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Label:Live at Robert Johnson
Cat-No:Playrjc111
Release-Date:15.10.2024
Genre:Electronic
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Barcode:4250101472398
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Genre:Electronic
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1
New Hook - Lebenskonzept Perfektion
2
Innere Türen / Map.ache - XXII (The Goodbye)
3
Curses - In Disarray
4
Mano Le Tough - Keep Noddin'
5
Skelesys - Synsthetic Serenade
6
Rebolledo - Alright Pingüino Rodriguez
7
Moderna / Theus Mago - Amor De Verano
8
Massimiliano Pagliara - Get Moving
9
Man Power - Unbekannt
10
DJ Oyster - House Of Bookla (Gerd Janson Remix)
11
Lydia Eisenblätter - It Doesn't Stop
12
Alinka - Light Tunnel 8
13
DC Salas - A Journey
14
Llewellyn - High5, Twenty5
15
Benjamin Fröhlich - Perfectly (Pour Offenbach)
16
Peter Invasion / Gregor Habicht - Kasalina
17
Kalexis - Pulsar Radio Star
18
Adana Twins - Neue Realität Feat. Jence
19
Oskar Offermann - Live Forever
20
Robert Dietz - Deny The Flaw
21
Cromby - Lost Soul
22
Odopt - Gristlecut
23
Kadosh - Wake Up Feat. Tony Y Not & Common Occupation
24
Ali Schwarz - Tougana
25
Current Location - Terrace DUb Tool
26
HCL - RIV
27
Irakli - Infinite Errors
28
RKJVK - Memory Lane
29
Ludwig A.F. - Sky
30
Shubostar - First Children
31
Jennifer Touch - Shiver (Robert Johnson)
In the heart of Offenbach, where the city's pulse synchronizes with the beat of the night, stands the illustrious Robert Johnson Club. For a quarter of a century, it has stood as a bastion of sonic exploration, a sanctuary for those who seek solace in the rhythm, and a beacon of inspiration for the global electronic music community. As it proudly raises its glass to toast 25 years of unrivaled musical excellence, the echoes of countless memories reverberate through its storied halls. To honor this landmark anniversary, „Live at Robert Johnson“ presents a kinda like masters blueprint of sound: "Tell Me Something Good - 25 Years of Famous When Dead!" This compilation, aptly named after the club's mantra, serves not only as a celebration of its rich history but also as a testament to the enduring legacy of the artists who have graced its stage. Crafted with meticulous attention to detail, each track on the compilation is a sonic journey unto itself—a symphony of beats and melodies that weave together to tell the story of Robert Johnson's evolution over the past quarter-century. From the pulsating rhythms of underground techno to the ethereal melodies of deep house, the compilation encapsulates the club's eclectic spirit and unwavering commitment to pushing the boundaries of electronic music. But beyond the music lies something deeper—an intangible energy that permeates every aspect of Robert Johnson's existence. It's the sense of camaraderie that binds together the club's patrons and artists alike, the shared experience of losing oneself in the music, and the profound sense of belonging that transcends language and culture. As the compilation reverberates through the speakers, it serves as a rallying cry—a call to arms for all who have ever felt the transformative power of music. It's a reminder that, even in the darkest of times, there is beauty to be found in the simple act of coming together and losing oneself in the rhythm of the night. So let us raise our voices in celebration of Robert Johnson Club and the indelible mark it has left on the world of electronic music. Here's to 25 years of passion, of creativity, and of "something good" that will echo through the ages for generations to come.
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Label:Live At Robert Johnson
Cat-No:Playrjc100
Release-Date:13.10.2023
Genre:Electronic
Configuration:LP
Barcode:4250101461453
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Release-Date:13.10.2023
Genre:Electronic
Configuration:LP
Barcode:4250101461453
1
Irakli - Happy Human With Sad Eyes
2
Irakli - Cell Sculpture
3
Irakli - Silently Watched
4
Irakli - Days Of Change
5
Irakli - Exploration
6
Irakli - Human Satellite
7
Irakli - Mechanical Moon
8
Irakli - Quantum Revealed
BLUE-BLACK COLOURED VINYL! LIMITED TO 100 COPIES
Irakli’s new album is due to come out September 2023 on Live at Robert Johnson. Mechanical Moon is a retrofuturistic adventure of beautiful compositions and pulsating rhythms which are weaved together over the span of eight tracks.
We are immersed into evocative atmospheres, full of intricate textures. This is techno where you close your eyes and board an ocean liner that slowly rises and floats towards the moon.
Happy human with sad eyes roamed the neon-lit streets of the artificial island. This section of the metropolis had been designed as a necessity more than any other amenities. It had been allocated a budget surpassing the one for waste management in a city housing over a billion inhabitants.
Society had managed to eradicate love, yet it still grappled with untamed primal instincts such as dancing, sex, or violence. The island provided a discreet haven, away from the prying eyes of telescreens that silently stared into all souls. Similar to Las Vegas centuries ago, it was a safe space where anything was fair game.
Once there, night time lasted all day. Everything retained an analog essence. Music emanated from vintage record players. Amidst the laughter and tears, the artificial glow of the mechanical moon had become the last reminder of life outside.
A life so repetitive that he had been consumed by the desire to transform into a machine or a human satellite. Yet, breaking the cycle in such a manner remained impossible. And so, he wandered for hours on the island, among the weary faces.
Happy as one could be. More
Irakli’s new album is due to come out September 2023 on Live at Robert Johnson. Mechanical Moon is a retrofuturistic adventure of beautiful compositions and pulsating rhythms which are weaved together over the span of eight tracks.
We are immersed into evocative atmospheres, full of intricate textures. This is techno where you close your eyes and board an ocean liner that slowly rises and floats towards the moon.
Happy human with sad eyes roamed the neon-lit streets of the artificial island. This section of the metropolis had been designed as a necessity more than any other amenities. It had been allocated a budget surpassing the one for waste management in a city housing over a billion inhabitants.
Society had managed to eradicate love, yet it still grappled with untamed primal instincts such as dancing, sex, or violence. The island provided a discreet haven, away from the prying eyes of telescreens that silently stared into all souls. Similar to Las Vegas centuries ago, it was a safe space where anything was fair game.
Once there, night time lasted all day. Everything retained an analog essence. Music emanated from vintage record players. Amidst the laughter and tears, the artificial glow of the mechanical moon had become the last reminder of life outside.
A life so repetitive that he had been consumed by the desire to transform into a machine or a human satellite. Yet, breaking the cycle in such a manner remained impossible. And so, he wandered for hours on the island, among the weary faces.
Happy as one could be. More
Label:Live at Robert Johnson
Cat-No:Playrjc082
Release-Date:28.04.2023
Genre:Techno
Configuration:12"
Barcode:4250101443084
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Label:Live at Robert Johnson
Cat-No:Playrjc082
Release-Date:28.04.2023
Genre:Techno
Configuration:12"
Barcode:4250101443084
1
Laura BCR - Farewell
2
Laura BCR - Post Dynamic
3
Laura BCR - Human Behavior
4
Laura BCR - Long Wait
»Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat.«
Well, that's what Wikipedia says about »techno« - but can Laura BCR's music simply be called »techno«? We say it's much more than that. The French DJ and On Board Music label founder who took her name from the much-loved and now closed, Berlin record store, Bass Cadet Records, started to produce her very own music in 2020. Music which could easily fit in her transportive, deep techno and dubby ambient DJ sets. Sets that have brought her to some of Europe’s finest venues.
After her releases on SoHaSo, Semantica, Paloma, RDV Music, Technologia Organica or Sublunar we're happy to present to you her latest work for Live At Robert Johnson: »Human Behavior«.
The four tracks all share a deepness which is typical for a lot of her productions so far. This is repetitive music, yes - but also very atmospheric music. Whether it's the helicopter sound in first track »Farewell« which Laura put on top of layers of whirring synths sounds or the swelling and decaying sounds of »Long Wait«. Sounds which swallow you deep into their core and make you forget about the here and now. Yes, Laura's music is hypnotizing - and it has a certain psychedelic quality attached to it as well. This aspect of her music can be heard quite good in »Post Dynamic« with its electronic blowing wind sounds galore. Or in »Human Behavior«, the title track of Laura BCR's LARJ debut. Yet Laura never forgets the importance (and the power) of the bass drum and its four on the floor beat.
A beat that is the heartbeat of techno. And a beat that defines Laura BCR as well.
Now all hail the bass drum and all hail Laura BCR! More
Well, that's what Wikipedia says about »techno« - but can Laura BCR's music simply be called »techno«? We say it's much more than that. The French DJ and On Board Music label founder who took her name from the much-loved and now closed, Berlin record store, Bass Cadet Records, started to produce her very own music in 2020. Music which could easily fit in her transportive, deep techno and dubby ambient DJ sets. Sets that have brought her to some of Europe’s finest venues.
After her releases on SoHaSo, Semantica, Paloma, RDV Music, Technologia Organica or Sublunar we're happy to present to you her latest work for Live At Robert Johnson: »Human Behavior«.
