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Dinosaur - Kiss Me Again
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Dinosaur - Kiss Me Again (Version)
Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from scratch.
Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.
Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo. More
Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.
Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo. More
More records from Week-End Records
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Farida Amadou - Listen To
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Farida Amadou - The End Of
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Farida Amadou - The Virtuous Circle
If there's one musician in the last decade that you may hear in wildly diverse musical contexts it is Belgian electric bassist and sound sculptor Farida Amadou. Not only can you enjoy the unerringly skillful command she has over her instrument but also the transformative power to reinterpret and expand her material in spontaneous and unconventional ways.
Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the electric bass, nor does she use the instrument as a pure sound generator that merely emits humming and feedback. She takes a completely independent and unique approach. This freedom enables her to create an overwhelming wall of sound, as well as simple, clear structures that are rhythmically concise yielding a wide associative space that lands somewhere between free jazz and noise.
Her work is often concentrated and circular where motifs are established and developed outward. It is an organic sound in the literal sense of the word, constantly in motion, yet resting in itself. The three solo pieces she has recorded for Week-End Records emphasize her impressive ability to ignite ecstasy from tranquility, to fan out a whole range of moods from a few potent ideas.
These attributes make her a musician who enriches every group she plays in, because she is present with her assured and crystallized sound but refrains from being domineering. However, her strengths are even more apparent when she plays solo: the contrasts between the dark, heavy clouds of sound and the rhythmic passages, and the transitions between movements which always sound "logical" yet surprising.
Her new solo album, "When It Rains It Pours" presents Amadou as an inspired improviser who follows her musical intuition and acumen to create a truly unique soundworld. Rarely has improvised music sounded so succinct and compelling. More
Amadou is self-taught and radically aware of her idiosyncratic relationship with the bass guitar. She neither emulates the virtuosos of the electric bass, nor does she use the instrument as a pure sound generator that merely emits humming and feedback. She takes a completely independent and unique approach. This freedom enables her to create an overwhelming wall of sound, as well as simple, clear structures that are rhythmically concise yielding a wide associative space that lands somewhere between free jazz and noise.
Her work is often concentrated and circular where motifs are established and developed outward. It is an organic sound in the literal sense of the word, constantly in motion, yet resting in itself. The three solo pieces she has recorded for Week-End Records emphasize her impressive ability to ignite ecstasy from tranquility, to fan out a whole range of moods from a few potent ideas.
These attributes make her a musician who enriches every group she plays in, because she is present with her assured and crystallized sound but refrains from being domineering. However, her strengths are even more apparent when she plays solo: the contrasts between the dark, heavy clouds of sound and the rhythmic passages, and the transitions between movements which always sound "logical" yet surprising.
Her new solo album, "When It Rains It Pours" presents Amadou as an inspired improviser who follows her musical intuition and acumen to create a truly unique soundworld. Rarely has improvised music sounded so succinct and compelling. More
1
Keith Hudson - Playing It Cool
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Keith Hudson - Playing It Right Dub
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Keith Hudson - Trust & Believe
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Keith Hudson - In I Dub
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Keith Hudson - California
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Keith Hudson - By Night Dub
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Keith Hudson - Not Good For Us
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Keith Hudson - Formula Dub
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Keith Hudson - Be What You Want To Be
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Keith Hudson - Be Good Dub
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Keith Hudson - I Can't Do Without You
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Keith Hudson - Still Need You Dub
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.
In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.
In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.
The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.
43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album. More
In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.
In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.
The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.
43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album. More
1
Joyce - Joya
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Joyce - De Frento Pro Crime
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Joyce - Pesadelo
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Joyce - Pelo Telefone
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Joyce - Pede Passagem
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Joyce - Marcha De IV Feira De Cinzas
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Joyce - Opinião
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Joyce - Chora Doutor
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Joyce - Quartorze Anos
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Joyce - A Historia Do Samba
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Joyce - O Trem Atrasou
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Joyce - Radiopatrulha
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Joyce - Acorda Amor
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Joyce - Mudando De Conversa
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Joyce - Fado Tropical
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Joyce - Bodas
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Joyce - Viola Fora De Moda
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Joyce - Passarinho
In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy. For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.
