- Ltd. LP: (Limited edition first pressing - Silver Mirror Board - Embossed on front / Debossed on back / Includes information sheet insert)

Tracklist LP:
A1. I
A2. II

B1. III
B2. IV
B3. V

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Tracklist 6LP Box:

LP1 'Looking For Saint-Tropez (Remastered)':

A1 Moskow Diskow
A2 Pakmoväst
A3 Café de la jungle
A4 Ça plane pour moi
A5 Some Day / Un jour

B1 Something To Say
B2 Rock Around The Clock
B3 Victime de la societe
B4 Twist À Saint-Tropez

LP2 'Neurovision (Remastered)':

A1 A/B
A2 Réalité
A3 Cliché
A4 En route vers de nouvelles aventures
A5 Tour de France
A6 We Are All Getting Old

B1 My Time
B2 Plus de distance (More Than Distance)
B3 Euro-Vision
B4 Dance To The Music
B5 Lakelele
B6 Soul Waves

LP3 'Sex (Remastered)':

A1 Brainwash
A2 Drama, Drama
A3 Haven’t We Met Somewhere Before
A4 Long Holiday
A5 The Man With The Answer

B1 Carbon Copy
B2 Exercise Is Good For You
B3 Dream-O-Mat
B4 Dummy
B5 Sigmund Freud’s Party

LP4 'Wonderful World (Remastered)':

A1 L’amour toujours
A2 So Sad
A3 Raised By Snakes
A4 It Could Happen To You
A5 Second Hand

B1 Tell Me It’s A Dream
B2 Vertigo
B3 The Voice
B4 Radio-Radio
B5 Wonderful World

LP5 'Looney Tunes (Remastered)':

A1 I Don’t Like Music
A2 Temporary Chicken
A3 Spike Jones
A4 Beautiful Li(f)e
A5 Dingo Bells

B1 I Want Your Brain
B2 Baby, When?
B3 Peanuts
B4 Happy End (I Wanna)
B5 Rendez-vous dans l’espace

LP6 'How Do You Dance? (Remastered)':

A1 On The Road Again
A2 How Do You Dance?
A3 This Is Your Song
A4 The Number One Song In Heaven

B1 J’aime la vie
B2 White Noise
B3 Move!
B4 Jailhouse Rock
B5 Do Worry

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Following the highly acclaimed record Fading in 2021, Pole continues his release series for Mute in 2022 with a new album, Tempus. Pole is Düsseldorf-native musician, producer and mastering engineer Stefan Betke, and is known for his unique musical language oscillating between melody and avant-garde in electronic music, with audible influences from Dub and Jazz music. While the subject of Fading focussed on coping with dementia and the loss of memory over time, Tempus focuses on the connection between the past, the present and the future. Translating to tense in English, Tempus investigates whether music that was created in the past, can still be audible and influential for the present, and how much can this music shine into the future.

Tracklist 2LP:

A-Seite:
1. Cenote
2. Grauer Sand

B-Seite:
3. Alp
4. Stechmück

C-Seite:
5. Firmament
6. Tempus

D-Seite:
7. Allermannsharnisch

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Tracklist LP:
A-Seite:
1. 24-24
2. In The Shadows
3. Talking Time
4. Animation

B-Seite:
5. Over And Over
6. Just Fascination
7. Why Kill Time (When You Can Kill Yourself)
8. Haiti
9. Crackdown

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Tracklist LP:
A-Seite:
1. Do Right
2. The Operative
3. Digital Rasta
4. Spies In The Wires
5. Theme From Earthshaker

B-Seite:
6. James Brown
7. Slammer
8. Blue Heat
9. Sensoria

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Tracklist LP:
A-Seite:
1. L21ST
2. I Want You
3. Hells Home
4. Kickback
5. The Arm Of The Lord

B-Seite:
6. Warm
7. Golden Halos
8. Motion Rotation
9. Whip Blow
10. The Web

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‘Chris Carter’s Chemistry Lessons Volume One.1: Coursework’ was created using a newly-formed piece called ‘Bongo Glow’ and reworkings of three tracks from the original album. ‘Bongo Glow’, a work in progress at the time, was finished using the same processes as ‘CCCLV1’ so that it could appear on the Japanese release of the album. The additional three reworkings were created without direct instruction as an experiment to see how they changed with input from external sources. Daniel Avery’s remix of ‘Usyring’ is a slow building majestic tome that comes full circle. The Radiophonic Workshop took ‘Blissters’ and created a more experimental reworking in their unique style. Chris Liebing gave ‘Tones Map’ a brooding anthemic feel, adding his Slow Burn remix technique.

