1
Furious Frank - Blue Meanie
2
Furious Frank - Photosynthesis
3
Furious Frank - Raving Lunatic
4
Furious Frank - Wize Guy (3am Acid Mix)
All killer, no filler type biz as Naarm hardware donny Furious Frank makes his Oyster Cult return.
Strictly dancefloor wreckers from beginning to end. Girder-strength rhythm and driving, direct torque on the menu as Frank opts in favour of club-ready ordnance. Those with a taste for the rough n’ ready have never been in safer hands.
He’s bringing the heft like it's going out of style while keeping true to sci-fi and hallucinatory tendencies. Future-proofed forays into acid and trance backed with some of the toughest breakneck groove you’re likely to hear this summer. Darting synths, flourishes of 303; all the good stuff.
Dealing damage from the controls of his drum machine, urgent basslines and lacerating percussion are primed for maximum impact. Quintessentially Furious." More
Strictly dancefloor wreckers from beginning to end. Girder-strength rhythm and driving, direct torque on the menu as Frank opts in favour of club-ready ordnance. Those with a taste for the rough n’ ready have never been in safer hands.
He’s bringing the heft like it's going out of style while keeping true to sci-fi and hallucinatory tendencies. Future-proofed forays into acid and trance backed with some of the toughest breakneck groove you’re likely to hear this summer. Darting synths, flourishes of 303; all the good stuff.
Dealing damage from the controls of his drum machine, urgent basslines and lacerating percussion are primed for maximum impact. Quintessentially Furious." More
More records from Furious Frank
1
Furious Frank - The Acid Steed
2
Furious Frank - 24 / Heaven
3
Furious Frank - Mr Midnight
Label:Kalahari Oyster Cult
Cat-No:OYSTER28R
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER28R
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
1
Furious Frank - Existential Crisis
2
Furious Frank - Artificial Simulation
3
Furious Frank - Trip 2 Fantasy
4
Furious Frank - Trip 2 Fantasy (Ludwig A.F. Worldwide Floor Destruction Mix)
Preorder for repress
--
Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via OYSTER28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.
A1 Existential Crisis, aka the current natural state of the world, sparks fly with flanged percussion springing between damaging drum work, making space for the juicy acid evolution. The journey develops to include dystopian stuttered vocals, glistening bells and pads to form a melancholic driver.
Continue the mood, elastic processed rhythms roll and dip for the A2 Artificial Simulation, robotic mechanism holding hands with the heavenly, dream state timbre, fluttered and full of melodic resonance.
The title track on the B2 Trip 2 Fantasy opens bold and brave, a punishing bass line and commanding claps, hot syncopation aimed for bodies moving. Thundering toms run stealthily underneath an ascending motif of delicate synthesis. “Join Me in my Dreams, My Trip to Fantasy” echoing out in seductive bliss over the driving undergrowth.
The record is rounded off with an even deeper, throbbing rejig of the former from none other than Ludwig A.F. The “Floor destruction” mix isn’t coy about its intentions, risers, diced vocals and anticipation through the roof.
A record ready to explode, whenever and wherever that may be. More
--
Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via OYSTER28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.
A1 Existential Crisis, aka the current natural state of the world, sparks fly with flanged percussion springing between damaging drum work, making space for the juicy acid evolution. The journey develops to include dystopian stuttered vocals, glistening bells and pads to form a melancholic driver.
Continue the mood, elastic processed rhythms roll and dip for the A2 Artificial Simulation, robotic mechanism holding hands with the heavenly, dream state timbre, fluttered and full of melodic resonance.
The title track on the B2 Trip 2 Fantasy opens bold and brave, a punishing bass line and commanding claps, hot syncopation aimed for bodies moving. Thundering toms run stealthily underneath an ascending motif of delicate synthesis. “Join Me in my Dreams, My Trip to Fantasy” echoing out in seductive bliss over the driving undergrowth.
The record is rounded off with an even deeper, throbbing rejig of the former from none other than Ludwig A.F. The “Floor destruction” mix isn’t coy about its intentions, risers, diced vocals and anticipation through the roof.
A record ready to explode, whenever and wherever that may be. More
1
Furious Frank - Blossom
2
Furious Frank - Blossom (Eden Burns Remix)
3
Furious Frank - Leonzo
4
Furious Frank - Wave Pool
Mind Dance’s first release of the year, ‘Furious Frank – Wavepool', offers up four emotive, yet unique, club cuts. Including a proggy remix of the A1 by NZ’s own Eden Burns, which skillfully weaves between energetic perc build ups, catchy vocal synths and indulgent chords.
More
1
Furious Frank - No Escape
2
Furious Frank - Venom Viper
3
Furious Frank - Frau Freda
4
Furious Frank - No Diving
5
Furious Frank - Bonus Track
or the next Mind Dance excursion Frank delivers Venom Viper; a five-cut genre defying journey of raw emotion for club use and/or home listening. Limited pressing of 300. TRACK LISTING, A1. No Escape, A2. Venom Viper, B1. Frau Freda, B2. No Diving, B3. Bonus Track
More
More
1
Furious Frank - Topp Floor
2
Furious Frank - Hallucinations
3
Furious Frank - Infinity Pool
4
Furious Frank - Mindsweeper
Melbourne based producer Furious Frank has been making plenty of noise of late. He returns in 2019 with his very own imprint “Mind Dance”, of which will undoubtedly be home to much of his expanding portfolio of high quality, club ready tracks. His debut Mind Dance release ‘Infinity Pool’ unveils a diverse yet unified front. Touching on early 90s acid, electro and trance, the release is brought together by a common thread of crisp, classic analog drums and 303 acid lines. Frank expertly contrasts these driving rhythms with moody pads and spoken word samples calling us back to the 90s, creating a nostalgic sense of euphoria sure to capture the hearts and minds of any early morning dance floor. Limited to 300 copies.
More
More records from Kalahari Oyster Cult
Label:Kalahari Oyster Cult
Cat-No:OYSTER55R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER55R
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
1
Kosh - Human Condition
2
Kosh - The Chopper
3
Kosh - Come On
4
Kosh - The Zinger
Repress!
More
More
1
Nathan Melja - Synesthesia
2
Nathan Melja - Synesthesia (Anthony Naples Remix)
3
Nathan Melja - Synesthesia (Pariah Remix)
Repress!