The four tracks all share a deepness which is typical for a lot of her productions so far. This is repetitive music, yes - but also very atmospheric music. Whether it's the helicopter sound in first track »Farewell« which Laura put on top of layers of whirring synths sounds or the swelling and decaying sounds of »Long Wait«. Sounds which swallow you deep into their core and make you forget about the here and now. Yes, Laura's music is hypnotizing - and it has a certain psychedelic quality attached to it as well. This aspect of her music can be heard quite good in »Post Dynamic« with its electronic blowing wind sounds galore. Or in »Human Behavior«, the title track of Laura BCR's LARJ debut. Yet Laura never forgets the importance (and the power) of the bass drum and its four on the floor beat.
A beat that is the heartbeat of techno. And a beat that defines Laura BCR as well.
Now all hail the bass drum and all hail Laura BCR! More
Label:Live at Robert Johnson
Cat-No:PLAYRJC087
Release-Date:14.04.2023
Genre:House
Configuration:2LP
Barcode:4250101450419
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Cat-No:PLAYRJC087
Release-Date:14.04.2023
Genre:House
Configuration:2LP
Barcode:4250101450419
1
Damiano von Erckert - 3PIANOS
2
Damiano von Erckert - Random Waves
3
Damiano von Erckert - 3PIANOS (Pepe Bradock's Hot Dog Cruise Mix)
4
Damiano von Erckert - Blue Marlin
5
Damiano von Erckert - B47
6
Damiano von Erckert - The Story
7
Damiano von Erckert - Trauma Illusion
Any moment can crash your emotional state of mind. You are looking for help. You can’t find it with-inside of you. A Diamond shines twice a day. The night can be day and vice versa. We love you, no doubt. Our friends love you too. Do you love yourself? A Zebra is not a unicorn but is still unique. Who are you to tell us We can’t do it? EUPHORIC SPIRITS EUPHORIC SPIRITS Women are strong and full of love and positive energy. This life is a gift and you should genuinely use it. Read a book. Internet TV connects your brain to something not valid; remember that. We still love you. You are beautiful. Come with us to hidden spheres and find your inner voice. Shock, Projection, Ideals, Sorrow, Disaster, Fundamental, Weak, Strong, More, Less.
We love you. Follow us to the planet of our inner fears, and we do magic. It will become another planet. Together forever. We love you. More
We love you. Follow us to the planet of our inner fears, and we do magic. It will become another planet. Together forever. We love you. More
Label:Live at Robert Johnson
Cat-No:Playrjc085
Release-Date:03.03.2023
Genre:House
Configuration:12"
Barcode:4250101445101
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Cat-No:Playrjc085
Release-Date:03.03.2023
Genre:House
Configuration:12"
Barcode:4250101445101
1
Marvin & Guy - Save Me Feat. Hard Ton (Disco Mix)
2
Marvin & Guy - Save Me Feat. Hard Ton (Club Mix)
3
Marvin & Guy - Supported By Your Favorite DJ
Let's go back to Italy with the dynamic duo Marvin & Guy aka Alessandro Parlatore and Marcello Giordani.
On their first release for Live At Robert Johnson they team up with another dynamic duo: Hard Ton - and you guessed right, they're Italian too.
So what else to expect than some real cool contemporary Italo Disco just in time for summer? »Save Me« comes in two different mixes: The »Disco Mix« and the »Club Mix« - both featuring the marvelous falsetto voice of Hard Ton's singer Max - himself quite a passionate singer in the field of Heavy Metal - AND Disco - yes, you heard right. But fear not, the Heavy Metal part isn't audible at all. We're talking Hi-NRG sounds galore and of course D.I.S.C.O. - the Munich style disco of someone like Giorgio Moroder doing his thing with Donna Summer or Harvey Fuqua's and Patrick Cowley's work with LGBT legend Sylvester - yes, the »You Make Me Feel (Mighty Real)« Sylvester. Not a bad company to get name-dropped, right?
Especially the »Disco Mix« of »Save Me« features many of those typical sounds of said producers and is a beautiful tribute to the golden disco era. The slightly darker »Club Mix« does a great job too by pulling all dancers straight onto the floor with its drum machine generated bass drum and its euphoric claps.
Marvin & Guy's solo track, the aptly named »Supported By Your Favourite DJ« will surely be supported by everyone of our favourite DJs: It's a happy and positive track which definitely will not fail as a secret weapon in everybody's DJ bag.
Now let's get saved by Marvin & Guy - and let's support the Italian scene - it's mighty real! More
On their first release for Live At Robert Johnson they team up with another dynamic duo: Hard Ton - and you guessed right, they're Italian too.
So what else to expect than some real cool contemporary Italo Disco just in time for summer? »Save Me« comes in two different mixes: The »Disco Mix« and the »Club Mix« - both featuring the marvelous falsetto voice of Hard Ton's singer Max - himself quite a passionate singer in the field of Heavy Metal - AND Disco - yes, you heard right. But fear not, the Heavy Metal part isn't audible at all. We're talking Hi-NRG sounds galore and of course D.I.S.C.O. - the Munich style disco of someone like Giorgio Moroder doing his thing with Donna Summer or Harvey Fuqua's and Patrick Cowley's work with LGBT legend Sylvester - yes, the »You Make Me Feel (Mighty Real)« Sylvester. Not a bad company to get name-dropped, right?
Especially the »Disco Mix« of »Save Me« features many of those typical sounds of said producers and is a beautiful tribute to the golden disco era. The slightly darker »Club Mix« does a great job too by pulling all dancers straight onto the floor with its drum machine generated bass drum and its euphoric claps.
Marvin & Guy's solo track, the aptly named »Supported By Your Favourite DJ« will surely be supported by everyone of our favourite DJs: It's a happy and positive track which definitely will not fail as a secret weapon in everybody's DJ bag.
Now let's get saved by Marvin & Guy - and let's support the Italian scene - it's mighty real! More
Label:live At Robert Johnson
Cat-No:Playrjc084
Release-Date:17.02.2023
Genre:House
Configuration:12"
Barcode:4250101447426
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Label:live At Robert Johnson
Cat-No:Playrjc084
Release-Date:17.02.2023
Genre:House
Configuration:12"
Barcode:4250101447426
1
SIRS - Travel to HDF.Y3D
2
SIRS - Travel to HDF.Y3D (Budino Remix)
3
SIRS - Travel to HDF.Y3D (Panthera Krause Remix)
4
SIRS - Summer Desire
5
SIRS - Intro
Welcome to another fine episode of SIRS aka »Sounds in real Stereo«! After last years' arrival on LARJ with his »Arrived EP«, Berlin based versatile DJ & producer Daniel Klein is back with »Travel To HDF.Y3D« - an utopian (or more likely dystopian) ode to space travel:
The last few remaining humans are traveling with 140bpm to the most distant galaxy in the universe on a mission to seek out a new space for mankind to live after many years of exploiting good old Mother Earth. What sounds like a horror scenario if you start thinking about it, SIRS manages to wrap up in quite a positive musical message. Thus »Travel To HDF.Y3D« becomes that hopeful uplifting slightly dreamy tune we all need these days - not unlike Christian Bruhn's theme of a certain Captain called Future back in 1980 …
It's also nice to have two more versions of such a strong tune at hand: The first one is a true first one for »Cocktail D'Amore« DJ BUDINO as she comes up with her first remix and production work ever. Budino's approach is a slightly darker, maybe indeed more dystopian one. The synthesizer bass lines dominate her remix and by getting rid of the original's playful melody she creates a very special melancholic feel.
Leipzig based PANTHERA KRAUSE's take isn't quite that different from Budino's as he too focuses on the darker vibes of this journey in space. It's his added extra dose of punch that surely will keep dancers on the floor for sure.
The former »Space Ibiza« resident SIRS now takes over the controls again with »Summer Desire« which too is destined to rule dancefloors not only in Ibiza but all over the world with its lovely airy vibe.
»Travel To HDF.Y3D« returns for one last time in form of the spoken word prolog - a nice extra tool to play with. More
The last few remaining humans are traveling with 140bpm to the most distant galaxy in the universe on a mission to seek out a new space for mankind to live after many years of exploiting good old Mother Earth. What sounds like a horror scenario if you start thinking about it, SIRS manages to wrap up in quite a positive musical message. Thus »Travel To HDF.Y3D« becomes that hopeful uplifting slightly dreamy tune we all need these days - not unlike Christian Bruhn's theme of a certain Captain called Future back in 1980 …
It's also nice to have two more versions of such a strong tune at hand: The first one is a true first one for »Cocktail D'Amore« DJ BUDINO as she comes up with her first remix and production work ever. Budino's approach is a slightly darker, maybe indeed more dystopian one. The synthesizer bass lines dominate her remix and by getting rid of the original's playful melody she creates a very special melancholic feel.
Leipzig based PANTHERA KRAUSE's take isn't quite that different from Budino's as he too focuses on the darker vibes of this journey in space. It's his added extra dose of punch that surely will keep dancers on the floor for sure.
The former »Space Ibiza« resident SIRS now takes over the controls again with »Summer Desire« which too is destined to rule dancefloors not only in Ibiza but all over the world with its lovely airy vibe.
