Burnin Music bossman Pegasvs returns with his first new material in several years, and it's a classy collection that's been worth waiting for.

'(No) Peace' begins the journey: a languid slice of ambient / downtempo beauty with hypnotic spoken word vocals from MA.MOYO which eases you into the EP in meditative fashion.

'Take It' ushers us more towards the dancefloor with some mellow synth-funk stylings and punchy raps from The S.O.S. weaving in and out of Twyla's effortlessly yearning vocals.

'Traffic Jam' is a sumptuous patchwork of deep house motifs, where Rhodes chords, funky guitar flecks and plump bass tones interplay beautifully, and 'La Nuit' rounds off in stripped-back Detroit house style—all murky chord stabs, throbbing low end and classic drum beats. More

With an already eclectic catalogue of music just a mere three releases in, London-based imprint Burnin Music Recordings looks to continue that trend.
Stepping up to the plate on the fourth release is label head, Pegasvs, who is making his production debut. Featuring alongside him on the single 'Drinking With My Eyes' is the multi-talented Xuli, a UK-based poet, singer and dancer.
Together, the two manage to create a strikingly contemporary piece of music which pulls from influences across varying areas of dance music, and is already drawing comparisons to acclaimed groups Hercules and Love Affair and Azari & III.
Enlisted on remix duties is none other than French luminary producer, Hugo LX, who delivers a deeper take on the original with shimmering cosmic leads, lush chords and a bubbly low end. More

New year, new release for Burnin Music. After 2 strong EPs in 2017 (Ponty Mython BM001 and Leonidas + Kay Suzuki BM002) Burnin Music first release of 2018 features the first EP of an up-and-coming British artist called Michael Iwatsu also featuring a remix by German producer, SoulPhiction. Fracture (Original mix) is a 10 mins long journey. A beautiful odyssey between beats and harmony, between intuitive dance floor and subtle emotions. The main piano brings a perfect balance to the stomping house kick & drum. And as the journey continues, the trip develops leading to more sonic ventures. Exciting, touching, pure, Fracture (Original Mix) is a very balanced track. On the flip side, house music master Soulphiction accomplishes the task to bring the track into a dark basement. His remix is a condensed version of everything that makes the original track an emotional one and also add a Detroit twist: it becomes a raw, moody and very intuitive sonic object. A tool for the dancefloor.
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Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints. More

Incredible Techno and dub techno by now legendary Conforce (aka Versalife) that will Take You on a Sonic journey with Commute "Part 1" on Syncrophone. No need to introduce Conforce anymore... The Dutch producer blasts off with "Commuting Part 1," a 4-track EP on Syncrophone Records. Buckle up for a sonic adventure that electrifies your daily routine. " More

After a long hiatus from the imprint over the past six years, white label Italian imprint Outlaw delivers welcomes the return of its label boss, Matthew Oh. Comprised of four originals with the labels dub-tinged aesthetic.

300 copies vinyl only! hand made stamped. More

Freerange welcomes back dutch producer Yannick Roberts for his follow up to his 2022 I Can’t Hide From Myself EP. That release gained club spins and chart support from the likes of Dave Lee, Jamie 3:26, Luke Solomon and Fred Everything and became a hit with lovers of deep, disco-influenced Detroit house sounds as championed by fellow countrymen such as Dam Swindle, Fouk and Nachtbraker. Opening track Grace sets the tone with a chunky groover guaranteed to set the right mood on the dance floor. Next up Yannick picks up the pace with Anyone (This Late At Night Mix) which uses syncopated synth stabs and a simple two note bassline to create peak time energy levels. Amsterdam Nights keeps things bubbling along nicely with fat 909 beats, piano stabs and intense vocal samples while the EP closes out in fine fashion with All For You. Four tracks which perfectly demonstrate Yannick’s knack for producing quality club tunes. More

Limited edition of 100 copies. There will be no repress in the future. More

Iconic early 90's Ibiza downtempo sound, “Daybreak” would have undoubtedly been the soundtrack to many sunrises in the Baleares. Simon Monday mixes the essential ingredients for bliss in perfect balance, a production so simple yet so effective, no rocket-science just pure intuition, honesty and sharp club sense. All elements coming together to make such an effortlessly powerful sounding instrumental house classic that will forever stand the test of time. Repacked in this new remastered re-issue with full artwork and with 2 new mixes: an extended 9 minute dub version with a new religious edge to it along with an additional re-drummed percussion heavy “bonus beats” for good measure. A no brainer buy-on-sight release for any proper record collection, just in time for the summer season. More

In 2021, we welcomed Endrik Schroeder to the Bordello family with his Second Breath 12”. The memorable hooks and attention to detail that characterised his first appearance run deep in his latest. The Hope sees the French producer accompanied by a true legend of electronics, Caroline Hervé aka Kittin. Hervé’s penchant for combining brighter tones with darker shades is evident from the needle. Industrial hiss pierces swirling vocals. Clean claps, warm bass and crystalline chords give way to woe-streaked lyrics, lyrics that ascend into an arc of pulsating synthwave pain. Schroeder takes the reins on the flip. A beam of light is cast over throbbing arpeggios and a slicing snare, notes drifting ever higher as “The Dogs” takes hold. Strings swim as a spread of sounds grow, a palpable energy building under Schroeder’s watchful ear and hand in this seven minute plus odyssey into his machines. More

Communique Records U..S.A. is re-issuing Ralph Laurenn - Proper Etuquette from 1997 on the sublabel called Party Rock.
Re-recorded from original DAT & e-mastered. More

He's as consistent as he is prolific so it's no surprise that Omar-S is back yet again with yet another EP well worth copping. This latest 12" direct from the Motor City features two different versions of the same tune and what a tune it is: first up is 'Can't Get' (vocal mix) which is signature stuff from Smith - dusty beats from an old analogue machine, slowly evolving synth leads that convey plenty of emotion and raw hi-hats. The mood is late night and sultry with a hint of menace and a gorgeous vocal hook is the icing on the cake. Flip it over and you'll get the Sub Mix with more stark synths and melodic edginess. More

After his last single Asset 001 and releasing his ‘Distance’ track on Dogmatik records, Stojche returns with the second release on his own solo ‘Tangible Assets’ imprint delivering another four cuts, whereby we witness his consistency in putting out a must-have quality works. The 1st track on the A side is called ‘You & Me’. Podium techno tune where the 909 drums and the fat baseline interact perfectly with musical theme. Stojche starts off with the pad lines, building them up with various chords, synth swabs and dubby layers that strike in perfect timing. This one is real immersive moody groover. A2 -‘Mechanism’ has an electric piano aspect as key texture that jams along the track, and later the amazing string arrangement creates a lot of space for the drum sequence to bring the mood to another level. This tune could do a lot of damage on the dancefloor if dropped in a right time. B1- ‘Revolt’ kicks off with a storming groove right from the start. Uncompromising drums with the acidic synth keys that rumble in ‘4 on the floor beat’ that showcase Chicago house influences from the past. B2 -‘Podrum’ is the closing track of this single that carries a real strong emotion and deepness. Classic Detroit influenced after hour tune approached in style. The warmth stretches across the entire soundscape, where we witness Stojche’s skills to create an essential spiritual deep house number. Definitely Stojche has succeeded in delivering four different quality works to one beauty of a record!!! Asset002 will be available only in tangible (physical) format

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