“Empty your mind, be formless, shapeless – like water. Now you put water into a cup, it becomes the cup, you put water into a bottle, it becomes the bottle, you put it in a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend.” The steadily brilliant French producer Nathan Melja – who’s made the rounds between choice outlets over the past half decade, from Mister Saturday Nights to Antinote, via Ninja Tune offshoot Technicolour and Opal Tapes, seems to have learnt Bruce Lee’s lesson by heart, and his seamlessly fluid, no-nonsense debut foray on K.O.C. is here to potently cement his status as one of Europe’s number one club trailblazers, and one that knows all too well how to turn any dancefloor into an infinity pool of pure liquid euphoria.
Drawing its name from the physiological and psychological process that results in a confusion of one’s sensory perceptions, ‘Synesthesia’ is indeed the kind of club single that shall trigger off massive reaction amongst right-minded bipeds and chromakey house suckers. Straightforward club business done right, Melja’s original is a vivid kaleidoscope of skittish drums, swampy bass stabs and a well-rounded, supremely curvy synthwork, tailored to take ravers on a flash journey through space and time without the help of Richard Branson or Elon Tusk (pun intended).
Called in on remix duty, TTT affiliate and Incienso co-founder Anthony Naples delivers a more fragmented and ambientish variation, though functional and club-ready in its own right. Brushing even wider verbed-out pad tapestries for your brain to wander in, the track expands to deeper organic horizons with a field-depth that can not but recall that of the KLF and Bochum Welt’s emotional soundscaping. Meanwhile, Karenn half Pariah takes care of whelming us deep into more techno-friendly terrains, true to his ever masterly touch for epic buildups and multi-level textural innovation, bringing up the acidic phlegm of Melja’s original as he treats us to a carefully orchestrated ballet of synthetic whorls, contemplative chords and propulsive drum programming. More
“Empty your mind, be formless, shapeless – like water. Now you put water into a cup, it becomes the cup, you put water into a bottle, it becomes the bottle, you put it in a teapot, it becomes the teapot. Now water can flow or it can crash. Be water, my friend.” The steadily brilliant French producer Nathan Melja – who’s made the rounds between choice outlets over the past half decade, from Mister Saturday Nights to Antinote, via Ninja Tune offshoot Technicolour and Opal Tapes, seems to have learnt Bruce Lee’s lesson by heart, and his seamlessly fluid, no-nonsense debut foray on K.O.C. is here to potently cement his status as one of Europe’s number one club trailblazers, and one that knows all too well how to turn any dancefloor into an infinity pool of pure liquid euphoria.
Drawing its name from the physiological and psychological process that results in a confusion of one’s sensory perceptions, ‘Synesthesia’ is indeed the kind of club single that shall trigger off massive reaction amongst right-minded bipeds and chromakey house suckers. Straightforward club business done right, Melja’s original is a vivid kaleidoscope of skittish drums, swampy bass stabs and a well-rounded, supremely curvy synthwork, tailored to take ravers on a flash journey through space and time without the help of Richard Branson or Elon Tusk (pun intended).
Called in on remix duty, TTT affiliate and Incienso co-founder Anthony Naples delivers a more fragmented and ambientish variation, though functional and club-ready in its own right. Brushing even wider verbed-out pad tapestries for your brain to wander in, the track expands to deeper organic horizons with a field-depth that can not but recall that of the KLF and Bochum Welt’s emotional soundscaping. Meanwhile, Karenn half Pariah takes care of whelming us deep into more techno-friendly terrains, true to his ever masterly touch for epic buildups and multi-level textural innovation, bringing up the acidic phlegm of Melja’s original as he treats us to a carefully orchestrated ballet of synthetic whorls, contemplative chords and propulsive drum programming. More
1
Blu:sh - Temptations And Destructions
2
Blu:sh - Fly And Mimi
3
Blu:sh - Rave Up
4
Blu:sh - What Do Dreams Mean?
5
Blu:sh - Buzz Boyz
Almost exactly a year since since ‘Felt Cute’ debuted on Kalahari and Blu:sh is back in the building. But this time around, it’s with a record evoking the muggy closeness of a dancefloor suspended somewhere between peak-time elation and wide-eyed vision quest.
Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end. More
Tweaking the blueprint to rapturous ends, the latest offering from this Blu:sh project propels itself forward with a muscle-bound groove. Six robust, deadly club trax replicate the breathy seduction of its predecessor, but this time, with added velocity.
Pinky Promise is full frontal and deadly while channelled through the same explorative prism characterising Benoit’s best work. Probably the toughest material the prolific shapeshifter has put out to date.
Nods to Eurocentric styles shine through with particular emphasis on the sexy and trance-inducing. It goes straight out the traps with a big dose of fractal fuel and stays murkily psychedelic to the very end. More
1
Spray - VT Trad
2
Spray - Q3projz
3
Spray - Zippycher
4
Spray - Slipped
another repress coming mid/end of january 2025.
More
Label:Kalahari Oyster Cult
Cat-No:OYSTER63
Release-Date:04.10.2024
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER63
Release-Date:04.10.2024
Genre:House / Techno
Configuration:12"
1
Priori - Lexica
2
Priori - Tropeware
3
Priori - Sub Lux
4
Priori - Sub Lux (Sansibar Remix)
With a remix and a compilation cameo already under his belt, Canadian figurehead Priori makes his Kalahari return for the debut proper. 3 squelchy incursions complete with a hefty remix from fellow Oyster Cult acolyte Sansibar.
Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.
This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.
Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. . More
Known for traversing breezy, horizontal zones, the NAFF co-founder sets downbeat and ambient concerns aside for the direct and propulsive. Expect insistent, urgent forays down the wormhole as nocturnal jaunts made of ritual and darkroom throb coalesce with meditative, essential rhythm.
This is fractal gear born from the the traditions of European, Japanese and American Mid-West techno; tunnelling and immersive, conjuring moments of ascension for the gathered masses.
Finishing on Sansibar’s meaty refit, the one-two punch of seismic kick and dry-as-bone snare propels Priori’s original in a whole new direction. . More
1
Oma Totem - the trick
2
Oma Totem - the trick (OK EG rework)
3
Oma Totem - choreos
4
Oma Totem - mania
Barna mainstay oma totem is dishing out the cerebral and dubby like it’s nobody’s business. 3 tripped-out accelerators courtesy of the Oyster Cult debutant, complete with an OK EG rework for good measure.
No messing with this purveyor of reverb-drenched dynamics and fractal polyrhythm. But this time, rather than the inward contemplation of releases past, we get something a little more full-frontal.
Robust club gear rooted in ominous portent, opener ‘The Trick’ recalls the heyday of early 00s bass music. It’s tunnelling prog caught on a dark side flex. Then, in a coming together of kindred spirits, Melbourne hardware duo OK EG take it upon themselves to provide some introspection. Expect depth charge bass-weight primed for meditative moments.
