CD

Genre: Ambient Electronics

Tracklist CD:

01 This Time For Sure (2:53)
02 I_m Trying To Be More Positive (1:41)
03 Even I Can See This Now (3:00)
04 Of Course You Know It All (2:01)
05 A Day With Focus (3:15)
06 When You Actually Want To Wake Up (4:16)
07 Drier Days Ahead (2:30)
08 Almost Through (2:30)
09 What Kind of Area (2:06)
10 Right Next To Myself (4:06)
11 Shared Disorientation (7:20)
12 Less Yakkin More Stackin (2:30)


Short Info:

"Positive*" by Neuro... No Neuro is based upon thin slices of memory, and the disintegration of their existence. The day-to-day, with its 'ups and downs', all while operating/existing above and to the right of the body. When the day ends, and the separated is reunited; how does one collect what is no longer there?

Separating consciousness from the corporeal.

Memory and thought are being swept out to sea in granules that are imperceptible to those around you. Short term is riddled with inconsistencies.

Say "so long" to the granules.


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Genre: Experimental
Short Info:
During the 22nd of February 2022, two years after the beginning of the COVID-19 pandemic,
we took audio snippets from our everyday lives documenting our homes and surrounding
urban environments, our intellectual interests and our musical tastes. We also gathered
pictures with our phones. Some of the audio sources were processed, some were not. Here
you get slices of our lives from two different cities, New York and Berlin – a glimpse of the
fragmentation of our times through a broken sonic diary entry

Tracklist:

1/1 : Slices of Life Runtime: 60.00 min

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Cassette, Genre: Electronics, Experimental, Ambient

Genre: Avantgarde Electronics
Short Info:

Dirty Electronics (John Richards) and Oliver Torr met in a bar in Prague. One thing led to
another. After collaborating at Prague Quadrennial to create a sound-installation in a
repurposed ice-hockey arena, gigs followed. They vowed to make an album together, which
finally happened in the geographical space between Prague, London, Brno and Athens. The
album brings together disparate spaces and connected artists as a distorted memory trace.
Improvised group scenarios and abrupt electronic episodes are placed side-by-side in a
brutal marriag.

Tracklist:
1.itsnotasaxcmon_!
2.notim321
3.WeedAptSuite
4.4yorgos
5.risemedi
6.goodnitebirds
7.piu_hiway_bday
8.flash_death

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Format: Book (64p) with integrated USB-Stick containing videos of audiovisual works
Catalogue No.: MP70 EAN: 9783948478193 Release Date: Oct-25th 2023

Genre: fictional history of the electric guitar

Short Info:

This publication combines an artfully designed book (design: Martin Stiehl) and a USB-Stick with high-quality audiovisual recordings of the three parts of the project. The book offers an introduction to the project as a whole but also expands it with articles from the past and the future (co written by Marko Ciciliani and Nicolas Trépanier), as well as a link to online content. Published by MILLE PLATEAUX (MP70) and Galerie der Abseitigen Künste, 2023

"In 1833, Sieglinde Stern, a professional weaver and amateur engineer, invented the first
electromagnetic pickup and thus the first electrically amplified stringed instrument. One hundred years later, in 1933, her invention enabled the production of the first electric guitar, which became one of the most popular and widely played instruments in the history of Western music. Yet today, another 150 years later, no one plays this instrument anymore! What led to the rise and fall of the electric guitar? What is it about this instrument that had its suppressed origins in the craft of weaving and that in its final evolution mutated back into a loom? And who was its inventor Sieglinde Stern, erased from history and only resurrected as David Bowie's Ziggy Stardust?" Why Frets? consists of three works - an audiovisual performance, a mixed-media installation and a performance-lecture - that illuminate different aspects of this fictional history of the electric guitar from various angles. The story is based on speculative fabulation - a deliberate reinvention of the past. Rather than pursuing the idea of creating novelties as an envisaging of the future, speculative fabulation and the rewriting of history proceed from an examination of the conditions under which society and culture arrived at their present state. In this way, the three individual works Why Frets? - Downtown 1983, Why Frets? - Tombstone and Why Frets? - Requiem for the Electric Guitar complement each other in the sense of transmedia storytelling: Each is a self-contained entity, but taken as a whole, the three works shed different lights on the electric guitar, focusing on aspects such as technocultural developments, inscriptions of gender, and social values. ISBN: 978-3-948478-19-3