»Travel To HDF.Y3D« returns for one last time in form of the spoken word prolog - a nice extra tool to play with. More
Label:Live at Robert Johnson
Cat-No:PLAYRJC086
Release-Date:03.02.2023
Genre:House
Configuration:12"
Barcode:4250101448959
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Label:Live at Robert Johnson
Cat-No:PLAYRJC086
Release-Date:03.02.2023
Genre:House
Configuration:12"
Barcode:4250101448959
1
DC Salas - Voces
2
DC Salas - The Lights
3
DC Salas - Metallic Glow
4
DC Salas - Safe Pace
Brussel's beat smith DC SALAS is back on the block - the Robert Johnson block that is! His 3rd release for LIVE AT ROBERT JOHNSON is also his 20th official release so far - so we have two things to celebrate spread over Diego Cortez Salas' powerful four-tracks EP called »Voces«.
Let's start with the title track: »Voces« is a call to alarm right from the beginning with its stabbing synth bass line and sirens. Add a couple of drum breaks and a heavy beat - et voilà: You have the first of four tunes to jump up and down to. Et oui, Salas surely knows how to build tension in a track - even in a voiceless track named »Voces«.
Next up is »The Lights« - and oh boy does Salas turn them on! These are quite trippy lights with a sound that could easily come from a twisted didgeridoo … The beat of »The Lights« is (of course) groovy as f*** - excuse our French. So let's turn on »The Lights«!
B-side opener »Metallic Glow« does just that: The track glows in bright metallic from the first second and features plenty of crazy sounds to do a crazy dance. Did we mention the groove? No? Well … just listen.
For »Safe Pace« Diego pulls out beautiful percussive elements and the 303 thus surfing on a not-so-safe pace to be honest: The last track of »Voces« is as fast and demanding as all the others.
DC Salas again managed to build four really solid stompers here to set any dancefloor on fire - without using any voice or vocal - these are REALLY SERIOUS SOUNDS you all should listen and dance to. NOW. More
Let's start with the title track: »Voces« is a call to alarm right from the beginning with its stabbing synth bass line and sirens. Add a couple of drum breaks and a heavy beat - et voilà: You have the first of four tunes to jump up and down to. Et oui, Salas surely knows how to build tension in a track - even in a voiceless track named »Voces«.
Next up is »The Lights« - and oh boy does Salas turn them on! These are quite trippy lights with a sound that could easily come from a twisted didgeridoo … The beat of »The Lights« is (of course) groovy as f*** - excuse our French. So let's turn on »The Lights«!
B-side opener »Metallic Glow« does just that: The track glows in bright metallic from the first second and features plenty of crazy sounds to do a crazy dance. Did we mention the groove? No? Well … just listen.
For »Safe Pace« Diego pulls out beautiful percussive elements and the 303 thus surfing on a not-so-safe pace to be honest: The last track of »Voces« is as fast and demanding as all the others.
DC Salas again managed to build four really solid stompers here to set any dancefloor on fire - without using any voice or vocal - these are REALLY SERIOUS SOUNDS you all should listen and dance to. NOW. More
Label:Live at Robert Johnson
Cat-No:Playrjc083
Release-Date:25.11.2022
Genre:House
Configuration:12"
Barcode:4250101444371
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Label:Live at Robert Johnson
Cat-No:Playrjc083
Release-Date:25.11.2022
Genre:House
Configuration:12"
Barcode:4250101444371
1
Mano Le Tough - Weather Master
2
Mano Le Tough - Holographic Witness
3
Mano Le Tough - Kakooja
4
Mano Le Tough - Free Floating High
Live At Robert Johnson proudly presents the new »Holographic Witness« EP by Niall Mannion aka Mano le Tough!
Please enjoy four very special tracks made by experienced Irishman Mannion near beautiful Lake Zurich. Four tracks to jump into like Zurich folks jump into the Limmat to get carried away. Now here's YOUR chance to get carried away too!
Let's start with the hypnotic grooves of »Holographic Witness« with its subtle handclaps and percussions turning this bass-line driven monster to further heights - a bass-line quite reminiscent of that special Miami sound made famous by the Murk guys back in the early 90ies. Add some balearic guitar riffings and wait until that mighty bass drum comes back in after 6 minutes and you'll find yourself dreaming on a dancefloor in heaven.
Niall continues with more pounding drum sounds in next tune »Kakooja«. Stabbing synths sounds dominate this track while Niall manages to create another dreamy vibe again for this monotonous (in a very positive way that is) work of art - a dreamy vibe which can be found on any of Niall's EP's tracks. This leads us directly to »Last Floating Figh, Liufe Floating« where Mr. Mannion floats into much quieter shores. It's a very meditative affair which makes you want to listen to it over and over again once the tune comes to an end. We think that Señor Villalobos might unleash this one very soon onto some European dancefloor … don't you think?
On »Weather Master«, this EP's last track, Niall masters the art of trippy sounds for a fourth time building another dreamy hypnotic groove that is just beautiful. Maybe too beautiful for this world … we don't know, but what do we know? We're fans. Fans of Mano Le Tough who does not seem so tough at all considering his first offering for Live At Robert Johnson.
Maybe you should consider becoming a fan too - in case you aren't already …
Sláinte, Niall! We raise our glasses respectfully! More
Please enjoy four very special tracks made by experienced Irishman Mannion near beautiful Lake Zurich. Four tracks to jump into like Zurich folks jump into the Limmat to get carried away. Now here's YOUR chance to get carried away too!
Let's start with the hypnotic grooves of »Holographic Witness« with its subtle handclaps and percussions turning this bass-line driven monster to further heights - a bass-line quite reminiscent of that special Miami sound made famous by the Murk guys back in the early 90ies. Add some balearic guitar riffings and wait until that mighty bass drum comes back in after 6 minutes and you'll find yourself dreaming on a dancefloor in heaven.
Niall continues with more pounding drum sounds in next tune »Kakooja«. Stabbing synths sounds dominate this track while Niall manages to create another dreamy vibe again for this monotonous (in a very positive way that is) work of art - a dreamy vibe which can be found on any of Niall's EP's tracks. This leads us directly to »Last Floating Figh, Liufe Floating« where Mr. Mannion floats into much quieter shores. It's a very meditative affair which makes you want to listen to it over and over again once the tune comes to an end. We think that Señor Villalobos might unleash this one very soon onto some European dancefloor … don't you think?
On »Weather Master«, this EP's last track, Niall masters the art of trippy sounds for a fourth time building another dreamy hypnotic groove that is just beautiful. Maybe too beautiful for this world … we don't know, but what do we know? We're fans. Fans of Mano Le Tough who does not seem so tough at all considering his first offering for Live At Robert Johnson.
Maybe you should consider becoming a fan too - in case you aren't already …
Sláinte, Niall! We raise our glasses respectfully! More
Label:Live at Robert Johnson
Cat-No:Playrjc080
Release-Date:19.08.2022
Genre:House / Techno
Configuration:12"
Barcode:
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Release-Date:19.08.2022
Genre:House / Techno
Configuration:12"
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1
Y2C / Curses / Younger - Still There
2
Y2C / Curses / Younger - Romantic Squat
3
Y2C / Curses / Younger - Love Your Enemy
4
Y2C / Curses / Younger - Mairei
Are you still here? Or are you still there? Berlin-based/Italian warehouse-rave warrior, Younger Than Me, and Italo-American romantic goth-wave prince, Curses are THERE. They're there where it's at!
It was the bond of bold friendship that brought these guys together - and of course a shared history of subgenre juxtaposition and meshing. Both grew up on Punk, Rap, and of course the early days of Techno. »Still There« is their first EP together and thus of course their first for Live At Robert Johnson. It's a venture into the euphoric, psychedelic power of early Trance and Breaks mixed with the attitude and energy of EBM and Electro.
Starting with the moody slow beats of the title tune »Still There«, Y2C takes you on a journey to a faraway chill-out room in some dark yet warm and cozy cellar. Or is this place to be found in synth heaven? It could well be if you listen to those dreamy melodies. Melodies as beguiling as the song of the Sirens that seduced good old Ulysses.
Y2C pick up on that dreamy vibe but throw in that slight and subtle Trance-factor, taking up speed with »Romantic Squat«, dragging you into their very own romantic squat.
Next up is »Love Your Enemy« - oh yes, shouldn't we all? Icey claps with lots of reverb and a bass line draw you onto the dry ice flooded aluminum floor and there's no way back - especially when that strange break with that crazy sound makes you stop for a second and think, why did I stop dancing? Get back on the floor y'all!
The last track »Lullapaluza« is indeed some kind of a lollapalooza ride, a very special ride. And no, it does not lull you to sleep because the beat created by Y2C here is a demanding one, a special which gets you going all over its eight and a half minutes. It's sheer bliss, you gotta believe it.
This is not a one-off novelty EP, it's a kinetic collaboration. Y2C is a force of nature, a force of RAVE/WAVE energy, with many more to come, a force to reckon with. More
It was the bond of bold friendship that brought these guys together - and of course a shared history of subgenre juxtaposition and meshing. Both grew up on Punk, Rap, and of course the early days of Techno. »Still There« is their first EP together and thus of course their first for Live At Robert Johnson. It's a venture into the euphoric, psychedelic power of early Trance and Breaks mixed with the attitude and energy of EBM and Electro.