‘Choreos’ finds the Hivern Discs affiliate at his deftest. Intricate and kaleidoscopic with careful attention to rhythmic intricacies, but never at the expense of dancefloor propulsion. The same could be said for the follow-up.
Equal parts driving and trance state-inducing, closing number ‘Mania’ has oma returning to the inky abyss from whence he came. Detailed, dubbed-out and quintessentially Kalahari. More
No messing with this purveyor of reverb-drenched dynamics and fractal polyrhythm. But this time, rather than the inward contemplation of releases past, we get something a little more full-frontal.
Robust club gear rooted in ominous portent, opener ‘The Trick’ recalls the heyday of early 00s bass music. It’s tunnelling prog caught on a dark side flex. Then, in a coming together of kindred spirits, Melbourne hardware duo OK EG take it upon themselves to provide some introspection. Expect depth charge bass-weight primed for meditative moments.
‘Choreos’ finds the Hivern Discs affiliate at his deftest. Intricate and kaleidoscopic with careful attention to rhythmic intricacies, but never at the expense of dancefloor propulsion. The same could be said for the follow-up.
Equal parts driving and trance state-inducing, closing number ‘Mania’ has oma returning to the inky abyss from whence he came. Detailed, dubbed-out and quintessentially Kalahari. More
Label:Kalahari Oyster Cult
Cat-No:OYSTER45
Release-Date:21.06.2024
Genre:House / Techno
Configuration:2LP
Label:Kalahari Oyster Cult
Cat-No:OYSTER45
Release-Date:21.06.2024
Genre:House / Techno
Configuration:2LP
1
SW. - SKYnetOPENwindow
2
SW. - daREAL90'sdeal
3
SW. - shaCAT'selecTRON70's
4
SW. - rimFLYgemini
5
SW. - nightTRAIN29X
6
SW. - deeepFLYYyyHIgh
7
SW. - silverLIGHTrePHLEXTION
8
SW. - gemiNIorigIN
9
SW. - CUTlightDAY
10
SW. - YZXY endERGY
The mercurial talent that is SW. back in the building with a new album, and if it weren’t already apparent, OYSTER45 goes some way to assert his place in the pantheon of pioneering producers. In fact, nobody can question his position right at the vanguard of forward-facing dancefloor dynamics.
myDEFINITION part II catches the SUED co-founder as vital as ever. Keeping it on that dusty, low-key flex that has long been his trademark, it harnesses ingenuity to conjure some of the most intriguing gear you’re likely to hear from a limited studio setup. Gone are the hi-tek jazz and ambient flourishes of the near-mythical ‘Untiled’ album, opting, instead, for pure dancefloor headiness. Precision-tooled breakbeats, opulent IDM cybernetics, tuff bleep n’ bass and late nite electro across 10 distinct trax.
Side quests into more abstract realms are fleeting. Dappled melodies evoke warmth in hues of pink and orange but any ambient-dub ephemera quickly dissipates into the peripheries in favour of club-ready pressure. The spectre of mid-‘90s dance music looms large but the SW. blueprint, with its captivating free-form approach, spins those vintage tropes into a distinct sound unto itself. Masterful, cinematic and hallucinatory.
Often drawing comparisons with B12’s seminal brand of ambient techno, SW. will surely be a stylistic reference point in his own right for years to come. Such is the indelible influence he has cast on contemporary electronic music. More
myDEFINITION part II catches the SUED co-founder as vital as ever. Keeping it on that dusty, low-key flex that has long been his trademark, it harnesses ingenuity to conjure some of the most intriguing gear you’re likely to hear from a limited studio setup. Gone are the hi-tek jazz and ambient flourishes of the near-mythical ‘Untiled’ album, opting, instead, for pure dancefloor headiness. Precision-tooled breakbeats, opulent IDM cybernetics, tuff bleep n’ bass and late nite electro across 10 distinct trax.
Side quests into more abstract realms are fleeting. Dappled melodies evoke warmth in hues of pink and orange but any ambient-dub ephemera quickly dissipates into the peripheries in favour of club-ready pressure. The spectre of mid-‘90s dance music looms large but the SW. blueprint, with its captivating free-form approach, spins those vintage tropes into a distinct sound unto itself. Masterful, cinematic and hallucinatory.
Often drawing comparisons with B12’s seminal brand of ambient techno, SW. will surely be a stylistic reference point in his own right for years to come. Such is the indelible influence he has cast on contemporary electronic music. More
1
Buttechno - trancer
2
Buttechno - tech metal
3
Buttechno - mc2oh2
4
Buttechno - bleeps
Pavel Milyakov, AKA Buttechno, coming through with the kind of impeccably-produced, trance-inducing deftness we've come to expect.
A kindred spirit of the Oyster Cult, this is a union long overdue. While he’s often found working in horizontal zones, inhabiting the intersection between ambient and downtempo, these are dancefloor dynamics for pure contemplation. Gone is the amorphous abstraction of releases like ‘PSY X’ and the kind output reserved for release under his birth name, instead opting for a lean, hypnotic kind of minimalism.
‘OYSTER57’ picks up where the ‘Inorganic Demons’ LP and aptly-titled ‘Minimal Cuts’ series left off. Saying that, the first three tracks navigate territory gloomier than the aforementioned; uneasy at times but deeply engrossing, smudged and frayed into heads-down interzones of tunnelling throb and icy melodic flourish. Girder-strength pressure primed for metaphysical experience.
Then, like a vestige of the finest turn-of-the-century progressive trance, ’bleeps’ ends proceedings on a slight departure. A showcase of restraint from the Berlin-based maestro and a fitting way to close. More
A kindred spirit of the Oyster Cult, this is a union long overdue. While he’s often found working in horizontal zones, inhabiting the intersection between ambient and downtempo, these are dancefloor dynamics for pure contemplation. Gone is the amorphous abstraction of releases like ‘PSY X’ and the kind output reserved for release under his birth name, instead opting for a lean, hypnotic kind of minimalism.
‘OYSTER57’ picks up where the ‘Inorganic Demons’ LP and aptly-titled ‘Minimal Cuts’ series left off. Saying that, the first three tracks navigate territory gloomier than the aforementioned; uneasy at times but deeply engrossing, smudged and frayed into heads-down interzones of tunnelling throb and icy melodic flourish. Girder-strength pressure primed for metaphysical experience.
