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1
Primal Scream - Ready To Go Home (Terry Farley & Wade Teo Dub Mix)
34 years after Terry Farley created the seminal remixes of Loaded and Come Together for Primal Scream he returns to the band to remix a brand new track ‘Ready To Come Home’. Only available via white label.
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Cat-No:scrm001twl
Release-Date:27.03.2013
Genre:Electro
Configuration:12"
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White label promo edition of the new Primal Scream single, featuringthe Original & that remix & Dub from original Screamadelica button pusher and national treasure, Andrew Weatherall These are official promo copies from the label, preceeding the full release. First come, first served !
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Label:BMG
Cat-No:538812000
Release-Date:03.02.2023
Genre:Jazz
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Barcode:4050538812008
1
Raymond Guiot - District Machine
2
Gabriel Yared - Vocal in Love
3
Slim Pezin - Mam's Song
4
Pierre-Alain Dahan - Rythmique n°3
5
Georges Chatelain - Piège nocturne
6
Bernard Lubat - Rocket 2
7
Janko Nilovic - Pop Percussions
8
Raymond Guiot - Bass Duettino
9
Guy Pedersen - Les copains de la basse
10
Marc Chantereau & Pierre-Alain Dahan - Synthétiseur & Company
11
Bernard Estardy - Phasing Round
12
Pierre-Alain Dahan & Mat Camison - Mister Mistery
13
Raymond Guiot - Oriental Vibrato
14
Pierre-Alain Dahan & Mat Camison - West Coast Drive
15
Jean-Jacques Debout - Mitsuko
16
Hervé Roy - Percussionissimo
17
Luis Conti & François Langel - Midnight Rendez-vous
18
Pierre-Alain Dahan & Mat Camison - Rythmique n°8
19
Michel Gonet - Suspense Time
20
Sauveur Mallia - Meteor One
21
Bernard Estardy - Gang Train
22
Pierre-Alain Dahan - Rythmiques n°2
23
Bernard Estardy - Vertigo Leitmotiv
24
Georges Chatelain & Hervé Roy - Voix d'eau
25
Luis Conti & François Langel - Sierra Sunrise
26
Jean-Jacques Debout - Bossa a Gogo
Welcome to the third part of the TELE MUSIC saga, the label founded by Roger Tokarz. He deeply marked the era with his audacity and his vision of music on film. This irresistible new selection tells the story from 1968 to 1985 of a prolific label that sometimes produced ten albums a year, and which delighted many French and foreign film directors who, to 'flavour' their films, drew on this sumptuous catalogue.
In this volume 3 TELE MUSIC, we have highlighted legendary artists who have left an indelible mark on the history of the music bookshop and on the history of music in general:
• Janko Nilovic (also known as Yanko Nilovic, Anady Loore, E. Orti or Alan Blackwell),
• Jean-Jacques Debout with his irresistible “Mitsuko” released in 1967 and re-released in 1969 on “Music Bazaar”, • Bernard Lubat, the impressive percussionist, vibraphonist, multi-instrumentalist and very good “scator” (Bernard played in the Doubles Six with Quincy Jones and Eddy Louiss),
• Gabriel Yared, the man with a hundred film scores. Arranger and composer for Johnny Hallyday and Charles Aznavour, among others!
• Hervé Roy conductor and writer for Nancy Holloway,
• George Chatelain, pianist, guitarist, clarinettist, founder of the famous studio “CBE” created in 1966 with his sister Janine Bisson and his high school friend Bernard Estardy.
All these composers were renowned for their acute sense of composition, arrangement, conducting and inter- pretation, and in their own way left their mark on many sound recordings of musical illustration "made in France!
CBE, the Chatelain, Bisson and Estardy studio is located in the 18th arrondissement of Paris. Still in operation and run by Julie Estardy, it has been receiving major artists for over half a century. It is a place of reference. At the time: Johnny Hallyday, Claude François, Sheila, Carlos, Françoise Hardy, Nino Ferrer recorded their hits there.
Now it's the turn of Sebastien Tellier, Bertrand Burgalat, Keziah Jones, Tony Allen, Jeff Miles to name but a few. CBE and its giant Bernard Estardy put TELE MUSIC in the best conditions to produce an atypical and powerful sound.
Bernard Estardy had a custom- built mixing console built by his German friend Gunther Loof, offering the perfect tool for recording 4 and then 32-track Arp 2000, Moog, Korg, Prophet synthesizers and all acoustic instruments. The field of experi- mentation was limitless.
Until now, the titles of this collection were only available in vinyl format, via rare and expensive prints that collectors sell for a high price on dedicated websites. This volume 3 gives you access to the "crème de la crème" of the legendary repertoire made in France!
Tracklist:
A1 - Raymond Guiot - District Machine
A2 - Gabriel Yared - Vocal in Love
A3 - Slim Pezin - Mam's Song
A4 - Pierre-Alain Dahan - Rythmique n°3
A5 - Georges Chatelain - Piège nocturne
A6 - Bernard Lubat - Rocket 2
A7 - Janko Nilovic - Pop Percussions
B1 - Raymond Guiot - Bass Duettino
B2 - Guy Pedersen - Les copains de la basse
B3 - Marc Chantereau & Pierre-Alain Dahan - Synthétiseur & Company
B4 - Bernard Estardy - Phasing Round
B5 - Pierre-Alain Dahan & Mat Camison - Mister Mistery
B6 - Raymond Guiot - Oriental Vibrato
C1 - Pierre-Alain Dahan & Mat Camison - West Coast Drive
C2 - Jean-Jacques Debout - Mitsuko
C3 - Hervé Roy - Percussionissimo
C4 - Luis Conti & François Langel - Midnight Rendez-vous
C5 - Pierre-Alain Dahan & Mat Camison - Rythmique n°8
C6 - Michel Gonet - Suspense Time
C7 - Sauveur Mallia - Meteor One
D1 - Bernard Estardy - Gang Train
D2 - Pierre-Alain Dahan - Rythmiques n°2
D3 - Bernard Estardy - Vertigo Leitmotiv
D4 - Georges Chatelain & Hervé Roy - Voix d'eau
D5 - Luis Conti & François Langel - Sierra Sunrise
D6 - Jean-Jacques Debout - Bossa a Gogo More
In this volume 3 TELE MUSIC, we have highlighted legendary artists who have left an indelible mark on the history of the music bookshop and on the history of music in general:
• Janko Nilovic (also known as Yanko Nilovic, Anady Loore, E. Orti or Alan Blackwell),
• Jean-Jacques Debout with his irresistible “Mitsuko” released in 1967 and re-released in 1969 on “Music Bazaar”, • Bernard Lubat, the impressive percussionist, vibraphonist, multi-instrumentalist and very good “scator” (Bernard played in the Doubles Six with Quincy Jones and Eddy Louiss),
• Gabriel Yared, the man with a hundred film scores. Arranger and composer for Johnny Hallyday and Charles Aznavour, among others!