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Jards Macalé - Farinha Do Desprezo
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Jards Macalé - Vapor Barato / Revendo Amigos (Volto Prá Curtir)
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Jards Macalé - Mal Secreto
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Jards Macalé - 78 Rotações
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Jards Macalé - Movimento Dos Barcos
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Jards Macalé - Meu Amor Me Agarra E Geme E Treme E Chora E Mata
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Jards Macalé - Let's Play That
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Jards Macalé - Farrapo Humano / A Morte
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Jards Macalé - Hotel Das Estrelas
Jards Macalé s/t (50th Anniversary)
Catalog: WE 6 Format: LP only Release: March 1, 2024
Jards Macalé’s biography is a testament to the electrifying energy of music and the unwavering spirit of artistic rebellion. Macalé has remained true to his vision, unapologetically embracing the unconventional and challenging the status quo. His music, a conduit of emotion and a mirror to society, continues to weave a sonic tapestry that resonates with the souls of listeners.
In 2022, Macalé celebrated the momentous 50th anniversary of his debut solo album, a groundbreaking masterpiece released by Philips in 1972. This iconic record gifted us timeless tracks such as “Vapor Barato”, “Mal Secreto”, “Farinha do Desprezo”, “Revendo Amigos”, and “Hotel das Estrelas”. Its sheer brilliance united the realms of Brazilian music, infusing samba and bossa nova with the fiery essence of rock, classical harmonies, and the improvisational spirit of jazz. As the years passed, a new generation of musicians and fans discovered this gem, fueling its resurgent popularity and inspiring fresh collaborations.
Last year, Jards Macalé assembled a formidable new band, igniting stages across Brazil with a tour that now sets its sights on Europe. Together with Gui Held on guitar, the Paulo Emmery on bass, and Thomas Harres on drums, Macalé conjures an exhilarating homage to his illustrious body of work. This live performance embodies the untamed spirit and boundless musical freedom that define this visionary artist, transporting audiences to a realm where the past intertwines with the present in a breathtaking display of artistic prowess. More
Catalog: WE 6 Format: LP only Release: March 1, 2024
Jards Macalé’s biography is a testament to the electrifying energy of music and the unwavering spirit of artistic rebellion. Macalé has remained true to his vision, unapologetically embracing the unconventional and challenging the status quo. His music, a conduit of emotion and a mirror to society, continues to weave a sonic tapestry that resonates with the souls of listeners.
In 2022, Macalé celebrated the momentous 50th anniversary of his debut solo album, a groundbreaking masterpiece released by Philips in 1972. This iconic record gifted us timeless tracks such as “Vapor Barato”, “Mal Secreto”, “Farinha do Desprezo”, “Revendo Amigos”, and “Hotel das Estrelas”. Its sheer brilliance united the realms of Brazilian music, infusing samba and bossa nova with the fiery essence of rock, classical harmonies, and the improvisational spirit of jazz. As the years passed, a new generation of musicians and fans discovered this gem, fueling its resurgent popularity and inspiring fresh collaborations.
Last year, Jards Macalé assembled a formidable new band, igniting stages across Brazil with a tour that now sets its sights on Europe. Together with Gui Held on guitar, the Paulo Emmery on bass, and Thomas Harres on drums, Macalé conjures an exhilarating homage to his illustrious body of work. This live performance embodies the untamed spirit and boundless musical freedom that define this visionary artist, transporting audiences to a realm where the past intertwines with the present in a breathtaking display of artistic prowess. More
1
Fred Frith - Hello Music
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Fred Frith - Glass c/w Steel
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Fred Frith - Ghosts
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Fred Frith - Out of Their Heads (on Locoweed)
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Fred Frith - Not Forgotten
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Fred Frith - Hollow Music
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Fred Frith - Heat c/w Moment
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Fred Frith - No Birds
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Fred Frith - Dawns
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Fred Frith - Outer Order
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Fred Frith - Tempus Fugit
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Fred Frith - Quicksilver (for Simone)
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Fred Frith - Unterwegs (for Roman)
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Fred Frith - Phalaropes
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Fred Frith - Jack’s Neap Tide
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Fred Frith - Schlechte Gewissen
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Fred Frith - Move Indigo
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Fred Frith - To Do
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Fred Frith - The Map of Dreams
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Fred Frith - Locomoting
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Fred Frith - Dusks
Guitar Solos is the debut solo album of British guitarist, composer, and improviser Fred Frith. It was recorded while Frith was still a member of the English experimental rock group Henry Cow and was released originally in October 1974. Voted one of the best albums of 1974 by NME critics it also attracted the attention of Brian Eno, resulting in Frith playing guitar on two of Eno‘s albums. Frith‘s never tiring spirit in creating and performing music has made him one of the most notable and creative guitar players and musicians in the scene of improvised and composed music. For the anniversary of this release we have encouraged Frith to arrange a set up similar to what he used 50 years ago to record an album of new compositions which will accompany the original record.
