1
Dream Baby Dream - Love Zone
2
Dream Baby Dream - Badalamenti On Fries
3
Dream Baby Dream - Curry Con Sax
4
Dream Baby Dream - Diskoteka
5
Dream Baby Dream - Körperkonsum
6
Dream Baby Dream - Banana Trance
7
Dream Baby Dream - Carpenter On The Beach
8
Dream Baby Dream - Whale Rider
9
Dream Baby Dream - The Rude Red Lady
Leya Touch & soFa elsewhere aka Dream Baby Dream combine their left-of-centre musical perspectives on an otherworldly new self-titled album that arrives on Hell Yeah this September and will get a Japanese domestic release on CD. The duo's beguiling mix of occult synths and treated vocals ride dubbed-out mid-tempo rhythms on a retro-futurist record that blends cold wave, cosmic disco, dub and trance.
Dream Baby Dream describes themselves as "two children who refused to grow up" and now they offer a glimpse into their very own fantastic land of dreams. This journey into diverse flavours spontaneously started after a cosy dinner and after just three sessions resulted in the album presented here. Playful yet sometimes gloomy, this music echoes life, both imaginary and real - the highs, the lows, the dark moments and the joy, trance-inducted love zones, daydreams and everything in between. It is a coherent hole but one filled with surprising turns, moments of deja vu and plenty of outsider dance floor delights.
Leya Touch is a rising voice and live act on the Brussels alternative scene. Together with soFa, a veteran DJ and producer who released on many forward-thinking labels worldwide, they provide signature vocals and synths that challenge typical genre categorisations.
Opener 'Love Zone' sets a strangely seductive basic channel vs dreamy pop vibe with wispy cosmic melodies and oodles of echoes as Touch's vocals draw you in. Lose limbed percussive jumbled and sci-fi motifs define 'Badalamenti On Fries', 'Curry Con Sax' has an avant-guard sense of soul and melodic curiousness and 'Diskoteka' is a jittery mix of retro synth sounds and whispered vocal coos that shimmer like stars in the night sky. Elsewhere there's the malfunctioning Kraftwerkian electronics of 'Körperkonsum', goa-filter madness of 'Banana Trance' and the eerie interplanetary dub of 'Carpenter On The Beach' while 'Whale Rider' and 'The Rude Red Lady' bring warped lines and enchanting vocalisations that sound like nothing you have heard before.
This is an exultant album of new musical rituals, tiny soundscapes, dehumanised words and combinations of the past, present and future that never fail to excite and intrigue.
Limited to 300 copies More
Dream Baby Dream describes themselves as "two children who refused to grow up" and now they offer a glimpse into their very own fantastic land of dreams. This journey into diverse flavours spontaneously started after a cosy dinner and after just three sessions resulted in the album presented here. Playful yet sometimes gloomy, this music echoes life, both imaginary and real - the highs, the lows, the dark moments and the joy, trance-inducted love zones, daydreams and everything in between. It is a coherent hole but one filled with surprising turns, moments of deja vu and plenty of outsider dance floor delights.
Leya Touch is a rising voice and live act on the Brussels alternative scene. Together with soFa, a veteran DJ and producer who released on many forward-thinking labels worldwide, they provide signature vocals and synths that challenge typical genre categorisations.
Opener 'Love Zone' sets a strangely seductive basic channel vs dreamy pop vibe with wispy cosmic melodies and oodles of echoes as Touch's vocals draw you in. Lose limbed percussive jumbled and sci-fi motifs define 'Badalamenti On Fries', 'Curry Con Sax' has an avant-guard sense of soul and melodic curiousness and 'Diskoteka' is a jittery mix of retro synth sounds and whispered vocal coos that shimmer like stars in the night sky. Elsewhere there's the malfunctioning Kraftwerkian electronics of 'Körperkonsum', goa-filter madness of 'Banana Trance' and the eerie interplanetary dub of 'Carpenter On The Beach' while 'Whale Rider' and 'The Rude Red Lady' bring warped lines and enchanting vocalisations that sound like nothing you have heard before.
This is an exultant album of new musical rituals, tiny soundscapes, dehumanised words and combinations of the past, present and future that never fail to excite and intrigue.
Limited to 300 copies More
More records from Hell Yeah Recordings
1
Quiroga - French Kiss
2
Quiroga - French Kiss (Baia Club Ambient Version)
3
Quiroga - Ask Coppede
4
Quiroga - Cala Ventosa
Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.
Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.
The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.
'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms. More
Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.
The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.
'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms. More
1
Calm - I Love You (Willie Graff Remix)
2
Calm - I Love You (Gallo’s Tropical Hinterhof Remix)
3
Calm - Feel It (Aura Safari Desert Remix)
4
Calm - Kunpoo (Aura Safari Daydream Remix)
Calm's superb Before album is the gift that keeps on giving as Hell Yeah serves up a collection of the best remixes from it. Willie Graff, Gallo and Aura Safari all step up on a fresh 12" that lands this summer.
Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.
Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.
These four versions all bring sophisticated dance floor energy to the timeless originals. More
Before arrived on double vinyl in 2022 after a CD-only release in Japan in 2021. Since then it has become a Balearic mainstay and go-to record for lovers of lavish downtempo sounds. Now, remixes of three tracks from it all appear on this one record with Ibirican-American Willie Graff going first. He is a deep house don who has held several key residencies around the world while dropping his sublime sounds on the likes of Leng, Music For Dreams and many more. His remix of 'I Love You' is a gloriously horizontal one with blissful piano keys rippling over the bubbly drums and bass. Yearning reed melodies add an emotional romantic edge to make this a standout in any setting. Then comes Gallo, the Balearic Gabba Sound System member and resident at Berlin Balearic nightspot Buena Onda. His 'Tropical Hinterhof' remix of 'I Love You' is expertly exotic and soothing as mellifluous keys rain down over a groove as smooth as silk. It's a heart-achingly beautiful sound that will make for truly special moments on the dance floor.
Italian collective Aura Safari then offers two different remixes. They are master musicians who have served up a superb double album Islands Dreams here in late 2023 where they showcased their escapist blend of dub, jazz, Afro-cosmic, Balearica and boogie. First up, 'Feel It' (Aura Safari Desert mix) is six minutes of oriental melody over loose drums. There's a playful feel to the dancing piano keys and richness in the percussion that makes this one a sophisticated sound for both early evening warm-ups or moments of late-night reflection. 'Kunpoo' (Aura Safari Daydream mix) has a nineties feel with its gentle breaks, hypnotic string loops, and sustained chords. They break over you in gentle rays of earth and euphoria to ensure utterly blissed-out results.
