The new album from Primal Scream - ‘Come Ahead’ produced by David Holmes, is due for release on the 8th of November. Black Science Orchestra have remixed lead track ‘Love Insurrection’ with a tight funky drummer back beat, parping pipes, rolling keys and wooshes of L.O.V.E. The release follows the white label of Terry Farley & Wade Teo’s take on album track ‘Ready To Go Home’ and is sure to follow it’s sold out status.

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Two stonecold classic UK Garage songs from 1997 are thrown together for this extremely limited colour 10” release.

Tumblin’ Down – Bass Organ Mix, is a previously unreleased version taken from the Tuff Jam vaults.
Dangerous – ‘2 In 1’ Remix, is brand new for 2024 and sees Karl and Matt back in the studio to deliver a fresh take on one of their biggest tracks.

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34 years after Terry Farley created the seminal remixes of Loaded and Come Together for Primal Scream he returns to the band to remix a brand new track ‘Ready To Come Home’. Only available via white label.

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TELE MUSIC is a label of Éditions Musicales Sforzando now owned by BMG Production Music. It is entirely devoted to the music library, that is to say, music for sound illustration used in audiovisual productions. Created in 1966 by Roger Tokarz, just before advertising was allowed on French television, Editions Sforzando specialised from the outset in sound illustration for radio and television.

This collection, soberly entitled “Volume 2”, is the sequel to “Volume 1”, produced with equal care, passion and fervour by Lord Funk & DJ L.C. In the mid-90s, Tele Music vinyl was sold at ridiculously low prices. Often disparaged by collectors and record shops, considered by some as lift music or vulgarly called “music by the meter”, the music store was only of interest to fans of instrumental music! But in the 2000's, it had a second life and saw its prices soar on Discogs, thanks to sampling and digging in Hip-Hop mainly. This advent of the library is an era that Lord Funk, curator of this compilation, experienced when he brought several music library collections to New York City (NYC) to his A1 Records stronghold in 1997.
A1 was a world-famous downtown record shop where Lord Funk served as a custom sample salesman to hip-hop stars. His reputation as a Frenchman of note quickly grew to the point where all the hip-hop and electro producers in the Big Apple swore by his loops and drum breaks. For them, not a day went by without buying A1 to feed their productions. That's how tracks like Michel Gonet's “Flower Dance” (sampled by Mighty Mi for Promoe's classic “Off The Records”) or Mat Camison & Pierre-Alain DAHAN's “Blue Leopard” (sampled by Jake One for G Unit's “Bette Ask Somebody”) became highly sought-after tracks, first on the East Coast of the United States, then all over the country, and then all over the world, as far as Japan. From then on, music books became a world treasure!

In this 2nd volume, Lord Funk & DJ L.C. have chosen a range of music from 1969 to 1983, from psychedelic jazz to electro funk via rnb, soul and jazz-funk. We find Raymond Guiot, flutist, winner of the Geneva International Music Performance Competition in 1954. Raymond is a pianist, composer (notably for Serge Gainsbourg, François de
Roubaix, Alain Goraguer) with Guy Pedersen, his lifelong friend, guitarist at the beginning, then bassist of the jazz quintet set up on Raymond's initiative. What a good idea! Raymond and Guy went on to accompany Quincy Jones, Michel Legrand and Lionel Hampton, to name but a few; they are both to be found on albums such as “Indian Pop Bass”, “Contre- basses” and “Musique en Vrac”.

Then comes one of the best French drummers Pierre-Alain Dahan of the group Voyage (Sirocco, a label founded by Roger Tokarz), who began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon
and Daniel Humair and who participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson'. Pierre-Alain's playing can be heard improving through the albums “Continental Pop Sound”, “TV Themes”, “Rythmiques”, "Discothèques“ and ”Neo Rythmiques". His guitar colleague Slim Pezin (Manu Dibango, Nino Ferrer, Ray Charles, Tina Turner) is not far behind, as are Michel Gonet, Hervé Roy, Pierre Bachelet, Mat Camison, Pierre Dutour, André Arpino and Sauveur Mallia.

Most of the titles in this collection were recorded in the magic place that was the famous CBE recording studio set up by Georges Chatelain, Janine Bisson and Bernard Estardy. Bernard, nicknamed the giant, was a sound genius and a mixing perfectionist. Georges Chatelain was an electronic engineer. Together, they brought a sound, a colour, a trademark.

Bernard Estardy was also considered as one of the greatest French sound engineers and an energetic organist for Nino Ferrer or Nancy Holloway. We warmly thank Julie Estardy for her total and unreserved involvement in these reissue and compilation projects.

The combination of all these prodigies has given TELE MUSIC a phenomenal and unique sound colour in the service of a sound repertoire that is now part of the French heritage.