Then, like a vestige of the finest turn-of-the-century progressive trance, ’bleeps’ ends proceedings on a slight departure. A showcase of restraint from the Berlin-based maestro and a fitting way to close. More
1
Ebbs N Flow - Bunch Of Amateurs
2
Ebbs N Flow - In This Emptiness
3
Ebbs N Flow - Deep Dream
4
Ebbs N Flow - Vibrationz
The Oyster Cult’s Naarm continent grows larger with the addition of Ebbs N Flow. The unholy alliance of Dashiell and Will Holden of Hybrid Man touching down with some precision-tooled tech house variants, and considering their only previous collab came on an Animalia compilation back in 2022, this has been long in the making.
OYSTER56 marks the first full release from this lesser spotted project. The handiwork of two producers, both accomplished in their own right but transcending their respective styles for a 4-track dose of late nite propulsion. Seductively stripped-back and engineered for optimum impact.
Flexing a deftness of touch, and a far cry from the smudged, dubby FX Holden tends to deploy under the Hybrid Man banner, these tracks set the duo’s stall out as purveyors of the nocturnal and club-ready. Sultry, sleek, and sumptuous like only the dankest cuts can sound.
It’s fitting that a track with the title 'Deeper Dream' might feature on a release feeling like a transmission from the other side; a parallel dimension where the after-hours never end. More
OYSTER56 marks the first full release from this lesser spotted project. The handiwork of two producers, both accomplished in their own right but transcending their respective styles for a 4-track dose of late nite propulsion. Seductively stripped-back and engineered for optimum impact.
Flexing a deftness of touch, and a far cry from the smudged, dubby FX Holden tends to deploy under the Hybrid Man banner, these tracks set the duo’s stall out as purveyors of the nocturnal and club-ready. Sultry, sleek, and sumptuous like only the dankest cuts can sound.
It’s fitting that a track with the title 'Deeper Dream' might feature on a release feeling like a transmission from the other side; a parallel dimension where the after-hours never end. More
Label:Kalahari Oyster Cult
Cat-No:OYSTER49
Release-Date:30.06.2023
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER49
Release-Date:30.06.2023
Genre:House / Techno
Configuration:12"
1
Cleveland - Tempo Oro
2
Cleveland - Rand
3
Cleveland - Pryd
4
Cleveland - Mano
5
Cleveland - Lola Ran
The sounds of Cleveland seem to grow increasingly abstract with each passing release and a third Kalahari outing is no exception. Manipulating house and techno templates into newly mutated forms, ‘Lola Ran’ is a testament to a producer always playing fast and loose with concepts of genre. It’s possibly his most probing set of productions thus far.
Where predecessors came bearing remixes, it's strictly originals for the duration here.
‘Rand’ and ‘PrideBRK’ are direct but decidedly off-kilter; at once modern and faintly retro in their approach to breaks and deep-dwelling techno. ‘Lola Ran’, ‘Mano’ and ’Temp Oro’, on the other hand, shift gear into opiated, rhythmelodic territory. There are no doubt traces of Detroit-style sci-fi but the Brussels-based producer terraforms an alien microcosm unto itself. More
Where predecessors came bearing remixes, it's strictly originals for the duration here.
‘Rand’ and ‘PrideBRK’ are direct but decidedly off-kilter; at once modern and faintly retro in their approach to breaks and deep-dwelling techno. ‘Lola Ran’, ‘Mano’ and ’Temp Oro’, on the other hand, shift gear into opiated, rhythmelodic territory. There are no doubt traces of Detroit-style sci-fi but the Brussels-based producer terraforms an alien microcosm unto itself. More
Label:Kalahari Oyster Cult
Cat-No:OYSTER40
Release-Date:05.05.2023
Genre:House / Techno
Configuration:4LP
Label:Kalahari Oyster Cult
Cat-No:OYSTER40
Release-Date:05.05.2023
Genre:House / Techno
Configuration:4LP
1
S.O.N.S - & Go Dam - Force Of Will
2
Volodymyr Gnatenko - Subra
3
RDS & Eversines - Plooooooink
4
Raymond Castoldi - 1991
5
Maara & Priori - C'mon
6
Big Zen - Really Bad Habit
7
Furious Frank - Red Herring
8
Sansibar - Between Two Circles
9
Roza Terenzi - Beat Pig
10
Adam Pits - Spreadable
11
Sound Mercenary - Float Downstream
12
Syzygy - Can I Dream?
13
Sohrab - Silk Road
14
D. Tiffany - Ghost Filter
15
Maara - Floating In The Swamp
16
Oma Totem - sardana sardana
17
SW. - biXsiXstreetliCKs
18
Eversines - Onigi (Ambient Version)
Six years, more than fifty releases, countless artists and multiple subsidiaries; the Oyster Cult’s reach extends far beyond what sceptics once thought possible. It’s only fitting, then, that we gather some of our finest under the Kalahari banner in celebration.
The anniversary release is upon us. Six whole years since Jacy helped inaugurate the label with a spin on Midwestern house, OYSTER40 signals a landmark occasion. 18 tracks, quadruple vinyl boxset action, and in true Oyster Cult tradition, it comes bearing pearls.
Dancefloor squarely in focus, the Cult assembles on a compilation spanning alumni and new inductees alike. It’s an assemblage of the fractal, explorative and ritual-ready; at once a focused distillation of the Kalahari sound and celebration of its many acolytes. Big on atmosphere, heavy on groove, we delve deeply into the musical DNA shared by all who grace the label.
Tough, direct cuts (Sansibar, Roza Terenzi, Big Zen, Maara & Priori) to the pristine and widescreen (S.O.N.S., Volodymyr Gnatenko, Adam Pits), this is all quintessentially Kalahari. Elsewhere though, the likes of D. Tiffany and SW. journey further into realms of abstraction: the former opting for hi-tech, dreamstate IDM, while the SUED co-founder dissolves a house template into dubby introspection.
Calling upon contemporary talents for the most part, there are also exceptions. Raymond Castoldi - the one-time house producer best known as Madison Square Garden’s music director - returns with an unreleased nugget from ’91, while an ‘Aliens’-sampling track from Detroit-indebted techno outfit Syzygy gets the reissue treatment. More
The anniversary release is upon us. Six whole years since Jacy helped inaugurate the label with a spin on Midwestern house, OYSTER40 signals a landmark occasion. 18 tracks, quadruple vinyl boxset action, and in true Oyster Cult tradition, it comes bearing pearls.
Dancefloor squarely in focus, the Cult assembles on a compilation spanning alumni and new inductees alike. It’s an assemblage of the fractal, explorative and ritual-ready; at once a focused distillation of the Kalahari sound and celebration of its many acolytes. Big on atmosphere, heavy on groove, we delve deeply into the musical DNA shared by all who grace the label.