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Genre: Techno, Electronica, Latin Futurism


Tracklist 2LP:

A1 Fase Montuno 6:22
A2 Temples in the Sky 5:04
B1 Labyrinth and Warrior 5:30
B2 Two Wheels of Fortune 4:35
B3 Ají 5:46
C1 Monkey Puzzle Rainbow 10:19
D1 Tangential Tango 9:58


Short Info:

Cristian Vogel, the esteemed electronic music producer and composer, is set to release his 27th album, 'Fase Montuno'. This highly personal release is a visionary take on the futuristic potential of Latin American electronica.

Set to be released on Achim Szepanski's legendary Mille Plateaux label, 'Fase Montuno' is poised to make a significant impact on the electronic music scene in 2023. The label's commitment to innovative and genre-defying music is a perfect match for Vogel's boundary-pushing creativity, and promises to deliver an unforgettable listening experience for fans old and new.

Don't miss out on this latest release from one of electronic music's most talented and visionary artists. 'Fase Montuno' is an essential addition to any music lover's collection, and a testament to Vogel's continuing relevance and creativity in the electronic music world.

Full international promotion by MODERN MATTERS Berlin


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2LP First Ever Vinyl + 1 Bonus Track

Genre: Electronics, Drone, Dark Ambient

Tracklist 2LP:

A. DAIKAN A (19:54)
B. DAIKAN B (20:03)
C. DAIKAN C (14:10)
D. BANLIEUE DU VIDE (12:03)

Short Info:

The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them. 2) Banlieue du Vide, considered by many to be Thomas Köner's most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics. Banlieue du Vide is the result of months of time-lapse observations of empty streets in the Finnish Arctic Circle, shown in glacially slow slow-motion. Phase cancellation, on which all noise cancelling technology is based, here affects the perception of time, the sense of the flow of time extinguishing itself. At this stage the void is not yet empty, traces of past noise fill the listeners mind with their haunting presence. A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness-like the transient feeling of our terrestrial embodiment in the midst of entropy.

Fréderic Neyrat in October 2022


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CD Incl. 1 bonus track

Genre: Electronics, Drone, Dark Ambient

Tracklist CD:

1. DAIKAN A (19:54)
2. DAIKAN B (20:03)
3. DAIKAN C (14:10)
4. BANLIEUE DU VIDE (12:03)

Short Info:

The Earth is burning, covering all environments in ashes. Smoke comes to us from computers-from social networks accelerating the spread of burnt affects, damaging our ability to feel and respond to what the planet strives to express. We need to cool down. Thomas Köner's music can help change the pace of our perceptions: 1) In DAIKAN (2002) - a Japanese term meaning "the coldest" or "the coldest part of the year"-the ear stretches until touching the depth of time that persists in the ice; a sonic drama offers the slowness thanks to which the skin of perceptions can reconstitute themselves; icequakes awaken listeners to the frozen life without scaring them. 2) Banlieue du Vide, considered by many to be Thomas Köner's most iconic audiovisual work and best kept secret, has not been released previously. It is in the collection of a couple of art museums, e.g. the Centre Pompidou in Paris, and has been awarded the Golden Nica at Prix Ars Electronica in 2004, in the category Digital Musics. Banlieue du Vide is the result of months of time-lapse observations of empty streets in the Finnish Arctic Circle, shown in glacially slow slow-motion. Phase cancellation, on which all noise cancelling technology is based, here affects the perception of time, the sense of the flow of time extinguishing itself. At this stage the void is not yet empty, traces of past noise fill the listeners mind with their haunting presence. A remastered stereo version of the soundtrack is released as a special premiere as Bonus Track of the DAIKAN album. Listening to this album, an excess of heat turns into an empowering coldness-like the transient feeling of our terrestrial embodiment in the midst of entropy.

Fréderic Neyrat in October 2022



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Genre: Electronics, Experimental, Drum'n' Bass, Electro

Tracklist 2LP:

A1 TQSM 6:13
A2 VEUM 5:53
B1 NPNX 3:13
B2 MGUN 6:40
C1 ZWNE 3:20
C2 ZQQN 3:10
C3 YKTS 2:02
D1 LSYY 4:02
D2 DSXN 5:27
D3 YIOX 3:43

Short Info:

Ibrahim Alfa Jnr released techno music since the age of 17. He started to play piano when was six years old and has a master degree in sonic arts. As a Live Act and DJ he is world wide known.