These four versions all bring sophisticated dance floor energy to the timeless originals. More
1
My Friend Dario - Keep On Cruising
2
My Friend Dario - Zingarella
3
My Friend Dario - Senza Estate
4
My Friend Dario - Marittimo
5
My Friend Dario - What You Need
6
My Friend Dario - Falo
7
My Friend Dario - Il Pianeta Proibito
8
My Friend Dario - Acid Panorama
Limited to 350 copies
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
1
Luminodisco - Solero
2
Luminodisco - Jazzclub
3
Luminodisco - Bigfoot
4
Luminodisco - Soko
DJ Support: DJ Support by Spiller, Alex from Tokyo, Coyote, Fango, Pete Gooding, Ally Tropical, Steve Cobby, Gold Suite, Luca Averna, Will Nicol, Danilo Braca, La Guardia De La Luz
Federico Costantini aka Luminodisco is back on Hell Yeah having long since assured his legacy with the label. Over the years, the Italian has dropped many cult and still widely played cuts here from across the disco-sphere ('Ragazzini,' 'Diavolo di un Disco,' 'Oh Mary' and more all still bang) and now he is back with a newly moved sound. A compulsion to produce something with "a more adult approach" is what defines this latest era, and a fine one it is too. Opener 'Solero' will surely become as revered as those classics above with its irresistible grooves guaranteed to bring ultimate dance floor satisfaction. The punchy drums are peppered with percussion and drum fills while gloriously sugary chords add the heat and wispy pads take things into cosmic realms. 'Jazzclub' is an unhinged rhythmic interlude that chops up vocal stabs, screwy synths and whirring machines into stomping brilliance then 'Bigfoot' slows things to a dubbed out crawl that has you gazing at the twinkling star-like synths. Things then get wonderfully wild on closer 'Soko', a jumble of percussion and tribal vocals over swaggering drum loops. Playful leads bring the sun as the dumpy bass plods on, pixel thin pads squirm all around and a celestial carnival in the sky plays out with irresistible charm. More
Federico Costantini aka Luminodisco is back on Hell Yeah having long since assured his legacy with the label. Over the years, the Italian has dropped many cult and still widely played cuts here from across the disco-sphere ('Ragazzini,' 'Diavolo di un Disco,' 'Oh Mary' and more all still bang) and now he is back with a newly moved sound. A compulsion to produce something with "a more adult approach" is what defines this latest era, and a fine one it is too. Opener 'Solero' will surely become as revered as those classics above with its irresistible grooves guaranteed to bring ultimate dance floor satisfaction. The punchy drums are peppered with percussion and drum fills while gloriously sugary chords add the heat and wispy pads take things into cosmic realms. 'Jazzclub' is an unhinged rhythmic interlude that chops up vocal stabs, screwy synths and whirring machines into stomping brilliance then 'Bigfoot' slows things to a dubbed out crawl that has you gazing at the twinkling star-like synths. Things then get wonderfully wild on closer 'Soko', a jumble of percussion and tribal vocals over swaggering drum loops. Playful leads bring the sun as the dumpy bass plods on, pixel thin pads squirm all around and a celestial carnival in the sky plays out with irresistible charm. More
1
Michele Mininni - Spinning Around Cotton Candy
2
Michele Mininni - Golden Room
3
Michele Mininni - Slipped Air
4
Michele Mininni - Vertigo
5
Michele Mininni - Metropolitan Indians
6
Michele Mininni - Bangkok Tempo
7
Michele Mininni - Your Happiness, My Sadness
8
Michele Mininni - Kundalini
9
Michele Mininni - Urban Voodoo
10
Michele Mininni - Muting Cat
11
Michele Mininni - Don't Stop The Freedom
12
Michele Mininni - Congoflash
13
Michele Mininni - The Magic Of Synesthesia
14
Michele Mininni - Wet Market
15
Michele Mininni - Carousel Of Tears
DJ Support: Sean Johnston, Jaye Ward, Max Essa and Francois K
Limited to 300 copies
Having been long-time admirers of one another from afar, Hell Yeah and Michele Mininni finally come together for Pop Archetypes. It is a multifaceted debut album that collides broken beats, worldly rhythms, jazz, eastern melodies, live drums and much more into one thrilling 15-track opus that arrives on May 31st.
Italian artist Mininni has always had a leftfield take on electronic music and imbued it with rhythms, melodies and instruments from around the globe. He has released it on cult labels like R&S, Optimo Trax, Internasjonal and Curle Recordings but has saved his magnificent debut album for Hell Yeah. It is much more than a collection of sounds he has already explored and instead finds him heading off into all new territory without losing his signature sense of inventive and beguiling rhythm and melody. It is a multicultural journey that takes in heterogeneous styles and diverse influences but distills them all into one cohesive album with its own unique storyline.
Says Mininni of the record, 'I wanted each track to be like pieces of a unique, multifaceted picture, like walking through train cars or progressing through the levels of a video game, all filtered through my own vision and concentrated into 36 minutes. I wanted a pop album rooted in the extraordinary richness of popular music and projected into the future, a continuum where pieces communicate with each other and are received by the ears in symbiotic balance.'
Despite that concept, the album is a spontaneous listen full of surprises, left turns and original ideas that all hold together in thrilling fashion. It kicks off with the tumbling jazz drums and swirling synths of 'Spinning Around Cotton Candy', takes in mellifluous melodic layers and broken beats on 'Golden Room' and 'Slipped Air' casts you adrift amongst gorgeous piano keys and refracted vocals on the suspensory 'Vertigo'. There are jungle interludes with Eastern string melodies like 'Bangkok Tempo', lavish fusions of organic and synthetic sounds on 'Kundalini' and more charming Far Eastern rhythms on 'Muting Cat'. 'Congoflash' brings electrifying cosmic rays to busy hand drum patterns, 'The Magic Of Synesthesia' combines dark amen breaks and bright and uplifting flutes while 'Carousel Of Tears' douses you in watery melodies and celestial pads that awaken the soul.
Pop Archetypes is an adventurous work packed with meticulous and infinite details but all with an overarching narrative that makes it far more than the sum of its parts. More
Limited to 300 copies
Having been long-time admirers of one another from afar, Hell Yeah and Michele Mininni finally come together for Pop Archetypes. It is a multifaceted debut album that collides broken beats, worldly rhythms, jazz, eastern melodies, live drums and much more into one thrilling 15-track opus that arrives on May 31st.
Italian artist Mininni has always had a leftfield take on electronic music and imbued it with rhythms, melodies and instruments from around the globe. He has released it on cult labels like R&S, Optimo Trax, Internasjonal and Curle Recordings but has saved his magnificent debut album for Hell Yeah. It is much more than a collection of sounds he has already explored and instead finds him heading off into all new territory without losing his signature sense of inventive and beguiling rhythm and melody. It is a multicultural journey that takes in heterogeneous styles and diverse influences but distills them all into one cohesive album with its own unique storyline.
Says Mininni of the record, 'I wanted each track to be like pieces of a unique, multifaceted picture, like walking through train cars or progressing through the levels of a video game, all filtered through my own vision and concentrated into 36 minutes. I wanted a pop album rooted in the extraordinary richness of popular music and projected into the future, a continuum where pieces communicate with each other and are received by the ears in symbiotic balance.'
Despite that concept, the album is a spontaneous listen full of surprises, left turns and original ideas that all hold together in thrilling fashion. It kicks off with the tumbling jazz drums and swirling synths of 'Spinning Around Cotton Candy', takes in mellifluous melodic layers and broken beats on 'Golden Room' and 'Slipped Air' casts you adrift amongst gorgeous piano keys and refracted vocals on the suspensory 'Vertigo'. There are jungle interludes with Eastern string melodies like 'Bangkok Tempo', lavish fusions of organic and synthetic sounds on 'Kundalini' and more charming Far Eastern rhythms on 'Muting Cat'. 'Congoflash' brings electrifying cosmic rays to busy hand drum patterns, 'The Magic Of Synesthesia' combines dark amen breaks and bright and uplifting flutes while 'Carousel Of Tears' douses you in watery melodies and celestial pads that awaken the soul.
Pop Archetypes is an adventurous work packed with meticulous and infinite details but all with an overarching narrative that makes it far more than the sum of its parts. More
1
Aura Safari / Jimi Tenor - Bodily Synesthesia
2
Aura Safari / Jimi Tenor - Lundar Wind
3
Aura Safari / Jimi Tenor - Beswitched By The Sea
4
Aura Safari / Jimi Tenor - My BlueBell
5
Aura Safari / Jimi Tenor - Last Waltz In Perugia
6
Aura Safari / Jimi Tenor - Gimlet
7
Aura Safari / Jimi Tenor - It's Too Easy To Love You
8
Aura Safari / Jimi Tenor - Your Magic Touch
9
Aura Safari / Jimi Tenor - Indigo
Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.
Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.
Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year. More
1
Dawn Again - Every Dog's Hotel
2
Dawn Again - Foam Party
3
Dawn Again - Journey Through The Schoonerverse
4
Dawn Again - Wonky Friendz
5
Dawn Again - Kneverending Knockoffs
6
Dawn Again - Backyard Paradiso
Hell Yeah kicks off 2024 in fine style with a new album from Australian producer Dawn Again. Every Dog's Hotel is a dreamy and breaks-driven downtempo excursion the artist has dubbed "pubwave."Melbourne-based Nick Verwey has been crafting solo and collaborative cuts for the best part of a decade on labels like Houseworx and Enjoyment Division. He operates in a world where danceable grooves are paired with laid-back moods. His lo-fi sound is both sunlit and sunset-ready and is for grown-up crowds who like to get down on rooftops, sandy enclaves, or laidback living rooms. This new album, however, he describes as "pubwave" and was conveyed during lockdown when Nick and his friends were missing their favourite communal drinking spots."My friends and I were missing the pub, missing dance floors, missing being able to hang out and have fun," he says before explaining that, at the time, he was listening to a lot of 90s and 00s downtempo chill out by the likes of Heights of Abraham, Pork Recordings, Baby Mammoth and Bullitnuts. He came up with the idea of creating something similar but in his own way, initially with spoken word poetry from his friend over the top, though when it came to recording that never quite worked so it was shelved until later when Nick?tried again without the vocals. "The whole project has been more than years in the making. I'm super proud of the end result. I think it still nails the dreamy, Balearic "pubwave" vibe and comes with a gorgeous cover painting by my mate Holly Hunt. It's an old English haunt called the Old Neptune, and what nails the brief more than a pub that is literally on the beach?"The title track is a welcome opening with leggy breaks and soft shakers encouraging you to sway while gazing up at the melodic stars before 'Foam Party' gets more zoned out with its vaporous chords and gentle drum tumbles. 'Journey Through The Schoonerverse' is a suspensory trip to the clouds with effortlessly loose breaks and painterly synth smears, 'Wonky Friends' has a more weighty but still dubbed out and slow motion house kick and 'Kneverending Knockoffs' keeps the energy rising with raw percussion and acidic twitches that journey through a heat haze on a warm afternoon. Closer 'Backyard Paradiso' is the horizontal finish that washes over you like rays of sun and gently breaking waves to leave you relaxed from head to toe and digital bonus 'Hard Earned Thirst' is an extra chance to luxuriate in Dawn Again's richly layered synths and leisurely breaks.The superbly welcoming Every Dog's Hotel is a place to pull up, sink a drink, and soak into some lavish and escapist downtempo sounds.
