2019 Repress. Brown kraftpak sleeve

stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming.

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Tracklist
A1. Ambient Pressure Mix A2. dB’s Raw edit
B1. Konrad Black’s “Decompresha" Remix B2. Nathan Jonson’s Rewind to 96 Mix !
Short Info:
Mathew Jonson's “Decompression” was first released on Minus in 2004. To celebrate 13 years since it's release Mathew has commissioned 11 artists to remix this classic split over 4 releases. The first EP of the series features remixes from dBridge, Konrad Black and Nathan Jonson, each artists contribution provides a fresh approach to a package fuelled by the influence of Drum & Bass. dBridge steps up for two remixes, the first is warped and deconstructed, the second a high energy Drum & Bass belter. Konrad Black slows things down with a darker groove whilst Nathan Jonson's 'rewind to 96’ utilises rave tropes and chopped vocal samples. The package is a magnificent addition to the legacy of ‘Decompression’ and coming next will be remixes from Seth Troxler, Deadbeat, Mike Shannon and Natalia Escobar.

Mathew Jonson’s “Decompression” was first released on Minus in 2004.
This is the first release on Mathew Jonson’s new label entitled “Freedom Engine”
Mastered at Scape Mastering


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There are few artists at work in electronic music today with a sound as unmistakable as Mathew Jonson. The Vancouver producer has been steadily turning out some of the most inspiring electronic compositions of the past decade, beginning with his debut 12" for Canadian imprint Itiswhatitis Recordings in 2001, with a career taking in releases on Minus, Perlon and Kompakt - along with a steady output on the Wagon Repair label he co-founded in 2005, and numerous related side projects including Cobblestone Jazz, The Modern Deep Left Quartet and Midnight Operator (alongside his brother Nathan aka Hrdvision). Learning To Fly will be Jonson's second release on Minus, following 2004's Decompression EP - the release that truly launched him on the international stage and laid out a blueprint for his ever-evolving style, one that manages to consistently explore new territory whilst maintaining the aesthetic that makes his productions distinct from every other artist working today. Learning To Fly is arguably one of the most exciting singular works of Jonson's career, recalling his first Wagon Repair release: 2005's Marionette, a record that continues to inspire cultish devotion six years after its release and thoroughly deserves every adjective for 'hypnotic' and 'anthemic' that's ever been thrown at it. Learning To Fly retains those qualities whilst taking them yet further - a 12 minute sci-fi exploration that achieves that mark of classic electronic music production, working just as thrillingly for personal listening as it does when experienced as part of Jonson's transcendent live performances. Jonson himself considers Learning To Fly to be among the best compositions of his career, and brings it to Minus after years of waiting for the right track to follow the mighty Decompression. "For me this piece reflects clarity and harmony," explains Jonson. "Richie Hawtin is someone who has always inspired me to take my work to new levels, so it's fitting that Learning To Fly will be released on Minus”

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Canada's Mathew Jonson has become one of the pre-eminent producers in electronic music today, creating some of the most influential tracks of the past few of years both as a solo artist and as a founding member of the peerless musical trio Cobblestone Jazz.This, his fifth solo release on his own label Wagon Repair, continues in the tradition of enterprise and experiment that we should expect from his Vancouver studio. This EP presents a series of firsts, with Mathew trying his hand at electro pop for the first time, arranging a track for the first time on computer, and it sees his uneffected voice feature for the first time on a track. Opener 'Stop' offers the first of the firsts. This dreamy electro pop odyssey is a half written, half improvised jam, recorded live whilst singing, playing the vocoder and mixing the track simultaneously. Synthesized rainfall descends on a squelched funk bassline, as free vocoded passages meander between phased percussion in a wondrously woven workout. B side 'Real Dreams' signals both the first time Mathew has arranged a track on a computer, and the first time his pure vocal has made it onto tape. A downtempo arrangement mixed live to stereo track, this murky and cathartic exploration was borne of realising things about a past relationship, as descending harmonised melodies pulse contemplatively to a defiantly progressive beat. The shift of the creative process from live, physical creation to reflective computer editing is significant, and fitting to the prevalent mood of evaluation and reassessment. In combining these elements with Mathew's unsynthetic vocal we present an intimate and explorative new dimension to his already enthralling repertoire.


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Automatic is a new direction fusing electro, funk, and two-step. The first of a fresh batch of music producedin the new Wagon Repair studios. Focus on the dancefloor. Beach Party - A summer track for the early morning open air festivals. Inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. Oh yeah, and there are big fans blowing my hair around.
EXCLUDED TERRITORY:ITALY!!!!!!