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Suzanne Ciani - Improvisation On Four Sequences Pt.1
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Suzanne Ciani - Improvisation On Four Sequences Pt.2
Suzanne Ciani’s Improvisation On Four Sequences somehow represents the complete histo- ry of electronic music, as the enthusiastic audience at Week-End Fest 2021 were lucky enough to experience. From the awakening of American avant-garde music at the end of the 1960s, right through to the development of the electronic sound of the club scene in L.A. and New York. But above all it is the dialogue between artist and machine, which simply ends when the concert is over, that comes across. Laconicism, precision, sound sensitivity and the weight of a tradition that Ciani was instrumental in founding all come together. It is spectacular precisely because it is so unexciting.
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Slapp Happy - Just A Conversation
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Slapp Happy - Paradise Express
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Slapp Happy - I Got Evil
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Slapp Happy - Little Girls World
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Slapp Happy - Tutankhamun
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Slapp Happy - Mono Plane
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Slapp Happy - Blue Flower
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Slapp Happy - I'm All Alone
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Slapp Happy - Who's Gonna Help Me Now
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Slapp Happy - Small Hands Of Stone
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Slapp Happy - Sort Of
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Slapp Happy - Heading For Kyoto
In 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort of, using Faust as their rhythm section. In honour of this album ´s 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records –the fetsival‘s inhouse label who managed to get the band together for a final reunion shows in November of 2016 and Spring of 2017.
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Julius Eastman - Stay On It
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Julius Eastman - The Holy Presence Of Joan d'Arc
In 1973, Stay On It turned the coordinates of avant-garde music on its head. It is minimal, but un- ashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to poetic-lyrical ones. Cut to 1981. Eastman releases The Holy Presence of Joan d‘Arc. Where has the lightness gone? The relationship to pop music? The love for the musicians who have to develop the piece during its performance? It sounds like heavy metal: forceful, dark, urgent, sawing—and then plaintive, heartbreaking.
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Monsieur Van Pratt - No Te Perdereì
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Monsieur Van Pratt - Believe
We here at TSTD are longtime fans of Mexican producer/musician MONSIEUR VAN PRATT. So it’s a great pleasure to finally work with the man. For this 7 inch he delivers two tracks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe More
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bobby Caldwell’s classic love song “What You Won’t Do for Love”.
Side B takes us into the church of Black Soul, a slow Gospel Soul track for your sunset disco beach bar dj sets.
Monsieur Van Pratt, founder of Super Spicy Records, is a prominent producer and DJ originally from Mexico City, whose influence on electronic music is widely recognized both nationally and internationally. With an impressive career that includes more than 100 releases in digital format.
Side A No Te Perdereì
Side B Believe More
Cat-No:CCR-005
Release-Date:25.03.2022
Configuration:12" Excl
Cat-No:CCR-005
Release-Date:25.03.2022
Configuration:12" Excl
SPECIAL EDITION 12” single GREEN vinyl / 400 copies / 180 gr.
– original release on THIRD LABEL – THIRD 5002
TRACKLISTS:
A01 – FUNKY IS ON (Original Mix)
B01 – FUNKY IS ON (Radio Edit)
Release Info:
"CCR - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 5th release on "CCR - Club Culture Rarities" FUNKY IS ON of Funky Family originally released on THIRD LABEL in 1984
Another hot mix for most sofisticate Italo Disco Lovers.
Funky is On by Funky Family, was never a popular commercial hit, but more an high valued rarity. Produced by Nicola Nicolosi from Nicolosi Family this tune represents a real example of proto-house. Since it first release in 1984, it became a Chicago classic and always an hot mix for most sophisticated Italo Disco Lovers.
Ask for it and stay tuned. More
– original release on THIRD LABEL – THIRD 5002
TRACKLISTS:
A01 – FUNKY IS ON (Original Mix)
B01 – FUNKY IS ON (Radio Edit)
Release Info:
"CCR - Club Culture Rarities" the new record label exclusively dedicated to re-prints of cult and rare 12” taken form Expanded Music’s labels.