• Hervé Roy conductor and writer for Nancy Holloway,
• George Chatelain, pianist, guitarist, clarinettist, founder of the famous studio “CBE” created in 1966 with his sister Janine Bisson and his high school friend Bernard Estardy.
All these composers were renowned for their acute sense of composition, arrangement, conducting and inter- pretation, and in their own way left their mark on many sound recordings of musical illustration "made in France!
CBE, the Chatelain, Bisson and Estardy studio is located in the 18th arrondissement of Paris. Still in operation and run by Julie Estardy, it has been receiving major artists for over half a century. It is a place of reference. At the time: Johnny Hallyday, Claude François, Sheila, Carlos, Françoise Hardy, Nino Ferrer recorded their hits there.
Now it's the turn of Sebastien Tellier, Bertrand Burgalat, Keziah Jones, Tony Allen, Jeff Miles to name but a few. CBE and its giant Bernard Estardy put TELE MUSIC in the best conditions to produce an atypical and powerful sound.
Bernard Estardy had a custom- built mixing console built by his German friend Gunther Loof, offering the perfect tool for recording 4 and then 32-track Arp 2000, Moog, Korg, Prophet synthesizers and all acoustic instruments. The field of experi- mentation was limitless.
Until now, the titles of this collection were only available in vinyl format, via rare and expensive prints that collectors sell for a high price on dedicated websites. This volume 3 gives you access to the "crème de la crème" of the legendary repertoire made in France!
Tracklist:
A1 - Raymond Guiot - District Machine
A2 - Gabriel Yared - Vocal in Love
A3 - Slim Pezin - Mam's Song
A4 - Pierre-Alain Dahan - Rythmique n°3
A5 - Georges Chatelain - Piège nocturne
A6 - Bernard Lubat - Rocket 2
A7 - Janko Nilovic - Pop Percussions
B1 - Raymond Guiot - Bass Duettino
B2 - Guy Pedersen - Les copains de la basse
B3 - Marc Chantereau & Pierre-Alain Dahan - Synthétiseur & Company
B4 - Bernard Estardy - Phasing Round
B5 - Pierre-Alain Dahan & Mat Camison - Mister Mistery
B6 - Raymond Guiot - Oriental Vibrato
C1 - Pierre-Alain Dahan & Mat Camison - West Coast Drive
C2 - Jean-Jacques Debout - Mitsuko
C3 - Hervé Roy - Percussionissimo
C4 - Luis Conti & François Langel - Midnight Rendez-vous
C5 - Pierre-Alain Dahan & Mat Camison - Rythmique n°8
C6 - Michel Gonet - Suspense Time
C7 - Sauveur Mallia - Meteor One
D1 - Bernard Estardy - Gang Train
D2 - Pierre-Alain Dahan - Rythmiques n°2
D3 - Bernard Estardy - Vertigo Leitmotiv
D4 - Georges Chatelain & Hervé Roy - Voix d'eau
D5 - Luis Conti & François Langel - Sierra Sunrise
D6 - Jean-Jacques Debout - Bossa a Gogo More
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Cat-No:538811970
Release-Date:18.11.2022
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1
Raymond Guiot - Quintett Flash
2
Hervé Roy - Repetition Echo
3
Raymond Guiot - Primitive Spirit
4
Jean-Pierre Martin - Jelly Roll Dance
5
Pierre Dutour - Savage trumpet
6
Pierre-Alain Dahan & Slim Pezin - Slim Bertha
7
Jean-Pierre Martin - Sesame
8
Sauveur Mallia - All the bass
9
Michel Gonet - Cuica-racas
10
Pierre-Alain Dahan & Mat Camison - Baby Rider
11
Pierre Bachelet & Mat Camison - Miami Blues
12
Guy Pedersen - Bass session
13
Andre Arpino & Maurice Plessac - Pop Drums
14
Guy Pedersen - Indian Pop Bass
15
Michel Gonet - Nuclear Tension
16
Michel Gonet - Red Sunset
17
Pierre-Alain Dahan & Mat Camison - Rythmiques n°10
18
Pierre-Alan Dahan & Slim Pezin - Soul Car
19
Pierre-Alain Dahan - Slowrama
20
Sauveur Mallia - Double Polygone
21
Pierre-Alain Dahan & Mat Camison - Long Time Playing
22
Michel Gonet - Devil Dance (version B)
23
Bernard Estardy - Super Angoisse
TELE MUSIC is a label of Éditions Musicales Sforzando now owned by BMG Production Music. It is entirely devoted to the music library, that is to say, music for sound illustration used in audiovisual productions. Created in 1966 by Roger Tokarz, just before advertising was allowed on French television, Editions Sforzando specialised from the outset in sound illustration for radio and television.
This collection, soberly entitled “Volume 2”, is the sequel to “Volume 1”, produced with equal care, passion and fervour by Lord Funk & DJ L.C. In the mid-90s, Tele Music vinyl was sold at ridiculously low prices. Often disparaged by collectors and record shops, considered by some as lift music or vulgarly called “music by the meter”, the music store was only of interest to fans of instrumental music! But in the 2000's, it had a second life and saw its prices soar on Discogs, thanks to sampling and digging in Hip-Hop mainly. This advent of the library is an era that Lord Funk, curator of this compilation, experienced when he brought several music library collections to New York City (NYC) to his A1 Records stronghold in 1997.
