Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited
Listen: https://listen.k7.com/50abb001-03b6-4399-9f93-4248d301ef3d More
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited
Listen: https://listen.k7.com/50abb001-03b6-4399-9f93-4248d301ef3d More
More records from Tomin
A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
More
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
More
A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
https://listen.k7.com/148f8fb8-896a-4e42-9199-ee5ed9c9f239
More
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
https://listen.k7.com/148f8fb8-896a-4e42-9199-ee5ed9c9f239
More
Golden Hummingbird LP
Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited More
Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited More
More records from International Anthem
Skylla is the debut solo recording of Italian-born and London-based composer, bassist, and vocalist Ruth Goller.
Listen: https://listen.k7.com/3d1df007-7c65-4788-ada6-e07fb0d1c43b More
Listen: https://listen.k7.com/3d1df007-7c65-4788-ada6-e07fb0d1c43b More
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
2LP Maroon - both in Super-heavyweight gatefold jacket, and printed inner sleeves
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc More
A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
More
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
More
A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
https://listen.k7.com/148f8fb8-896a-4e42-9199-ee5ed9c9f239
More
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.
Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.
https://listen.k7.com/148f8fb8-896a-4e42-9199-ee5ed9c9f239
More
Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 – racking up credits with notables across the experimental, jazz, and pop worlds alike – but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker’s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says “represents the thrilling next phase of a vibrant L.A. community.”
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
Mighty Vertebrate is the International Anthem debut from Anna Butterss. The Adelaide born bassist / composer has been a first call for LA tour and studio work since relocating there in 2014 – racking up credits with notables across the experimental, jazz, and pop worlds alike – but their most notable contributions to the burgeoning LA scene have been as a member of both Jeff Parker’s ETA IVtet and rising proto-trance supergroup SML, who Pitchfork says “represents the thrilling next phase of a vibrant L.A. community.”
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
“I had just gotten off of a bunch of touring at the end of 2022 and just wanted to write music,” says Butterss. “The best way for me to do that, I’ve found, is to set myself a discreet and focused task."
I’m going to make a song where the bass doesn’t function in the role of a bass.
I’m going to work on this for an hour and then I’m going to stop.
I’m going to make a song that uses groups of three-bar phrasing.
I want to sample something and make it into a song.
I’m going to start with a drum machine.
The music itself reflects that structure beautifully, with the material being tightly
composed and melodically realized by Butterss well in advance of production concerns. Here they reconvene a group of trusted longtime collaborators to bring their compositions to fruition: Ben Lumsdaine (drums, guitar, production), Josh Johnson (sax), and Gregory Uhlmann (guitar), plus a smoking guest appearance from Jeff Parker. The breadth and scope of the results might have been difficult to achieve otherwise. From the Robbie-Shakespeare-in-groove-mode intro to the album opener “Bishop” to the spacious cinematic doom of “Seeing You”, there is a lot to wrangle into one cohesive concept. On Mighty Vertebrate, Butterss and crew do just that. More
On March 24, 2023 Rob Mazurek assembled his endlessly psychedelic and explorative large ensemble Exploding Star Orchestra under the dome of Chicago’s Adler Planetarium to perform material from their recently released album Lightning Dreamers along with a number of new pieces.
Tracklist
1.1Dream Sleeper (Live)
1.2Black River (Live)
1.3White River (Live)
1.4Underneath the Star Dome (Live)
1.5Spiral Parable 1a (Live)
1.6Parable 3000 (Live)
https://listen.k7.com/cdd5d2e0-7d09-4af1-8384-a413450453d3 More
Tracklist
1.1Dream Sleeper (Live)
1.2Black River (Live)
1.3White River (Live)
1.4Underneath the Star Dome (Live)
1.5Spiral Parable 1a (Live)
1.6Parable 3000 (Live)
https://listen.k7.com/cdd5d2e0-7d09-4af1-8384-a413450453d3 More
On March 24, 2023 Rob Mazurek assembled his endlessly psychedelic and explorative large ensemble Exploding Star Orchestra under the dome of Chicago’s Adler Planetarium to perform material from their recently released album Lightning Dreamers along with a number of new pieces.