Starting with the moody slow beats of the title tune »Still There«, Y2C takes you on a journey to a faraway chill-out room in some dark yet warm and cozy cellar. Or is this place to be found in synth heaven? It could well be if you listen to those dreamy melodies. Melodies as beguiling as the song of the Sirens that seduced good old Ulysses.
Y2C pick up on that dreamy vibe but throw in that slight and subtle Trance-factor, taking up speed with »Romantic Squat«, dragging you into their very own romantic squat.
Next up is »Love Your Enemy« - oh yes, shouldn't we all? Icey claps with lots of reverb and a bass line draw you onto the dry ice flooded aluminum floor and there's no way back - especially when that strange break with that crazy sound makes you stop for a second and think, why did I stop dancing? Get back on the floor y'all!
The last track »Lullapaluza« is indeed some kind of a lollapalooza ride, a very special ride. And no, it does not lull you to sleep because the beat created by Y2C here is a demanding one, a special which gets you going all over its eight and a half minutes. It's sheer bliss, you gotta believe it.
This is not a one-off novelty EP, it's a kinetic collaboration. Y2C is a force of nature, a force of RAVE/WAVE energy, with many more to come, a force to reckon with. More
Label:Live at Robert Johnson
Cat-No:Playrjc079
Release-Date:22.07.2022
Genre:House / Techno
Configuration:12"
Barcode:4250101438264
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Genre:House / Techno
Configuration:12"
Barcode:4250101438264
1
Baris K - Noon
2
Baris K - La Dame Noir
3
Baris K - Valhalla
Please welcome Baris Karademir, Istanbul's edit master, DJ, and musician with Insanlar on Live At Robert Johnson!
If you're a person that likes to get up late, Baris's first track »Noon« is the one for you. It sort of sets the mood for the whole EP with a groove that is deep and hypnotic and above all psychedelic. There's tremolo en masse plus these in and out fading voices that suck you into Mr. K's world - all kept together by this steady forward marching Baris beat. Pleasure, joy, and happiness - all in on groove - and not only effective at noon.
»La Dame Noir«'s most prominent feature is a mean bass line - plus more of those otherworldly sounds that Baris manages to pull out of his magician's hat while creating a superb shuffling riddim for all you dancers to shuffle along to, throwing in that oh so subtle triangle now and then.
With the last track »Valhalla«, Baris enters the mythological place of Asgard, where Valhalla, Odin's hall of the slain can be found in his Glaðsheimr castle. That kinda sounds a bit archaic and dark but don't be afraid: where there is shadow there is also light - light which can be heard in the first opening lines, lines that do sound a bit like played by our favorite shoegazer band "My Bloody Valentine". To get to Valhalla, Baris accelerates the tempo by a couple of beats, yet throws in all trademark ingredients to cook up a tune for peak time dancing in Valhalla … erm … I mean in the club.
So yes, please let us invite you to Baris K's wonderful world of sound - you won't regret it. More
If you're a person that likes to get up late, Baris's first track »Noon« is the one for you. It sort of sets the mood for the whole EP with a groove that is deep and hypnotic and above all psychedelic. There's tremolo en masse plus these in and out fading voices that suck you into Mr. K's world - all kept together by this steady forward marching Baris beat. Pleasure, joy, and happiness - all in on groove - and not only effective at noon.
»La Dame Noir«'s most prominent feature is a mean bass line - plus more of those otherworldly sounds that Baris manages to pull out of his magician's hat while creating a superb shuffling riddim for all you dancers to shuffle along to, throwing in that oh so subtle triangle now and then.
With the last track »Valhalla«, Baris enters the mythological place of Asgard, where Valhalla, Odin's hall of the slain can be found in his Glaðsheimr castle. That kinda sounds a bit archaic and dark but don't be afraid: where there is shadow there is also light - light which can be heard in the first opening lines, lines that do sound a bit like played by our favorite shoegazer band "My Bloody Valentine". To get to Valhalla, Baris accelerates the tempo by a couple of beats, yet throws in all trademark ingredients to cook up a tune for peak time dancing in Valhalla … erm … I mean in the club.
So yes, please let us invite you to Baris K's wonderful world of sound - you won't regret it. More
Label:Live at Robert Johnson
Cat-No:Playrjc078
Release-Date:24.06.2022
Genre:Electronic
Configuration:LP
Barcode:
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1
Flug 8 - North West
2
Flug 8 - Fly By Wire
3
Flug 8 - No Wind Position
4
Flug 8 - Dark Trace
5
Flug 8 - Intercontinental
6
Flug 8 - Bouncing Rays
7
Flug 8 - Cross Range Capability
8
Flug 8 - Radio Facilities
It's dark in the forest. Especially in the »northwest«. You have to adjust all your senses. But once you have, the forest will take you in his arms. The forest will protect you. Just like Daniel Herrmann's first album for Live At Robert Johnson will protect you.
Herrmann is far from being unknown in the world of music - let alone in the art or photography world. In the music field, he is probably much more known under his Flug 8 moniker where he released five albums on Disko B, Doxa Records, Ransom Note, and Acid Pauli's Smaul Recordings. Under his given name, Daniel Herrmann's relationship with LARJ's label boss Ata Macias goes way back. As an artist and photographer Herrmann was the only one allowed to take pictures inside Ata's ROBERT JOHNSON club, thus creating an iconic series of pictures of clubbers and club life in general. Herrmann’s pictures of the partying punters themselves were presented as wallpaper all over Robert Johnson back in 2002.
With »Enroute« Herrmann enters new territory: It is his most ambient work up to today. And yes, it is a piece of work created during the lockdown. Herrmann's studio is situated in the outskirts of Frankfurt, near the forest - a quite remote place already in-between the Taunus mountain range. Imagine life during the lockdown in such a place … This is where Herrmann set up his former basement studio in the large living room with a variety of instruments besides a cozy fireplace spending warm light and warmth. A warmth that despite its seemingly rather "cold" atmosphere can be heard all over »Enroute«. Once you soak in the sounds (or get soaked into the sounds) of the first tracks like album opener »northwest«, »Fly By Wire« or the 11min »Dark Trace« you might feel this warmth too. A cold warmth you could say, yet a warmth that only modular systems and synthesizers can create.
There is a change of mood with »Intercontinental« - literally as it seems that Herrmann indeed is on an intercontinental journey here despite the strolls and long walks in silence through the Taunus forest. This is also the place where Herrmann took many photographs of the forest and its trees (to be seen on his Instagram account) - and the picture on the cover: This spooky yet fragile high seat in the mist in front of those trees. Yet darkness alone is not dominating this album. Even during these dark days, there was a bit of light at the end of the tunnel. And it shows in the beauty of »Bouncing Rays«.
»Enroute« is done all alone and in total isolation. And one can hear it. But it also invites the listener to be a part of this lonely world. And we all know that being lonely is made easier with someone on your side - »Enroute« to a better place. A place that isn't lonely at all.
PS: For all digital music lovers we have included two bonus tracks: The GLOK remix of »Bouncing Rays« and Herrmann's clattering and creaking tune »Economy« - enjoy! More
Herrmann is far from being unknown in the world of music - let alone in the art or photography world. In the music field, he is probably much more known under his Flug 8 moniker where he released five albums on Disko B, Doxa Records, Ransom Note, and Acid Pauli's Smaul Recordings. Under his given name, Daniel Herrmann's relationship with LARJ's label boss Ata Macias goes way back. As an artist and photographer Herrmann was the only one allowed to take pictures inside Ata's ROBERT JOHNSON club, thus creating an iconic series of pictures of clubbers and club life in general. Herrmann’s pictures of the partying punters themselves were presented as wallpaper all over Robert Johnson back in 2002.
With »Enroute« Herrmann enters new territory: It is his most ambient work up to today. And yes, it is a piece of work created during the lockdown. Herrmann's studio is situated in the outskirts of Frankfurt, near the forest - a quite remote place already in-between the Taunus mountain range. Imagine life during the lockdown in such a place … This is where Herrmann set up his former basement studio in the large living room with a variety of instruments besides a cozy fireplace spending warm light and warmth. A warmth that despite its seemingly rather "cold" atmosphere can be heard all over »Enroute«. Once you soak in the sounds (or get soaked into the sounds) of the first tracks like album opener »northwest«, »Fly By Wire« or the 11min »Dark Trace« you might feel this warmth too. A cold warmth you could say, yet a warmth that only modular systems and synthesizers can create.
There is a change of mood with »Intercontinental« - literally as it seems that Herrmann indeed is on an intercontinental journey here despite the strolls and long walks in silence through the Taunus forest. This is also the place where Herrmann took many photographs of the forest and its trees (to be seen on his Instagram account) - and the picture on the cover: This spooky yet fragile high seat in the mist in front of those trees. Yet darkness alone is not dominating this album. Even during these dark days, there was a bit of light at the end of the tunnel. And it shows in the beauty of »Bouncing Rays«.
»Enroute« is done all alone and in total isolation. And one can hear it. But it also invites the listener to be a part of this lonely world. And we all know that being lonely is made easier with someone on your side - »Enroute« to a better place. A place that isn't lonely at all.