Tough, direct cuts (Sansibar, Roza Terenzi, Big Zen, Maara & Priori) to the pristine and widescreen (S.O.N.S., Volodymyr Gnatenko, Adam Pits), this is all quintessentially Kalahari. Elsewhere though, the likes of D. Tiffany and SW. journey further into realms of abstraction: the former opting for hi-tech, dreamstate IDM, while the SUED co-founder dissolves a house template into dubby introspection.
Calling upon contemporary talents for the most part, there are also exceptions. Raymond Castoldi - the one-time house producer best known as Madison Square Garden’s music director - returns with an unreleased nugget from ’91, while an ‘Aliens’-sampling track from Detroit-indebted techno outfit Syzygy gets the reissue treatment. More
Label:Kalahari Oyster Cult
Cat-No:OYSTER28R
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER28R
Release-Date:21.04.2023
Genre:House / Techno
Configuration:12"
1
Furious Frank - Existential Crisis
2
Furious Frank - Artificial Simulation
3
Furious Frank - Trip 2 Fantasy
4
Furious Frank - Trip 2 Fantasy (Ludwig A.F. Worldwide Floor Destruction Mix)
Preorder for repress
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Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via OYSTER28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.
A1 Existential Crisis, aka the current natural state of the world, sparks fly with flanged percussion springing between damaging drum work, making space for the juicy acid evolution. The journey develops to include dystopian stuttered vocals, glistening bells and pads to form a melancholic driver.
Continue the mood, elastic processed rhythms roll and dip for the A2 Artificial Simulation, robotic mechanism holding hands with the heavenly, dream state timbre, fluttered and full of melodic resonance.
The title track on the B2 Trip 2 Fantasy opens bold and brave, a punishing bass line and commanding claps, hot syncopation aimed for bodies moving. Thundering toms run stealthily underneath an ascending motif of delicate synthesis. “Join Me in my Dreams, My Trip to Fantasy” echoing out in seductive bliss over the driving undergrowth.
The record is rounded off with an even deeper, throbbing rejig of the former from none other than Ludwig A.F. The “Floor destruction” mix isn’t coy about its intentions, risers, diced vocals and anticipation through the roof.
A record ready to explode, whenever and wherever that may be. More
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Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via OYSTER28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.
A1 Existential Crisis, aka the current natural state of the world, sparks fly with flanged percussion springing between damaging drum work, making space for the juicy acid evolution. The journey develops to include dystopian stuttered vocals, glistening bells and pads to form a melancholic driver.
Continue the mood, elastic processed rhythms roll and dip for the A2 Artificial Simulation, robotic mechanism holding hands with the heavenly, dream state timbre, fluttered and full of melodic resonance.
The title track on the B2 Trip 2 Fantasy opens bold and brave, a punishing bass line and commanding claps, hot syncopation aimed for bodies moving. Thundering toms run stealthily underneath an ascending motif of delicate synthesis. “Join Me in my Dreams, My Trip to Fantasy” echoing out in seductive bliss over the driving undergrowth.
The record is rounded off with an even deeper, throbbing rejig of the former from none other than Ludwig A.F. The “Floor destruction” mix isn’t coy about its intentions, risers, diced vocals and anticipation through the roof.
A record ready to explode, whenever and wherever that may be. More
1
Sohrab - Dualism
2
Sohrab - Transfer Learning
3
Sohrab - Fool's Demise
4
Sohrab - Movimento Perpetuo
5
Sohrab - Fleeting Thoughts
6
Sohrab - Sunseeker
7
Sohrab - V.R.F
8
Sohrab - Crystal Clear
Expanding on the blueprint of previous releases, Trieste-born, London-based producer Sohrab is the Kalahari clan’s latest inductee. OYSTER43 is a distillation of the Italian producer’s stylistic scope in its purest form; impeccably crafted dance music with a healthy dose of prog.
Running deep with this one. Smartly refined constructions primed for meditative club use, the first four tracks are rendered in pristine detail. From the widescreen and tunnelling to straight-up utopian, there’s a life-affirming vitality like only the most quintessential '90s prog-house can achieve.
The record begins to veer into realms of dilated abstraction on the second plate. Where ‘Fleeting Thoughts’ unfurls like a slice of hi-tech IDM undergoing an ayahuasca ceremony, ‘Sunseeker’ and ‘Deconstruct’ keep the ritual going at a lysergic, slo-mo chug. ‘Crystal Clear’, on the other hand, evokes the ‘70s with a bucolic, avant-garde synth lullaby. More
Running deep with this one. Smartly refined constructions primed for meditative club use, the first four tracks are rendered in pristine detail. From the widescreen and tunnelling to straight-up utopian, there’s a life-affirming vitality like only the most quintessential '90s prog-house can achieve.
The record begins to veer into realms of dilated abstraction on the second plate. Where ‘Fleeting Thoughts’ unfurls like a slice of hi-tech IDM undergoing an ayahuasca ceremony, ‘Sunseeker’ and ‘Deconstruct’ keep the ritual going at a lysergic, slo-mo chug. ‘Crystal Clear’, on the other hand, evokes the ‘70s with a bucolic, avant-garde synth lullaby. More
1
Sansibar - Scully (Earth People Mix)
2
Sansibar - Force Of Equilibrium
3
Sansibar - NRJ
4
Sansibar - Teal'c
5
Sansibar - Send It
6
Sansibar - Fantasmas
7
Sansibar - Aurora Eclipse
Repress!
Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.
“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.
One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.
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Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene. More
Rushing us headlong into a vorticist maelstrom of hard-edged drum stutter and polychromatic synth fragmentation, Sansibar sophomore long-player for Kalahari Oyster Cult - “Sans Musique” - tackles the very essence of post-trancey, breaks-loaded UK blends with unabashed joy to wreak havoc on his path. Throughout seven tracks oozing burnt kerosene and depleted uranium residue merged with a hint of sacred incense, Sansibar deploys his extra-wide vision for the present and future of dance music.
“Scully” attacks pedal to the metal, hi-intensity bass onslaughts and knee-buckling breaks roaring as the groove slings us at bullet-speed into a hot, narrow barrel of floor-focused aggression. Fusing rattling DnB engineering with Goa trance motifs, “Force of Equilibrium” showcases Sansibar’s hybrid attachment to functionality and headspace fractalisation. Hi-velocity rimshots, pep vox samples and alien basslines blazing, “NRJ” eases us into a shape-shifting network of underground tunnels dwelled by shady raving creatures, harking back to Prodigy’s early wares and subsequent offshoots of the 90s era.