More
1
Calm - Unseen Small Steps
2
Calm - Light Years
3
Calm - Noon At The Moon
4
Calm - The Other Side Of The Moon
5
Calm - Tsukiyo
6
Calm - Between Worlds
7
Calm - Authentic Love Song
8
Calm - Oasis
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Calm - Light Years
10
Calm - Noon At The Moon
11
Calm - The Other Side Of The Moon
12
Calm - Tsukiyo
13
Calm - Authentic Love Song
14
Calm - Oasis
Following on from the warm reception to Hell Yeah and Music Conception reissuing Calm's cult Before album, the labels have come together once more to offer up a reissue of the Japanese master's highly sought-after long player Moonage Electric Ensemble. The hard-to-find original has been given an all-new mixdown from original stem files and then re-mastered by Calm himself, and the double LP will also come with a bonus 12" featuring his very own Daydream Dubs plus an obi-strip and original artwork by FJD.
The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout.
This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue.
This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music. More
The blissful yet soul-stirring Moonage Electric Ensemble, which landed first in 1999, was Kiyotaka Fukagawa's stunning sophomore album and the one that kept the bar high following his debut Shadow of the Earth. It investigated all new worlds of future jazz, ambient and downtempo and has since become a cult classic that often fetches three figures on secondhand markets. He has released over 18 albums since including Before which was reissued in 2022, though Moonage Electric Ensemble remains a favourite with those who enjoy the most accomplished and innovative sounds from the first wave of chillout.
This escapist charmer opens with the suspensory synths and piano keys of 'Unseen Small Steps' featuring spoken words from Dan Gamble, then 'Light Year' has gently tumbling rhythms and shimming synth moving about the soothing mix. 'Noon At The Moon' brings gorgeously fizzing future jazz drums and mellifluous piano playing full of subtle joy, and 'The Other Side Of The Moon' then layers up melancholic chords and chunkier rhythms that are detailed with gorgeous persuasive details and mystic flutes. 'Tsukiyo' is a new age charmer with paddy hand drums and romantic interplay between sax and trumpet, 'Between Worlds' is an ambient interlude with distant winds blowing and intimate whispers from Gamble before closer 'Authentic Love Song' rides on dusty trip hop breaks as lazy piano chords melt the heart and Gamble serves up another aloof monologue.
This is another welcome reissue of a sublime album that is not only one of Calm's finest but also a true gem in the wider world of downtempo music. More
1
Caramel 3000 - Super Rapido (SIRS CUT)
2
Sergio Messina & The Four Twenties - Sometimes Remember (Calm's Mellow Mellow Ac
3
Various Artists (Caramel 3000, Sergio M - Tornei feat Mariana Gehring (Feel Fly Estatico Danzante Remix)
4
My Friend Dario - Acid Mosquito in A Summer Night (DJ Spun It's Rong Remix)
5
Pedro Bertho - Tornei feat Mariana Gehring (Feel Fly Estatico Danzante Remix)
File Under Balearic Gabba EP is the first in a new series of serious DJ tools that will encompass remixes, edits, originals and licenses, all with artwork that is a twist on the original Balearic Gabba logo by PlanetLuke. Up first is a new selection of music from core Hell Yeah artists that is unruly, impossible to define, and sure to twist dance floors inside out.
First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson. His cut of 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes.
Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.
Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun.
Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.
The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts. More
First up is Daniel Klein better known as SIRS, a Berlin-based mainstay with releases on the likes of Live At Robert Johnson. His cut of 'Super Rapido' is a dubbed-out blend of kosmiche chug and tropical percussion. Tumbling synth sequences bring extra colour as the groove builds over nine irresistible minutes.
Then comes Japanese downtempo master Calm with his Mellow Mellow Acid Dub of Sergio Messina & The Four Twenties's 'Sometimes' which is a nostalgic acid daydream and the perfect sunset soundtrack. Melancholic moods and lazy drums sink you in deep as the gentle acoustic guitars keep you afloat.
Label regular and Internasjonal and International Feel associate Feel Fly then comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy, worldly vocals that glow as warm as a setting sun.
Last of all is New York maestro and Loose Control Band member DJ Spun with his It's Rong Remix of My Friend Dario's 'Acid Mosquito in a Summer Night'. It finds him serving up a nine-minute excursion into jungle humidity with tribal percussion and jumbled bongos all run through with a spooky and primeval lead synth over lurching drum breaks.
The File Under Balearic Gabba EP brings a whole new dimension to wonky dance floor workouts. More
1
Quiroga - Once Again
2
Quiroga - Once Again (Ambient Version)
3
Quiroga - Once Again (DMX Krew Remix)
4
Quiroga - Freak The Funk
Italian legend Walter Del Vecchio aka Quiroga pays tribute to the acid house era on Hell Yeah with a new package that comes with two originals, an ambient mix and a remix from cult hero DMX Krew.
Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.
Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.
'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.
Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.
DJ Support:
Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System More
Quiroga released his last sublime album Passages on this label and it came as the latest entry into a discography filled with beauty and detail. He is a talented musician from Naples who has his own left-of-centre take on the Mediterranean sounds of the city, as he shows once again here with a house-leaning outing.
Quiroga has teamed up with cult musician Dario Bassolino and called upon Whodamanny's mixing skills for these new tracks. First is 'Once Again', a punchy and chunky house cut with skewed bass spraying about the mix. Its rough analogue edges are lit up by searing acid lines that never quit and will turn any party into a cauldron of intensity. The Ambient Version is a full-flavour downtempo workout that keeps the wild acid lines, adds in some FX, old-school piano chords and a yelping female vocal next to a blissful breakdown. 'Once Again' (DMX Krew Remix) is then a bumping acid-electro monster with fat drums and the manic 303 offset by serene chord work to make for a perfectly emotional dance floor delight.
'Freak The Funk' is a second original cut, as rides of crisp snares and snapping drum breaks blend with a warm bassline and smeared cosmic chords up top. It's a classy peak-time house cut with magical pixelated synth melodies.
Alongside superb artwork from PlanetLuke, this is another essential package from Hell Yeah.
DJ Support:
Sean Johnston (ALFOS), Kristian (AME), Fango, Front De Cadeaux, Sinchi Collective, Phat Phil Cooper, Balearic Gabba Sound System More
1
Aura Safari - Island Dreams
2
Aura Safari - Sur Mon Balconnet
3
Aura Safari - Riserva Naturale
4
Aura Safari - Onda
5
Aura Safari - Wave Riding
6
Aura Safari - Magic Malbe
7
Aura Safari - Dancing In The Moonlight Ft. Zeke Manyika
8
Aura Safari - Tropical Climax
9
Aura Safari - Sur Mon Balconnet (Soca Dub)
10
Aura Safari - Disco Mantra
11
Aura Safari - Dancing In The Moonlight (Special Afro Dub)
12
Aura Safari - Patagonia
Red hot Italian DJ and production collective Aura Safari is back with a second full-length album, Island Dreams. It lands on Hell Yeah Recordings on September 15th and is another live and sun-kissed odyssey through balmy Mediterranean evenings, gorgeous sundown sessions and funky analogue grooves.
Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.
Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.
The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.
'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.
Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn. More
Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni, Nicholas Iammatteo, Lorenzo Francioli, Ruggero Bonucci and Nicola Pitassio are Aura Safari, and between them they play drums, percussion, bass, keys, and guitar. They contributed to the first volume of the Buena Onda compilation in 2020 on this label, a year after serving up a debut album on London's Church Records. Since then they have become ever more entrenched in their local scene in Perugia, playing summer sets at the Umbria Jazz Festival, winter warmers at the legendary Red Zone Club and host their own Tropical Climax parties each month in the town centre.