A1 - Raymond Guiot - Quintett Flash
A2 - Hervé Roy - Repetition Echo
A3 - Raymond Guiot - Primitive Spirit
A4 - Jean-Pierre Martin - Jelly Roll Dance
A5 - Pierre Dutour - Savage trumpet
A6 - Pierre-Alain Dahan & Slim Pezin - Slim Bertha
B1 - Jean-Pierre Martin - Sesame
B2 - Sauveur Mallia - All the bass
B3 - Michel Gonet - Cuica-racas
B4 - Pierre-Alain Dahan & Mat Camison - Baby Rider
B5 - Pierre Bachelet & Mat Camison - Miami Blues
B6 - Guy Pedersen - Bass session
C1 - Andre Arpino & Maurice Plessac - Pop Drums
C2 - Guy Pedersen - Indian Pop Bass
C3 - Michel Gonet - Nuclear Tension
C4 - Michel Gonet - Red Sunset
C5 - Pierre-Alain Dahan & Mat Camison - Rythmiques n°10
C6 - Pierre-Alan Dahan & Slim Pezin - Soul Car
C7 - Pierre-Alain Dahan - Slowrama
D1 - Sauveur Mallia - Double Polygone
D2 - Pierre-Alain Dahan & Mat Camison - Long Time Playing
D3 - Michel Gonet - Devil Dance (version B)
D4 - Bernard Estardy - Super Angoisse

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Electronic icons from across the ages come together to contribute to a stunning new package that features Grammy winner Midge Ure and cult house artists Ame on a record inspired by legendary Kraftwerk drummer Wolfgang Flür. This project came about when Midge Ure was performing with his group Band Electronica in Dusseldorf in 2020. Wolfgang Flur was in the audience and later asked Ure to join a new project he was working on. A few days later, with thoughts of Wolfgang's pioneering electronic drumming, the role Dusseldorf has played in the scene, and the beat which makes the world move, Midge Ure wrote 'Das Beat'. Whilst Wolfgang went on to record his own version of the song for his LP, Ure laid down ‘Das Beat’ with Band Electronica in its original form. Ultravox and Visage legend Midge Ure played a pivotal role in the world of electronic music and here gives credit to those that inspired him, Wolfgang Flür among them. Says Midge of the new record, "'Das Beat' is a nod of thanks to the people who created the inspirational sounds and music I heard in the clubs in the late seventies and early eighties." 'Das Beat' is an archetypal piece of European electronic music. This superb single nods to the heritage of the genre through the proudly stark synth sounds of the 80s, right through electro-pop and modern techno. The clean, crisp vocals nod to Midge's knack for pop songwriting as they muse on the enduring appeal of electronic beats. Finishing it in style are the sleek Kraftwerk-esque melodies that are filled with a subtle sense of hope. Remixing the record is German duo Âme. Kristian Beyer and Frank Wiedemann have fomented their own deeply emotive house sound over the last 15 years. They run the influential Innervisions label and constantly drive the scene forward with their widely-influenced sounds, whilst bringing DJ and Live sets to the world's best events. Their excellent remix fills out the sound for the club, with chunky broken drums bouncing beneath visceral acid, big hits locking you into the groove and a vocal that brings a standout retro-future flourish. The remix also comes with an alternative ‘Dub version’.

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As Dense & Pika, Alex Jones and Chris Spero have garnered an enviable reputation for making devastating club ordnance that finds the sweet spot between dark, mysterious house and roaring, brawny techno. With over a decade of material under their belt, Jones and Spero are set to release their first studio length debut album, ‘Colour Burn’ via London major imprint BMG on 4th December, home to the likes of Leftfield, The Prodigy, Holy Ghost and Faithless. ‘Colour Burn’ is a 13-track composition crossing through downtempo house and electronica, built as a conceptual sonic representation of the pair’s live audio and visual set up. The album is a step away from harder and faster material and a move towards a more leftfield sonic trajectory, featuring a handful of impressive heavyweight features of Jones & Spero’s musical heroes who have informed the Dense & Pika output. Released today, album moment ‘Honey’ features the master of sensual, slow-burn techno, Matthew Dear whose contribution to ‘Honey’ arrives in vocal form – a breathy, brooding ensemble of spoken word that glues perfectly with the duo’s trademark rough and textured sound palette. It helps turn what Alex calls “a headsy, dusty piece of housey tech” into something sensual and otherworldly. Dark and smouldering, it seems to the suck the air out of the room like a tightly packed subterranean dancefloor deep in the throes of night. Glitched out percussion and fizzling hi-hats feel caustic against the track’s low-end frequencies. The thumping bassline and kick drum combination delivers punch and pressure to the mix in a true Dense & Pika format. Matthew’s sauntering vocal contribution guides the track into a deep and hypnotic groove well equipped for any late-night excursion. “The boys sent over a lengthy jam, but there was that simple loop that stood out and had me hooked. I put it on repeat and let the mind and pen wander. It’s a bit of cosmic abandonment, brazenly sung by a professional of the night.” Matthew Dear Elsewhere on the LP, standout track ‘Hidden’ features the drums of Sepultura’s legendary metal icon Igor Cavalera resulting in a fabulous frenzy of percussion and driving rhythm. The equally momentous and unforgettable ‘Control’ features the heavily robotic vocoder of Leftfield’s Neil Barnes aiding and abetting in its quest to be a high-octane, twisted rave jam. The impressive features on ‘Colour Burn’ are an insight into the hugely artistic and visionary A&R skills of Alex and Chris and the start of a new chapter for Dense & Pika kicking off with the long-awaited release of their first studio length album.

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Circle Sky is an electronic band and communications network. Based in London, with operatives working worldwide, the network is anonymous by nature, but inclusive and open source by design. Iris is the current voice of the network, its messenger, its communicator and its focal point. She is always in the present. The network is evolving in real time and its actions are guided by the response from its members, for whom all like minds are welcome to participate. The network has started online but will continue offline as connections are made IRL with performances and transmissions. Circle Sky represents positive use of technology. There will inevitably be glitches in the network however. Which is where the fun starts... The objective is to create a world and inclusive communications network around the band, using current and future technology. Circle Sky is music first. The network is brought together by the music, and is there to support the musical connection with fans around the world. Circle Sky is a network.

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