A1 was a world-famous downtown record shop where Lord Funk served as a custom sample salesman to hip-hop stars. His reputation as a Frenchman of note quickly grew to the point where all the hip-hop and electro producers in the Big Apple swore by his loops and drum breaks. For them, not a day went by without buying A1 to feed their productions. That's how tracks like Michel Gonet's “Flower Dance” (sampled by Mighty Mi for Promoe's classic “Off The Records”) or Mat Camison & Pierre-Alain DAHAN's “Blue Leopard” (sampled by Jake One for G Unit's “Bette Ask Somebody”) became highly sought-after tracks, first on the East Coast of the United States, then all over the country, and then all over the world, as far as Japan. From then on, music books became a world treasure!
In this 2nd volume, Lord Funk & DJ L.C. have chosen a range of music from 1969 to 1983, from psychedelic jazz to electro funk via rnb, soul and jazz-funk. We find Raymond Guiot, flutist, winner of the Geneva International Music Performance Competition in 1954. Raymond is a pianist, composer (notably for Serge Gainsbourg, François de
Roubaix, Alain Goraguer) with Guy Pedersen, his lifelong friend, guitarist at the beginning, then bassist of the jazz quintet set up on Raymond's initiative. What a good idea! Raymond and Guy went on to accompany Quincy Jones, Michel Legrand and Lionel Hampton, to name but a few; they are both to be found on albums such as “Indian Pop Bass”, “Contre- basses” and “Musique en Vrac”.
Then comes one of the best French drummers Pierre-Alain Dahan of the group Voyage (Sirocco, a label founded by Roger Tokarz), who began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon
and Daniel Humair and who participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson'. Pierre-Alain's playing can be heard improving through the albums “Continental Pop Sound”, “TV Themes”, “Rythmiques”, "Discothèques“ and ”Neo Rythmiques". His guitar colleague Slim Pezin (Manu Dibango, Nino Ferrer, Ray Charles, Tina Turner) is not far behind, as are Michel Gonet, Hervé Roy, Pierre Bachelet, Mat Camison, Pierre Dutour, André Arpino and Sauveur Mallia.
Most of the titles in this collection were recorded in the magic place that was the famous CBE recording studio set up by Georges Chatelain, Janine Bisson and Bernard Estardy. Bernard, nicknamed the giant, was a sound genius and a mixing perfectionist. Georges Chatelain was an electronic engineer. Together, they brought a sound, a colour, a trademark.
Bernard Estardy was also considered as one of the greatest French sound engineers and an energetic organist for Nino Ferrer or Nancy Holloway. We warmly thank Julie Estardy for her total and unreserved involvement in these reissue and compilation projects.
The combination of all these prodigies has given TELE MUSIC a phenomenal and unique sound colour in the service of a sound repertoire that is now part of the French heritage.
A1 - Raymond Guiot - Quintett Flash
A2 - Hervé Roy - Repetition Echo
A3 - Raymond Guiot - Primitive Spirit
A4 - Jean-Pierre Martin - Jelly Roll Dance
A5 - Pierre Dutour - Savage trumpet
A6 - Pierre-Alain Dahan & Slim Pezin - Slim Bertha
B1 - Jean-Pierre Martin - Sesame
B2 - Sauveur Mallia - All the bass
B3 - Michel Gonet - Cuica-racas
B4 - Pierre-Alain Dahan & Mat Camison - Baby Rider
B5 - Pierre Bachelet & Mat Camison - Miami Blues
B6 - Guy Pedersen - Bass session
C1 - Andre Arpino & Maurice Plessac - Pop Drums
C2 - Guy Pedersen - Indian Pop Bass
C3 - Michel Gonet - Nuclear Tension
C4 - Michel Gonet - Red Sunset
C5 - Pierre-Alain Dahan & Mat Camison - Rythmiques n°10
C6 - Pierre-Alan Dahan & Slim Pezin - Soul Car
C7 - Pierre-Alain Dahan - Slowrama
D1 - Sauveur Mallia - Double Polygone
D2 - Pierre-Alain Dahan & Mat Camison - Long Time Playing
D3 - Michel Gonet - Devil Dance (version B)
D4 - Bernard Estardy - Super Angoisse More
This collection, soberly entitled “Volume 2”, is the sequel to “Volume 1”, produced with equal care, passion and fervour by Lord Funk & DJ L.C. In the mid-90s, Tele Music vinyl was sold at ridiculously low prices. Often disparaged by collectors and record shops, considered by some as lift music or vulgarly called “music by the meter”, the music store was only of interest to fans of instrumental music! But in the 2000's, it had a second life and saw its prices soar on Discogs, thanks to sampling and digging in Hip-Hop mainly. This advent of the library is an era that Lord Funk, curator of this compilation, experienced when he brought several music library collections to New York City (NYC) to his A1 Records stronghold in 1997.
A1 was a world-famous downtown record shop where Lord Funk served as a custom sample salesman to hip-hop stars. His reputation as a Frenchman of note quickly grew to the point where all the hip-hop and electro producers in the Big Apple swore by his loops and drum breaks. For them, not a day went by without buying A1 to feed their productions. That's how tracks like Michel Gonet's “Flower Dance” (sampled by Mighty Mi for Promoe's classic “Off The Records”) or Mat Camison & Pierre-Alain DAHAN's “Blue Leopard” (sampled by Jake One for G Unit's “Bette Ask Somebody”) became highly sought-after tracks, first on the East Coast of the United States, then all over the country, and then all over the world, as far as Japan. From then on, music books became a world treasure!