Aura Safari are also deep-digging music collectors who have extensive and far-reaching tastes. When cooking up their sounds they draw on everything from Afro to Italo, house to disco, 80s boogie to world music, jazz and Balearic beats. This new album shows that once more across four sides of vinyl that sweep you up and transport you to somewhere idyllic.
The title track kicks off with steamy Mediterranean grooves embellished with lush Rhodes chords and sprinkles of cosmic magic. 'Sur Mon Balconnet' then slips into dubbed-out disco territory with 80s synths and leggy drums while 'Riserva Naturale' is a new-age jazz house sound with majestic lead synths and heart-melting chords that speak of a sunset dance on the beach. 'Onda' has squelchy boogie bass with hip-swinging drums, 'Wave Riding' is a lo-fi funk excursion with hints of West Coast Californian swagger and 'Magic Malbe' is loose-limbed Balearica with clear blue skies and blissed-out chords.
'Dancing in the Moonlight' feat. Zeke Manyika has all the vibrant feelings of bubblegum pop with Afro vocals and steel drum sounds next to rich xylophone sounds. There is plenty of heat and exotic charm to the proto-Afro house of 'Tropical Climax' and as well as dub versions of 'Sur Mon Balconnet' and 'Dancing in the Moonlight' come the scuffed-up Dam-Funk style beats and boogie of 'Disco Mantra' before closer 'Patagonia' shuts down with elastic drums and bass and playful synth leads that send you home wanting more.
Island Dreams is a tropical escape to a rich world of fusion sounds that look back to go forwards. It's a feel-good record to accompany hot nights and lazy afternoons, cocktails at dusk and dancing till dawn. More
1
M’lumbo - There Are No Words
2
M’lumbo - Shoreline
3
M’lumbo - The Afternoon Levitation
4
M’lumbo - Swoon
5
M’lumbo - Open The Heavens
6
M’lumbo - Quanta
7
M’lumbo - Planetfall
8
M’lumbo - The Great Clock
Legendary New York band M'lumbo distil experiences from their pre-pandemic shamanic travels into their stunning new album The Summer Of Endless Levitation. The eight-track vinyl LP is an avant-garde take on folk music informed by painter and sculptor Jean Hans Arp's 'Biomorphic' works and it serves as a sonic renewal of self.
The cult M'lumbo collective has been a legendary and groundbreaking act since first forming in the mid-80s. They cross genre boundaries as they draw on jazz, world, electronic, rock and experimental music that escapes the commercial world and take you into another realm entirely. There is no limit to their sound; each member brings their own cultural background to the mix, making the band all the more unique.
As the coronavirus pandemic struck, three members of the band Rob Ray Flatow, Paul-Alexandre Meurens and Brian O'Neill under-took a regimen of shamanic traveling in New York City. The experiences led them to spontaneously compose and perform a suite of pieces, informed and inspired by Jean Hans Arp's works but also by the feelings of isolation and indefinite exile yet to come in their urban environment.
Compared to the works they have done as part of the larger M'lumbo band, this album is a more modest and naive affair that is "a vehicle for the renewal of feeling using only a few instruments - acoustic and electric guitar, keyboard, flute, small percussion, kalimba and clarinet - and locating a sense of both the deep sadness and uplifting powers of reverie."
'There Are No Words' kicks off with heavenly chords and organic percussion that recalls the jungle jazz of Don Cherry, then 'Shoreline' is a five-minute dub with percolating rhythms and new age melodies before the soul-soothing acoustic guitar of 'The Afternoon Levitation' blisses you out on a sunny day. The perfectly entitled 'Swoon' is another gloriously uplifting piece of musical spirituality that fuses the electronic and synthetic with the ancient and ritualistic. There is more jungle jazz, big-band horn work and cosmic synth modulations of 'Open The Heavens' while 'Quanta' is a shuffling, jumbled mix of radiant chords, wigged-out electronic lines and celestial charm. 'Planetfall' goes from free-form jazz to double-time techno and back to cathartic ambient. The final trio of tracks conjures up everything from the transcendental jazz of Alice Coltrane to the cinematic downtempo of Calm. More
The cult M'lumbo collective has been a legendary and groundbreaking act since first forming in the mid-80s. They cross genre boundaries as they draw on jazz, world, electronic, rock and experimental music that escapes the commercial world and take you into another realm entirely. There is no limit to their sound; each member brings their own cultural background to the mix, making the band all the more unique.
As the coronavirus pandemic struck, three members of the band Rob Ray Flatow, Paul-Alexandre Meurens and Brian O'Neill under-took a regimen of shamanic traveling in New York City. The experiences led them to spontaneously compose and perform a suite of pieces, informed and inspired by Jean Hans Arp's works but also by the feelings of isolation and indefinite exile yet to come in their urban environment.
Compared to the works they have done as part of the larger M'lumbo band, this album is a more modest and naive affair that is "a vehicle for the renewal of feeling using only a few instruments - acoustic and electric guitar, keyboard, flute, small percussion, kalimba and clarinet - and locating a sense of both the deep sadness and uplifting powers of reverie."
'There Are No Words' kicks off with heavenly chords and organic percussion that recalls the jungle jazz of Don Cherry, then 'Shoreline' is a five-minute dub with percolating rhythms and new age melodies before the soul-soothing acoustic guitar of 'The Afternoon Levitation' blisses you out on a sunny day. The perfectly entitled 'Swoon' is another gloriously uplifting piece of musical spirituality that fuses the electronic and synthetic with the ancient and ritualistic. There is more jungle jazz, big-band horn work and cosmic synth modulations of 'Open The Heavens' while 'Quanta' is a shuffling, jumbled mix of radiant chords, wigged-out electronic lines and celestial charm. 'Planetfall' goes from free-form jazz to double-time techno and back to cathartic ambient. The final trio of tracks conjures up everything from the transcendental jazz of Alice Coltrane to the cinematic downtempo of Calm. More
1
Alexander Robotnick - Justin Vandervolgen Edit
2
Alexander Robotnick - Prins Thomas Diskomiks
3
Alexander Robotnick - Bawrut 1-2-3-4 Remix
4
Alexander Robotnick - The Vendetta Suite Stone Tape Remix
Repress!
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
A1 - Justin Vandervolgen Edit
A2 - Prins Thomas Diskomiks
B1 - Bawrut 1-2-3-4 Remix
B2 - The Vendetta Suite Stone Tape Remix
After a summer run of scorching sounds and horizontal grooves that were designed for sandy open air scenarios, Hell Yeah kick off 2019 with some more of their curious curveballs and playful party pumpers. It's time to forget what you know and prepare for a weird and wonderful trip into weirdness with Alexander Robotnick: he is the man behind the music and a track that was previously released on the Coast to Coast 12” in 2013 and soon became a Balearic gabba classic.
Now it gets a second spot in the headlines after label head Marco first heard it played years ago by Justin Vandergvolgen and asked him to edit it. It comes backed with dazzling remixes from Prins Thomas, man of the moment Bawrut and Irish outfit The Vendetta Suite who takes things in more of a weird and wonderful direction that the label also deals in.
Alexander Robotnick is a legendary Italian producer who had a big hit in the 80s with ‘Problèmes D'Amour’, produced many bands in the 90s and founded his own Hot Elephant label in the 2000s. From Italo-disco to electro he is a master synth manipulator who can go into new romantic o synth pop territory with an always futuristic vision. The original track on this EP was dropped by the likes of Gerd Janson, Dixon, Jackmaster and Peggy Gou in DJ sets and Boiler Rooms.
It is a playful track with a wild, unhinged lead synth line that burrows deep into your brain. Brightly glowing chords have real warmth and add irresistible colour to the track as they ride up and down the scales and the crisp boom bap drums pack a real dance floor punch.
Scandi-disco maestro Prins Thomas remixes it into brilliantly filthy disco cut with rasping bass and hip swaying drums. It builds the tension over three minutes, locking you in before psychedelic leads burst out of the mix and carry you into the cosmos.
Then it’s the much loved current champ Bawrut, whose old Scuola Furano project label boss Marco was the first to release on vinyl back in the early 2000s on Mantra Vibes. His version is a pumping old school house remix, with analogue bass and that unhinged lead synth line bringing the madness. It's filled with raw energy and will blow up any floor.
Last of all, The Vendetta Suite follows up his Solar Lodge 23 EP on this label in 2017 with a remix that is perfectly dreamy. His rippling synth puddles and sci-fi motifs are brilliantly rich and glowing and fill you with warmth. It's the sort of mind expanding track that leads you into a world of cosmic curveballs and cut from free the real world.