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underground darling Mathew Johnson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words don't do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip MJ gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary Jaco Pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic David Axelrod arrangement, mixed at Lee Scratch Perrys echo chamber. miles above your typical paint-by-numbers club fare - simply HUGE!

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Tracklisting:
A: Typerope
B: Magic Through Music

ReleaseInfo:
2019 Reedition based on the 2013 re-master by Stefan Betke (Pole) using
Tube-Tech compressors and Weiss EQ's. Which was an improvement from the 2003 Original!
Carefully Re-Cut 1:1 and Edited in 140g Vinyl housed in thick Brown Carton Bags.

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Info:
It has been 13 years since Cobblestone Jazz debuted on the now infamous IIWII imprint, and in March of 2015 things will come full circle with the trio from Canada returning for the 16th release on the label where it all started. "Northern Lights" features tight gated keys layered with complex harmonies and soaring pad swells. Equally suited for peak time and sunrise, it is an incredibly versatile piece for the crate and clocks in at an ever evolving 11+ minutes
"Drawn From The Side Of Crime" is found on the flip, and is another long and twisting musical journey running just shy of 13 minutes. Its foundation is a meditative bassline that rolls underneath for the duration. Hints of a beautiful modal Rhodes line tease throughout the arrangement, adding a complex depth to the fabric of the piece. These recordings were done in one pass over a three day period in 2013, and edits were culled this past winter. The record as a whole is arguably their most musical and expansive release to date, which all things considered is quite a statement in itself. Cobblestone Jazz are extremely proud to be sharing this release on the imprint from where they began.



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Tracklisting:
A: Typerope
B: Magic Through Music

ReleaseInfo:
2019 Reedition based on the 2013 re-master by Stefan Betke (Pole) using
Tube-Tech compressors and Weiss EQ's. Which was an improvement from the 2003 Original!
Carefully Re-Cut 1:1 and Edited in 140g Vinyl housed in thick Brown Carton Bags.

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FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code

TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40

Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.


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FORMAT 12“ vinyl, printed sleeve, dl card

TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28

The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..


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Cat.No.: INTRAUTERIN007-dirt

2023 REPRESS

Format: 7“, additional stamp, marbled vinyl, limited to 200 copies

Tracklist
A1: Crystals
B1: Crystals *Speed Mix

File under: UK Garage / SpeedGarage / Breakbeat Garage

Back by popular demand! First repress ever on specially marbled vinyl which looks as raw, dirty and grimey as the streets these basslines are made for. 100% underground shit.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.



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Territories: World excl. UK

FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card

TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47

030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart.

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2019 Repress. Brown kraftpak sleeve

stunning second 12" single on his new label´is finally coming folks. what a name for this pretty incredible 2 tracker!! "Return of the Zombie Bikers" is a massive spine shiveringly intense almost dnb b lined big room track recorded in early 2005 and can easily be compared to Mat´s strongest moments including "decompression" on minus. Don't get us wrong though, this track doesn´t necessarily need the comparison,it easily stands out by far.let it work on and let it touch you, we feel it´s probably one of the strongest records MJ ever did!! "Put your booty shorts on" is yet another a side track written in 2002 dedicated to his wife Frank and remixed with including a vocal in 2005. A unique taste of what is to come in future live sets at the festivals this summer.this is the "hi end" in micro house coming.

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We are excited to announce the next collaborative release on the WSNWG Label. LAVANDE is the result of a one week long jam session between french producer and live performer UFO95 and label head Rødhåd in January this year.
The EP will be released on vinyl and in digital formats on the 7th of June. A Special Edition limited to 100 copies will be available on the same date at 12.00pm CET via the WSNWG bandcamp site.

Written & Produced by UFO95 and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin.
Vinyl cut at Schnittstelle in Berlin.

A1 LAVENDE 01 [240107.2] - UFO95 & Rødhåd
A2 LAVENDE 02 [240107.1] - UFO95 & Rødhåd
B1 LAVENDE 03 [240106] - UFO95 & Rødhåd
B2 LAVENDE 04 [240110] - UFO95 & Rødhåd



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12" - 2024 Limited Re Editiion in "Superman" Red Vinyl and Yellow Label

Tracklist 12”:
A1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Remaster)
A2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Man Power Remix)
B1 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (SIS Remix)
B2 M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman (Robag's Pumper-Nikkel 2008 Rmks)

Shortinfo:
Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes
from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now
classic original.

Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently
stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats
before unleashing loose, clattering breakbeats after a striking, extended breakdown.
SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing
on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect
groove.

Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky,
chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever.
M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get
Physical 12” in late July with a digital release following in the Autumn.

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