2019 Repress. Brown kraftpak sleeve

stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming.

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Tracklist
A1. Ambient Pressure Mix A2. dB’s Raw edit
B1. Konrad Black’s “Decompresha" Remix B2. Nathan Jonson’s Rewind to 96 Mix !
Short Info:
Mathew Jonson's “Decompression” was first released on Minus in 2004. To celebrate 13 years since it's release Mathew has commissioned 11 artists to remix this classic split over 4 releases. The first EP of the series features remixes from dBridge, Konrad Black and Nathan Jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of Drum & Bass. dBridge steps up for two remixes, the first is warped and deconstructed, the second a high energy Drum & Bass belter. Konrad Black slows things down with a darker groove whilst Nathan Jonson's 'rewind to 96’ utilises rave tropes and chopped vocal samples. The package is a magnificent addition to the legacy of ‘Decompression’ and coming next will be remixes from Seth Troxler, Deadbeat, Mike Shannon and Natalia Escobar.

Mathew Jonson’s “Decompression” was first released on Minus in 2004.
This is the first release on Mathew Jonson’s new label entitled “Freedom Engine”
Mastered at Scape Mastering


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There are few artists at work in electronic music today with a sound as unmistakable as Mathew Jonson. The Vancouver producer has been steadily turning out some of the most inspiring electronic compositions of the past decade, beginning with his debut 12" for Canadian imprint Itiswhatitis Recordings in 2001, with a career taking in releases on Minus, Perlon and Kompakt - along with a steady output on the Wagon Repair label he co-founded in 2005, and numerous related side projects including Cobblestone Jazz, The Modern Deep Left Quartet and Midnight Operator (alongside his brother Nathan aka Hrdvision). Learning To Fly will be Jonson's second release on Minus, following 2004's Decompression EP - the release that truly launched him on the international stage and laid out a blueprint for his ever-evolving style, one that manages to consistently explore new territory whilst maintaining the aesthetic that makes his productions distinct from every other artist working today. Learning To Fly is arguably one of the most exciting singular works of Jonson's career, recalling his first Wagon Repair release: 2005's Marionette, a record that continues to inspire cultish devotion six years after its release and thoroughly deserves every adjective for 'hypnotic' and 'anthemic' that's ever been thrown at it. Learning To Fly retains those qualities whilst taking them yet further - a 12 minute sci-fi exploration that achieves that mark of classic electronic music production, working just as thrillingly for personal listening as it does when experienced as part of Jonson's transcendent live performances. Jonson himself considers Learning To Fly to be among the best compositions of his career, and brings it to Minus after years of waiting for the right track to follow the mighty Decompression. "For me this piece reflects clarity and harmony," explains Jonson. "Richie Hawtin is someone who has always inspired me to take my work to new levels, so it's fitting that Learning To Fly will be released on Minus”

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Canada's Mathew Jonson has become one of the pre-eminent producers in electronic music today, creating some of the most influential tracks of the past few of years both as a solo artist and as a founding member of the peerless musical trio Cobblestone Jazz.This, his fifth solo release on his own label Wagon Repair, continues in the tradition of enterprise and experiment that we should expect from his Vancouver studio. This EP presents a series of firsts, with Mathew trying his hand at electro pop for the first time, arranging a track for the first time on computer, and it sees his uneffected voice feature for the first time on a track. Opener 'Stop' offers the first of the firsts. This dreamy electro pop odyssey is a half written, half improvised jam, recorded live whilst singing, playing the vocoder and mixing the track simultaneously. Synthesized rainfall descends on a squelched funk bassline, as free vocoded passages meander between phased percussion in a wondrously woven workout. B side 'Real Dreams' signals both the first time Mathew has arranged a track on a computer, and the first time his pure vocal has made it onto tape. A downtempo arrangement mixed live to stereo track, this murky and cathartic exploration was borne of realising things about a past relationship, as descending harmonised melodies pulse contemplatively to a defiantly progressive beat. The shift of the creative process from live, physical creation to reflective computer editing is significant, and fitting to the prevalent mood of evaluation and reassessment. In combining these elements with Mathew's unsynthetic vocal we present an intimate and explorative new dimension to his already enthralling repertoire.


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Automatic is a new direction fusing electro, funk, and two-step. The first of a fresh batch of music producedin the new Wagon Repair studios. Focus on the dancefloor. Beach Party - A summer track for the early morning open air festivals. Inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. Oh yeah, and there are big fans blowing my hair around.
EXCLUDED TERRITORY:ITALY!!!!!!