PS: For all digital music lovers we have included two bonus tracks: The GLOK remix of »Bouncing Rays« and Herrmann's clattering and creaking tune »Economy« - enjoy! More
Label:Live at Robert Johnson
Cat-No:Playrjc075
Release-Date:04.03.2022
Genre:House
Configuration:12"
Barcode:4250101429880
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Genre:House
Configuration:12"
Barcode:4250101429880
1
Perdu - Archi
2
Perdu - Grey Rush
3
Perdu - Sitrao
4
Perdu - Blue Rush
Amsterdam based DJ and producer Perdu aka Alain van der Born returns to Live At Robert Johnson for his second release: On his Illusion Of Choice EP, Perdu drives his sound one notch harder, yet retains his trademark 1980s tinged vibe. Perdu has already secured releases on DGTL Records, Heist and Let’s Play House amongst others, and surely is a keen producer to keep your eyes and ears on.
A1 Archi gets into gear with a straight and focused beat arrangement. It’s a trippy uptempo vibe, intertwined by a slightly modulated Arpeggio-Bassline and its transposed twin figure.
A2 Grey Rush features a filtered broken beat, quickly rushing inbetween sprinkled effects and noises, off into a resonating Bass figure and outstanding melodic arrangement, both which dominate the better part of this energetic track.
B1 Sitrao doesn’t hesitate long in letting a pounding Kick Drum escort you right into an uptempo Cosmic vibe. It’s that arpeggiated Bass, catchy melody and silky pads, which might just get those hands in the air again.
B2 Blue Rush is a subtle variation of Grey Rush, omitting the resonating Bass figure. Yet it doesn’t compromise its level of energy, as this keeps the beat stand out contoured, compared to its twin track Grey Rush. credits More
A1 Archi gets into gear with a straight and focused beat arrangement. It’s a trippy uptempo vibe, intertwined by a slightly modulated Arpeggio-Bassline and its transposed twin figure.
A2 Grey Rush features a filtered broken beat, quickly rushing inbetween sprinkled effects and noises, off into a resonating Bass figure and outstanding melodic arrangement, both which dominate the better part of this energetic track.
B1 Sitrao doesn’t hesitate long in letting a pounding Kick Drum escort you right into an uptempo Cosmic vibe. It’s that arpeggiated Bass, catchy melody and silky pads, which might just get those hands in the air again.
B2 Blue Rush is a subtle variation of Grey Rush, omitting the resonating Bass figure. Yet it doesn’t compromise its level of energy, as this keeps the beat stand out contoured, compared to its twin track Grey Rush. credits More
Label:Live At Robert Johnson
Cat-No:PLAYRJC074
Release-Date:18.02.2022
Genre:House
Configuration:12"
Barcode:
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1
Superpitcher - Lush Life Feat. Fantastic Twins
2
Superpitcher - Diario
Live At Robert Johnson is a natural home for Superpitcher, and this two tracker shows his sense of belonging.
Lush Life featuring vocals by Fantastic Twins was inspired by Corsican polyphony, an epiphany after a church concert though as ever with Superpitcher, simplicity is multi-layered: the track itself could be a trip back to the golden (rave) days of deep electronic US house à la François K, dubby yet peacefully driving the ecstasy home. No religious gospel euphoria though, the lyrics are a pagan hymn to Eventide presets. You can’t take the geek out of the schatzi.
Diario stretches its 10 minutes in a misleading laidback groove: Sueno Latino languid clichés are blown away by a smoothly unforgiving acid line. This is a trip, not a journey, a trip dedicated to the young raver in all of us and to a friend too soon departed. As Pasolini said in the poem of the same name: “That’s why I've never abandoned happiness, that’s why in the anxiety of my sins I’ve never been touched by real remorse. Equal, always equal, to the inexpressible at the very source of what I am”
In other words, kids, keep faith out there. More
Lush Life featuring vocals by Fantastic Twins was inspired by Corsican polyphony, an epiphany after a church concert though as ever with Superpitcher, simplicity is multi-layered: the track itself could be a trip back to the golden (rave) days of deep electronic US house à la François K, dubby yet peacefully driving the ecstasy home. No religious gospel euphoria though, the lyrics are a pagan hymn to Eventide presets. You can’t take the geek out of the schatzi.
Diario stretches its 10 minutes in a misleading laidback groove: Sueno Latino languid clichés are blown away by a smoothly unforgiving acid line. This is a trip, not a journey, a trip dedicated to the young raver in all of us and to a friend too soon departed. As Pasolini said in the poem of the same name: “That’s why I've never abandoned happiness, that’s why in the anxiety of my sins I’ve never been touched by real remorse. Equal, always equal, to the inexpressible at the very source of what I am”
In other words, kids, keep faith out there. More
Label:Live at Robert Johnson
Cat-No:PLAYRJC076
Release-Date:21.01.2022
Genre:House
Configuration:12"
Barcode:4250101433191
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Genre:House
Configuration:12"
Barcode:4250101433191
1
Johannes Albert - Lemonade Fizz
2
Johannes Albert - Dorschd
3
Johannes Albert - Wimbledon
4
Johannes Albert - Laurenzi Blues
Summer's gone for sure but why not get back a bit of that summer feeling by having a delicious lemonade fizz? Frank Music label head honcho Johannes Albert comes to the rescue with four splendid recipes.
Lets start right away with »Lemonade Fizz« where Johannes manages to put the ingredients needed for refreshment just in the right balance: Glasses clink while the bass drum pays a slight homage to Manchester's all-time heroes New Order and dancers are driven straight to the floor again by that menacing yet subtle siren.
Listening to »Dorschd« aka thirst feels exactly like the title suggests: You're on the floor, dancing, sweating and desperately yearning for a drink: You want more and you can't stop drinking as soon as you've put that glass to your mouth - yet this yearning feeling stays with you while getting back on the floor.
»Wimbledon« is pure enthusiasm. Johannes dominates the game like no one else. It's fast and cheery building up to a rousing climax: Game, set and match.
After such highs it feels just right to join Johannes for »Laurenzi Blues«, the melancholic wistful closing track of this beautiful 4-track EP - Johannes Albert's first for LARJ - but hopefully not his last.
Now let's have another drink. More
Lets start right away with »Lemonade Fizz« where Johannes manages to put the ingredients needed for refreshment just in the right balance: Glasses clink while the bass drum pays a slight homage to Manchester's all-time heroes New Order and dancers are driven straight to the floor again by that menacing yet subtle siren.
Listening to »Dorschd« aka thirst feels exactly like the title suggests: You're on the floor, dancing, sweating and desperately yearning for a drink: You want more and you can't stop drinking as soon as you've put that glass to your mouth - yet this yearning feeling stays with you while getting back on the floor.
»Wimbledon« is pure enthusiasm. Johannes dominates the game like no one else. It's fast and cheery building up to a rousing climax: Game, set and match.
After such highs it feels just right to join Johannes for »Laurenzi Blues«, the melancholic wistful closing track of this beautiful 4-track EP - Johannes Albert's first for LARJ - but hopefully not his last.
Now let's have another drink. More
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Cat-No:PLAYRJC072
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Configuration:12"
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1
Damiano von Erckert - Moons
2
Damiano von Erckert - A Monster To Love
3
Damiano von Erckert - These Are The Moments (For Zmini)
4
Damiano von Erckert - Wishes
After his contribution to the "Lifesaver Compilation 4 - 21 (Dedicated To Andrew Weatherall)" last year with the pumping "Let's Hide Away", Damiano von Erckert presents his first proper full four tracker on LARJ. Expect dreamy moments with a lot of punch and great vocal snippets as Damiano dominates the bass drum in his masterful way.
A1 "MOONS" sucks you in with light and groovy bongo patterns which build the foundation for an uplifting track that's a bit dark around the sunnier side of things, yet still keeps the positive message: You and I can make it!
A2 "A MONSTER TO LOVE" sounds a bit like a modern take on the "Captain Future Theme", yet much deeper and darker. Atmospheric but built on one hell of a monster groove.
B1 "THESE ARE THE MOMENTS (FOR ZIMNI)" has epic qualities and is full of the uplifting moments we all need - not only Zimni … It does have a certain British sound to it and will definitely rule on a lot of dancefloors with its majestic bass line and whipping hi-hat.
B2 "WISHES" is reminiscent of yet more British sounds from the early 90ies (think Warp and early Nightmares On Wax). The beautiful vocal sample helps build up the tension here before a driving 303 bass line kicks in and takes no prisoners. You better wish for moments like these indeed … and relish them. More
A1 "MOONS" sucks you in with light and groovy bongo patterns which build the foundation for an uplifting track that's a bit dark around the sunnier side of things, yet still keeps the positive message: You and I can make it!
A2 "A MONSTER TO LOVE" sounds a bit like a modern take on the "Captain Future Theme", yet much deeper and darker. Atmospheric but built on one hell of a monster groove.
B1 "THESE ARE THE MOMENTS (FOR ZIMNI)" has epic qualities and is full of the uplifting moments we all need - not only Zimni … It does have a certain British sound to it and will definitely rule on a lot of dancefloors with its majestic bass line and whipping hi-hat.
B2 "WISHES" is reminiscent of yet more British sounds from the early 90ies (think Warp and early Nightmares On Wax). The beautiful vocal sample helps build up the tension here before a driving 303 bass line kicks in and takes no prisoners. You better wish for moments like these indeed … and relish them. More
Label:Live at Robert Johnson
Cat-No:PLAYRJC073
Release-Date:20.08.2021
Configuration:12"
Barcode:4250101428722
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1
Die Neue Zeit - Wir Sind Die Neue Zeit
2
Die Neue Zeit - No Title
DIE NEUE ZEIT
Old time? New time!