One to bend your mind to, “Teal’c” taps into an even darker vein with its fast-cascading hats and von Oswald-ian dub whirlwind set against a surgically laid-down, unstoppable EBM bass comber. Jagged and oneiric to the finest extent, “Send It” peeps at prime Hokusai and Photek material in its first stretch, slowly making room for further spacious liquid junglism as bars run by. Cranking the 2-step/garage power levels up a notch, “Fantasmas” sends us spinning into orbit right away, while the LP’s closing track “Aurora” takes us on a languidly serene voyage of a finale, tempo slowed-down and suave trip-hop flavours exuding with increased sensitiveness.
--
Hailing from Helsinki, Finland, Sansibar is a non-pareil cosmic traveller - also producer, resident DJ at Kaiku and Post Bar and wave agitator on IDA Radio and EOS Radio - whose genre-unbound sound credentials for the likes of Kalahari Oyster Cult, Natural Sciences, Émotsiya, Darknet, Avoidance et al. have helped establish as one of today’s most intriguing talents in the European scene. More
1
Brent Lewis - 1739
2
Brent Lewis - 1739 (FIO's 3rd Grade Recorder Class)
3
Brent Lewis - 1739 (Fantastic Man Remix)
All (label, artist and distribution) proceeds of this next record will go to UNHCR, The UN Refugee Agencys' emergency interventions in Ukraine.
Third and closing chapter of the Oyster Tribe series, the revised single edition of Brent Lewis ‘1739’ oozes a mix of breezy outback dreamtime, red earth funk and sun-baked drum virtuosity. Originally issued in 2004 as part of his self-released ‘Drumsex’ album, Lewis’ mystique-imbued tune sculpts a tripped-out hybrid jam out of spoon percs and folk-infused broken beat; and who better than OZ home-boys FIO and Fantastic Man to add their masters' spin to that totemic chugger.
Whilst FIO cranks the BPMs a notch further and beefs up the bass to turn the OG mix into a serious contender for countryside banger of the year, Fantastic Man plays havoc with the whole of Lewis track’s DNA sequence, slicing, dicing and re-hashing its bits and bobs over and over again to form a Southerner variant of the Frankenstein creature, all sight set on busting dancefloors by the dozen. More
Third and closing chapter of the Oyster Tribe series, the revised single edition of Brent Lewis ‘1739’ oozes a mix of breezy outback dreamtime, red earth funk and sun-baked drum virtuosity. Originally issued in 2004 as part of his self-released ‘Drumsex’ album, Lewis’ mystique-imbued tune sculpts a tripped-out hybrid jam out of spoon percs and folk-infused broken beat; and who better than OZ home-boys FIO and Fantastic Man to add their masters' spin to that totemic chugger.
Whilst FIO cranks the BPMs a notch further and beefs up the bass to turn the OG mix into a serious contender for countryside banger of the year, Fantastic Man plays havoc with the whole of Lewis track’s DNA sequence, slicing, dicing and re-hashing its bits and bobs over and over again to form a Southerner variant of the Frankenstein creature, all sight set on busting dancefloors by the dozen. More
Label:Kalahari Oyster Cult
Cat-No:OYSTER35
Release-Date:25.02.2022
Genre:Alternative/Electronic
Configuration:2x12"
Label:Kalahari Oyster Cult
Cat-No:OYSTER35
Release-Date:25.02.2022
Genre:Alternative/Electronic
Configuration:2x12"
1
Radio Hito - Credo
2
Sam Media - Simple As Fuck
3
Seytan Tüyü - Anita
4
Volga - Na Gorushke (Live at DOM 2002)
5
Electronic Body Girl - Walk Away
6
Dame Area - Dis-umani
7
Cilin - An Abhainn Mhor
8
op - Fifty Fifty (Anatolian Weapons Rework)
9
Romain FX - Guanmu Cong
10
Mytron & A von F - Confiture
11
Tagliabue - Riso Amaro
12
Eylul Deniz - She Can't Die (Twin Peaks Instrumental Cover)
Exploring hybrid music styles and outernational, borderless musical influences, DJ soFa’s Elsewhere compilation series continues with a sixth instalment, and the second to appear on Kalahari Oyster Cult.
Always ahead of the tide, the Kalahari Oyster is a fine specimen when it comes to the discipline of next-level sound-snooping. Meticulously curated by Belgian sonic globetrotter soFa, Elsewhere XX showcases a dozen outstanding tunes, each dwelling in their own personal space between the imaginary worlds of post-kraut, DIY synth-punk and odd-pop ballads.
Melting these genres with contemporary club music is the mission here. Doused in a thick fog of arcane machine talk, tribal rhythms and cosmic synths, Elsewhere XX is an invitation to escape the hall of LED-backlit mirrors that we’ve so mistakenly come to call our “reality”.
Gathering artists from all corners of the globe – including Radio Hito, Anatolian Weapons, Eylul Deniz, Dame Area and Electronic Body Girl – soFa’s curation lays the groundwork for a unique and thoroughly immersive listening and dancing experience. Through a carefully selected suite of like-minded, yet diverse joints, we run the gamut from distorted funk (“Anita”, “Confiture") and cross-pollinated electroid blueprints (“Walk Away”, “An Abhainn Mhor") to oddball synthpop (“Credo” & Twin Peaks cover "She Can't Die"), reverb-soaked audio safaris (“Fifty Fifty (Anatolian Weapons Dub)") and static-filled postpunk (“Umani”).
soFa's Elsewhere series started in 2017 and this is the sixth compilation to date. Shifting focus with every new instalment, the compilations have previously appeared on labels likes Music For Dreams, Emotional Response and Crevette Records. More
Always ahead of the tide, the Kalahari Oyster is a fine specimen when it comes to the discipline of next-level sound-snooping. Meticulously curated by Belgian sonic globetrotter soFa, Elsewhere XX showcases a dozen outstanding tunes, each dwelling in their own personal space between the imaginary worlds of post-kraut, DIY synth-punk and odd-pop ballads.
Melting these genres with contemporary club music is the mission here. Doused in a thick fog of arcane machine talk, tribal rhythms and cosmic synths, Elsewhere XX is an invitation to escape the hall of LED-backlit mirrors that we’ve so mistakenly come to call our “reality”.