The 5th release on "CCR - Club Culture Rarities" FUNKY IS ON of Funky Family originally released on THIRD LABEL in 1984
Another hot mix for most sofisticate Italo Disco Lovers.
Funky is On by Funky Family, was never a popular commercial hit, but more an high valued rarity. Produced by Nicola Nicolosi from Nicolosi Family this tune represents a real example of proto-house. Since it first release in 1984, it became a Chicago classic and always an hot mix for most sophisticated Italo Disco Lovers.
Ask for it and stay tuned. More
1
William Kiss - The Beat
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William Kiss - Midnight Club
William Kiss lands on Rekids with the ‘The Beat’ EP this November, hot on the heels of a remix for Mathias Kaden’s ‘Circulate’ EP on the label in September. The A-side starts with title track ‘The Beat’, bodied toms footing the rhythm while high-pitched percussion keeps an irresistible groove above. With an expertly sampled, playful vocal, Kiss’ ‘The Beat’ is another unmistakable club hit that will effortlessly find its way into the peak time. The B-side hosts ‘Midnight Club’, which features more organic drums mixed with a classic House vocal and zippy strobe-light-inducing synths, closing out William Kiss’ debut on Radio Slave’s flagship label in his signature drummy style. Having won support from Laurent Garnier, HAAi, Call Super, Robert Hood, and more, William Kiss has been going from strength to strength. He previously appeared on Radio Slave’s labels via his ‘Clap For Me’ EP on Rekids sibling label RSPX, with further releases on labels like GUDU, Bush Records and Three Six Zero alongside the launch of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenu
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Mystic Bill - U Won’t C Me (Stefan Braatz Panic Remix)
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Mystic Bill - U Won’t C Me (Jake’s Savage Acid Re-Dub)
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Mystic Bill - U Won’t C Me
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Mystic Bill - Like A Dream In The Night
Mystic Bill’s deep house favourite ‘U Won’t C Me’ receives a four-track vinyl package on Nu Groove, including the latest remix from German electronic innovator Stefan Braatz. Originally released on the legendary Strictly Rhythm and acquired by Luke Solomon’s Classic Music Company in 2015, this seminal deep house record remains a firm favourite of house heads in the know and is a shining example of the genre. This four-track wax features the original ‘U Won’t C Me’ alongside Jake’s Savage Acid Re-Dub from the mind of NYC’s Jake Reif, as well as the original B-Side ‘Like A Dream In The Night’. Joining these seminal tracks is the new Panic Remix from Stefan Braatz, incorporating his reverence for the deep house genre into a striking club-ready remix that ups the tempo and bewilders with thoughtful synthwork at every turn.
In demand record on Discogs, with an original copy setting you back at least £30+. Reissued and remastered for the first time since 2015 with brand new remixes. Killer package! More
In demand record on Discogs, with an original copy setting you back at least £30+. Reissued and remastered for the first time since 2015 with brand new remixes. Killer package! More
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Maurice Joshua Presents Yvonne Gage - Maurice Joshua Main Mix
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Maurice Joshua Presents Yvonne Gage - Moplen Main Remix
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Maurice Joshua Presents Yvonne Gage - Moplen Remix Instrumental
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Maurice Joshua Presents Yvonne Gage - Maurice Joshua Instrumental
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UNKNOWN ARTIST - Untitled
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UNKNOWN ARTIST - Untitled
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UNKNOWN ARTIST - Untitled
About a year ago an odd delivery was received at the shop from an unknown sender in Los Angeles with an ancient looking duffle bag carrying a hand full of tape reels, there was a note and it read: "If this ain't 'Balearische', I dunno what is" (in all caps). Upon extensive magnetic tape baking and freezing recovery techniques we soon realised how fortune can sometimes choose to flash its genitals at you in the strangest of ways. Here were 3 previously unreleased demo-sounding mixes of the one and only "Can't Get Enough of Your Love, Babe". A side is an almost 9 minute patient build up of the theme, clearly too long to be released back in the days of radio play, a beatless off ramp for all the strings and piano to shine, up until the percussion and vocals climax. B side continues to explore the deconstructive process with an isolated "pianopella" version and then following with an instrumental groove version focusing on the rhythm section. For promotional purposes only.
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Don Carlos - Italian Paradise Piano
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Don Carlos - Soul Emotion
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Don Carlos - Good Emotion (Vocal Mix)
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Don Carlos - Paranoia (Piano Edit)
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Don Carlos - Good Emotion (Paranoia Mix)
DJ Support: David Morales, Louie Vega, Hector Romero, Dave Lee ZR,Tony Humphries, Kevin Yost, Jimpster, Atjazz, Ron Trent, Dj harvey.