And of course an exciting time - and thus time for DIE NEUE ZEIT and their eponymous high-speed statement "WIR SIND DIE NEUE ZEIT"!
But who is behind DIE NEUE ZEIT? We simply don't know! And we don't want to know. What we know is that these two daredevils race through their theme tune with sheer intensity - there simply is no stopping them - and you better don't - because when that cow bell gets loose … heaven forbid!
For extra extensive play of "WIR SIND DIE NEUE ZEIT" we strongly advise to make good use of the vocal AND the instrumental version playing both back and forth until all dancers surrender to the rhythms of DIE NEUE ZEIT.
Now tanz' die neue Zeit und geh' in die Knie und klatsch in die Hände, beweg' Deine Hüfte! The new time has come! More
Old time? New time!
And of course an exciting time - and thus time for DIE NEUE ZEIT and their eponymous high-speed statement "WIR SIND DIE NEUE ZEIT"!
But who is behind DIE NEUE ZEIT? We simply don't know! And we don't want to know. What we know is that these two daredevils race through their theme tune with sheer intensity - there simply is no stopping them - and you better don't - because when that cow bell gets loose … heaven forbid!
For extra extensive play of "WIR SIND DIE NEUE ZEIT" we strongly advise to make good use of the vocal AND the instrumental version playing both back and forth until all dancers surrender to the rhythms of DIE NEUE ZEIT.
Now tanz' die neue Zeit und geh' in die Knie und klatsch in die Hände, beweg' Deine Hüfte! The new time has come! More
Label:Live at Robert Johnson
Cat-No:PLAYRJC071
Release-Date:30.07.2021
Configuration:12"
Barcode:4250101427367
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Barcode:4250101427367
1
Felice - Infinite Suburbia feat. DJ City
2
Felice - Infinite Suburbia (Instrumental)
3
Felice - Leaving Trails
4
Felice - Infinite Suburbia (Lauer Remi)
Ladies & gentlemen, please welcome FELICE!
Working the fields of italo disco, rave and house, TURNLAND co-chief FELICE delivers the goods with a smashing tune entitled "INFINITE SUBURBIA" which indeed can easily be tagged with the "italo" moniker - a very modern and up to date, state of the art italo take that is. The tune is a stomping tour de force (or more likely a Giro d'Italia …) with razor sharp piano stabs and DJ CITY sweetening the former instrumental track by adding marvelous icy cold yet laid-back vocals - a collaboration which came into being during the 2020 Covid summer. Of course we put the instrumental on the EP as well - for those of you who want to sing yourself …
"LEAVING TRAILS" leaves us with some great trails of dancefloor magic. The atmosphere is slightly darker here, but FELICE keeps up the positive and uplifting spirit by speeding up the tempo a tiny bit and gracing this tune with that shuffling hi-hat for that extra groove.
Last but not least, man of the hour LAUER puts his magic hands on the title track with a couple of acid bleeps and lots of atmospheric and dreamy sounds keeping only tiny vocal snippets that pop up occasionally thus creating real infinite moments of joy - welcome to "INFINITE SUBURBIA"! More
Working the fields of italo disco, rave and house, TURNLAND co-chief FELICE delivers the goods with a smashing tune entitled "INFINITE SUBURBIA" which indeed can easily be tagged with the "italo" moniker - a very modern and up to date, state of the art italo take that is. The tune is a stomping tour de force (or more likely a Giro d'Italia …) with razor sharp piano stabs and DJ CITY sweetening the former instrumental track by adding marvelous icy cold yet laid-back vocals - a collaboration which came into being during the 2020 Covid summer. Of course we put the instrumental on the EP as well - for those of you who want to sing yourself …
"LEAVING TRAILS" leaves us with some great trails of dancefloor magic. The atmosphere is slightly darker here, but FELICE keeps up the positive and uplifting spirit by speeding up the tempo a tiny bit and gracing this tune with that shuffling hi-hat for that extra groove.
Last but not least, man of the hour LAUER puts his magic hands on the title track with a couple of acid bleeps and lots of atmospheric and dreamy sounds keeping only tiny vocal snippets that pop up occasionally thus creating real infinite moments of joy - welcome to "INFINITE SUBURBIA"! More
Label:Live at Robert Johnson
Cat-No:PLAYRJC070
Release-Date:16.07.2021
Genre:House
Configuration:12"
Barcode:4250101426285
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Release-Date:16.07.2021
Genre:House
Configuration:12"
Barcode:4250101426285
1
Black Spuma - Station To Station
2
Black Spuma - Transpork
3
Black Spuma - Miracoli
4
Black Spuma - Data Life
Almost six years after their first collaborative release, Robert Johnson Club’s resident, as well as one of the label’s mainstays, Phillip Lauer teams up again with Slow Motion Records’ label head Fabrizio Mammarella as Black Spuma. On behalf of their fifth release to date, Lauer and Mammarella set their studios controls up for a Hypercall into an Italo sonic past and their futuristic sounds.
From A1 Station to Station, Lauer and Mammarella get into business right away, as the first handful of sequences unfold their crafty Italo House fireworks. Laser beams and stretched sounds meet bass Arpeggios as, after the first breakdown, a piano riff slowly unfilters amidst portamento pads. A steady Tambourine and beat kick off A2 Transpork, in which the main theme consists of a shiny and arpeggiated sawtooth chord progression, layered with a laid-back melody laid on top and and some reverb FX at the end. B1 Miracoli relies on a bouncy bassline along a flat-out Eighties Kick Drum, alternating and squelchy synth figure. Drum rolls fast-forward you into a miraculously driving, yet slightly melodramatic Italo soundset with guitar-riff- and mangled vocal samples. At the end of this EP, B2 Data Life enters sonic space on a magic synth carpet ride, propelled by a booming 808 Bass Drum, Rim Shots and Bells, with Black Spuma encoding their Data into a modulated metallic-sounding Arpeggio. More
From A1 Station to Station, Lauer and Mammarella get into business right away, as the first handful of sequences unfold their crafty Italo House fireworks. Laser beams and stretched sounds meet bass Arpeggios as, after the first breakdown, a piano riff slowly unfilters amidst portamento pads. A steady Tambourine and beat kick off A2 Transpork, in which the main theme consists of a shiny and arpeggiated sawtooth chord progression, layered with a laid-back melody laid on top and and some reverb FX at the end. B1 Miracoli relies on a bouncy bassline along a flat-out Eighties Kick Drum, alternating and squelchy synth figure. Drum rolls fast-forward you into a miraculously driving, yet slightly melodramatic Italo soundset with guitar-riff- and mangled vocal samples. At the end of this EP, B2 Data Life enters sonic space on a magic synth carpet ride, propelled by a booming 808 Bass Drum, Rim Shots and Bells, with Black Spuma encoding their Data into a modulated metallic-sounding Arpeggio. More
Label:Live at Robert Johnson
Cat-No:PLAYRJC069
Release-Date:09.07.2021
Configuration:12"
Barcode:4250101424250
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Label:Live at Robert Johnson
Cat-No:PLAYRJC069
Release-Date:09.07.2021
Configuration:12"
Barcode:4250101424250
1
Robert Dietz - Kirby
2
Robert Dietz - Honey Stash
3
Robert Dietz - Swallowing Tubes
4
Robert Dietz - WAW
Former Rhein-Main homie and Robert Johnson resident Robert Dietz finally has its debut release on Live At Robert Johnson at Catalogue No. 069, which (as you may know) is the local area code of both Frankfurt and Offenbach am Main—where the Robert Johnson Club still holds strong. Being a seasoned DJ and producer, Robert Dietz surely sets the controls to a four-track Vinyl, with pleasing electroid-technoid sonic textures and subtle Acid figures, throughout this EP.