Tracklist
1.1Dream Sleeper (Live)
1.2Black River (Live)
1.3White River (Live)
1.4Underneath the Star Dome (Live)
1.5Spiral Parable 1a (Live)
1.6Parable 3000 (Live)
https://listen.k7.com/cdd5d2e0-7d09-4af1-8384-a413450453d3 More
Tracklist
1.1Dream Sleeper (Live)
1.2Black River (Live)
1.3White River (Live)
1.4Underneath the Star Dome (Live)
1.5Spiral Parable 1a (Live)
1.6Parable 3000 (Live)
https://listen.k7.com/cdd5d2e0-7d09-4af1-8384-a413450453d3 More
This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057), and his first with The Black Lungs.
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
Golden Hummingbird LP
Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited More
Tomin is a self-taught multi-instrumentalist, bioinformatician, and poet from Brooklyn, New York. His primary instruments are the flute, trumpet and alto clarinet, and he participates in the creative music scene as a performer, improvisor, composer and fan. Outside of music, he works in computational genetics, with a focus on oncology.
Tracklist
1.1Father and Son (for Cal Massey)
1.2Come Sunday, Bass (for Ellington and Dolphy)
1.3The Inflated Tear, v1 (for Rahsaan Roland Kirk)
1.4Fire Waltz (for Waldron, Dolphy and Little)
1.5Desert Fairy Princess (for Sharps, Sebastian and P.A.P.
1.6Fables of Faubus (for Mingus and Richmond)
1.7Aquarius (for J.J. Johnson)
1.8Warm Canto (for Waldron and Dolphy)
1.9The Inflated Tear, v2 (for Rahsaan Roland Kirk)
1.10Come Sunday, Soprano (for Ellington and Dolphy)
1.11Assunta (for Cal Massey)
1.12Father and Son (for Cal Massey) [Alt. Take]
1.13Spirits Rejoice, Var 1
1.14Ogún Bara
1.15Angela's Angel
1.16Naima
1.17The Prayer
1.18Rahsaan Is Beautiful
1.19A Walk with Thee
1.20Humility in the Light of the Creator
1.21Love
1.22Life
1.23Love (Alternate Take)
1.24Life Revisited More
SML is bassist Anna Butterss (Jeff Parker, Daniel Villarreal, Makaya McCraven), synthesist Jeremiah Chiu (Ariel Kalma, Marta Sofia-Honer), saxophonist Josh Johnson (Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill), percussionist Booker Stardrum (Amirtha Kidambi, Carl Stone, Lee Ranaldo, Patrick Shiroishi), and guitarist Gregory Uhlmann (Sam Wilkes, Meg Duffy, Perfume Genius). Their debut album Small Medium Large began as a collection of long-form improvisations recorded during two separate two-night stands at beloved Highland Park venue ETA
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
SML is bassist Anna Butterss (Jeff Parker, Daniel Villarreal, Makaya McCraven), synthesist Jeremiah Chiu (Ariel Kalma, Marta Sofia-Honer), saxophonist Josh Johnson (Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill), percussionist Booker Stardrum (Amirtha Kidambi, Carl Stone, Lee Ranaldo, Patrick Shiroishi), and guitarist Gregory Uhlmann (Sam Wilkes, Meg Duffy, Perfume Genius). Their debut album Small Medium Large began as a collection of long-form improvisations recorded during two separate two-night stands at beloved Highland Park venue ETA
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
Tracklist
1.1Rubber Tree Dance
1.2Industry
1.3Herbie for Commercials
1.4Search Bar Hi Hat
1.5Window Sill Song
1.6Switchboard Operations
1.7Soft Sand
1.8Three Over Steel
1.9Chasing Brain
1.10History of Communication
1.11Feed The Birds
1.12Greg's Melody
1.13Dolphin Language
https://listen.k7.com/b7d4a647-d93c-4459-a87e-b6db0d5c8f29 More
Two 140gram black vinyl LPs inside a heavyweight single pocket jacket with dome-patterned inner-sleeves
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Two 140gram *limited edition* Placental Purple color vinyl LPs inside a heavyweight single pocket jacket with dome-patterned inner-sleeves
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Shiny compact disc in a deluxe 4-panel digipack
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song.