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underground darling Mathew Johnson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words don't do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip MJ gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary Jaco Pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic David Axelrod arrangement, mixed at Lee Scratch Perrys echo chamber. miles above your typical paint-by-numbers club fare - simply HUGE!

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Tracklisting:
A: Typerope
B: Magic Through Music

ReleaseInfo:
2019 Reedition based on the 2013 re-master by Stefan Betke (Pole) using
Tube-Tech compressors and Weiss EQ's. Which was an improvement from the 2003 Original!
Carefully Re-Cut 1:1 and Edited in 140g Vinyl housed in thick Brown Carton Bags.

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Info:
It has been 13 years since Cobblestone Jazz debuted on the now infamous IIWII imprint, and in March of 2015 things will come full circle with the trio from Canada returning for the 16th release on the label where it all started. "Northern Lights" features tight gated keys layered with complex harmonies and soaring pad swells. Equally suited for peak time and sunrise, it is an incredibly versatile piece for the crate and clocks in at an ever evolving 11+ minutes
"Drawn From The Side Of Crime" is found on the flip, and is another long and twisting musical journey running just shy of 13 minutes. Its foundation is a meditative bassline that rolls underneath for the duration. Hints of a beautiful modal Rhodes line tease throughout the arrangement, adding a complex depth to the fabric of the piece. These recordings were done in one pass over a three day period in 2013, and edits were culled this past winter. The record as a whole is arguably their most musical and expansive release to date, which all things considered is quite a statement in itself. Cobblestone Jazz are extremely proud to be sharing this release on the imprint from where they began.



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Tracklisting:
A: Typerope
B: Magic Through Music

ReleaseInfo:
2019 Reedition based on the 2013 re-master by Stefan Betke (Pole) using
Tube-Tech compressors and Weiss EQ's. Which was an improvement from the 2003 Original!
Carefully Re-Cut 1:1 and Edited in 140g Vinyl housed in thick Brown Carton Bags.

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Special Remarks: Vinyl Only EP!

No. 8 on TT comes from the talented Athenian musician Lee Burton who joins the label with four classy cuts.

Tracklist 12":
A1 Horizontal Falls 08:12 min , A2 Telepop Radioshock 07:06 min
B1 Circadian Rhythm 06:38 min , B2 Cocoa Powder 07:41 min


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TERRITORIES: WORLD minus UK

FORMAT 2 x 140g black vinyl, full printed special color sleeve (gold & blue pantone), download card included

TRACKLIST
1. / A1 Serpent Void 05:42
2. / A2 Soul Fire 06:06
3. / B1 Divine Shadow 05:36
4. / B2 Forgotten Gods 06:12
5. / B3 Dying 03:05
6. / C1 Infinite Eye 06:26
7. / C2 Triple Threat 06:35
8. / D1 Empty Cloud 04:29
9. / D2 Fall 04:57

RELEASE:
Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on
the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.
“To make this project, I had to dig really deep in terms of what my relationship was to techno; I’ve been involved with it for a really long time and there’s a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often
get asked “what is techno to you?” but I can’t answer that with words; this album is the answer.” From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the
vast, hard yet minimal techno Child is synonymous with.
Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects. Further echoes of dub production appear throughout the record
as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil’s creation is present, the process and the
instruments have changed as Child again switches up his approach to studio work.
This insistence on trying novel techniques doesn’t preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year’s synthesiser expos.
“For me, it’s an interesting experience returning to old techniques again after 30 years. [I’m] always exploring and finding myself back at the beginning. Connecting the present with the past.”
This philosophy of ‘time travel’ is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces
between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

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Tracklist:

A1. Tones On Tail
A2. Sonic Dreams
A3. Transmuted

B1. Haze
B2. Metavoid
B3. Hydra


Press release:
One of the founding figures of Amsterdam's underground Techno culture Dimi Angelis has been shaping the scene in the late 90s, throwing warehouse raves living up to the underground standards. Until today his approach remains unchanged: uncompromising, opinionated, and never aimed at easy pleasing.
Drawing from decades of crate-digging and an encyclopedic knowledge of Techno's evolution, Dimi crafts sets that feel familiar a reveal unexpected depths on closer listening.
These tracks follow that same philosophy as they are straightforward and honest on the surface, but wrapped in something appropriately unexpected.

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2024 Repress

TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.