With its playful and uplifting vibe, A1 Kirby might just be inspired by the Jump’n’Run character by the same name, who may be easily imagined along that happy Acid bassline bubbling amidst synth-pads and electroid beats. A2 Honey Stash relies on a 303-esque hook bolted on a solid four-to-the-floor Kick Drum, which soon evolves into an acid-trancey flair, thanks to some kind of mangled reverb introduced at the end of the first third. By adding a vocal sample and steady-handed work on the Filter section, this track provides extra energy for the next levels to come. B1 Swallowing Tubes has that soft yet driving Electro aesthetic, pads, and Arpeggio, reminiscent of morning hours in decades’ past. B2 WAW completes this EP with a melancholic vibe on a straight beat, haunting vowel-pads, and lots of sonic space in-between its harmonic elements. More
With its playful and uplifting vibe, A1 Kirby might just be inspired by the Jump’n’Run character by the same name, who may be easily imagined along that happy Acid bassline bubbling amidst synth-pads and electroid beats. A2 Honey Stash relies on a 303-esque hook bolted on a solid four-to-the-floor Kick Drum, which soon evolves into an acid-trancey flair, thanks to some kind of mangled reverb introduced at the end of the first third. By adding a vocal sample and steady-handed work on the Filter section, this track provides extra energy for the next levels to come. B1 Swallowing Tubes has that soft yet driving Electro aesthetic, pads, and Arpeggio, reminiscent of morning hours in decades’ past. B2 WAW completes this EP with a melancholic vibe on a straight beat, haunting vowel-pads, and lots of sonic space in-between its harmonic elements. More
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Label:Sunny Crypt
Cat-No:SCR-007
Release-Date:18.07.2024
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1
Nightmare Lodge - Negative Planet
2
Nightmare Lodge - Luminescence
3
Nightmare Lodge - War Chant (Extended Play)
4
Nightmare Lodge - The Glorious Animal
5
Nightmare Lodge - Mirage IV
6
Nightmare Lodge - It Passed Like A Dream
Sunny Crypt is incredibly happy to announce its seventh release: a retrospective compilation of six previously CD-only tracks by Nightmare Lodge, a name that might ring the bell to many enthusiasts of Italian experimental music.It Passed Like A Dream is a selection of some of our favourite tracks they released between 1994 and 2000, aiming to spotlight a small glimpse of the amazing body of music they did throughout the years.Nightmare Lodge is a musical project by Minus Habens Records / Disturbance founder Ivan Iusco alongside vocalist B. Mazzilli and bass player Gianni Mantelli, when the Bari based trio decided to decided to embark on a path in search of their own dreamlike musical dimension tied to introspective explorations.Over the years, the group's lineup evolved, eventually solidifying as a duo comprising Iusco and Russolo.With their first release dated 1987 and staying active till the early 2000s, it is quite challenging to put the Nightmare Lodge discography in a precise musical box. Their first outings flirted with post-industrial music and a more stripped down sound palette marked by a DIY approach to composition, while in later years leaning towards a more horroresque / cinematic feeling and following the development of new technologies but always charactering their output with a ritualistic, trance inducing and mystical approach, whatever if it’s ambient, downtempo, techno not techno, or a whole lotta else...
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Last in:17.09.2024
Label:180g
Cat-No:180GWALP05
Release-Date:13.09.2024
Genre:Jazz
Configuration:LP
Barcode:5050580826618
1
Tonpei Hidari - - Tonpei No Hey You Blues
2
Chu Kosaka & Ultra - - Kimagure Party
3
Kazushi Inamura - - Go Yojin
4
Fumio Karashima - - American Tango
5
Takao Uematsu - - Mysterious Jump
6
Maximum - - Ashita Tenki Ni Nare
7
Jun Miyauchi - - Heartbreak Highway
8
iroshi Murakami & Dancing Sphinx - - Baby, It's Trivial
For this brand new chapter in the highly acclaimed Wamono series, DJ Chintam goes digging into the vaults of one of the most revered Japanese labels, Trio Records, and unearths some killer drum breaks, dope bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981!
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2LP
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Label:International Anthem
Cat-No:IARC0084LP
Release-Date:30.08.2024
Genre:Jazz
Configuration:2LP
Barcode:789993994526
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Label:International Anthem
Cat-No:IARC0084LP
Release-Date:30.08.2024
Genre:Jazz
Configuration:2LP
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This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057), and his first with The Black Lungs.
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
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Label:Rewarm
Cat-No:REWARM020LP
Release-Date:11.10.2024
Genre:Soul/Funk
Configuration:2LP
Barcode:5053760116219
xploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .
Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.
Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.
Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
TRACKLISTING
1. John Martyn - Small Hours
2. Stephen Whynott – A Better Way
3. April Fulladosa - Sunlit Horizon
4. Sylvain Kassap - Plancoët
5. Manu Dibango - Night In Zeralda
6. Henri Texier - Hocoka Time
7. Nivaldo Orneleas - O Que Ha
8. 808 State – Pacific State (Massey’s Conga Mix)
9. Magma - Eliphas Levi
10. Homelife - Stranger
11. Michael Gregory Jackson - Unspoken Magic
12. Dora Morelenbaum - Avermelhar
13. Simone - Tudo Que Você Podia Ser
14. Experience Unlimited – People
15. Otis G. Johnson - I Got It
16. Mel & Tim - Keep The Faith More
Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.
Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.
Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
TRACKLISTING
1. John Martyn - Small Hours
2. Stephen Whynott – A Better Way
3. April Fulladosa - Sunlit Horizon
4. Sylvain Kassap - Plancoët
5. Manu Dibango - Night In Zeralda
6. Henri Texier - Hocoka Time
7. Nivaldo Orneleas - O Que Ha
8. 808 State – Pacific State (Massey’s Conga Mix)
9. Magma - Eliphas Levi
10. Homelife - Stranger
11. Michael Gregory Jackson - Unspoken Magic
12. Dora Morelenbaum - Avermelhar
13. Simone - Tudo Que Você Podia Ser
14. Experience Unlimited – People
15. Otis G. Johnson - I Got It
16. Mel & Tim - Keep The Faith More
Label:Dance Protocol
Cat-No:DPRO-001
Release-Date:20.09.2024
Genre:techhouse
Configuration:12"
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Label:Dance Protocol
Cat-No:DPRO-001
Release-Date:20.09.2024
Genre:techhouse
Configuration:12"
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1
Dance Protocol - Under The Bridge
2
Dance Protocol - Inbound
3
Dance Protocol - Up North Down South
4
Dance Protocol - Full Fat
Through deep rhythmical mediations, Midge Thompson's first EP emerges on his own imprint Dance Protocol, crafted with the intent to enthrall the dance floor. The A-side unveils a relentless intensity, with sub-bass lines echoing the lost era of raves, each beat a testament to a harsher reality.
Conversely, the B-side invites a party atmosphere, its bubbling bassline and dynamic drums offering an escape from the mundane.
First you must open your mind then your body. More
Conversely, the B-side invites a party atmosphere, its bubbling bassline and dynamic drums offering an escape from the mundane.
First you must open your mind then your body. More
Label:Midnight Shift Records
Cat-No:MNSX028
Release-Date:13.09.2024
Genre:Electronic
Configuration:12"
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Label:Midnight Shift Records
Cat-No:MNSX028
Release-Date:13.09.2024
Genre:Electronic
Configuration:12"
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1
Katatonic Silentio - Drip In The Cave
2
Katatonic Silentio - Bridging The Gap
3
Katatonic Silentio - Axis Of Light
4
Katatonic Silentio - Magnetic Drive
5
Katatonic Silentio - Circle Of Truth
Mariachiara Troianiello, the force behind Katatonic Silentio, continues her exploration of spatial and sound design, slicing various forms of dub while following her instincts and storytelling through each work.
Troianiello's music and live sets are known to be meditative, with each transition subliminally serving a purpose. As 'Axis Of Light' delves into five pieces for this EP, one can experience the drops and transitions connecting, gradually uncovering hidden meanings.
Written and produced by Mariachiara Troianiello
Artwork by Apolo Cacho
Layout by Takashi Makabe
Digital Master by Paul Mac
Mastered and cut by Simon at The Exchange More
Troianiello's music and live sets are known to be meditative, with each transition subliminally serving a purpose. As 'Axis Of Light' delves into five pieces for this EP, one can experience the drops and transitions connecting, gradually uncovering hidden meanings.
Written and produced by Mariachiara Troianiello
Artwork by Apolo Cacho
Layout by Takashi Makabe
Digital Master by Paul Mac
Mastered and cut by Simon at The Exchange More
LP
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Label:Rocafort Records
Cat-No:ROCLP012REBL
Release-Date:09.08.2024
Genre:Afrobeat
Configuration:LP
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Label:Rocafort Records
Cat-No:ROCLP012REBL
Release-Date:09.08.2024
Genre:Afrobeat
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Konkolo Orchestra is a Zürich/Switzerland based project initiated by multi-instrumentalist, producer and composer Alexis Malefakis. With strong jazzy afrobeat and highlife references, Konkolo Orchestra pays homage to musical innovators such as Fela Anikulapo Kuti, Tony Oladipo Allen, Ebo Taylor and many more. This first album continues the warm, vibrant, percussive motif of the hugely popular "Blue G." single of 2022. For those who like their music to inspire journey and movement, this album is the equivalent of gatecrashing a wedding party where even granny can get her groove on. Malefakis is hardly rewriting the afrobeat textbook here, but his production charms the listener with a confident mastery of the genre. His compositions have a distinct personality and a tight structure, and are peppered with a talented array of guest vocalists: Nongoma (South Africa), Sir Frank Karikari (Ghana) and Kitio Batola (Congo); alongside Eric Owusu (Ghana) on percussion. The uplifting lyrics and joyful melodies are held together by a powerhouse horn section bearing all the swinging hallmarks of a highlife fanfare. Deeply funky and syncopated, Malefakis has produced a motivational winter warmer for both feet and spirit.
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12"
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Label:Passion Music
Cat-No:12TOT17R
Release-Date:08.09.2023
Genre:Techno
Configuration:12"
Barcode:5013993701705
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Label:Passion Music
Cat-No:12TOT17R
Release-Date:08.09.2023
Genre:Techno
Configuration:12"
Barcode:5013993701705
There's a reason that Future Sound of London's 1991 debut single, 'Papua New Guinea', is periodically reissued: it's a stone-cold classic that sounds unlike anything else. In its original mix form, the track combines traits borrowed from early breakbeat hardcore (booming bass, house-tempo breakbeats) with saucer-eyed vocal samples, twinkling pianos and sounds more often found in ambient house and chill-out tunes from the period. This remastered, hand-numbered vinyl reissue boasts all of the 1992 remixes (as well as the original mix), including a suitably psychedelic, tribal-tinged Andrew Weatherall revision, the duo's own spaced-out ambient style 'Dub' mix, and a sax-sporting Manchester re-wire courtesy of 808 State's Graham Massey.