In this 2nd volume, Lord Funk & DJ L.C. have chosen a range of music from 1969 to 1983, from psychedelic jazz to electro funk via rnb, soul and jazz-funk. We find Raymond Guiot, flutist, winner of the Geneva International Music Performance Competition in 1954. Raymond is a pianist, composer (notably for Serge Gainsbourg, François de
Roubaix, Alain Goraguer) with Guy Pedersen, his lifelong friend, guitarist at the beginning, then bassist of the jazz quintet set up on Raymond's initiative. What a good idea! Raymond and Guy went on to accompany Quincy Jones, Michel Legrand and Lionel Hampton, to name but a few; they are both to be found on albums such as “Indian Pop Bass”, “Contre- basses” and “Musique en Vrac”.
Then comes one of the best French drummers Pierre-Alain Dahan of the group Voyage (Sirocco, a label founded by Roger Tokarz), who began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon
and Daniel Humair and who participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson'. Pierre-Alain's playing can be heard improving through the albums “Continental Pop Sound”, “TV Themes”, “Rythmiques”, "Discothèques“ and ”Neo Rythmiques". His guitar colleague Slim Pezin (Manu Dibango, Nino Ferrer, Ray Charles, Tina Turner) is not far behind, as are Michel Gonet, Hervé Roy, Pierre Bachelet, Mat Camison, Pierre Dutour, André Arpino and Sauveur Mallia.
Most of the titles in this collection were recorded in the magic place that was the famous CBE recording studio set up by Georges Chatelain, Janine Bisson and Bernard Estardy. Bernard, nicknamed the giant, was a sound genius and a mixing perfectionist. Georges Chatelain was an electronic engineer. Together, they brought a sound, a colour, a trademark.
Bernard Estardy was also considered as one of the greatest French sound engineers and an energetic organist for Nino Ferrer or Nancy Holloway. We warmly thank Julie Estardy for her total and unreserved involvement in these reissue and compilation projects.
The combination of all these prodigies has given TELE MUSIC a phenomenal and unique sound colour in the service of a sound repertoire that is now part of the French heritage.
A1 - Raymond Guiot - Quintett Flash
A2 - Hervé Roy - Repetition Echo
A3 - Raymond Guiot - Primitive Spirit
A4 - Jean-Pierre Martin - Jelly Roll Dance
A5 - Pierre Dutour - Savage trumpet
A6 - Pierre-Alain Dahan & Slim Pezin - Slim Bertha
B1 - Jean-Pierre Martin - Sesame
B2 - Sauveur Mallia - All the bass
B3 - Michel Gonet - Cuica-racas
B4 - Pierre-Alain Dahan & Mat Camison - Baby Rider
B5 - Pierre Bachelet & Mat Camison - Miami Blues
B6 - Guy Pedersen - Bass session
C1 - Andre Arpino & Maurice Plessac - Pop Drums
C2 - Guy Pedersen - Indian Pop Bass
C3 - Michel Gonet - Nuclear Tension
C4 - Michel Gonet - Red Sunset
C5 - Pierre-Alain Dahan & Mat Camison - Rythmiques n°10
C6 - Pierre-Alan Dahan & Slim Pezin - Soul Car
C7 - Pierre-Alain Dahan - Slowrama
D1 - Sauveur Mallia - Double Polygone
D2 - Pierre-Alain Dahan & Mat Camison - Long Time Playing
D3 - Michel Gonet - Devil Dance (version B)
D4 - Bernard Estardy - Super Angoisse More
Label:BMG
Cat-No:538664541
Release-Date:17.12.2021
Configuration:12"
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1
Band Electronica - Das Beat (Ame Remix)
2
Band Electronica - Das Beat ( Ame Dub)
Electronic icons from across the ages come together to contribute to a stunning new package that features Grammy winner Midge Ure and cult house artists Ame on a record inspired by legendary Kraftwerk drummer Wolfgang Flür. This project came about when Midge Ure was performing with his group Band Electronica in Dusseldorf in 2020. Wolfgang Flur was in the audience and later asked Ure to join a new project he was working on. A few days later, with thoughts of Wolfgang's pioneering electronic drumming, the role Dusseldorf has played in the scene, and the beat which makes the world move, Midge Ure wrote 'Das Beat'. Whilst Wolfgang went on to record his own version of the song for his LP, Ure laid down ‘Das Beat’ with Band Electronica in its original form. Ultravox and Visage legend Midge Ure played a pivotal role in the world of electronic music and here gives credit to those that inspired him, Wolfgang Flür among them. Says Midge of the new record, "'Das Beat' is a nod of thanks to the people who created the inspirational sounds and music I heard in the clubs in the late seventies and early eighties." 'Das Beat' is an archetypal piece of European electronic music. This superb single nods to the heritage of the genre through the proudly stark synth sounds of the 80s, right through electro-pop and modern techno. The clean, crisp vocals nod to Midge's knack for pop songwriting as they muse on the enduring appeal of electronic beats. Finishing it in style are the sleek Kraftwerk-esque melodies that are filled with a subtle sense of hope. Remixing the record is German duo Âme. Kristian Beyer and Frank Wiedemann have fomented their own deeply emotive house sound over the last 15 years. They run the influential Innervisions label and constantly drive the scene forward with their widely-influenced sounds, whilst bringing DJ and Live sets to the world's best events. Their excellent remix fills out the sound for the club, with chunky broken drums bouncing beneath visceral acid, big hits locking you into the groove and a vocal that brings a standout retro-future flourish. The remix also comes with an alternative ‘Dub version’.