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Territories: World excl. UK + North America

FORMAT 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Woodpecker 05:27
2. / A2 Wavehall 06:56
3. / B1 Backlash 05:27
4. / B2 GUM 07:25
5. Pilot (Digital Bonus) 06:24

RELEASE INFO:
In April 2023, Tresor Records will unveil a new EP from DALO entitled "GUM". DALO, aka Nadia D'Alo, is one of the founders of the
R.i.O label and half of the duo INIT. After several years of performing as INIT with Benedikt Frey, she had her solo live debut in
Berlin in 2022. This record follows releases on labels such as ESP Institute and Warning. "GUM" showcases DALO's expert
mastery of rising tension through analogue sound sources, as it swings in and remains with minimal changes and accentuation.
"Woodpecker" enters a tunnel of reverberant claps, moving in a potent exercise of deftly manipulated acid. "Wavehall" draws
vocal smears across expansive, droning basses and 140bpm techno rhythms. In "Bachlash", she takes inspiration from events
of Iranian and Afghan women revolting for their rights, expressing hope for the rebound of control after long political oppression. Electro beats are introduced underneath the full-frontal melodic acid, while processed spoken word samples bring a new
focus.
DALO takes the rebounding control and strives forward into the unknown with "GUM", its segmented vocal samples playing a
captivating partnership with acidic slides. The EP closes with "Pilot," a digital bonus track that releases some of the tension
built up throughout and propels the dancer towards transcendent shapes.

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12" , including Headless Horseman Remix
Genre: Techno

Tracklist 12":
A1 Anja Zaube - Dark Lake
A2 Anja Zaube - Mysterious Lake
B1 Anja Zaube - Dark Lake (Headless Horseman Remix)
B2 Anja Zaube - Frozen Lake

It is a pleasure to announce the first artist ep of one of ://about blank's closest friends and faithful companions-ANJA ZAUBE.
By developing a dark and hypnotic atmosphere, her DJ sets always are characterized by an intense and excessive arc of tension and her very own, unique signature.
Such is also the case for her productions; the magnificent HEADLESS HORSEMAN remix represents a perfect complement.

We are more than happy to present this release and will hopefully, one day, celebrate it together on our very own MDF and other dance floors on this planet.
The future is unwritten.


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FORMAT 12” 180g vinyl, full printed sleeve, incl Download Card

TRACKLIST
01/A1 Human Error Processor 06:53
02/A2 Perforated 05:09
03/B1 Metro City Bay Area 06:03
04/B2 Three Deities 06:18
05 United By Fate (Digital Bonus) 05:45

RELEASE INFO:
Yazzus follows up her appearance on the Tresor 30
compilation with a new EP named BLACK METROPOLIS.
Within its, at times, rough-hewn textures lies a core
that explores joy and energy within the roots of black
techno. In her words: “I want this release to be black
and beautiful, to be queer, and playful, a nostalgic nod
to the 90s but also reimagining it in the current times.”
The Ghana-born, London-bred, now Berlin-based
producer’s research into afro-futurism, envisaging
a path forward for science, technology and culture
through the black experience, has impressed a deep
vision on this EP. Yazzus sets like a cartographer, using
her tracks to explore a technologically advanced world,
each representing dierent regions and environments.
Human Error Processor introduces an ear-worming
percussion pattern nearly swamped by distorted bass
drums and a vocal sample screwed just beyond
recognition. Perforated leads with a 150bpm four to the
floor stomp, infectious and supercharged. Gluey synth
motions soak in an otherworldliness, where industrious,
mechanical rhythms map out futurist structures in all
directions.
Metro City Bay Area exhibits a ghettotech soul, lean and
bouncy - this part of the galaxy is an infinite source of
fun, with the heart of groove at it’s core. Three Deities
brings adventurers of its region towards higher powers,
its ravey synths and an engulfing bass provoke
a complete NRG release, ascending into a spiritual
trance where dense melodies bubble and fizz.
Digital-only track United By Fate meddles busy vocal
samples with searching melodies, a fitting end to the
kaleidoscopic that is BLACK METROPOLIS.



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RE Edition, Orignal Pressing 2020!

Tracklist 12":
A1 Rodmin - Love
A2 Rodmin - Reflect
B1 Rodmin - Coins
B2 Rodmin - Coins (Alex.Do Riot Version)




Agenda 2020 ://about blank-style.