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
Tracklisting:
A1. Papua New Guinea - 12" Original
A2. Papua New Guinea - Andrew Weatherall Mix
A3. Papua New Guinea - Dub Mix
B1. Papua New Guinea - Journey To Pyramid
B2. Papua New Guinea - Monsoon Mix
B3. Papua New Guinea - Graham Massey Mix
B4. Papua New Guinea - Dumb Child Of Q Mix More
12"
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Label:Fox & His Friends
Cat-No:FOX014EP
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:12"
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Label:Fox & His Friends
Cat-No:FOX014EP
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:12"
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1
Kornelije Kovac - Report From Sarajevo
2
Kornelije Kovac - Anticipation Of Olympics
3
Kornelije Kovac - 500 Days
4
Kornelije Kovac - Report From Sarajevo (Extended Version)
Unreleased themes from Kornelije Kovac for commissioned documentary short 'Raport iz Sarajeva', directed by Miodrag Zdravkovic in 1982. This music themes precede the official songs, idents and audio logos for the XIV Winter Olympic Games Sarajevo 1984 opening ceremony made by Kornelije Kovac in his Belgrade based studio from 1982 to 1984. Sourced from the original master tapes with full color artwork by Eric Adrian Lee. Includes insert with photographs from Kornelije Kovac private collection and liner notes by Zeljko Luketic. XIV Winter Olympic Games in Sarajevo 1984 had immeasurable status in the history of Yugoslavia and is widely recognized by organizing committee to be the best in recent history of the Games. However, they were also the pop-culture melting pot of the times, with posters by Andy Warhol and famed local designers and the music by Kornelije Kovac, leading the selected best-of-the-best composers of the times. The recordings on this release share the same musical approach to melody and structure Kornelije Kovac (1942 - 2022) was using at the beginning and the mid of 1980s: while exploring the possibilities of synthesizer, fresh from his collaborations in London with famed composer Hans Zimmer, and almost a decade since he shared Eurovision Song Contest stage with ABBA in Brighton with his Korni Grupa, He also collaborated with Bernie Marsden (Whitesnake), Paul Jones (Manfred Mann) and Andy Pask (Landscape) among others. Kornelije Kovac always insisted on the freshness of the harmony layers combined with DJ friendly rhythm backing track. With the warm analogue feel that resonates in today's digital world this was chosen for a purpose to be an old-school 12'' maxi-single, as it was intended to be, cut loudly for the sakes of all lost and existing discotheques in Sarajevo and all over the world.
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Cat-No:RS063LP
Release-Date:23.08.2024
Configuration:12"
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Cat-No:RS063LP
Release-Date:23.08.2024
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1
Private Joy - Eyes On You (Intro)
2
Private Joy - Eyes On You
3
Private Joy - Let Love Find A Way Feat. Ada Francis
4
Private Joy - Playful
5
Private Joy - Pure Love
6
Private Joy - Desire!
Private Joy?! With a namesake derived from the mighty Prince’s catalogue, and its lustful connotations, Private Joy is the producer of soul band Lovescene and a supreme vocalist of the Manchester scene. With collaborations working with the likes of Ruf Dug, Finn, and Lenzman, a solo EP was inevitable and a statement this is.
Pops Roberts’ first solo EP debuts on Rhythm Section INTL bringing together influences from Streetsoul, 80s ‘babymaker’ RnB records and a slice of 00s soulful house in there for good measure. In just over 18 minutes, Private Joy welcomes you into her world of sensuality and soulful warmth. Musical hugs galore, the production balances synths, harps, saxophones, tight beats and meaningful lyrical content; eschewing millennial whoops for Sade indebted dulcet tones.
Each track draws from personal experience; be it heartbreak or reconnection, an emotional diary
conveying the trials and tribulations of love, loss and ultimately, desire.
“Desire has been the drive and beginning of so many decisions, highs and lows in life...” - Private Joy More
Pops Roberts’ first solo EP debuts on Rhythm Section INTL bringing together influences from Streetsoul, 80s ‘babymaker’ RnB records and a slice of 00s soulful house in there for good measure. In just over 18 minutes, Private Joy welcomes you into her world of sensuality and soulful warmth. Musical hugs galore, the production balances synths, harps, saxophones, tight beats and meaningful lyrical content; eschewing millennial whoops for Sade indebted dulcet tones.
Each track draws from personal experience; be it heartbreak or reconnection, an emotional diary
conveying the trials and tribulations of love, loss and ultimately, desire.
“Desire has been the drive and beginning of so many decisions, highs and lows in life...” - Private Joy More
2LP
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Label:Fox & His Friends
Cat-No:FOX003LP
Release-Date:13.09.2024
Configuration:2LP
Barcode:0793597119766
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Configuration:2LP
Barcode:0793597119766
1
Zdenka Vuckovic - Ja Cu Prezivjeti (I Will Survive)
2
Gabi Novak - Pjesma Je Bila Zivot Moj
3
Krunoslav Slabinac - Juzni Vjetar
4
Arian - Do Posljednjeg Daha
5
Moni Kovacic - Be My Bear
6
KIM - Naivke
7
Rok Hotel - Disko
8
Grupa ST - Superkazanova
9
Ivica Surjak - Julija
10
Vera Kapetanovic - Ne Gubi Vreme Sa mnom
11
Milka Lenac - Zeljo Luda
12
Nano Prsa - Dzingis Kan
13
Dubravka Jusic - Stani Stani
14
Ljupka Dimitrovska - Robot (Version 1983)
15
Ana Sasso - Krenimo Niki
16
Elvira Voca - Drugo Vrijeme (The Second Time)
17
Opatijski Suveniri - Vamos A La Playa
18
Roman Butina - I'm Gonna Get Your Love
A collection of 18 rare disco tracks from Yugoslavia. Compiled by Leri Ahel & Zeljko Luketic from original master tapes. Fox & His Friends label owners Ahel & Luketic selected obscure 7'' singles, b-sides, out-of-print releases and digged deep into the vaults of Jugoton to tell the story of how disco infiltrated clubs and pop music. This compilation is vinyl counterpart to their pioneering research and work in two major exhibitions tracing roots, influences and social significance of disco in music, fashion and design held in 2015 in Klovicevi Dvori Museum and HDD Gallery in Zagreb. "Socialist Disco - Dancing Behind Yugoslavia's Velvet Curtain 1977-1987" double gatefold LP with extensive liner notes contains tunes from KIM Band, Gabi Novak, Arian, Ljupka Dimitrovska, Ana Sasso, Moni Kovacic, Milka Lenac, Rok Hotel, Ivica Surjak, Grupa ST, Nano Prsa and many more in various sub-genres including classical orchestrated disco, dance reworkings of international chart hits and synth-filled italo-disco stompers performed by Yugoslavian music stars, fashion models and even sports and football heroes. Disco, a vital Trojan horse (in local notion: a pop music you can dance to), stayed quite a long time In Yugoslavia, refusing to be silenced and refusing to jump into the bandwagon of expected. It was influenced by American and European disco sound, for example, by the Boney M, Amanda Lear or Love Machine, who all visited Yugoslavia and had live concerts. The producers and the big record companies like Jugoton, PGP RTB, Diskoton or ZKP RTVL, noted the hype in music and they constantly probed the market with limited run of seven inchers or special performances. Some artists were quite successful, but the rest were in the 7'' single empire which was free enough to experiment with all things disco had to offer - genre hybrids, use of electronics, sexual innuendo, bizarre lyrics and most importantly, great musicians and major composers having fun. The no-restrictions policy of disco was there to evade the rules and surely it did.
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12"
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Label:Jumpin & Pumpin
Cat-No:12TOT14
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:5013993701460
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Last in:02.09.2024
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Last in:02.09.2024
Label:Jumpin & Pumpin
Cat-No:12TOT14
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:5013993701460
First released over 30 years ago, this EP, as with Volume 1, is where The Future Sound Of London started before "Papua New Guinea" later in 1991. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. "Stolen Beats" is a hypnotic roller with all the jazz, bleeps and bass you could want, still a regular Radio 1 'Essential Mix' track, and "I've Become What You Were" pure hard hitting UK techno from the heyday of this music in the early 90s and the blueprint for the deep jungle sound to emerge later.
This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE More
This edition of The Pulse EP is the first reissue in its original vinyl form since 1991, those initial pressings now expensive on Discogs.
SALES POINTS:
First reissue in original format since 1991
TRACKLIST:
A1 - Stolen Documents (Jazz Dub) - THE FUTURE SOUND OF LONDON
A2 - Zip Code (Stress Ball Mix) - SMART SYSTEMS
B1 - Innate(W-O-W Mix) - THE FUTURE SOUND OF LONDON
B2 - I've Become What You Were (Insider Mix) - INDO TRIBE More