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Last in:09.02.2021
Label:BMG
Cat-No:538651080
Release-Date:08.01.2021
Genre:Techno
Configuration:2LP
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1
Dense & Pika - No Title
2
Dense & Pika - No Title
3
Dense & Pika - No Title
4
Dense & Pika - No Title
5
Dense & Pika - No Title
6
Dense & Pika - No Title
7
Dense & Pika - No Title
8
Dense & Pika - No Title
As Dense & Pika, Alex Jones and Chris Spero have garnered an enviable reputation for making devastating club ordnance that finds the sweet spot between dark, mysterious house and roaring, brawny techno. With over a decade of material under their belt, Jones and Spero are set to release their first studio length debut album, ‘Colour Burn’ via London major imprint BMG on 4th December, home to the likes of Leftfield, The Prodigy, Holy Ghost and Faithless. ‘Colour Burn’ is a 13-track composition crossing through downtempo house and electronica, built as a conceptual sonic representation of the pair’s live audio and visual set up. The album is a step away from harder and faster material and a move towards a more leftfield sonic trajectory, featuring a handful of impressive heavyweight features of Jones & Spero’s musical heroes who have informed the Dense & Pika output. Released today, album moment ‘Honey’ features the master of sensual, slow-burn techno, Matthew Dear whose contribution to ‘Honey’ arrives in vocal form – a breathy, brooding ensemble of spoken word that glues perfectly with the duo’s trademark rough and textured sound palette. It helps turn what Alex calls “a headsy, dusty piece of housey tech” into something sensual and otherworldly. Dark and smouldering, it seems to the suck the air out of the room like a tightly packed subterranean dancefloor deep in the throes of night. Glitched out percussion and fizzling hi-hats feel caustic against the track’s low-end frequencies. The thumping bassline and kick drum combination delivers punch and pressure to the mix in a true Dense & Pika format. Matthew’s sauntering vocal contribution guides the track into a deep and hypnotic groove well equipped for any late-night excursion. “The boys sent over a lengthy jam, but there was that simple loop that stood out and had me hooked. I put it on repeat and let the mind and pen wander. It’s a bit of cosmic abandonment, brazenly sung by a professional of the night.” Matthew Dear Elsewhere on the LP, standout track ‘Hidden’ features the drums of Sepultura’s legendary metal icon Igor Cavalera resulting in a fabulous frenzy of percussion and driving rhythm. The equally momentous and unforgettable ‘Control’ features the heavily robotic vocoder of Leftfield’s Neil Barnes aiding and abetting in its quest to be a high-octane, twisted rave jam. The impressive features on ‘Colour Burn’ are an insight into the hugely artistic and visionary A&R skills of Alex and Chris and the start of a new chapter for Dense & Pika kicking off with the long-awaited release of their first studio length album.
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1
circle sky - If I Let Go (Original Mix)
2
circle sky - If I Let Go (Ulrich Schnauss Remix)
3
circle sky - If I Let Go (Michael Mayer Remix)
Circle Sky is an electronic band and communications network. Based in London, with operatives working worldwide, the network is anonymous by nature, but inclusive and open source by design. Iris is the current voice of the network, its messenger, its communicator and its focal point. She is always in the present. The network is evolving in real time and its actions are guided by the response from its members, for whom all like minds are welcome to participate. The network has started online but will continue offline as connections are made IRL with performances and transmissions. Circle Sky represents positive use of technology. There will inevitably be glitches in the network however. Which is where the fun starts... The objective is to create a world and inclusive communications network around the band, using current and future technology. Circle Sky is music first. The network is brought together by the music, and is there to support the musical connection with fans around the world. Circle Sky is a network.
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Release-Date:27.09.2024
Genre:techhouse
Configuration:12"
Barcode:198846045115
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Henri Bergmann & Wennink - A. Guardian Angel
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Henri Bergmann & Wennink - B1. Guardian Angel (Stimming Remix)
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Henri Bergmann & Wennink - B2. Guardian Angel (Hardt Antoine Remix)
Powerful duo Henri Bergmann and Wennink make their Crosstown Rebels debut with ‘Guardian Angel’. Stimming and Hardt Antoine take the single to darker territories on their remixes.
Magnetic husband-and-wife duo Henri Bergmann and Wennink blend Bergmann’s taste for melodic realms with Wennink’s etherealv vocals and experimental left-leaning sound. Focusing on supporting up-and-coming talent via her label Automatik, Bergmann has also recruited some of the most notable producers in melodic house and techno for remixes, including The Element, Hernan Cattaneo, and Betical, while the duo's compelling collaborative work has caught the attention of heavyweights like Afterlife - featuring on the label’s ‘Realm Of Consciousness Pt.VI’ VA. Now, following Bergmann’s recent Hï Ibiza appearance and ahead of forthcoming sets at the likes of Zamna Mexico City, KOKO and Amsterdam Dance Event, the London-based couple bring their talents to Damian Lazarus’ Crosstown Rebels with ‘Guardian Angel’. Set to captivate audiences, the enchanting vocal single lands this September with remixes from German house DJ/producer Stimming and fellow London-based eclectic talent Hardt Antoine.
Melancholic yet uplifting ‘Guardian Angel’ opens with richly textured choric percussion that rises to meet Wennink's angelic vocals to powerful emotive effect. Stimming’s remix enters second, reaching for intensity over a stripped-back rendition through the driving rhythm and ethereal SFX. Closing out the record, Hard Antoine's remix pulsates with darker basslines and sharper synths, leaning into the otherworldly and stretching the melody into satisfyingly strange sci-fi-esque planes. More
Magnetic husband-and-wife duo Henri Bergmann and Wennink blend Bergmann’s taste for melodic realms with Wennink’s etherealv vocals and experimental left-leaning sound. Focusing on supporting up-and-coming talent via her label Automatik, Bergmann has also recruited some of the most notable producers in melodic house and techno for remixes, including The Element, Hernan Cattaneo, and Betical, while the duo's compelling collaborative work has caught the attention of heavyweights like Afterlife - featuring on the label’s ‘Realm Of Consciousness Pt.VI’ VA. Now, following Bergmann’s recent Hï Ibiza appearance and ahead of forthcoming sets at the likes of Zamna Mexico City, KOKO and Amsterdam Dance Event, the London-based couple bring their talents to Damian Lazarus’ Crosstown Rebels with ‘Guardian Angel’. Set to captivate audiences, the enchanting vocal single lands this September with remixes from German house DJ/producer Stimming and fellow London-based eclectic talent Hardt Antoine.