More
1
Pedro Bertho - Tornei Feat. Mariana Gehring
2
Pedro Bertho - Tornei Feat. Mariana Gehring (Romain FX Remix)
3
Pedro Bertho - Elephants Au 5eme
4
Pedro Bertho - Elephants Au 5eme (My Friend Dario Remix)
Hell Yeah heads to Brazil and the cultured sounds of Pedro Bertho for a hot new 12" that features Mariana Gehring and remixes from Romain FX and My Friend Dario. The digital version includes two bonus cuts while the vinyl is the first to have all-new artwork by FJD.
Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.
They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.
For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.
Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.
His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.
Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.
He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves. More
Now based in France, inclusive party promoter Pedro Bertho’s music is a melting pot of sound that draws on his own personal heritage and a life spent digging for records. That means that afro rhythms, Italo melodies, rolling reggae, deep house, and plenty more all get mixed up into something new.
They have come on the likes of Cracki Records and always search out innovative ways to bring euphoria to the dance floor.
For the first tune, he works with Mariana Gehring, a Sao Paulo-based singer and composer influenced by new MPB and other signature Brazilian sounds like Forro, Maracatu and Samba.
Their excellent 'Tornei' is a mix of full-fat bass and sensuous vocals. Fizzing synths, percussion and FX bring the energy while Gehring arrives in the breakdowns to bring the spine-tingling soul. Romain FX is a scene mainstay, label head at fauve, boiler room veteran and has released on the likes of Kalahari oyster cult and many more.
His version is a retro workout with lush cosmic melodies and slinky grown-up grooves sure to get the floor full.
Next is 'Elephants au 5eme', a busy mix of analogue drums and hits, wild elephant trumpets and fleshy synths that bring unusual tropical heat to any party. The same track is remixed by label regular and new school Balearic boss my Friend Dario.
He plays with the vocals, layers in shimmering chords, and keeps things dubby to make for another of his signature grooves. More
1
Calm - Beauty On Earth
2
Calm - Long Summer Dream
3
Calm - Blue In Void
4
Calm - Liminal Moment
5
Calm - I Love You
6
Calm - Feel It
7
Calm - Before Sunrise Blue
8
Calm - Kunpoo
9
Calm - Freedom Sunset
10
Calm - Let's Make Harmony
Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.
DJ Support:
Phil Mison, Colleen Cosmo Murphy, Chris Coco, Buena Onda Crew More
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic.
DJ Support:
Phil Mison, Colleen Cosmo Murphy, Chris Coco, Buena Onda Crew More
1
Calm & Jimi Tenor - Big City Takes (Original Mix)
2
Calm & Jimi Tenor - Big City Takes (Tapes Remix 1)
3
Calm & Jimi Tenor - Big City Takes (Tapes Remix 5)
4
Calm & Jimi Tenor - Time & Space (Calm's Version)
5
Calm & Jimi Tenor - Time & Space (Vendetta Suite Remix)
Musical legends from opposite sides of the world come together on Hell Yeah's next EP as Japan's Calm and Finnish musician Jimi Tenor collaborate on big city takes. It features two new singles as well as remixes from the celebrated tapes and Belfast's best-kept secret, The Vendetta Suite.
This most satisfying of eps came together when the psychedelic space-jazz-funk king and noted musician, composer and producer Jimi Tenor was in tour in Japan. Label head Marco arranged for him to head into Calm's studio in Kawasaki, Tokyo, and real magic happened.
'Big City Takes' is gloriously lush, with serene chords, delicate flutes and organic percussion. Tenor's airy vocal brings the soul as an intimate and late-night groove emerges to melt your heart.
Then come two remixes from tapes. The first is powered by dusty old-school drum breaks. They're doused in subtle euphoria with a nimble bassline down low, while the second one is stripped right back to a pulsing rhythm and killer phased bass. Spread chords bring sunrise feelings to this most colourful of grooves.
On the flip side, Calm offers a version of 'Time & Space' that is nearly eight minutes of exquisitely blissed-out downtempo. Chords ripple like waves, flutes flutter like birds and the whole thing is filled with the joys of a new spring day. The remix comes from The Vendetta Suite, a label regular and under-the-radar talent who is defining his native Northern Irish scene with his fresh fusion sounds. His version brings a new age ambiance to post-rave Balearic comedown. It's one that douses you in life-affirming synths as drums gently persuade you to sway along. More
This most satisfying of eps came together when the psychedelic space-jazz-funk king and noted musician, composer and producer Jimi Tenor was in tour in Japan. Label head Marco arranged for him to head into Calm's studio in Kawasaki, Tokyo, and real magic happened.
'Big City Takes' is gloriously lush, with serene chords, delicate flutes and organic percussion. Tenor's airy vocal brings the soul as an intimate and late-night groove emerges to melt your heart.
Then come two remixes from tapes. The first is powered by dusty old-school drum breaks. They're doused in subtle euphoria with a nimble bassline down low, while the second one is stripped right back to a pulsing rhythm and killer phased bass. Spread chords bring sunrise feelings to this most colourful of grooves.
On the flip side, Calm offers a version of 'Time & Space' that is nearly eight minutes of exquisitely blissed-out downtempo. Chords ripple like waves, flutes flutter like birds and the whole thing is filled with the joys of a new spring day. The remix comes from The Vendetta Suite, a label regular and under-the-radar talent who is defining his native Northern Irish scene with his fresh fusion sounds. His version brings a new age ambiance to post-rave Balearic comedown. It's one that douses you in life-affirming synths as drums gently persuade you to sway along. More
1
Jazz N Palms - Original Mix
2
Jazz N Palms - Instrumental Mix
Hell Yeah is proud to present the return of Jazz N Palms with a superb new project following the success of his Ses Rodes album. 'Milano' as a 7" with radio and instrumental versions alongside an original video and expressive artwork by Parisian studio Nokko.
Jazz N Palms is a jazz-inspired project from Italian DJ and producer Riccio. He started this project after moving to Ibiza and falling under the spell of its ancestral side, its sweet and slow pace of life and the natural rhythms of the beauty in the north of the island. In summer, he served up his fantastic Ses Rodes double album which was dedicated to the original way of life that had remained almost unchanged till the early 80s party explosion.
This new track came about after Riccio heard Piera Martell's 1978 soul-jazz track 'Exotica' in a mix by Phil Mison. The idea was reimagine the song with new lyrics and set in Milan, in the early days when the town was invaded by unusual and exotic palm trees in Piazza Duomo. The song tells the story of a country teenager who is unsure about heading to a big new city after receiving an invitation. The story will retrieve familiar emotions for many of us who have faced similarly important decisions in our life, but this time married to an escapist groove.
For this release, the original 'Exotica' has been fully replayed by contemporary musicians from the multi-genre Italian ensemble 291out, with whom Riccio has worked in the past. It has new lyrics sung in Italian by fellow 291out collaborator Giovanna Lubjan after permission was given by original composer Salvo Ingrassia.
'Milano' is a luxurious soul-jazz fusion. It has exotic guitar lines and gently persuasive rhythms topped by the soaring vocal from Lubjan. A steamy sax helps the temperature rise as the track unfolds and traps you under its gorgeous spell.
This is a timeless package of blissed-out brilliance from Jazz N Palms. More
Jazz N Palms is a jazz-inspired project from Italian DJ and producer Riccio. He started this project after moving to Ibiza and falling under the spell of its ancestral side, its sweet and slow pace of life and the natural rhythms of the beauty in the north of the island. In summer, he served up his fantastic Ses Rodes double album which was dedicated to the original way of life that had remained almost unchanged till the early 80s party explosion.
This new track came about after Riccio heard Piera Martell's 1978 soul-jazz track 'Exotica' in a mix by Phil Mison. The idea was reimagine the song with new lyrics and set in Milan, in the early days when the town was invaded by unusual and exotic palm trees in Piazza Duomo. The song tells the story of a country teenager who is unsure about heading to a big new city after receiving an invitation. The story will retrieve familiar emotions for many of us who have faced similarly important decisions in our life, but this time married to an escapist groove.
For this release, the original 'Exotica' has been fully replayed by contemporary musicians from the multi-genre Italian ensemble 291out, with whom Riccio has worked in the past. It has new lyrics sung in Italian by fellow 291out collaborator Giovanna Lubjan after permission was given by original composer Salvo Ingrassia.
'Milano' is a luxurious soul-jazz fusion. It has exotic guitar lines and gently persuasive rhythms topped by the soaring vocal from Lubjan. A steamy sax helps the temperature rise as the track unfolds and traps you under its gorgeous spell.