Tracklist
1.1Love To All Doulas!
1.2Some Rest For The Midwives
1.3Real Vital Organs
1.4Surges, Expansions
1.5In Appreciation Of Chico Hamilton's Vast Influence On T
1.6Birthworkers Magic, And How We Get Hear
1.7This "I" Was Not
2.1Placenta, Nourishment, New Home, The Galaxy
2.2Carla's Beads
2.3Moonlight Watsu In Dub
2.4Generous Pelvis
2.5Bi-Location
2.6Play Kerri Chandler's RAIN More
Limited Edition Deluxe Vinyl Double LP. Two 140gram black vinyl LPs (pressed by Pallas in Germany, with lacquers cut by Daniel K at SST) inside a heavyweight, screen-printed jacket (art by Paul Camo), with insert sheet and dome-patterned inner-sleeves. Hand-numbered; only 1200 in existence.
In January 2023, Tom Skinner and his ensemble performed material from his recently released album Voices of Bishara at London club "mu"- a venue founded by the curators at Brilliant Corners and named after the seminal Don Cherry live album. The set was augmented by a rendition of Tony Williams" "Red" and three pieces by Abdul Wadud, whose 1977 self-released solo cello album, By Myself, was a primary inspiration for Voices of Bishara. More
In January 2023, Tom Skinner and his ensemble performed material from his recently released album Voices of Bishara at London club "mu"- a venue founded by the curators at Brilliant Corners and named after the seminal Don Cherry live album. The set was augmented by a rendition of Tony Williams" "Red" and three pieces by Abdul Wadud, whose 1977 self-released solo cello album, By Myself, was a primary inspiration for Voices of Bishara. More
Deluxe, limited edition CD package with artwork by Paul Camo.
In January 2023, Tom Skinner and his ensemble performed material from his recently released album Voices of Bishara at London club "mu"- a venue founded by the curators at Brilliant Corners and named after the seminal Don Cherry live album. The set was augmented by a rendition of Tony Williams" "Red" and three pieces by Abdul Wadud, whose 1977 self-released solo cello album, By Myself, was a primary inspiration for Voices of Bishara. More
In January 2023, Tom Skinner and his ensemble performed material from his recently released album Voices of Bishara at London club "mu"- a venue founded by the curators at Brilliant Corners and named after the seminal Don Cherry live album. The set was augmented by a rendition of Tony Williams" "Red" and three pieces by Abdul Wadud, whose 1977 self-released solo cello album, By Myself, was a primary inspiration for Voices of Bishara. More
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1
Wallace - Chicken’s Head
2
Wallace - Welcome
3
Wallace - Air
4
Wallace - Home
12" including postcard
Tracklist:
A1. Chicken’s Head - A2. Welcome – B1. Air - B2. Home
Release Info:
A LEMON DREAM fuelled night out at the CHICKEN'S HEAD ends, seven friends WELCOME themselves back to the studio, a sense of anticipation fills the AIR, no-one wants to go HOME.. Tracks already danced to by thousands across the globe on this EP – as played by Dixon, Hunee, Axel Boman, DJ Tennis, Butch, Ruf Dug, Mano Le Tough, Jimi Jules the list goes on... Studio Barnhus is proud to present UK producer Wallace & his Lemon Dreams, the result of one of the very best demo emails ever received at label HQ!
More
Tracklist:
A1. Chicken’s Head - A2. Welcome – B1. Air - B2. Home
Release Info:
A LEMON DREAM fuelled night out at the CHICKEN'S HEAD ends, seven friends WELCOME themselves back to the studio, a sense of anticipation fills the AIR, no-one wants to go HOME.. Tracks already danced to by thousands across the globe on this EP – as played by Dixon, Hunee, Axel Boman, DJ Tennis, Butch, Ruf Dug, Mano Le Tough, Jimi Jules the list goes on... Studio Barnhus is proud to present UK producer Wallace & his Lemon Dreams, the result of one of the very best demo emails ever received at label HQ!