Melancholic yet uplifting ‘Guardian Angel’ opens with richly textured choric percussion that rises to meet Wennink's angelic vocals to powerful emotive effect. Stimming’s remix enters second, reaching for intensity over a stripped-back rendition through the driving rhythm and ethereal SFX. Closing out the record, Hard Antoine's remix pulsates with darker basslines and sharper synths, leaning into the otherworldly and stretching the melody into satisfyingly strange sci-fi-esque planes. More
12" Excl
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Label:Running Back
Cat-No:rb120
Release-Date:06.09.2024
Genre:House
Configuration:12" Excl
Barcode:4251804141895
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Last in:12.08.2024
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Last in:12.08.2024
Label:Running Back
Cat-No:rb120
Release-Date:06.09.2024
Genre:House
Configuration:12" Excl
Barcode:4251804141895
1
DJ BORING - Beautiful Strangers
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DJ BORING - Can't Fix A Broken Heart
3
DJ BORING - When I'm With You ft. Jasper Tygner
4
DJ BORING - False Attraction
5
DJ BORING - Memories Fade
2024 repress
Tracklist:
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
Tracklist:
A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade
Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.
More
Label:Life and Death
Cat-No:LAD070
Release-Date:30.08.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804140775
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Last in:19.08.2024
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Last in:19.08.2024
Label:Life and Death
Cat-No:LAD070
Release-Date:30.08.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804140775
1
Mind Against - Love Seeking
2
Mind Against - Love Seeking – Club Mix
3
Mind Against - Love Seeking – Âme Remix
Tracklist
A1. Love Seeking
A2. Love Seeking – Club Mix
B1. Love Seeking – Âme Remix
The brothers Fognini aka Mind Against return to Life And Death with their new single Love Seeking with a remix from friends and fellow masters of the emotional dancefloor Âme.
It’s fitting that techno storytellers Mind Against should revisit the home of their first EP with a revamped sound and turbo-charged take on current-day disco. Their history with DJ Tennis and Life and Death is almost as old as the label itself, harking back to their days living together in Berlin.
Now the brothers leave behind their signature hypnotic techno palette for a boogie-fied stepper that’s equal parts pop breeze and deep synth trip, full of hopeful anticipation. For the remix, Innervisions duo and cultural tour-de-force Âme twist the knobs and stretch out the heartstrings for an extended slice of big room goosebumps.
In the words of Mind Against themselves:
“10 years after releasing our very first EP Atlant on Life and Death, we’re excited to come back to our first imprint with such a special track and remix by Âme.
We’ve stepped out of our usual comfort zone and done something that can be both linked to our own musical world and to the sounds that Life and Death have evolved in recent years.
Our friendship with DJ Tennis is about as old as the label is, bringing us back to the times we used to share a flat in Kreuzberg. One may say this release is both an ode to the past and to a bright future, full of promises.”
More
A1. Love Seeking
A2. Love Seeking – Club Mix
B1. Love Seeking – Âme Remix
The brothers Fognini aka Mind Against return to Life And Death with their new single Love Seeking with a remix from friends and fellow masters of the emotional dancefloor Âme.
It’s fitting that techno storytellers Mind Against should revisit the home of their first EP with a revamped sound and turbo-charged take on current-day disco. Their history with DJ Tennis and Life and Death is almost as old as the label itself, harking back to their days living together in Berlin.
Now the brothers leave behind their signature hypnotic techno palette for a boogie-fied stepper that’s equal parts pop breeze and deep synth trip, full of hopeful anticipation. For the remix, Innervisions duo and cultural tour-de-force Âme twist the knobs and stretch out the heartstrings for an extended slice of big room goosebumps.
In the words of Mind Against themselves:
“10 years after releasing our very first EP Atlant on Life and Death, we’re excited to come back to our first imprint with such a special track and remix by Âme.
We’ve stepped out of our usual comfort zone and done something that can be both linked to our own musical world and to the sounds that Life and Death have evolved in recent years.
Our friendship with DJ Tennis is about as old as the label is, bringing us back to the times we used to share a flat in Kreuzberg. One may say this release is both an ode to the past and to a bright future, full of promises.”
More
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Last in:06.08.2024
Label:Footjob
Cat-No:fj028
Release-Date:06.09.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182041
1
Phonk D - Cheek
2
Phonk D - Cheek (Soundstream Remix)
Tracklist:
A1. Phonk D – Cheek
B1. Phonk D – Cheek (Soundstream Remix)
Shortinfo:
With Cheek, Phonk D serves up another good vibe sample work. A catchy disco loop meets funky percussions, a few filter tweeks and off you go...
For the 10th anniversary of the label, a long-awaited wish has come true:
House and Disco icon Soundstream from Berlin has a take on the tracks and left his magic on one of his ultra-rare remixes.
More
A1. Phonk D – Cheek
B1. Phonk D – Cheek (Soundstream Remix)
Shortinfo:
With Cheek, Phonk D serves up another good vibe sample work. A catchy disco loop meets funky percussions, a few filter tweeks and off you go...
For the 10th anniversary of the label, a long-awaited wish has come true:
House and Disco icon Soundstream from Berlin has a take on the tracks and left his magic on one of his ultra-rare remixes.
More
Label:Heist Recordings
Cat-No:heist077
Release-Date:20.10.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142984
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Last in:04.06.2024
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Last in:04.06.2024
Label:Heist Recordings
Cat-No:heist077
Release-Date:20.10.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142984
1
Dam Swindle - That’s Right
2
Dam Swindle - Minor Fools
3
Dam Swindle - Soul’s Lament
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament
Release Info:
“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.
Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.
‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.
On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.
The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.
Grab this record while you can and dance, dance, dance!
Heist Recordings.
More
Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament
Release Info:
“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.
Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.
‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.
On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.
The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.
Grab this record while you can and dance, dance, dance!
Heist Recordings.