His first album on Mille Plateaux is a fine example of Hypercussion, which implies a new rhythmic A-logic when beats split or shoot each other off, or when they overlap and mutate into high-pitched hums and rattlesnake breaks; accelerating, before music again blurs into the grains of noise or calm science fiction landscapes and at the same time builds gigantic sound walls. And such music, as far as its conceptualization is concerned, does not have to submit itself to technology at all, but must understand itself as a form that can be recombined with technology.


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LP

Genre: Techno, Electronics, Drone, Dark Ambient

Tracklist LP:

A1 Distal 4:26
A2 Kite Beach 4:08
A3 Constant Waves 4:10
A4 Various Futures 4:16
B1 Paper Area 4:39
B2 Artefact 3:41
B3 Boundary 4:24
B4 Vertical Margins 5:21

Short Info:

Melody Tomb is the first album in a new collaboration between Tokyo artist Teruyuki Kurihara and London drone pop band The Leaf Library. The nine tracks here have in common a metallic hum and a minimal, austere kind of beauty that recalls Teru's work on his 2020 Frozen Dust album (Mille Plateaux). Machine tones mix with static, noise and warm drones, whilst in other places the lineage of classic mangled Warp hardware is visible. In March 2020 The Leaf Library sent their friend Teru a batch of synth drones to play with in the hope a new collaboration would be born. "From the first time we heard Teru's music we knew we wanted to make something with him," say the band. "It has been such a pleasure seeing him take our minimal synth parts and turn them into something really strange and beautiful." The track Kite Beach was the first to arrive, featuring on The Leaf Library-curated Object Ten compilation on Objects Forever in 2021, with the rest of the album slowly appearing over the last year. The artists hope to continue the collaboration with another album in the near future.

For fans of: Autechre, Biosphere, Ben Frost



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Cassette, Genre: Techno, Electronics, Experimental, Clicks & Cuts, Glitch, Ambient

Tracklist CAS

A1 Ultra-Rate 3 [7;38]
A2 Ultra-Scape 4 [4;26]
A3 Ultra-Rate 5 [9:36]
A4 Ultra-Scape 1 [4:46]
B1 Ultra-Scape 2 [4;27]
B2 Ultra-Rate 7 [7:13]
B3 Ultra-Scape 3 [12:22]

Short Info:

Statique is the fifth full length album on Mille Plateaux and Force Inc. labels by Automatisme (the Canadian musician and conceptual artist William Jourdain active since 2011). Jourdain met the label owner Achim Szepanski in 2019 and did an album in solo (Alter-, Mille Plateaux, 2020) plus four others in collaborations (with iadema, Beyond Humans, Stefan Paulus and Viatorism in duo with Pheek). Automatisme now returns as a solo act on that label. The results are, on one side, an expanded vision of fast rhythmic clicks and cuts, like we heard on his Alter-Rate tracks and that are entitled Ultra-Rate on the Statique album. On the other side, it is the multiple Ultra-Scape tracks that are an augmented version of the granulized ambient dub techno he developed since the beginning of the Viatorism moniker. Jourdain adds elements of chaos and perturbation into algorithmic electronic music like static electricity is the presence of a disturbing body in a circuit.


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Cassette, Genre: Electronics, Experimental, Ambient

Tracklist Cassette:

A1 Final Breath 3:25
A2 Fathersong (First Transfiguration) 5:25
A3 Now Suspended 4:27
A4 Second Transfiguration 4:11
A5 The Calling 3:28
A6 Mystery Not Yet Become 5:10
B1 Third Transfiguration 5:25
B2 Nightfallen 4:34
B3 Abrupt Forgetting 2;46
B4 Fourth Transfiguration 6:08
B5 Final Flickers 4:46


Short Info:

Fathersong is Rick Bull's eighth album release under his Deepchild moniker, arriving 10 years after the former Berliner's Neukölln Burning album (Thoughtless Music). Exploring a shimmering post-dub vista, rich in granular textures, Fathersong draws influence and inspiration from contemporaries like Fennesz, Tim Hecker, Burial and Vladislav Delay. Unshackled from the percussive undertow of previous albums, the album's palette nonetheless displays the familiar, sensual pulse of Bull's musical aesthetic.