Considered the Master of Italo piano house, Don Carlos is up next on friends Micky More & Andy Tee's label Groove Culture Deep with an EP of Finest Classic Piano house.Features the amazing, warmup Classic House of ‘Italian Paradise Piano’ followed by the Deep heater ‘Soul Emotion' and The Garage Late-night ‘Good Emotion’(Vocal Mix) on the A-side. The flip offers ‘Paranoia’(Piano Edit) and ‘Good Emotion’(Paranoia Mix) both tracks perfectly capture the zeitgeist of house music's golden era of late 80’s early 90’s. More
Considered the Master of Italo piano house, Don Carlos is up next on friends Micky More & Andy Tee's label Groove Culture Deep with an EP of Finest Classic Piano house.Features the amazing, warmup Classic House of ‘Italian Paradise Piano’ followed by the Deep heater ‘Soul Emotion' and The Garage Late-night ‘Good Emotion’(Vocal Mix) on the A-side. The flip offers ‘Paranoia’(Piano Edit) and ‘Good Emotion’(Paranoia Mix) both tracks perfectly capture the zeitgeist of house music's golden era of late 80’s early 90’s. More
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Ash Ra Tempel - 1. Laughter Loving
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Ash Ra Tempel - 2. Day-Dream
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Ash Ra Tempel - 3. Schizo
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Ash Ra Tempel - 4. Cosmic Tango
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Ash Ra Tempel - 5. Interplay of Forces
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Ash Ra Tempel - 6. The Fairy Dance
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Ash Ra Tempel - 7. Bring Me Up
- LP - LIMITED COLLECTORS EDITION - -2024 Recut, Authorised by Manuel Göttsching
- 50TH Anniversary Limited Collectors Edition
-180G "Pearl / Sunrise" Colour Vinyl
-Original 1973 Vinyl Sleeve Reproduction
-Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions
-Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Overview:
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up
Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.
More
- 50TH Anniversary Limited Collectors Edition
-180G "Pearl / Sunrise" Colour Vinyl
-Original 1973 Vinyl Sleeve Reproduction
-Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions
-Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Overview:
We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal work remains a cornerstone of the Krautrock and "Kosmische" movement, blending psychedelic rock, ambient soundscapes, and early electronics into a transcendent auditory experience.
The Album has been recorded by Manuel Göttsching in it´s entity, with additional help to come from Producer Dieter Diercks playing bass, percussion, Drummer Harald Grosskopf and of course Rosemarie "Rosi" Müller.
"Starring Rosi" is an essential piece of their continuation of blending cosmic psychedelia, ambient textures, and avant-garde electronic experimentation. Originally released in 1973, this album marked a significant departure for the band, featuring Rosi Müller, who added a lyrical and vocal dimension to the band's typically instrumental soundscapes & Manuel Göttsching background singing.
To many technically Ash Ra Tempel last, yet most accessible, release, although there was the soundtrack to Philippe Garrel´s movie "Le Berceau de Cristal" and there might be some further previously unreleased, music to come out later.
Album Background:
*Starring Rosi* stands out in Ash Ra Tempel's discography for its lighter, more accessible sound, balancing the band's signature cosmic explorations with melodic structures and poetic lyrics.
It marks an unique chapter in Ash Ra Tempel's discography, featuring the ethereal vocals of Rosi Müller alongside Manuel Göttsching's visionary guitar work. The album is a sonic journey that takes listeners through seven distinct tracks, each showcasing Manuel Göttschings pioneering approach to music.
From the dreamy opening track "Laughter Loving" to the meditative "Day-Dream" and the atmospheric "Interplay of Forces," songs that illustrate the band's evolution from their earlier, more intense and improvisational albums, showcasing a more reflective and introspective side .
"The Fairy Dance" is delving into the mystical and meditative, transporting listeners to a dreamlike state.
While "Schizo" sounds like a continuation of the best moments of the previous Ash Ra Tempel records, is the last track "Bring Me Up" an Up-tempo Song that features Manuel as well on vocals.
"Starring Rosi" captivates with its blend of cosmic improvisation and melodic beauty.
Reissue Details:
This reissue of *Starring Rosi* has been introduced and overseen by Manuel Göttsching still, and finalised by his Family exactly to his standards, in which the meticulous approach to his work lives on.