More
1
Ambien Baby - Jaulas En El Cielo
2
Ambien Baby - Baila
3
Ambien Baby - Salseros
4
Ambien Baby - Baila (Roza Terenzi Remix)
5
Ambien Baby - Baila (DNGDNGDNG Remix)
Tracklist:
A1 / Jaulas En El Cielo
A2 / Baila
A3 / Salseros
B1 / Baila (Roza Terenzi Remix)
B2 / Baila (DNGDNGDNG Remix)
Short Info
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.
We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.
Key Selling Points
- Ambien Baby is the collaborative alias of D Tiffany & NAP, who make their debut on Turbo with this project
- Canadian connection with both artists & the label all being from Montreal & Vancouver
- Remixes from Roza Terenzi and DNGDNGDNG More
A1 / Jaulas En El Cielo
A2 / Baila
A3 / Salseros
B1 / Baila (Roza Terenzi Remix)
B2 / Baila (DNGDNGDNG Remix)
Short Info
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.
We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.
Key Selling Points
- Ambien Baby is the collaborative alias of D Tiffany & NAP, who make their debut on Turbo with this project
- Canadian connection with both artists & the label all being from Montreal & Vancouver
- Remixes from Roza Terenzi and DNGDNGDNG More
NO SALES TO JAPAN- Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Sticker
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
More
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
More
1
dj koze - XTC
2
dj koze - Knee On Belly
2024 repress
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
More
This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057), and his first with The Black Lungs.
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician More
1
Baba Stiltz - Stockholm (DJ Python Remix)
2
Baba Stiltz - Stockholm (Klara Lewis Remix)
3
Baba Stiltz - Stockholm (Powder Remix)
4
Baba Stiltz - Stockholm (Baba Stiltz Remix)
Tracklist:
A1) DJ Python Remix Baba Stiltz “Stockholm”
A2) Klara Lewis Remix Baba Stiltz “Stockholm”
B1) Powder Remix Baba Stiltz “Stockholm”
B2) Baba Stiltz Remix Baba Stiltz “Stockholm”
Short info:
Almost a year after Baba Stiltz latest Album „Paid Testimony“ we offer 4 remixes of the track „Stockholm“. The alternative takes include versions by DJ Python, Klara Lewis, Powder and Baba himself. Very delicate, stretched out, chill, hypnotic, droned, melodic bliss…
More
A1) DJ Python Remix Baba Stiltz “Stockholm”
A2) Klara Lewis Remix Baba Stiltz “Stockholm”
B1) Powder Remix Baba Stiltz “Stockholm”
B2) Baba Stiltz Remix Baba Stiltz “Stockholm”
Short info:
Almost a year after Baba Stiltz latest Album „Paid Testimony“ we offer 4 remixes of the track „Stockholm“. The alternative takes include versions by DJ Python, Klara Lewis, Powder and Baba himself. Very delicate, stretched out, chill, hypnotic, droned, melodic bliss…
More
First ever official compilation of Risco Connection’s sought-after singles
Includes new interview with Joe Isaacs and liner notes by Angus Taylor
Audio restored by Sean P and fully remastered by The Carvery
Includes the vocal and dub versions of ‘Ain’t No Stopping Us Now’, a favourite
Tracklist
01 / A1. AIN’T NO STOPPIN’ US NOW (Vocal) 7.03
02 / A2. AIN’T NO STOPPIN’ US NOW (Version) 9.05
03 / B1. GOOD TIMES 7.25
04 / B2. ONE MORE TIME (Instrumental) 8.19
05 / C1. I’M CAUGHT UP 7.42
06 / C2. ARGUMENT 6.19
07 / D1. IT’S MY HOUSE (Special Disco version) 7.58
08 / D2. IT’S MY HOUSE (Version) 7.42
09 / E1. BRINGING OUT THE SUNSHINE 6.21
10 / E2. RISCO MUSIC 6.09
11 / E3. REGGAE MUSIC 5.57