Gathering artists from all corners of the globe – including Radio Hito, Anatolian Weapons, Eylul Deniz, Dame Area and Electronic Body Girl – soFa’s curation lays the groundwork for a unique and thoroughly immersive listening and dancing experience. Through a carefully selected suite of like-minded, yet diverse joints, we run the gamut from distorted funk (“Anita”, “Confiture") and cross-pollinated electroid blueprints (“Walk Away”, “An Abhainn Mhor") to oddball synthpop (“Credo” & Twin Peaks cover "She Can't Die"), reverb-soaked audio safaris (“Fifty Fifty (Anatolian Weapons Dub)") and static-filled postpunk (“Umani”).
soFa's Elsewhere series started in 2017 and this is the sixth compilation to date. Shifting focus with every new instalment, the compilations have previously appeared on labels likes Music For Dreams, Emotional Response and Crevette Records. More
Repress!
Storming in with his newest slice of extraterrestrial swing-ology, Liquid Earth (alias Urulu under guise) returns to dish out the playful above all “Scope Zone” - a lush and bouncy gem primed for ecstatic workouts and bold galactic excursions, complete with a reshape from Scottish born, Berlin-based vibist, Youandewan. Flush with garage va-va-voom and low-end paranormal activity, “Scope Zone” indeed lacks no wide-screen power of crowd subjugation.
Taking us back to the 90s continuum with its astute mix of chopped-up vox, pong-like bleeps and propulsive buildup, Liquid Earth’s latest is a fun-loving ode to the kaleidoscopic sound of an era and its untamed flow of energy. True to his signature refined melodic touch and airy 4x4 architectonics, Youandewan’s version has us embarking for a proper deep, exhilarating ride across bumpy time warps and oddly familiar parallel universes. More
Storming in with his newest slice of extraterrestrial swing-ology, Liquid Earth (alias Urulu under guise) returns to dish out the playful above all “Scope Zone” - a lush and bouncy gem primed for ecstatic workouts and bold galactic excursions, complete with a reshape from Scottish born, Berlin-based vibist, Youandewan. Flush with garage va-va-voom and low-end paranormal activity, “Scope Zone” indeed lacks no wide-screen power of crowd subjugation.
Taking us back to the 90s continuum with its astute mix of chopped-up vox, pong-like bleeps and propulsive buildup, Liquid Earth’s latest is a fun-loving ode to the kaleidoscopic sound of an era and its untamed flow of energy. True to his signature refined melodic touch and airy 4x4 architectonics, Youandewan’s version has us embarking for a proper deep, exhilarating ride across bumpy time warps and oddly familiar parallel universes. More
1
Cleveland - Forest
2
Cleveland - Trullo
3
Cleveland - Golem
4
Cleveland - Golem (Junes Remix)
Back on Kalahari Oyster Cult after a maiden incursion in 2020, Brussels' boldest club explorer Andrea Mancini, alias Cleveland, resurfaces with “Golem” - a helluva four-track trip spanning Arcadian shimmers, bobbly swamps of disproportioned FX and other off-piste routes swiftly veering into the wild wild west of house production. Treating sound like an entomologist magnifies the dazzlingly lush shapes and colours of insects, Mancini overexposes his elements, clicks, percussions, pads, clicks, et al. to a profusion of playful procedures.
Opening cut “Forest” sets up the scenery into serenely alive woodlands, where slo-rattling percs and wonky polyrhythms gently coalesce with further entranced congas and alien gargling, shaping up to an off-beat symphony of sorts. Adding a steelier spin to his macro views of teeming cellular life, “Trullo” blends in a propulsive mix of dynamic drums, fluttering chimes, aqueous dub, and squelchy sub-bass moving incognito.
Dwelling the flip is the title-track “Golem” and fellow KOC affiliate Junes’ remix, each bringing along its distinctly unique palette of colours and sensations to the table. While the original mix rather focuses on the in-betweens and über-detailed immersive quality of its audio CGI, merged with a sixth sense for wrong-footing stop-and-go sequencing, Junes remix puts rhythmic straightforwardness back at the centre of considerations, cranking the tempo up a notch without stripping it bare of its vital textures and ideas lavishness. More
Opening cut “Forest” sets up the scenery into serenely alive woodlands, where slo-rattling percs and wonky polyrhythms gently coalesce with further entranced congas and alien gargling, shaping up to an off-beat symphony of sorts. Adding a steelier spin to his macro views of teeming cellular life, “Trullo” blends in a propulsive mix of dynamic drums, fluttering chimes, aqueous dub, and squelchy sub-bass moving incognito.
Dwelling the flip is the title-track “Golem” and fellow KOC affiliate Junes’ remix, each bringing along its distinctly unique palette of colours and sensations to the table. While the original mix rather focuses on the in-betweens and über-detailed immersive quality of its audio CGI, merged with a sixth sense for wrong-footing stop-and-go sequencing, Junes remix puts rhythmic straightforwardness back at the centre of considerations, cranking the tempo up a notch without stripping it bare of its vital textures and ideas lavishness. More
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2
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3
Jan Jelinek - They, Them
4
Jan Jelinek - Them, Their
5
Jan Jelinek - Tendency
6
Jan Jelinek - Moiré (Strings)
7
Jan Jelinek - Do Dekor
8
Jan Jelinek - Drift
9
Jan Jelinek - Moiré (Guitar & Horns)
10
Jan Jelinek - Poren
Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth) More
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth) More
2022 Repress
Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
More
Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
More
1
Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
2
Tommiboy feat. DM Disco Band - La Sfinge
3
M¥SS KETA & Kapote - Italomania Intermezzo
4
Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
5
Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
6
Munk & Kapote - La Musica (Hot DJ Version)
7
Fimiani & Angeleri - SessoSpaghetti (Extended Version)
8
Kapote - Sono Tropical (Extended Version)
9
Giovanni Damico - Tropica (feat. Martina)
10
Lele Sacchi Feat Elasi - Malamore (Extended Version)
11
Daniel Monaco Band - Milly
2 x 12"
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
More
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
More
1
Pete Blaker - Harry's Little Vocoder
2
Pete Blaker - Neverending (Cosmic Version) Feat. Dionisos
DISCO EDITS
More
1
Eden Burns - A1) Big Beat Manifesto (00:07:50)
2
Eden Burns - A2) Robokinky (00:06:13)
3
Eden Burns - B1) Big Bark Manifesto (00:06:19)
4
Eden Burns - B2) A Far Way To Fall (00:09:01)
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Each Volume comes in a limited Vinyl Edition of 100. Collect them all!
More
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Each Volume comes in a limited Vinyl Edition of 100. Collect them all!