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Genre: Techno, Electronics

Tracklist 2LP:

A1 Memorista (Intro) 0:51
A2 Hyphaedelity 3:27
A3 Astro Cumbia 6:43
A4 Emanations 3:32
B1 S18 4:35
B2 1Zhuayo Express 8:11
C1 Calavera 4:09
C2 Dronning 2:51
C3 Transferenz (Strom Stadt Mix) 5:32
D1 Cables 4:06
D2 Serpent Acid 4:49


Short Info:

The new Cristian Vogel album "1Zhuayo" sounds as if non-musicology & ultra-blackness is not an end or a destination to be arrived at, but as if it is the point of departure, much like tomorrow relates to the day after tomorrow. As if we have left the space of certainties and are moving instead into one of manifold possibilities. They are anticipated in the micro-structures of sound, which is the process of playing with and against the software. Beyond genre delimitation and fragmentation, it is non-music in the post, without itself immediately becoming a cliché, like deconstructed club music or hyperpop. Without being superficially conceptual, the musical material alone succeeds in creating a different, coherent, sonically possible world.



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Special Remarks: First ever vinyl release. Incl. 2 bonus tracks.

Genre: Electronics, Drone, Dark Ambient

Tracklist 2LP:

A1 NUUK 8:46, A2 AUBRITE 9:32, B1 GROHUK (day) 11:34, B2 TAKLA-MAKAN 7:06,
C1 GROHUK (night) 13:21, D1 NUUK (version) 3:39, D2 GROHUK 10:36

Short Info:

Thomas Köner is one of the most influential modernist minimal composers. His music is often defined as dark ambient or drone, because of the use of low frequencies, material from gongs,shadowy resonances and boreal ambience, but at the same time its sound with constant fluctuation and vulnerability of sonic events, what makes it organic, human and almost comforting.

Köners soundscapes are no longer simply dark, the question now is that of a profound blackness. Such is the generic darkness of the abyss, the void and vacuum, the darkness of more than silence, of catastrophe and cataclysm, but also the soundscapes have utopian moments. It is a cosmological blackness, the black of nonbeing.

The more subtractive, the blacker the sound synthesis, Köner writes. Such blackness is non-music. Music will never be music until it ceases to represent and begins to sound like non-music or monochrome.

"Whoever hears the distortion of all sounds, will soon become Ultrablack. Whoever listens to this world, but has no affection for any of its sites, even to the place of Black Noise, may soon reach Ultrablack. Whoever understands the spirit of impartiality through ten thousand million partial tones, hears Ultrablack and can no longer be measured. No measures, no enclosures, no properties are the sign of ultrablack scores." Thomas Köner

Aubrite was first released 1995 on the label Barooni. Roland Speckle helped with production of the album. Aubrite is the name of a group of meteorites named for Aubres, a small achondrite meteorite that fell near Nyons in 1836.


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Format: 2LP


Genre: Techno, Electronics

Tracklist 2LP:

A1 Redundance 1 (6:06)
A2 Redundance 3 (6:19)
A3 Redundance (Version) (4:15)
B1 Redundance 5 (7:02)
B2 Redundance 6 (4:32)
B3 Scuba Lounge (10:28)
C1 Spoiled (9:47)
C2 Spoil (7:56)
D1 Decay Chart (7:15)
D2 Explore (5:47)
D3 Exposed (4:24)

Short Info:

Porter Ricks is a collaboration between Thomas Köner and Andy Mellwig. After the Re-release of the legendary album "Biokinetics", which is superb subaquatic dub techno, we re-release Porter Ricks first album on Mille Plateaux. The album demonstrates the move to a kind of discoid funkyness with an underlying almost organic rhythmight. But still its not music for beautiful souls. Instead, it combines funkyness with alien sonic fluxes and the rhythm of a killing mover.



