Hot 10” vinyl repress limited to 100 copies. Burning Up / Becoming Cyclonic from Jimpster, circa 2018. It’s Minimal, a bit twisted, but hooky as hell.

These will fly. Grab them whilst you can!

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Tokyo's EXPLORATIONS deejay crew strikes again with this unreleased disco cover version of STEVIE WONDER's classic "AS ALWAYS". With additional production by Chicago's own JORDAN FIELDS. 1-sided heavy weight green colored vinyl in paper sleeve. VERY limited like the last one!

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Tokyo's EXPLORATIONS crew drops a jazzy housed up remix of the classic "BRAZILIAN LOVE AFFAIR". Lush keys, a lovely songstress and natural live- drumming falling right into place on this raw rework. 100 copies of this limited 1-sider. On colored vinyl.

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4 new Club Paradiso’s re-works of rare cult Italo Disco tracks. Another must for Italo maniacs.

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A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”.

Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

The private pressing, only available on heavy vinyl, enchants with its lavish presentation. In the colorful gatefold, with a huge sticker, you will not only discover artistically designed inner sleeves with all of the lyrics, but also a greeting card and a secret little surprise.

Limited to 300 copies, “La Deutsche Vita” is sinfully sweet seduction for lovers and fetishists of the black gold. Hmm … delicious!

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The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3LON explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: "Everything I share as a 'solo project' is in fact never experienced as such," she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

zweikommasieben #24 includes
-interviews with Bonaventure, Milyma, Yegorka, :3LON, and Phillip Jondo, Maxwell Sterling & DJ Plead
-a portrait on Nazar
-Contributes by Elbis Rever and Martina Lussi (a scented inlay)
-essays on sound archives and post-pandemic raving
-columns Soundtexts (poetry), "Art Review" (exhibition review), and "Formations" (photography)

All-English issue, 114pages, 165x235mm, zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.


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The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3LON explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: "Everything I share as a 'solo project' is in fact never experienced as such," she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

zweikommasieben #24 includes
-interviews with Bonaventure, Milyma, Yegorka, :3LON, and Phillip Jondo, Maxwell Sterling & DJ Plead
-a portrait on Nazar
-Contributes by Elbis Rever and Martina Lussi (a scented inlay)
-essays on sound archives and post-pandemic raving
-columns Soundtexts (poetry), "Art Review" (exhibition review), and "Formations" (photography)

All-English issue, 114pages, 165x235mm, zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.


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As disco legends GIORGIO MORODER and CERRONE were pumping out disco hits in 1979 a lesser known BERNARD ESTARDY was releasing leftfield disco under aliases like ESTRAK LANCIOS, L.E.B. HARMONY, and UNIVERSAL ENERGY. Limited reissue with pic sleeve. Mystery colored vinyl.

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A rare sought-after LP of French proto-disco from BERNARD ESTARDY (AKA ESTRAK LANCIOS) alongside JEAN-PIERRE BOURTAYRE. Composed during 1977, the time when space was the place and cosmic DJ DANIELE BALDELLI was rocking
the world at Italian discotheques. Mystery colored vinyl! Pic sleeve.

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Ramon Tapia remixes the legendary 'The Andor Voyage' by Metro Dade (1995). Strong support by Adam Beyer.


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Deep druggy dancefloor business from a well known crew from the east, not so much an edit, more of a rebuild, flipped with some JazzDiscoâ?¢ business for those who know.

Real heads know the deal, 300 only so quick if you want a feel.


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Killer Edits of the King by Point G. Limited Edition ! Be fast

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*300 ONLY* (Yes, this is the Britney Spears 'Toxic' remix....)


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Repress!


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WHITE VINYL REPRESS! Well. Where do we start with 'Deep Inside'? Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track? Check. Maurice Joshua on co-production duties? You got it. Vocals by Ms. Barbara tucker? They're there. Killer, rock hard drums? Stacks of Soul? Masterfully chopped up Disco samples? All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves. You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado. You know what to do!

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Still sounding as fresh as when first released some 20 years ago, this EP, produced by Ed Bahlman for his label, 99 Records, is a classic. Much sampled by DJ's and record producers all over the world, includes 'You're No Good', 'Moody', and 'UFO', in pic

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JUAN ATKINS legendary first electro productions from the mid-80's now REPRESSED!!

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One-Sided 12" with the hit from "Berlin Calling" Soundtrack!

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Doubting all the time. Fearing all the time. Our Darkness descends upon Dark Entries with a reissue of Anne Clark’s epochal proto-house masterpiece from 1984. As a young poet, Clark found herself drawn to London’s emerging punk scene. She became acquainted with Psychic TV affiliate David Harrow, with whom she would collaborate on 1983’s Changing Places and 1984’s Joined Up Writing. “Our Darkness,” off the latter album, was released as a single on Ink Records that same year, and became an underground club hit. It’s a singular piece of music: Clark’s lyrics, delivered with equal parts muscular confidence and unease, speak of urban alienation and heartbreak, while Harrow’s production pummels the listener with hydraulic beats and gloom-laced arpeggios. The song’s spirit would prove influential on both the early Chicago house and Detroit techno scenes, where mechanistic funk and existential despair could catalyse dancefloor mayhem. This reissue offers three versions of “Our Darkness”: the original 12” remix, the Razormaid mix, and a previously unreleased dub version uncovered by David Harrow. Also included is the extended mix of “Sleeper in Metropolis,” another dancefloor hit of Clark’s, as well as the elegiac “Poem for a Nuclear Romance.” The record includes an insert with liner notes and lyrics. “Our Darkness” channels timeless longing and contemporary dismay, a classic overdue for a little light shed upon it.

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