More
2LP Excl
in stock
Label:Tresor Records
Cat-No:tresor025lp
Release-Date:23.09.2022
Genre:Techno
Configuration:2LP Excl
Barcode:666017329611
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Last in:24.07.2023
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Last in:24.07.2023
Label:Tresor Records
Cat-No:tresor025lp
Release-Date:23.09.2022
Genre:Techno
Configuration:2LP Excl
Barcode:666017329611
2022 VINYL REPRESS….
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA More
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA More
Label:Toy Tonics
Cat-No:TOYT153
Release-Date:26.01.2024
Genre:House
Configuration:12" Excl
Barcode:0880655515315
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Last in:15.04.2024
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Last in:15.04.2024
Label:Toy Tonics
Cat-No:TOYT153
Release-Date:26.01.2024
Genre:House
Configuration:12" Excl
Barcode:0880655515315
1
DJ Sneak - A1) So Damn Electrik
2
DJ Sneak - A2) Elektrik Deep
3
DJ Sneak - B1) Ass Is Gonna Work
4
DJ Sneak - B2) West Side Radio
Tracklist 12":
A1) So Damn Electrik
A2) Elektrik Deep
B1) Ass Is Gonna Work
B2) West Side Radio
DJ SNEAK on Toy Tonics! Yes. It's happening. Another US legend joins the German house label. After Kai Alcé (EP on Toy Tonics in September 2023) and Joe Claussell who did an amazing remix for the label some time ago, now it's DJ Sneak. It makes sense as Toy Tonics stands for that funky mix of three main inflences: original amercian soul based house music, the italo disco heritage and the more London or Paris 1990ies wildstyle house sound. DJ Sneak reached out to the label last year giving his props and showing love for many of Toy Tonics releases and the guys immediately invited him to join the label with an EP as its also his sound that is getting so popular again with the younger dance generation. So here it is: 6 tracks (4 on the vinyl) that remind the classic, bumpin DJ Sneak sound. Full of energy and emotion. Perfect for the dance floors of today and great to introduce the maestro to the kids who love house now but never heard about the grandmasters.
More
A1) So Damn Electrik
A2) Elektrik Deep
B1) Ass Is Gonna Work
B2) West Side Radio
DJ SNEAK on Toy Tonics! Yes. It's happening. Another US legend joins the German house label. After Kai Alcé (EP on Toy Tonics in September 2023) and Joe Claussell who did an amazing remix for the label some time ago, now it's DJ Sneak. It makes sense as Toy Tonics stands for that funky mix of three main inflences: original amercian soul based house music, the italo disco heritage and the more London or Paris 1990ies wildstyle house sound. DJ Sneak reached out to the label last year giving his props and showing love for many of Toy Tonics releases and the guys immediately invited him to join the label with an EP as its also his sound that is getting so popular again with the younger dance generation. So here it is: 6 tracks (4 on the vinyl) that remind the classic, bumpin DJ Sneak sound. Full of energy and emotion. Perfect for the dance floors of today and great to introduce the maestro to the kids who love house now but never heard about the grandmasters.
More
Label:Wrong Era
Cat-No:we014
Release-Date:06.09.2024
Configuration:12" Excl
Barcode:4062548090185
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Last in:02.09.2024
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Last in:02.09.2024
Label:Wrong Era
Cat-No:we014
Release-Date:06.09.2024
Configuration:12" Excl
Barcode:4062548090185
1
Charlie - Spacewoman (Instrumental)
2
Charlie - Let Go
3
Charlie - Dark Waver
4
Charlie - In The Night
Tracklist:
A1 / Charlie - Spacewoman (Instrumental)
A2 / Charlie - Let Go
B1 / Charlie - Dark Waver
B2 / Charlie - In The Night
Key Selling Points
Polish multi-instrumentalist and prolific producer Charlie lands on Wrong Era with her earth-shattering EP 'Spacewoman'. As a revered live act and spearhead within the Italo-Proto scene, Charlie’s record is a testament to her unique and impactful sound design, which is on full display in her thunderous progressions.
Having garnered a following with her DJ and live performances at some of the most influential clubs in Europe, the record sees the Polish producer integrate her infectious rhythmic flair into another standout release, capturing the consistently mind-opening energy of her live sets and hooking us in with potent synth lines and vocals.
More
A1 / Charlie - Spacewoman (Instrumental)
A2 / Charlie - Let Go
B1 / Charlie - Dark Waver
B2 / Charlie - In The Night
Key Selling Points
Polish multi-instrumentalist and prolific producer Charlie lands on Wrong Era with her earth-shattering EP 'Spacewoman'. As a revered live act and spearhead within the Italo-Proto scene, Charlie’s record is a testament to her unique and impactful sound design, which is on full display in her thunderous progressions.
Having garnered a following with her DJ and live performances at some of the most influential clubs in Europe, the record sees the Polish producer integrate her infectious rhythmic flair into another standout release, capturing the consistently mind-opening energy of her live sets and hooking us in with potent synth lines and vocals.
More
Label:Sound Signature
Cat-No:SS005
Release-Date:10.01.2022
Genre:House
Configuration:12"
Barcode:
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Last in:30.08.2024
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Last in:30.08.2024
Label:Sound Signature
Cat-No:SS005
Release-Date:10.01.2022
Genre:House
Configuration:12"
Barcode:
1
Theo Parrish - Dan Ryan
2
Theo Parrish - Walking Thru The Sky (Liberation Mix)
Repress!