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2LP
Genre: Electronics, Ambient, Glitch

Tracklist :

Coin Trap
Down
Blurry Wind
Foggy
Glide
D-W
Krgecr-A09
Frozen Dust
Lost
1krgec-A34+gt


Short Info:


"Frozen Dust" is an album unified by the theme of "destruction" and "creation". Inspired by the power of nature; we've expressed how we humans overcome the magnificent phenomena and impacts nature has on us - while it brings us joy, it can sometimes take away our lives and pleasures, We've incorporated this rather difficult theme by telling stories of fictional characters in the album; an adventurer in the Arctic region who confronts the threat of nature and survives between life and death, or a widow who never eases the pain of losing her sailor husband by a great storm in the Age of Discovery.
"Frozen Dust" is our manifestation of destruction and creation and each sound brings you the essence of it.


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Genre: Electronics,, Glitch


Tracklist:
Alter-Rate 8
Alter-Rate 3
Alter-Scape 6
Alter-Rate 2
Alter-Rate7
Alter-Scape3
Alter-Rate 6
Alter-Rate 9
Alter-Scape4
Alter-Rate 1
Alter-Scape 6
Alter-Scape7


Short Info:

ALTER- : A REACTION TO THE ALTERMODERNISM IN SOUND ART
For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be more radical in art by traveling in the physical and digital world, by cutting the frontiers and by creating other time lines. I apply the "alter" subject to time and to landscape and those, to the rhythmic and the ambient glitch music



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Genre: Electronica, Ambient

Tracklist DLP:
A1: EXTENSION (Attack) - 3:17
A2: COGITATION (Decay) - 6:27
B1: POTENTIAL (Sustain) - 4:32
B2: EXPRESSION (Release) - 6:11
C1: SUBSTRATE (Binaural) - 7:02
C2: OSCILLATOR (Luminous) - 3:28
D1: SUBSTANCE (Suicide) - 4:29
D2: SYNTHESIS (Carnal) - 4:41

Info:
Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way of relating to sound and the affects.
A lifestyle, where movement, being moved and moving become one. My practice is vibrational, about the skin, touch and surfaces and the gaseous medium in between.
I dream of a dance floor where Motus would be enjoyed. What kind of world, or rather, what kind of society would allow that? And when? Is this futuristic? A situation-to-come, where the understanding of music expands greatly, when blissful moments are independent of simple melodies, where harmony appears beyond I-V-vi-IV chord progressions, when the techniques of social alienation, which determine the use of all the drugs that accompany recreational music, are reversed into creative tools of exploration. 'Motus' is part of this exploration: to find dance, free of clock, and groove, free of rhythm. There is pulsation, and the downbeat connects to the downward beings as in stones and minerals, the upbeat connects to the upward beings as in grasses, flowers, trees and stars. Binding both together, connecting sky and earth, is the dancer. The moves / the movement is pure. It is the kiss of spirit and matter.(Thomas Köner)



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Genre: Electronica, Ambient

Tracklist CD:
1 EXTENSION (Attack) - 3:17
2. COGITATION (Decay) - 6:27
3. POTENTIAL (Sustain) - 4:32
4. EXPRESSION (Release) - 6:11
5. SUBSTRATE (Binaural) - 7:02
6. OSCILLATOR (Luminous) - 3:28
7. SUBSTANCE (Suicide) - 4:29
8. SYNTHESIS (Carnal) - 4:41

Info:
Motus is more (to me) than just music made with analogue synthesizers, it is about attitude, a way of relating to sound and the affects.
A lifestyle, where movement, being moved and moving become one. My practice is vibrational, about the skin, touch and surfaces and the gaseous medium in between.
I dream of a dance floor where Motus would be enjoyed. What kind of world, or rather, what kind of society would allow that? And when? Is this futuristic? A situation-to-come, where the understanding of music expands greatly, when blissful moments are independent of simple melodies, where harmony appears beyond I-V-vi-IV chord progressions, when the techniques of social alienation, which determine the use of all the drugs that accompany recreational music, are reversed into creative tools of exploration. 'Motus' is part of this exploration: to find dance, free of clock, and groove, free of rhythm. There is pulsation, and the downbeat connects to the downward beings as in stones and minerals, the upbeat connects to the upward beings as in grasses, flowers, trees and stars. Binding both together, connecting sky and earth, is the dancer. The moves / the movement is pure. It is the kiss of spirit and matter.(Thomas Köner)



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Rights: World excluding France & UK

DOUBLE BLACK LP REPRESS EDITION : 2x 140 Grs Black Vinyl, 5 mm spine sleeve, 2 x Printed Inner sleeve ,marketing sticker

SHORT PRODUCT INFORMATIONS

SHORT INFOS / KEY POINTS

" Originally released on September 30, 1991, Orbital's eponymous debut album became known as "The Green Album" to distinguish it from their second album (known as "The Brown Album")
" The Green Album includes the seminal 'Belfast' and a live version of 'Chime', the landmark dance track that launched their career in 1990
" The album has been remastered and represented in multiple formats, released April 19th alongside the band's 'Green Album' UK tour
" Initial deluxe 2X Black LP & 2x Colored LP sold out & meant as one run/no repress -This new & permanent Double Black Vinyl (Repress edition) to be released August 9th, 2024.