An updated 2024 recut carefully commissioned by Schnittselle in Berlin (who also signs responsible for the previous ART Reissues, likewise, the 2016 E2 E4 Anniversary Edition ensure the warm depth sound while bringing out the rich textures and nuances, all of the original recordings. The reissue is available on 180-gram Black vinyl and a Limited Edition in transparent Pearl Sunrise Vinyl.
Both vinyl editions comes with a replica of the original Vinyl Artwork including it´s original Backside.
The Limited Edition also includes a Poster of the alternate Backside, used later on the CD Editions showing Rosi and Manuel improvising during studio sessions. Also included are prints of previously unreleased Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by Manuel
Tracklisting:
1. Laughter Loving
2. Day-Dream
3. Schizo
4. Cosmic Tango
5. Interplay of Forces
6. The Fairy Dance
7. Bring Me Up
Rediscover the magic of Ash Ra Tempel with this definitive reissue of *Starring Rosi*-a timeless journey through sound that continues to inspire and captivate listeners over five decades later.
More
Label:NeighbourSoul Rhythms
Cat-No:NBS006
Release-Date:18.10.2024
Genre:Space Disco/House
Configuration:12" Excl
Label:NeighbourSoul Rhythms
Cat-No:NBS006
Release-Date:18.10.2024
Genre:Space Disco/House
Configuration:12" Excl
1
Felipe Gordon - Deroy
2
Felipe Gordon - Latin Emanon
3
Felipe Gordon - Nitollano
GENRE/S: House, Disco, Afro
TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano
SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.
More
TRACKLIST:
A - Deroy
B1 - Latin Emanon
B2 - Nitollano
SHORT INFO:
Three-track heater by Felipe Gordon, signing the 6th installment of NeighbourSoul Edits.
More
Label:NeighbourSoul Rhythms
Cat-No:NBS005
Release-Date:17.05.2024
Genre:Space Disco/House
Configuration:12" Excl
Label:NeighbourSoul Rhythms
Cat-No:NBS005
Release-Date:17.05.2024
Genre:Space Disco/House
Configuration:12" Excl
1
Tone B. Nimble - Jesus
2
Tone B. Nimble - Your Love
3
Tone B. Nimble - Afrodemo
GENRE/S: House, disco, Gospel
TRACKLISTS:
A1 - Jesus
A2 - Your Love
B1 - Afrodemo
SHORT INFO:
NeighbourSoul Rhythms proudly presents the latest sonic masterpiece from Tony B.Nimble – the NeighbourSoul Edits Vol. 4. This three-track wonderland release is set to shake your soul. Featuring three soul-stirring tracks – "Jesus," "Afrodemo," and "Your Love" – this EP takes you on a musical roller coaster through the realms of gospel, disco, and soul. Nimble's artistry knows no bounds as he seamlessly blends together spiritual vibes with funky beats and soulful melodies.
More
TRACKLISTS:
A1 - Jesus
A2 - Your Love
B1 - Afrodemo
SHORT INFO:
NeighbourSoul Rhythms proudly presents the latest sonic masterpiece from Tony B.Nimble – the NeighbourSoul Edits Vol. 4. This three-track wonderland release is set to shake your soul. Featuring three soul-stirring tracks – "Jesus," "Afrodemo," and "Your Love" – this EP takes you on a musical roller coaster through the realms of gospel, disco, and soul. Nimble's artistry knows no bounds as he seamlessly blends together spiritual vibes with funky beats and soulful melodies.
More
1
Harri Stojka Express’ - What a funky night
2
Harri Stojka Express’ - Marihuana
Long awaited re-issue of Harri Stojka Express’ “What a Funky Night”, originally released in 1983. The Austrian producer/guitarist took everyone by surprise with this huge Boogie-Disco-Funk meteorite, due to his previous releases, which were mostly jazz-rock-fusion orientated records.
Previously only pressed in Austria and Spain, Mothers I’d Like To Funk is proud to present to you an official re-issue of this Funk anthem, and the flip side features a marijuana reggae tune
TRACKLIST:
A. What a funky night
B. Marihuana More
Previously only pressed in Austria and Spain, Mothers I’d Like To Funk is proud to present to you an official re-issue of this Funk anthem, and the flip side features a marijuana reggae tune
TRACKLIST:
A. What a funky night
B. Marihuana More
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More