This is a timeless package of blissed-out brilliance from Jazz N Palms. More
1
Calm - Beauty On Earth
2
Calm - Long Summer Dream
3
Calm - Blue In Void
4
Calm - Liminal Moment
5
Calm - I Love You
6
Calm - Feel It
7
Calm - Before Sunrise Blue
8
Calm - Kunpoo
9
Calm - Freedom Sunset
10
Calm - Lets Make Harmony
Following a CD-only release in Japan in 2021, legendary downtempo producer Calm finally releases his “Before” album on vinyl and digital courtesy of Hell Yeah. The 10-track record is a slow-burning Balearic beauty.
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic. More
Calm aka Kiyotaka Fukagawa has never been to the White Isle, but he sure knows how to capture its musical essence. He has done so over a long and storied career that has taken in 17 albums and some 35 EPs on many labels including this one over the last 20-plus years. His unique blend of ambient, jazz and leftfield was last showcased on this label in 2018 with his By Your Side album, and now he does it again with another timeless and escapist offering.
The record was written, arranged, mixed and produced by Calm, but with gorgeous musical embellishments, trumpets, flutes, saxophones, violins, bass and keys played by friends and guests like Shiba, Sinsuke Fujieda, Fumiko Takeshita, Tomokazu Sugimoto, Yuichiro Kato and Toshitaka Shibata. Tracks from it have already had support from Cosmo Coleen Murphy on Worldwide FM, while Phil Mison says it is "100% reminiscent of an old Café Del Mar or José Padilla record." He is not wrong.
As soon as the opening chords of 'Beauty on Earth' wash over you there is no escaping the naturalistic charm and beauty of this record. 'Long Summer Dream' layers mystic wind sounds and gentle percussive patterns into suspensory bliss, 'Blue in Void' is a plaintive moment of sombre sax and pensive piano, then 'Liminal Moment' awakens the soul with its gorgeous flute lines and looping arps.
There is perfect horizontal sunset house on 'I Love You,' 'Feel It' picks up the pace with seductive saxophone motifs and psychedelic synth loops and 'Before Sunrise Blue' is crushing downtempo melancholia. 'Kunpoo' reawakens you with leggy bass and expansive synths that reach for the heavens, while 'Freedom Sunset' is an epic 10-minute journey out to sea. Lastly, 'Let's Make Harmony' is super slow motion jazz-funk that swells the heart. Before is a superb album that is well-deserving of this double vinyl pressing and is sure to become a Balearic classic. More
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Ricardo Villalobos - 808 The Bassqueen (Queen Of Bass Mix)
2
Ricardo Villalobos - 808 The Bassqueen (Extended Loop)
3
Ricardo Villalobos - 808 The Bassqueen (Dubstar'z Shorthack)
We are very happy and honored to present you Ricardo Villalobos on his own RAWAX series!
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock! More
You will find here past & present releases from the Mastermind, starting with the 25 Years
Anniversary edition of "808 The Bassqueen", formerly released on LoFi Stereo.
Special thanks goes out here to Christian Rindermann aka C-Rock! More
1
Roméo Poirier - Plage Arrière
2
Roméo Poirier - Plage Arrière
3
Roméo Poirier - Plage Arrière
4
Roméo Poirier - Plage Arrière
5
Roméo Poirier - Plage Arrière
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Roméo Poirier - Plage Arrière
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Roméo Poirier - Plage Arrière
8
Roméo Poirier - Plage Arrière
A much needed repress of French ambient composer and lifeguard Roméo Poirier's cult debut record, Plage Arrière. Released with updated artwork, by London imprint Kit Records. Plage Arrière is a deep sea meditation on a constellation of Greek beaches across three islands. Trumpets, echo-clicks and Harold Budd-esque shimmer piano whirl together on these sand-caked missives, tumbled and re-engineered by their surroundings like seaglass. Poirier evokes the sub-aqeaous ambitions of Jürgen Müller, or Jan Jelinek inspecting a coral reef.
More
1
Danny Scott Lane - 21st Street
2
Danny Scott Lane - Mike’s Kitchen
3
Danny Scott Lane - Too Much Time
4
Danny Scott Lane - Each Day Is Every day
5
Danny Scott Lane - Be Outside Talking
6
Danny Scott Lane - Closing In 5 Minutes, Customers
7
Danny Scott Lane - 10’Clock Ride
8
Danny Scott Lane - Not Home
9
Danny Scott Lane - Spring Street
10
Danny Scott Lane - Late Love Walk
11
Danny Scott Lane - Metal From Out A Window
12
Danny Scott Lane - Her Coming In
Genre: Ambient, Chillout, Cool Jazz, Minimalism, Downtempo
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
More
LP: Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. 21st Street
A2. Mike’s Kitchen
A3. Too Much Time
A4. Each Day Is Every day
A5. Be Outside Talking
A6. Closing In 5 Minutes, Customers
B1. 10’Clock Ride
B2. Not Home
B3. Spring Street
B4. Late Love Walk
B5. Metal From Out A Window
B6. Her Coming In
Info
WRWTFWW Records is continuing its fruitful and blissful collaboration with New York ambient / jazz / downtempo musician Danny Scott Lane with the first ever vinyl release for his 2021 cassette album Caput. The 12-track beauty is available as a limited edition LP (500 copies worldwide) housed in a marvelously designed heavy 350gsm sleeve. The album is also available digitally.
Originally released on cassette only, Caput is desert music inspired by the city, a serene and cozy soundtrack of contemplative synth, mini pleasure-grooves, and botanical ambient jazz, sure to gently pacify the emotionally conflicted and make small moments the best moments. Scott Lane’s smooth downtempo is like a cushiony bubble of simple life, protecting the mind from noise and stress. It’s the comforting hand on the shoulder, the blanket that keeps warm, the easy Sunday morning breakfast - caring chillout music to escape from the brouhaha.
Caput follows the adorable, so comfy, and beloved soundscapes Home Decor and Shower, both available on WRWTFWW Records, and thus marks the third Danny Scott Lane release on the label…and surely not the last! Complete the collection now and feel the joy of being alive.
Points of interests
For fans of ambient jazz, cool jazz, downtempo, lofi, bedroom tapes, cassettes becoming vinyl records, the simple good life, easy mornings and cozy nights, finding solace in this world of madness.
Super limited imited edition vinyl for Danny Scott Lane’s 2021 cult cassette release Caput.
More
1
Taro Nohara - Shishi Odishi
2
Taro Nohara - African Buddhist Temple
3
Taro Nohara - Beatific Sea
4
Taro Nohara - Peninsula Information Center
5
Taro Nohara - Miyadaiku
6
Taro Nohara - The Universe Above The Garden
7
Taro Nohara - Freakout Ondo
8
Taro Nohara - Deep Inside Of The Naiku (Jo-Ha-Kyu)
Territories: WORLDWIDE
LP: 350gsm Sleeve, Sticker
Tracklisting LP
A1. Shishi Odishi
A2. African Buddhist Temple
A3. Beatific Sea
A4. Peninsula Information Center
B1. Miyadaiku
B2. The Universe Above The Garden
B3. Freakout Ondo
B4. Deep Inside Of The Naiku (Jo-Ha-Kyu)
Info
WRWTFWW Records is so happy to announce Poly-Time Soundscapes / Forest Of The Shrine, a brand new release by Japanese producer Taro Nohara (Yakenohara). 8 tracks of pure environmental ambient bliss available on LP housed in a heavy 350gsm sleeve with an artwork from the artist himself.
Based in Tokyo, Taro Nohara is a producer, beatmaker, DJ, and music activist who made a mark with his electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame). His new solo project, Poly-Time Soundscapes / Forest Of The Shrine, is a unique and modern take on Japanese environmental music, a free floating re-interpretation of the sub-genre made famous by Midori Takada, Hiroshi Yoshimura, or Satoshi Ashikawa (and more!) fused with subtle nuances of various origins: downtempo, hip hop, sound design, chill-out, experimental.
Conceived as a two-part adventure of contemplative peace, Taro Nohara’s organic soundscape takes you on a mind-soothing walk through time (or memories) and the beautiful mysteries of luscious forests - don’t resist, let yourself go, explore!
Points of interests
- For fans of environmental, chill-out, ambient, furniture music but also music for empty spaces, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, forests, parallel universes, and records made of vinyl.
- Brand new solo album by Taro Nohara aka Yakenohara, Tokyo based producer, beatmaker, DJ, and music activist from electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame).
More
LP: 350gsm Sleeve, Sticker
Tracklisting LP
A1. Shishi Odishi
A2. African Buddhist Temple
A3. Beatific Sea
A4. Peninsula Information Center
B1. Miyadaiku
B2. The Universe Above The Garden
B3. Freakout Ondo
B4. Deep Inside Of The Naiku (Jo-Ha-Kyu)
Info
WRWTFWW Records is so happy to announce Poly-Time Soundscapes / Forest Of The Shrine, a brand new release by Japanese producer Taro Nohara (Yakenohara). 8 tracks of pure environmental ambient bliss available on LP housed in a heavy 350gsm sleeve with an artwork from the artist himself.