TRACKLIST

DOUBLE VINYL
Disc 1
A SIDE : A1 The Moebius - A2 Speed Freak - A3 Macrohead
B SIDE : B1 Oolaa - B2 Desert Storm
Disc 2
C SIDE : C1 Fahrenheit 303 - C2 Steel Cube Idolatry - C3 High Rise
D SIDE : D1 Chime (Live) - D2 Midnight (Live) - D3 Belfast




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Genres: Dub Techno, Romanian, Techno

Vinyl only

Tracklist
A1. ZentaSkai - Bob (6:16)
A2. ZentaSkai - Bob (6:52)
B1. ZentaSkai & Sebastian Klenk - Bob (11:41)

Release Date:
Following a ten-part series of unannounced artist records and a spectacular high-concept album on Mask Records, label head ZentaSkai returns to the imprint for his next solo vinyl-only release, ‘Bob’.
The A1 sees the Berlin-based ZentaSkai combine a dusty, taped white noise feel with subtle, swirling dub chords as its high-end propels the track forward. It’s a stunning and evocative piece before the A2 continues with minimal drums and electric acid bleeps, a smooth organ lead completing its gorgeous soundscape.
On the B-side of the ‘Bob’ EP, ZentaSkai joins forces with long-time collaborator Sebastian Klenk. It follows their
‘Apeiron’ track on ZentaSkai’s 2023 ‘Architecture Of The Mind’ LP, among other joint work, and sees them deliver a near-twelve-minute track that is a true masterpiece. The track takes listeners through found-sound texture samples, intricate drum patterns, crunchy breakbeats, and more beautiful dub melodics.
‘Bob’ is another fantastic listening experience on Mask Records, already supported by Satoshi Tomiie, Raresh and Laurent Garnier.






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NO RETURNS!
A veteran producer (Who prefers to separate this incarnation
from past works) working within many disciplines in sound, Silent
Cubes demonstrates a particular skill in atmospherics and mood
in their productions, creating three tracks of original UGK driven
sound that speak in a dialect as familiar to the progeny and
brethren of Clubroot, Sorrow, and Congi as that of Chez Damier,
Mr Fingers, and Ron Trent. An exercise in deepness, Draped in
the framework and immediacy of Garage.
Showing how evocatively these elements can be transformed is
MOY, himself straddling a line between classic IDM, Old Skool,
and Acid, and with releases on Analogical Force, Vinyl Fanatiks
(AmenTec) and a slew of others. MOY comes forward with a
hybridized remix of “The Stream”, which really is in a class of its
own and closes out side B.
“Sound And Motion”. Presented as a 4 track vinyl EP, in a
numbered/limited edition, and bundled with access to 2 exclusive
Poly Cut/Digital tracks, only ever available via the access
provided through ownership of this record.

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Tracklist:
(1) Raxon – Robotalia (DE-Q20-23-00013)
(2) Raxon – Kryptonite (DE-Q20-23-00014)

Release Info:
Next up is an overdue reunion with a familiar face. After his outstanding contribution to Cocoon Compilation S and his first solo EP on Cocoon Recordings, Raxon is back with a more than equally fascinating sound. The Egyptian-born and now Barcelona-based artist is back on it again, delivering two tracks that will take you on a journey through the depths of robotic soundscapes.
Intricate beats, hypnotic synthesizer melodies, deep bassline grooves, and distinctive EFX sounds create Raxon’s very special signature sound.