The roots of Sound Signature are revisited in fine style with the first of three essential Theo Parrish represses this week! Originally released back towards the tail end of 1998, Roots Revisited is Theo in full on percussion mode, perfectly balancing the rhythmic elements with his innate understanding of true soul and how to implement it. Lead track "Dan Ryan" is one of those deeply meditative Theo cuts that feels like it can probably seep into infinity without any danger of losing its charm, whilst the Liberation Mix of "Walking Through The Sky" will provide a bone of contention for the most feverish of Theo followers out there. More
The roots of Sound Signature are revisited in fine style with the first of three essential Theo Parrish represses this week! Originally released back towards the tail end of 1998, Roots Revisited is Theo in full on percussion mode, perfectly balancing the rhythmic elements with his innate understanding of true soul and how to implement it. Lead track "Dan Ryan" is one of those deeply meditative Theo cuts that feels like it can probably seep into infinity without any danger of losing its charm, whilst the Liberation Mix of "Walking Through The Sky" will provide a bone of contention for the most feverish of Theo followers out there. More
12"
in stock
Label:Fuck Reality
Cat-No:fuckreality04
Release-Date:25.11.2016
Configuration:12"
Barcode:4260038316108
in stock
Last in:18.11.2016
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Last in:18.11.2016
Label:Fuck Reality
Cat-No:fuckreality04
Release-Date:25.11.2016
Configuration:12"
Barcode:4260038316108
1
tv.out & smallpeople - Sailor Desperados
2
tv.out & smallpeople - Sailor Desperados (Borrowed Identity Rework)
3
tv.out & smallpeople - Shadow Quest
Tracklist:
A Sailor Desperados
B1 Sailor Desperados (Borrowed Identity Rework)
B2 Shadow Quest
Info:
2 raw beauties from TV.OUT and Smallpeople, produced in the Owls Room,
Hamburg. Plus hypnotic-stripped back Borrowed Identity Rework- don’t sleep!
Drawing & Typography by Stefan Marx
Full Cover, printed discosleeve More
A Sailor Desperados
B1 Sailor Desperados (Borrowed Identity Rework)
B2 Shadow Quest
Info:
2 raw beauties from TV.OUT and Smallpeople, produced in the Owls Room,
Hamburg. Plus hypnotic-stripped back Borrowed Identity Rework- don’t sleep!
Drawing & Typography by Stefan Marx
Full Cover, printed discosleeve More
LP Excl
in stock
Label:Be With Records
Cat-No:bewith094LP
Release-Date:16.06.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
in stock
Last in:03.04.2024
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Last in:03.04.2024
Label:Be With Records
Cat-No:bewith094LP
Release-Date:16.06.2023
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804123709
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
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Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
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Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
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Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
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Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
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Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
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2LP Excl
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in stock
Last in:07.05.2024
Label:Hardspace
Cat-No:H003
Release-Date:10.05.2024
Genre:Techno
Configuration:2LP Excl
Barcode:4251804181600
1
Sound Stream - Love Jam (Hardspace Mix)
2
Kenny Larkin x Alex Reece - Loop 2 (Hardspace Mix)
3
Andrei Morant - Simple Addition (Hardspace Mix)
4
Russian Roulette - I Believe (Hardspace Mix)
5
DJ Rush - Don’t You Love Me (Hardspace Mix)
6
Damon Wild - Gearbox (Hardspace Mix)
2x 12” colored vinyl with full cover print
TRACKLIST:
A1 Sound Stream – Love Jam (Hardspace Mix)
B1 Kenny Larkin x Alex Reece – Loop 2 (Hardspace Mix)
B2 Andrei Morant – Simple Addition (Hardspace Mix)
C1 Russian Roulette – I Believe (Hardspace Mix)
D1 DJ Rush – Don’t You Love Me (Hardspace Mix)
D2 Damon Wild – Gearbox (Hardspace Mix)
INFO:
Len Faki returns as Hardspace for part three of his new remix-series, giving his favorite tunes a new life on the dancefloor.
An unusual pairing at first glance, Hardspace takes up Soundstream’s anthem Love Jam from 2006, the kind of Detroit-tinged disco edit to drop in the peak moment of techno set.
Then it’s rewind time to another decade, when DnB-Veteran Alex Reece was remixing Motorcity icon Kenny Larkin. Hardspace’s mix of Loop 2 retains the playful jazzy notes and growling bassline of the original and turns its oldschool breakbeats into a snappy 4x4-groove.
The deadly effective tool that is Andrei Morant’s Simple Addition makes for a perfect base to build upon for Faki’s signature editing style, emphasizing the plastic shuffle of grooving percussive elements while adding some booming low-end.
DJ Rush features with two vocal-heavy cuts on this release: first up the Russian Roulette-hymn I Believe, which sounds even trippier in the stripped-back Hardspace version; then a creepy while sexy mix of Don’t You Love Me that steadily builds tension for minutes before slowly giving way to a seductive beat.
Closing out with a bang, Damon Wild’s Gearbox from 1995 gets a rework: the full power acid-riff is still working its magic but now sounding much more punchy and to the point in this tidied up Hardspace edit.
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TRACKLIST:
A1 Sound Stream – Love Jam (Hardspace Mix)
B1 Kenny Larkin x Alex Reece – Loop 2 (Hardspace Mix)
B2 Andrei Morant – Simple Addition (Hardspace Mix)
C1 Russian Roulette – I Believe (Hardspace Mix)
D1 DJ Rush – Don’t You Love Me (Hardspace Mix)
D2 Damon Wild – Gearbox (Hardspace Mix)
INFO:
Len Faki returns as Hardspace for part three of his new remix-series, giving his favorite tunes a new life on the dancefloor.
An unusual pairing at first glance, Hardspace takes up Soundstream’s anthem Love Jam from 2006, the kind of Detroit-tinged disco edit to drop in the peak moment of techno set.
Then it’s rewind time to another decade, when DnB-Veteran Alex Reece was remixing Motorcity icon Kenny Larkin. Hardspace’s mix of Loop 2 retains the playful jazzy notes and growling bassline of the original and turns its oldschool breakbeats into a snappy 4x4-groove.
The deadly effective tool that is Andrei Morant’s Simple Addition makes for a perfect base to build upon for Faki’s signature editing style, emphasizing the plastic shuffle of grooving percussive elements while adding some booming low-end.
DJ Rush features with two vocal-heavy cuts on this release: first up the Russian Roulette-hymn I Believe, which sounds even trippier in the stripped-back Hardspace version; then a creepy while sexy mix of Don’t You Love Me that steadily builds tension for minutes before slowly giving way to a seductive beat.
Closing out with a bang, Damon Wild’s Gearbox from 1995 gets a rework: the full power acid-riff is still working its magic but now sounding much more punchy and to the point in this tidied up Hardspace edit.
More