More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
White Vinyl 2LP (Contains original album and mono-mix retrieved from original tapes)
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA More
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA More
Released via 'Insanity' - Purple Disco Machine's third studio album 'Paradise'. Purple Disco Machine has collaborated with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more. The album is another homage to the new age of disco and surprises with numerous top-class dance features, as well as of course the big hits of recent months. A x15 song album available on Double Purple LP Vinyl,
More
1
Eden Burns - A1) Invercargirl (06:10 min)
2
Eden Burns - A2) Intro Manus (03:48 min)
3
Eden Burns - B1) 22 Dance Demo (07:48 min)
4
Eden Burns - B2) Yes You Sexy (05:21 min)
2022 Repress
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
This Volume comes in a limited Vinyl Edition of 200. Collect them all!
More
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
This Volume comes in a limited Vinyl Edition of 200. Collect them all!
More
1
Decka - Locked 4
2
Decka - Intake
3
Decka - Dense
4
Decka - Locked 1
5
Decka - Keeps Rising
6
Decka - Exit
7
Decka - Locked 2
8
Decka - Emaciated
9
Decka - After Motion
10
Decka - Locked 3
11
Decka - Finalise
12
Decka - Under Influence
Tracklisting
A1 Decka - Locked 4
A2 Decka - Intake
A3 Decka - Dense
B1 Decka - Locked 1
B2 Decka - Keeps Rising
B3 Decka - Exit
C1 Decka - Locked 2
C2 Decka - Emaciated
C3 Decka - After Motion
D1 Decka - Locked 3
D2 Decka - Finalise
D3 Decka - Under Influence
Sales Note
Double 12inch, four sides, twelve direct and powerful techno cuts giving away Decka's impactful style. Every side starts with a locked groove. More
A1 Decka - Locked 4
A2 Decka - Intake
A3 Decka - Dense
B1 Decka - Locked 1
B2 Decka - Keeps Rising
B3 Decka - Exit
C1 Decka - Locked 2
C2 Decka - Emaciated
C3 Decka - After Motion
D1 Decka - Locked 3
D2 Decka - Finalise
D3 Decka - Under Influence
Sales Note
Double 12inch, four sides, twelve direct and powerful techno cuts giving away Decka's impactful style. Every side starts with a locked groove. More
1
Athlete Whippet - A1. Vesta (4:23)
2
Athlete Whippet - A2. Yesterday (feat. Aphty Khea) (4:07)
3
Athlete Whippet - B1. Can't Make My Mind Up (feat. Aphty Khea)
4
Athlete Whippet - B2. Fanfa (4:51)
Tracklist 12":
A1) Vesta (4:23)
A2) Yesterday (feat. Aphty Khe´a) (4:07)
B1) Can't Make My Mind Up (feat. Aphty Khe´a) (3:04)
B2) Fanfa (4:51)
Athlete Whippet join the Toy Tonics family! The London/Berlin-based duo make a sound that is based on futuristic breakbeats combined with deep, jazz chord progressions and a kind of funk that sounds more like it was made in 2100 then in a year behind us. Definitely not a retro record the Vesta EP is further proof that the connection between London and Berlin that has been build by several Toy Tonics artists (Cody Currie the latest in the gang) is becoming a strong one. The combination of the Berlin dancefloor sound and the UK jazz fusion soul is changing the scene and creating new moods. Neo soul and house, broken beats and disco.. there are lot of things happening in that new world and Athlete Whippet could be a strong player in that new sound.
The 2 guys already achieved great support by UK radio DJs such as Annie Mac and Jamz Supernova for their their first collaborative EP Touch (with Metronomy’s Olugbenga), followed by their 2020 solo EP 'Your Love Is Lifting Me', an ode to compassion and solidarity, and remixes for labels including Rhythm Section.
‘Vesta’ is not just the title track of the EP but also the name of the South London Road where they shared an apartment, built a studio in their living room, and put together the first ideas for this EP.
Both Robin and Avi come from a live performance background, played in bands since their early teenage years before they met studying music at Goldsmiths in London. You can hear a playful live quality throughout the EP. It’s not your average house productions with the usual formalistic patterns, but a very original, very fresh style - hard to copy (but easy to dance to).
Now based between Berlin and London, they collaborate with their friend, Athens-born, Berlin-based artist Aphty Khéa on Yesterday and Can’t Make My Mind Up.
Avi and Robin their label squareglass and a London-residency inviting guests such as Seb Wildblood, Will Saul, Asquith, Anu and also have a monthly show on Rinse FM.
More
A1) Vesta (4:23)
A2) Yesterday (feat. Aphty Khe´a) (4:07)
B1) Can't Make My Mind Up (feat. Aphty Khe´a) (3:04)
B2) Fanfa (4:51)
Athlete Whippet join the Toy Tonics family! The London/Berlin-based duo make a sound that is based on futuristic breakbeats combined with deep, jazz chord progressions and a kind of funk that sounds more like it was made in 2100 then in a year behind us. Definitely not a retro record the Vesta EP is further proof that the connection between London and Berlin that has been build by several Toy Tonics artists (Cody Currie the latest in the gang) is becoming a strong one. The combination of the Berlin dancefloor sound and the UK jazz fusion soul is changing the scene and creating new moods. Neo soul and house, broken beats and disco.. there are lot of things happening in that new world and Athlete Whippet could be a strong player in that new sound.
The 2 guys already achieved great support by UK radio DJs such as Annie Mac and Jamz Supernova for their their first collaborative EP Touch (with Metronomy’s Olugbenga), followed by their 2020 solo EP 'Your Love Is Lifting Me', an ode to compassion and solidarity, and remixes for labels including Rhythm Section.
‘Vesta’ is not just the title track of the EP but also the name of the South London Road where they shared an apartment, built a studio in their living room, and put together the first ideas for this EP.
Both Robin and Avi come from a live performance background, played in bands since their early teenage years before they met studying music at Goldsmiths in London. You can hear a playful live quality throughout the EP. It’s not your average house productions with the usual formalistic patterns, but a very original, very fresh style - hard to copy (but easy to dance to).
Now based between Berlin and London, they collaborate with their friend, Athens-born, Berlin-based artist Aphty Khéa on Yesterday and Can’t Make My Mind Up.
Avi and Robin their label squareglass and a London-residency inviting guests such as Seb Wildblood, Will Saul, Asquith, Anu and also have a monthly show on Rinse FM.
More
1
Gigi Masin & Rod Modell - Red Hair Girl At The Bus Stop
2
Gigi Masin & Rod Modell - Summer Morning At Lighthouse Beach
Repress!
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More