Straight drum programming paired with chirping percussions takes us away to embark on a travel through space and time while distinctive claps poke through a futuristic nebula of floating and shifting sequences. The twisted melody of “Robotalia” carries us to a parallel dimension of machine sound and if you listen closely, you can hear the robots’ screwing and sawing. Warping bleeps and mechanical effects complete the robotic feeling. Raxon’s understanding of structures and architectural abilities are reflected through the arrangement, slowly increasing to ecstasy.

“Kryptonite” scores with alien soundscapes. Stuttering vocals are the questions, while futuristic and dramatic chord stabs are the direct answer. A straight, radiant sound appears as an electronic trombone from outer space, offensively supporting the driving bassline. The symbiotic interplay between the euphoric synthesizer hook line and the relentless beat with pushing sharp hi-hats visualize powerful images in one's mind's eye. Suddenly the beat stagnates and results in a morphing break going head over heels developing a start-stop pitch effect that not only builds up tremendous tension but also bears an increased risk of melting your brain. We just love tape delay!





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Territories: Germany, Austria, Switzerland only

Packaging: 2 X 140 grs Black Vinyl, Gatefold sleeve gloss finish, 2 x Black Dust Inner sleeve,marketing front sticker

SHORT BIOG
"Mother", Logic1000's debut album. "I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful," explains Samantha Poulter, the Berlin-based DJ and producer , who grewed up in the Sydney suburbs of Yarrawarrah and Botany Bay and better known to fans as Logic1000. "And with a lot less free time, you really make sure you make the most of any moment you get." That vitality and renewed sense of purpose is captured on Mother.Preceded by the single 'Grown On Me', the 12-track set is a laser-focused "love letter to house music", written in collaboration with her husband and long-time creative partner Thom McAlister (Cop Envy, Big Ever). Finding Poulter further fine-tuning her inventive, multi-genre approach, it's a crucial contribution not just to the world of dance but to the canon of art inspired by parenthood. As Poulter herself puts it, a little awed, "I never thought I would be capable of something so powerful."

TRACKLISTING

DOUBLE VINYL

Side A
A1. From Within A2. Promises (Feat. Rochelle Jordan) A3. Can't Let Go
Side B
B1. Side By Side B2. Self To Blame (Feat. Kayla Blackmon) B3. Cartier
Side C
C1. Heartbeat C2. Saint Rex C3. All U Like
Side D
D1. Every Lil' (Feat. DJ Plead and MJ Nebrada) D2. Oceanic D3. Grown On Me


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LP

Special remarks:
180g

Tracklist:

A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min

Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.


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Tracklist 12":

A1) Slide It In
A2) Space Skat N Dat
B1) New Life Livin
B2) Rough Sands
B3) Strollin Thru Barcelona

Release Info:
Toy Tonics welcome one of the US’ absolute legends in the game on their roster - Kai Alcé! One of the original masters of jazzy house, Kai is a prime example, someone who witnessed the genesis of Detroit’s electronic musical landscape and strives to keep that spirit alive. Being of Haitian descent laid the foundation for his musical ear starting with his childhood in Queens, New York. Some of his earliest musical influences included his mother’s penchant for soca music and the distinct Caribbean rhythms of his culture. An appreciation of Jazz would be further guided by his father’s expanding audiophile home system. During the 1970s the kindling of Hip Hop and the heyday of Disco perked the ear of a young Kai while they were living in NYC. The Big Apple would remain a constant throughout his musical journey as the years went on, but it was the move to Michigan that ultimately shaped his artistic vision.

On this 5 track EP Kai once again makes it all feel so easy! Deeply musical, yet also instantly effective on the dance floor, tracks like ‘New Life Livin’ and ‘Slide It In’ come with an ease that shows why he’s shaped the game for decades.






















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Tracklist 12":

A1 - Azo & DJ Lovepills - Cosmic Paella
A2 - Sara Dziri - The Runner
A3 - DC Salas - We’re Still Here
B1 - Cai¨n ? Muchi - Salat
B2 - Abstraxion - Italo Crush
B3 - Oras Elone - Alarm

Short Info:
MRS x BXL: A tale of two cities, two countries, two label owners... But many, many different vibes. Celebrating both Abstraxion and DC Salas’s individual home cities – Marseilles and Brussels – ‘MRS x BXL’ is a concept so deliciously simple you’ll be surprised that it hasn’t happened before in Biologic’s rich 17 year history.



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LP, Heavy 350gsm Sleeve, Sticker


- First ever official reissue of rare cosmic gem Chrysalide by enigmatic genius Michel Moulinié.