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Track list:
Cover Me (Radio Edit)
Cover Me (Warpaint Steez Remix)
Cover Me (Erol Alkan Black Out Rework)
Cover Me (Ben Pearce Remix)
Cover Me (Josh T. Pearson Choose Hellth Remix)
So Much Love (Kalli Remix)
Cover Me (Texas Gentlemen Remix)
Cover Me (Ellen Allien U.F.O. RMX)


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Germany
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original, Matthew Johnson ( Cobblestone Jazz / Wagon Repair) Remix, Byetone (Raster Noton) Remix / 2nd EP form highly anticipated project of Vince Clarke (Erasure / Yazoo / Depeche Mode) und Martin L. Gore (Depeche Mode)

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Fat Freddy’s Drop hit the ground running with new studio album SLO MO, a bass-heavy blast of redemption and resolution. Described by Fitchie as 'afro rhythmic soul music, an exploration of Black music from Polynesia’, this heady mix creates the undefinable Freddy’s sound.

Tracklist
1.1Avengers
1.2Slo Mo
1.3Next Stop Feat Mc Slave
1.4Stand Straight
2.1Oldemos
2.2Out To Sea
2.3Roland
2.4Getting Late
2.5I Don't Wanna See You


Listen: https://listen.k7.com/dd479405-914a-477c-89d4-2634c122f703

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Hot off a crazy year of constant touring from January to December, which included a two-week stint as the backing band for Ghanaian Legend Funky Rob, Flammer Dance Band returned to the studio, buzzing with spontaneous energy and inspiration.

Seven musicians squeezed into a hot and sweaty soul shack, in pursuit of the funk.
Five days later, they emerged with 'Gynger', an album that captures the raw, dynamic spirit of their well-oiled, psychedelic funk machine.

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Today’s Youth a collection of Ramtin Niazi’s reworking of some Iran’s most beloved songs. He’s given new life to the music of Googoosh, Kourosh Yaghmaei, Marjan and Artoush. These songs are reimagined for a new generation and are a reminder that great music never goes out of style.

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Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP "Coda”, issued in Japan in 1983 as a solo piano version of the "Merry Christmas Mr. Lawrence" soundtrack. The album, which was never been released outside of Japan until now, sees Sakamoto on acoustic piano reinterpreting fascinating versions of his famous soundtrack including the classic theme and "Germination," which was later used in the "Call Me By Your Name" soundtrack. This reissue has been remastered by Seigen Ono's Saidera Mastering studio in Tokyo and boasts the original artwork plus a 4-page insert with new liner notes by Andy Beta.



When the film "Merry Christmas Mr. Lawrence" hit the cinema in Summer 1983, it was a worldwide instant success, due in no small parts to its renowned director, Nagisa Oshima and to its superb cast including David Bowie, Takeshi Kitano and Ryuichi Sakamoto. The latter, fresh from his success with Yellow Magic Orchestra and a thriving nascent solo career, was also enrolled to compose the score of the film.

The soundtrack was released at the same time as the film in Summer 1983. It became equally successful and made the Japanese composer a global icon as the instrumental theme became an instant classic all around the world and also Sakamoto's signature track from then on.

That same year, his Japanese label decided to release an exclusive cassette book as the format was getting popular in Japan. The project, called “Avec Piano,” featured an audio cassette together with a beautiful 80 page book including illustrations and texts by various designers and writers. As for the music, Sakamoto re-recorded the Merry Christmas soundtrack on solo piano at the Onkyo Haus studio in Tokyo. This version of the theme which Sakamoto would re-record many times, is therefore the first ever recorded solo piano version of the composition. As Andy Beta notes in the liner notes, "Now we can hear Sakamoto –seated in front of Steinway full concert piano housed in the first studio at Onkyo House in Ginza– his lifelong debt to the music of Debussy (and “Claire de Lune” specifically) laid bare.

The cassette book's success led to an LP release a few months later under a new title, "Coda" and with a different artwork by Japanese designer Tsuguya Inoue. The original orchestrated theme "Merry Christmas Mr. Lawrence (which had been included on the cassette as a bonus on top of the piano version) was dropped, replaced by two new tracks, "Japan" and "Coda," recorded a couple of years earlier in 1981 and featuring Ryuichi Sakamoto's blend of ethereal ambient soundscapes and modern electronics.