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2025 Repress

Territories: World excl. UK

FORMAT 12" 180g vinyl

TRACKLIST
A1. Digital Tsunami 06:19
A2. Aquatic Cataclysm 05:17
B1. The Plankton Organization 06:06
B2. Birth Of New Life 06:17

RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways' being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of 'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

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For catalogue number 016 Rødhåd invited Inox Traxx to his studio for a week-long session in January 2024. The result is SILVENE a four track EP showcasing the symbioses of the two producers in various depths.
Written & Produced by Inox Traxx and Rødhåd at WSNWG Studio Berlin.?Mastered by Conor Dalton at Calyx Mastering in Berlin?Vinyl Cut by Schnittstelle Mastering Berlin
WSNWG I 2025

A1 Silvene 01 [240122]
A2 Silvene 02 [240123]
B1 Silvene 03 [240124]
B2 Silvene 04 [240126]

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LP - green and red smashed vinyl

2. GENRE/S: 8-Bit, Chiptune, Electro

3. TRACKLIST:
A1 Chipppps - PRZ Remix (04:31)
A2 Exosphear - pdqb Speedrun Suture (00:28)
A3 Laserzimmer 1, Raum 3.16 - Noise&Noise Ghost Shell Remix (03:19)
A4 DodgedoG - pdqb Killscreen Suture (00:37)
A5 Flossbite - Galaxian Artefacts Remix (04:23)
B1 4d-TögTägTüu - CEM3340 Rework (03:52)
B2 Maurodius-Papeda - pdqb Demake Suture (00:38)
B3 Boktay - Dark Vektor Inside Your Eyes Remix (05:14)
B4 Binäry Gatoraders on Acid - pdqb Bonus Stage Suture (00:42)
B5 Lygöphobiä - Mesak's Broken Vectrex Mix (03:03)

4. SHORT INFO:
The neon "pdqb Arcade" sign in Port Astra flickered with the same chaotic energy it had decades ago. Six men, now with more gray hair and worries than they once had, stood at the entrance. They were the "Lucky Six," reunited after years of scattered lives and separate paths.

"I can't believe this place is still here" said Noise, who had flown in from Tokyo. "It hasn't changed 8 bits, haha". CEM, now a father of 3340 synthesizers from Bari, replied with a grin. "We have. Look at Galaxian, he's unrecognizable!"

Each of them held a single, precious coin. Their plan, born of a wave of nostalgia and the understanding that they couldn't stay forever, was simple: one coin, one game, one last chance to be a legend. Each man would choose the game that meant the most to him and play the round of his life…

At the end, pdqb, the arcade owner, came up to the guys. "Don't be sad", he said. "Even if it was your last credit, there's always one more somewhere in some game". He then walked through the arcade and played four different machines that just happened to have an extra credit on them. "See?", he said.

Synaptic Cliffs proudly presents pdqb together with six black belt gamers (PRZ, Noise&Noise, Galaxian, CEM3340, Dark Vektor, Mesak), each a legend in their own right. They don't just replay pdqb's 8 1/2 Bit album; they become it. Together, they embark on a journey through legendary worlds, creating a place filled with soundscapes and challenges that blur the line between music and game. They move with the rhythm of the music and face the challenges within, weaving their own stories into the fabric of the iconic work.

5. VITAL SALES POINTS:
" green and red smashed vinyl
" mastered by the infamous Mike Grinser
" remixed by ice-cold legends


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12" - 180g Vinyl Inside-out cut,
heavy cardboard full colour print

GENRE/S: Techno

TRACKLIST:

A1 Middle Finger Variation
A2 Goodbye Medellin
B1 Unspoken Feelings
B2 Now We Are Talking
B3 Prononciatio

SHORT INFO:

The next release on Nastia's imprint NECHTO introduces Stanislav Tolkachev's
latest offering, 'NECH024.' A pioneer of the Ukrainian techno scene, Tolkachev's
journey into techno began in the early 2000s in Dnipro, Ukraine. Renowned for his
atonal modular sound, he continues to showcase his mastery of synths in this
upcoming release with dozens of timeless tunes under his belt.

Having a longstanding connection with Nastia and the NECHTO label, Tolkachev's
collaboration with the label has been in the making for years. Nastia's unwavering
support during difficult times has fostered a genuine friendship between them,
paving the way for a much anticipated release.
The tracks, recorded approximately five years ago in his studio in Kyiv, are live
recordings made using analog modular synthesizers and FM groovebox, adding a
touch of hooliganism and romance to the mix.

Having patiently awaited the perfect moment, Tolkachev now unveils the five tracks,
characterised by his signature minimalistic, synth-led and atmospheric sound.

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