Genre: Ambient, Prog Rock, Krautrock, Experimental, Minimalism


Tracklisting LP

A1. Le Ballet Des Mouches
A2. Les Cordes De La Mer
A3. Lente Course
B1. Le Philtre D'Echordus
B2. L'Echo De L'Acier
B3. Bonus



Info

Info

WRWTFWW Records is wonderfully proud to announce the long anticipated official reissue of Chrysalide (1978), the sole album from French multi-instrumentalist and enigmatic genius Michel Moulinié. The krautrock/ambient/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the original reels and housed in a heavy 350gsm sleeve.

Originally released in 1978 on Ange and Jean-Claude Pognant's mythical prog rock label Crypto,
Chrysalide is a fusion of minimalist meditations, cosmic soundscapes, and ambient with a human warmth, carried by a profoundly beautiful and unique use of twelve-string guitar, bass, and violin.

Ideal for an introspective listening experience, the hypnotic Kosmische Musik of Michel Moulinié belongs to the same psychedelic family as Manuel Göttsching’s Inventions For Electric Guitar, Mike Oldfield’s Tubular Bells, early Tangerine Dream, and Steve Hillage’s innovative guitar mastery. WRWTFWW listeners might also be reminded of the label’s seminal French release, Dominique Guiot's L'Univers de la Mer, which makes a great spiritual pairing with Chrysalide.

Escape into the vast universe inside yourself :

On entre à pas feutrés
Dans une musique rayonnante
Aux variétés chatoyantes
Embrasement consécutif
D'un univers cristallin
Perlé de notes transparentes

Un écho céleste emplit la vastitude
De fines gouttelettes de sons fluides
Se transforment en cascades multiples
Baignant le microcosme
Révélant la grande paix divine

For fans of prog rock, krautrock, ambient, minimalism, experimental, introspective hypno-acoustic mystical meditative music, L’Universe de la Mer by Dominique Guiot, Steve Hillage, Manuel Göttsching, Terry Riley, the cosmos and its soundtrack, the cosmos that exists in one’s self.




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Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street

Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release

















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12” vinyl with full cover print

TRACKLIST:

A1 - Don’t Be Stupid Day
A2 - Temple
B1 - Hymn (In The Name Of Fantasy)
B2 - Hymn (In The Name Of Freedom)

INFO:

Announcing the release of Len Faki’s extended debut album, Figure x34 is the first in a series of special EPs that give a glimpse into the body of work which the label head has put together as Fusion over the course of the last two years. Using the double album format, Faki finally found himself free to explore the whole breadth of electronic club culture, inspired by decades worth of his own experiences as a DJ and clubgoer.

Don’t be Stupid Day, centered around the namesake vocal, is a slow-burning, deep techno roller, while Hymn (In The Name of Fantasy) contrasts a dreamy, wisp-like melody with heavy punches of broken up bass. Both cleverly represent the wide variety of sounds found on the more ambient and house-leaning disc 2 of the album.
Disc 1 is a contemporary take on the techno that has defined Faki’s life and career since the 90s. Hymn (In The Name Of Freedom) borrows on the trancey lead synths and booming bass from those early days, making for an unusually euphoric and uplifting Faki track. Finally, Tempel aligns with his reputation as a DJ, steadily layering mechanic percussion for an ever-increasing sense of rhythmic urgency.

A bold introductory statement, Figure x34 already gives an exciting taster of what is to be expected on the full double LP Fusion coming later this year.
Watch out for two more special EPs (x35 / x37) to be released ahead of the final album drop!




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LP, Heavy 350gsm Sleeve, Sticker

Genre: Ambient, Proto-Techno, Experimental, Minimalism


Tracklisting LP

a1. entrance
a2. orientation
a3. club-a
a4. club-b
b1. days-man
b2. boy in vision
b3. schooling
b4. graduation

WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.

A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.

Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.


Experience the roots of Japanese electronica!


Points of interests

For fans of electronica, ambient, minimalism, kankyo ongaku, cassettes, YMO, Hiroshi Yoshimura, DIY adventures, albums that were never on vinyl before, music that predicted the future (which is now the present…or even the past!)

First ever vinyl release of Japanese environmental music legend Yoshio Ojima’s super rare 1983 album Club.

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