The album, which has never been available outside of Japan, has become cult over the years for the fascinating interpretation of the main theme, but also for "Germination," which was used by Luca Guadagnino in the soundtrack of his arthouse hit "Call Me By Your Name" in 2017. "Coda" is quintessential Ryuichi Sakamoto and an essential album in the Japanese composer’s discography, which Wewantsounds is delighted to bring to his many international fans for the first time.



Side 1

Merry Christmas Mr. Lawrence 4:49
Batavia 0:50
Germination 2:09
A Hearty Breakfast 1:18
Before The War 1:44
The Seed And The Sower 3:55
A Brief Encounter 2:27


Side 2

Ride Ride Ride 1:02
The Fight 1:20
Dismissed! / Assembly 1:50
Beyond Reason 1:26
Sowing The Seed 1:31
Last Regrets 2:05
The Seed 1:06
Japan 2:58
Coda 5:32

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Naya Beat Records reveals Volume 2 of its critically acclaimed series dedicated to South Asian dance and electronic music. Label founders Turbotito and Ragz have curated an exceptional 13-track compilation with a focus on an overlooked era of house and electronic music released between '88 and '94.
While Volume 1 explored early 80s Balearic, synth pop, and disco, Volume 2 uncovers lost or forgotten future classics from later in the decade. The release spotlights a unique era in the late 80s and early 90s when fertile cross-cultural collaboration abounded in diasporic communities in cities like London and New York and when South Asian music was infused with acid house, New Beat, and dub.
There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house workout ‘X-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating Balearic house, dub, and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee, and Kuljit Bhamra, this double album is a treasure of never-before-reissued and previously impossible-to-?nd holy grails.
Often "too Asian for mainstream success in the West, and too Western for success in Asia," the pioneering music from this time was frequently released to short-lived success or relative anonymity. Naya Beat founders Filip Nikolic (aka Turbotito) and Raghav Mani (aka Ragz) have spent the last four years endlessly hunting through dusty records, obscure cassettes, and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers, and bold selectors looking for fresh sounds.
Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and exhaustive liner notes, the 2LP release has been cut to vinyl for the discerning DJ and listener by Grammy-nominated Frank Merritt from The Carvery, London.
Naya Beat Records is focused on uncovering foundational dance and electronic music from the subcontinent and South Asian diaspora through reissues, remixes and compilations. Success came immediately with ‘Naya Beat Volume 1’, which was named Vinyl Factory’s number 1 reissue of 2021, and has been followed up with more fascinating releases such as a two-part remix project with disco-jazz legend Asha Puthli, a scintillating bhangra acid house EP with Mr. Scruff, a reissue of Pinky Ann Rihal’s 1985 Hindi new wave album, and the superb Bollywood compilation ‘Awaaz Series 1’.

A1 - West India Company - My Shooting Star
A2 - Bappi Lahiri - Rama Rama
A3 - Sharlene Boodram - Chamkay 'D' Chutney (Turbotito & Ragz Remix)
B1 - Kuljit Bhamra - Dholdrums
B2 - Mantra - Mantra
B3 - Heera - Beat The Rhythm (Check It Out)
C1 - Lady M - Kali Raat (Edit)
C2 - Johnny Zee - Billo To Meri Aan
C3 - Turbotito & Ragz ft. Manjeet Kondal - Pyaar
C4 - Sangeeta - Calling (Turbotito & Ragz Remix)
D1 - The Jets Orkhestra - X-290 (Turbotito & Ragz Remix)
D2 - Fantasy Nite Club - O My Baby
D3 - Deepak Khazanchi ft. Asha Puthli - Bass Fire (On And On) (Turbotito & Ragz Remix)

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Artist, producer, DJ and cultural trailblazer Peggy Gou returns with her latest single “Find The Way” on Gudu Records. The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain. Making a midsummer bid for song of the season, on “Find The Way” Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s house beat lush with mellow keys, acid tinged synths and hypnotic basslines. 2024 has been a huge year for Gou already with the release of her hotly-anticipated debut album I Hear You on XL Recordings in June. Alongside glowing reviews from The Observer, NME, The Line of Best Fit and more, she’s also graced the covers of Billboard (US), Vogue Germany and L’Officiel Italia. A huge year for her in the live arena too, having played to over a million people in 2023, 2024 has seen a string of high-profile appearances at the likes of the Coachella, Ultra, EDC and Primavera festivals alongside a headline slot on Glastonbury’s Park Stage.

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