Based in Tokyo, Taro Nohara is a producer, beatmaker, DJ, and music activist who made a mark with his electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame). His new solo project, Poly-Time Soundscapes / Forest Of The Shrine, is a unique and modern take on Japanese environmental music, a free floating re-interpretation of the sub-genre made famous by Midori Takada, Hiroshi Yoshimura, or Satoshi Ashikawa (and more!) fused with subtle nuances of various origins: downtempo, hip hop, sound design, chill-out, experimental.
Conceived as a two-part adventure of contemplative peace, Taro Nohara’s organic soundscape takes you on a mind-soothing walk through time (or memories) and the beautiful mysteries of luscious forests - don’t resist, let yourself go, explore!
Points of interests
- For fans of environmental, chill-out, ambient, furniture music but also music for empty spaces, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, forests, parallel universes, and records made of vinyl.
- Brand new solo album by Taro Nohara aka Yakenohara, Tokyo based producer, beatmaker, DJ, and music activist from electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame).
More
Cat-No:LPS206
Release-Date:17.06.2022
Configuration:LP Excl
Cat-No:LPS206
Release-Date:17.06.2022
Configuration:LP Excl
1
ZANOV - Green Ray
2
ZANOV - Machine Desperation
3
ZANOV - Running Beyond A Dream
NON EXCL-LP limited edition of 500 copies+ 7"+ 8 page booklet
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released Green Ray in 1976. It is a work made with minimal equipment if compared to other French sythetists, not to mention their German peers, he worked on the EMS VCS3 synth and used a 4-track Teac and a Revox A77 Mk IV reel to reel tape recorders obtaining huge sound results. You can appreciate an influence from the Berlin school, Green Ray walks the same path of what artists like Tangerine Dream and the likes were producing at the time, Zanov had felt under the spell of Ricochet, but his head was boiling with ideas which gave the recordings a very personal, unique touch.
Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.
Tracklist:
A1 Green Ray
A2 Machine Desperation
B Running Beyond A Dream More
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released Green Ray in 1976. It is a work made with minimal equipment if compared to other French sythetists, not to mention their German peers, he worked on the EMS VCS3 synth and used a 4-track Teac and a Revox A77 Mk IV reel to reel tape recorders obtaining huge sound results. You can appreciate an influence from the Berlin school, Green Ray walks the same path of what artists like Tangerine Dream and the likes were producing at the time, Zanov had felt under the spell of Ricochet, but his head was boiling with ideas which gave the recordings a very personal, unique touch.
Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.
Tracklist:
A1 Green Ray
A2 Machine Desperation
B Running Beyond A Dream More
1
Double Geography - A1 Flight 1
2
Double Geography - A2 Flight 7
3
Double Geography - B1 Flight 9
4
Double Geography - B2 Flight 17
File Under: Ambient Trip / Contemplative Synth
Tracklisting:
A1 Flight 1
A2 Flight 7
B1 Flight 9
B2 Flight 17
Release Info:
Let's face it, no one really knows where they're going, so the best we can do is enjoy the ride -
a sentiment captured perfectly by the high altitude ambient of 'Flights',
Double Geography's new release on the Growing Bin.
Embracing the unpredictable, Duncan Thornley married melodic fragments with semi-generative computer process and random filter interactions, an aleatory approach to music therapy during the existential funk of the first Lockdown. The unhurried melodies, weightless within plumes of reverb and delay, conjure the feeling of long distance air travel with All Nippon - that pensive delirium stimulated by varying air pressure, broken sleep and the most welcome pause in your everyday life. Remote snippets of news reports, street noise and conversation, plundered from cassette dictaphone and a Spanish language tape the artist found in the loft sit low in the mix, the barely audible sound of the pilot and passenger, extras in your everyday experience.
Contemplative and comforting, 'Flights' is a gentle reminder to be present, delivered with a rare beauty.
More
Tracklisting:
A1 Flight 1
A2 Flight 7
B1 Flight 9
B2 Flight 17
Release Info:
Let's face it, no one really knows where they're going, so the best we can do is enjoy the ride -
a sentiment captured perfectly by the high altitude ambient of 'Flights',
Double Geography's new release on the Growing Bin.
Embracing the unpredictable, Duncan Thornley married melodic fragments with semi-generative computer process and random filter interactions, an aleatory approach to music therapy during the existential funk of the first Lockdown. The unhurried melodies, weightless within plumes of reverb and delay, conjure the feeling of long distance air travel with All Nippon - that pensive delirium stimulated by varying air pressure, broken sleep and the most welcome pause in your everyday life. Remote snippets of news reports, street noise and conversation, plundered from cassette dictaphone and a Spanish language tape the artist found in the loft sit low in the mix, the barely audible sound of the pilot and passenger, extras in your everyday experience.
Contemplative and comforting, 'Flights' is a gentle reminder to be present, delivered with a rare beauty.
More
1
Grauzone - Raum
2
Grauzone - Raum (Naum Gabo Rework)
3
Grauzone - Raum (Ata's Extended Edit)
4
Grauzone - Raum (Naum Gabo Rework - Radio Edit)
Maxi vinyl: 12" cut at 45rpm, 350gsm inside out sleeve with artwork by Stephan Eicher, handmade Xerox sticker
WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.
Tracklisting
A1. Raum
A2. Raum (Naum Gabo Rework)
B1. Raum (Ata's Extended Edit)
B2. Raum (Naum Gabo Rework - Radio Edit)
Info:
WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.
Initally released almost 40 years ago on the beloved compilation Swiss Wave - The Album (Off Course Records) alongside the band's massive hit "Eisbär", "Raum" is the biggest Grauzone track people have yet to discover. An über-infectious New York style bassline played by Christian "GT" Trüssel and frantic drumming by Marco Repetto blend with Martin Eicher's hauntingly hopeless lyrics and Claudine Chirac's saxophone escapades to personify post-punk heaven and all its wonderful anomalies. It's disco with an edge, pop filled with fear, it's The Cure infused with proto-techno and Swiss art chic. Or maybe, it's simply one hell of a song that will make you dance and shout. It's good! More
WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.
Tracklisting
A1. Raum
A2. Raum (Naum Gabo Rework)
B1. Raum (Ata's Extended Edit)
B2. Raum (Naum Gabo Rework - Radio Edit)
Info:
WRWTFWW Records is beyond thrilled to announce the first ever vinyl maxi-single release for "Raum", Grauzone's best-kept secret and underground mega-gem from 1980. The four-track affair includes the full title track sourced from the original reels, as well as a club-ready rework by Naum Gabo (Jonnie Wilkes of Optimo and James Savage) with help from Dennis Young of Liquid Liquid, and an extended edit by legendary Frankfurt DJ Ata (Robert-Johnson club, Playhouse/Klang/Ongaku labels). The 12 inch vinyl is cut at 45rpm and comes with a never-seen cover art by band member Stephan Eicher and a handmade Xerox hype sticker.
Initally released almost 40 years ago on the beloved compilation Swiss Wave - The Album (Off Course Records) alongside the band's massive hit "Eisbär", "Raum" is the biggest Grauzone track people have yet to discover. An über-infectious New York style bassline played by Christian "GT" Trüssel and frantic drumming by Marco Repetto blend with Martin Eicher's hauntingly hopeless lyrics and Claudine Chirac's saxophone escapades to personify post-punk heaven and all its wonderful anomalies. It's disco with an edge, pop filled with fear, it's The Cure infused with proto-techno and Swiss art chic. Or maybe, it's simply one hell of a song that will make you dance and shout. It's good! More
1
VILLALOBOS - EASY LEE
2
VILLALOBOS - THEOGENESE
3
VILLALOBOS - BAHAHA HAHI
4
VILLALOBOS - LA RAJA
5
VILLALOBOS - I TRY TO LIVE (CAN I LIVE)
6
VILLALOBOS - QUIZÅS
7
VILLALOBOS - FUSION THE ENEMIES
8
VILLALOBOS - DEXTER
9
VILLALOBOS - BACH TO BACK
10
VILLALOBOS - Y.G.H.
