from 1968 to 1987 and where many acts performed, including Con Funk Shun, the Bar-Kays, Ike & Tina Turner, B.B. King, Sam & Dave, Three Degrees, and Edwin Starr, as well as many local Japanese singers and musicians. This melting pot of creativity in the area led to the recording of many singles and albums by Japanese artists that were infused with the sounds of soul and funk. Most of these recordings were not available outside of Japan and remain rare and unknown musical gems. The selection you are holding in your hands is an explosive collection of 10 essential tracks released by the legendary Nippon Columbia label between 1969 and 1977, capturing the raw, unapparelled energy that was flowing through the air of the Akasaka streets at this electrifying time. Enjoy!

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Blackbox Life Recorder 21f / In a Room7 F760 by Aphex Twin will be released on the 28th July via Warp Records.
This is the first new music from Aphex Twin in five years.
He headlines nine festivals this summer.
Artwork by Weirdcore
- Specs: Black 12" vinyl in printed inner sleeve packed inside 6 panel fold out anamorphic diorama, download code, packed in resealable bag
Tracklisting:
A1. Blackbox Life Recorder 21f
A2. zin2 test5
AA1. in a room7 F760
AA2. Blackbox Life Recorder 22 [Parallax Mix]


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Recorded on September 10, 1964, prior to his well-known association with John Coltrane, this eponymous album (later renamed Pharoah's First) is the debut release of the iconic tenor saxophonist.(Yes, there are some spelling oddities here: the artist -- birth name Ferrell -- only later changed the spelling from the standard Pharaoh to the more personalized Pharoah.)With one foot in mainstream jazz -- pianist Jane Getz had played with Charles Mingus -- and the other, tentatively at times, in the avant-garde, this is a fascinating glimpse of Sanders's style before he wielded the unremitting fierceness of his playing with Coltrane and the modal mysticism of his later solo albums on Impulse. Interestingly, in recent years he has deployed a more polished version of this sort of vant-flavored bop, bringing his career full circle and strongly suggesting that the hybrid heard here was not due to any failure of nerve on his debut but rather was the cornerstone of his conception.ESP-Disk' has issued this album under three different covers, for its 21st-century reissue on vinyl, we have chosen to use the second and most beautiful. It is augmented with liner notes by a current ESP-Disk' artist, tenor saxophonist Ras Moshe Burnett of The Red Microphone, who can be hear accompanying Amina Baraka on their eponymous 2017 release

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Long awaited new album from Theo Parrish!! Triple vinyl in gatefold sleeve. Timeless sounds that transcend any "genre." Cosmic stuff!

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Brazil 45, number 84.

For number 84 in the Brazil 45 Series, we headed to the North of Brazil with these dancefloor monsters by Magalhães and Os Panteras.

'Xangô' by Magalhães is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.

On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira’. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs’ sets, such as Augusto Olivani (aka Trepanado).

We are super happy to once again present these two red-hot tracks back-to-back.

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