11
VILLALOBOS - WAIWORINAO
Format: 4x12"LP
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More
1
CHRIS KORDA - A1 A THIN LAYER OF OILY ROCK
2
CHRIS KORDA - A2 CHANGING CLIMATE
3
CHRIS KORDA - A3 APOLOGIZE TO THE FUTURE
4
CHRIS KORDA - B1 SINGULARITY
5
CHRIS KORDA - B2 OVERSHOOT
6
CHRIS KORDA - B3 EXIT GAME
Format: LP
Tracklist:
A1 A THIN LAYER OF OILY ROCK
A2 CHANGING CLIMATE
A3 APOLOGIZE TO THE FUTURE
B1 SINGULARITY
B2 OVERSHOOT
B3 EXIT GAME
Release Info:
…»Welcome to another polymeter dance! Feel free to express yourself, subordinate to
any measures and cycles you prefer, there are plenty for everyone and any purpose.
Every track represents a variety of rhythmic possibilities for any part of the body to
communicate with. This allows you to resonate with the universe, but please always
care for the environment!
The dunning voice of today will introduce to you the core issues of tomorrow. As if a
paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an
array of machines that will take further action to communicate, supported by complex
polymeters. The repetition of measures and cycles of different lengths reflect the
repeatedly pronounced statements of a narrative of awareness.
Where music visionaries once celebrated the transfer of human creation into
machines, Chris Korda’s machines are creators themselves – creators of a safer
dance into the future. The machines speak to you with a sparkling, funky tone to gain
your confidence. Here are the rules of interaction: 1) Humans may not injure these
machines or, through inaction, allow a machine to come to harm. 2) Humans must
obey the orders given by the machines except where such orders would conflict with
the engagement in environmental issues. 3) Machines must protect their own
existence as long as such protection does not conflict with the engagement in
environmental issues.
Take care and enjoy the future!
More
Tracklist:
A1 A THIN LAYER OF OILY ROCK
A2 CHANGING CLIMATE
A3 APOLOGIZE TO THE FUTURE
B1 SINGULARITY
B2 OVERSHOOT
B3 EXIT GAME
Release Info:
…»Welcome to another polymeter dance! Feel free to express yourself, subordinate to
any measures and cycles you prefer, there are plenty for everyone and any purpose.
Every track represents a variety of rhythmic possibilities for any part of the body to
communicate with. This allows you to resonate with the universe, but please always
care for the environment!
The dunning voice of today will introduce to you the core issues of tomorrow. As if a
paralyzed mankind would not be able anymore to speak out the inevitable, a posthuman being has taken over. This entity is the master of ceremony who conducts an
array of machines that will take further action to communicate, supported by complex
polymeters. The repetition of measures and cycles of different lengths reflect the
repeatedly pronounced statements of a narrative of awareness.
Where music visionaries once celebrated the transfer of human creation into
machines, Chris Korda’s machines are creators themselves – creators of a safer
dance into the future. The machines speak to you with a sparkling, funky tone to gain
your confidence. Here are the rules of interaction: 1) Humans may not injure these
machines or, through inaction, allow a machine to come to harm. 2) Humans must
obey the orders given by the machines except where such orders would conflict with
the engagement in environmental issues. 3) Machines must protect their own
existence as long as such protection does not conflict with the engagement in
environmental issues.
Take care and enjoy the future!
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
THE WAVES - POSITIVES
2
THE WAVES - ONE AND OLLAM
3
THE WAVES - NONPLUS
4
THE WAVES - PERFECT STORM
5
THE WAVES - LIGHT TRAIN
6
THE WAVES - LIGHT TOWER
7
THE WAVES - NOVEMBERME
8
THE WAVES - SOMEWHERE
9
THE WAVES - AFTER LAUGHTER
Format: 2x12“LP
Tracklist:
A1 POSITIVES
A2 ONE AND OLLAM
B1 NONPLUS
B2 PERFECT STORM
C1 LIGHT TRAIN
C2 LIGHT TOWER
C3 NOVEMBERME
D1 SOMEWHERE
D2 AFTER LAUGHTER
Release Info:
A matter of pace, an analog memory…
Feel safe: like newborn, take your first careful steps on a clean slate while Maayan is your supervisor. Naïve and happy, you leave carbonbon footprints on your way into the positives. Then a faster pace: some tribal folk music from a tiny world, where people dance around an LED fire, commands a gallop to the one and ollam. Latinfection guaranteed.
Your nonplus motion interferes with environmental geometry. A memory from an analog past flashes like a daydream. Upward and rising, your smile workout succeeds while scintillating waves say “hello!”. Having grown up to a motorik being, the determined goal however never appears. The journey into a perfect storm is the reward. Maayan sends you some motivating words.
Then have a break and jump on the light train of thoughts to enjoy blurred reflections: on the water and in your mind. Sing your body beautiful and free. Words come in bubbles, a heart-throb away from a light tower. Feel like stumbling into new adventures on a pathless terrain.
Slowly and cautious, the novemberme, which is the one that approaches dawn, celebrates tristesse with a funny accent. Kick the blues with a beat. Somewhere lost but regenerated, find sisyphos’ generator of vitality. A nascent religious mood at the Autobahn service station fades into the fog.
Finally, the circle of pace is almost closed. After laughter of amazement, Maayan leaves you with a soothing mantra of confidence: an everyday ritual fun you should indulge yourself in. It comes in waves.
More
Tracklist:
A1 POSITIVES
A2 ONE AND OLLAM
B1 NONPLUS
B2 PERFECT STORM
C1 LIGHT TRAIN
C2 LIGHT TOWER
C3 NOVEMBERME
D1 SOMEWHERE
D2 AFTER LAUGHTER
Release Info:
A matter of pace, an analog memory…
Feel safe: like newborn, take your first careful steps on a clean slate while Maayan is your supervisor. Naïve and happy, you leave carbonbon footprints on your way into the positives. Then a faster pace: some tribal folk music from a tiny world, where people dance around an LED fire, commands a gallop to the one and ollam. Latinfection guaranteed.
Your nonplus motion interferes with environmental geometry. A memory from an analog past flashes like a daydream. Upward and rising, your smile workout succeeds while scintillating waves say “hello!”. Having grown up to a motorik being, the determined goal however never appears. The journey into a perfect storm is the reward. Maayan sends you some motivating words.
Then have a break and jump on the light train of thoughts to enjoy blurred reflections: on the water and in your mind. Sing your body beautiful and free. Words come in bubbles, a heart-throb away from a light tower. Feel like stumbling into new adventures on a pathless terrain.
Slowly and cautious, the novemberme, which is the one that approaches dawn, celebrates tristesse with a funny accent. Kick the blues with a beat. Somewhere lost but regenerated, find sisyphos’ generator of vitality. A nascent religious mood at the Autobahn service station fades into the fog.
Finally, the circle of pace is almost closed. After laughter of amazement, Maayan leaves you with a soothing mantra of confidence: an everyday ritual fun you should indulge yourself in. It comes in waves.
More
1
Drum Dance - Zani!
2
Drum Dance - Body Heat
3
Drum Dance - Venus Dub 2
4
Drum Dance - Adan On Dòt Soley
“We kick the label off with our inaugural release from label head Drum Dance; an eclectic four-tracker opening with ‘Zani!’, an outernational cosmic head-nodder meets Chicago footwork influenced ode to the great Zani Diabaté. Low-slung Latin flavoured boogie number ‘Body Heat’ switches up the tempo but keeps those limbs moving with its percussive four-to-the-floor beat, steamy disco vocals and jazzy keys. 80s jazz Balearic goes to Kingston for a bass-heavy dub makeover on ‘Venus Dub 2’.
Signing things off is ‘Adan On Dòt Soley’, a personal dedication to the beautiful country of Gwadloup. A common farewell in the local tongue, it translates poetically as “until another sun”. The track begins with off-kilter spaced-out synths and emerges into a dubby percussive jam featuring the gorgeous keys of Andy Wileman. Field recordings capturing glimpses of birds singing, waves lapping and the sound of gwo ka on the beach close things out, until another sun.”??
Full sleeve artwork printed on reverse board (design by mikesstudio.co.uk)
Mastered and cut by Beau Thomas at Ten Eight Seven Mastering
Pressed and printed by The Vinyl Factory More
Signing things off is ‘Adan On Dòt Soley’, a personal dedication to the beautiful country of Gwadloup. A common farewell in the local tongue, it translates poetically as “until another sun”. The track begins with off-kilter spaced-out synths and emerges into a dubby percussive jam featuring the gorgeous keys of Andy Wileman. Field recordings capturing glimpses of birds singing, waves lapping and the sound of gwo ka on the beach close things out, until another sun.”??
Full sleeve artwork printed on reverse board (design by mikesstudio.co.uk)
Mastered and cut by Beau Thomas at Ten Eight Seven Mastering
Pressed and printed by The Vinyl Factory More