12 / F1. SITTING IN THE PARK 5.22
13 / F2. PARK VERSION 4.23
14 / F3. STOPPING (Version) 4.51 More
Includes new interview with Joe Isaacs and liner notes by Angus Taylor
Audio restored by Sean P and fully remastered by The Carvery
Includes the vocal and dub versions of ‘Ain’t No Stopping Us Now’, a favourite
Tracklist
01 / A1. AIN’T NO STOPPIN’ US NOW (Vocal) 7.03
02 / A2. AIN’T NO STOPPIN’ US NOW (Version) 9.05
03 / B1. GOOD TIMES 7.25
04 / B2. ONE MORE TIME (Instrumental) 8.19
05 / C1. I’M CAUGHT UP 7.42
06 / C2. ARGUMENT 6.19
07 / D1. IT’S MY HOUSE (Special Disco version) 7.58
08 / D2. IT’S MY HOUSE (Version) 7.42
09 / E1. BRINGING OUT THE SUNSHINE 6.21
10 / E2. RISCO MUSIC 6.09
11 / E3. REGGAE MUSIC 5.57
12 / F1. SITTING IN THE PARK 5.22
13 / F2. PARK VERSION 4.23
14 / F3. STOPPING (Version) 4.51 More
1
Yutaka Hirose - Reflection
2
Yutaka Hirose - Fluctuation
3
Yutaka Hirose - Light From Clouds
4
Yutaka Hirose - Air To Feel Outside
5
Yutaka Hirose - Inner Voice
6
Yutaka Hirose - Looking Back
7
Yutaka Hirose - The Breath Of Cyberspace
8
Yutaka Hirose - Babel’s Library
9
Yutaka Hirose - Cross Section Of The Underground
10
Yutaka Hirose - Voice From Past Technology
11
Yutaka Hirose - Study For Scientists
DLP: 350gsm Sleeve, Sticker, Liner Notes
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
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Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
More
1
Cedric Vermue - A1. Cedric Vermue - Patterns (Donato Dozzy rework)
2
Cedric Vermue - B1. Cedric Vermue - Patterns (Grand River rework)
Limited Edition 12" Blue/Crystal Clear Vinyl (only 200 copies)
GENRE/S:
Techno/Ambient
TRACKLISTS:
A1. Cedric Vermue - Patterns (Donato Dozzy rework)
B1. Cedric Vermue - Patterns (Grand River rework)
SHORT INFO:
In a groundbreaking collaboration, two luminaries of the techno-ambient landscape, Donato Dozzy and Grand River, unveil their transformative reworks of Cedric Vermue's neoclassical masterpiece, "Patterns." With their unique artistic visions, Donato Dozzy and Grand River redefine the boundaries of techno, inviting listeners on a hypnotic journey through captivating soundscapes. Whether it's the pulsating energy of Dozzy's techno voyage or the atmospheric intricacy of Grand River's rework, one thing is certain - this release promises to captivate audiences and redefine the very essence of electronic music.
More
GENRE/S:
Techno/Ambient
TRACKLISTS:
A1. Cedric Vermue - Patterns (Donato Dozzy rework)
B1. Cedric Vermue - Patterns (Grand River rework)
SHORT INFO:
In a groundbreaking collaboration, two luminaries of the techno-ambient landscape, Donato Dozzy and Grand River, unveil their transformative reworks of Cedric Vermue's neoclassical masterpiece, "Patterns." With their unique artistic visions, Donato Dozzy and Grand River redefine the boundaries of techno, inviting listeners on a hypnotic journey through captivating soundscapes. Whether it's the pulsating energy of Dozzy's techno voyage or the atmospheric intricacy of Grand River's rework, one thing is certain - this release promises to captivate audiences and redefine the very essence of electronic music.
More
1
Interior - A1. Technobose
2
Interior - A2. Giant Steps
3
Interior - A3. Flamengo
4
Interior - A4. N.F.G.
5
Interior - B1. Reply
6
Interior - B2. Timeless
7
Interior - B3. Cold Beach
8
Interior - B4. Luft
9
Interior - B5. Ascending
10
Interior - B6. Park
No sales to Japan.
LP: 350gsm Sleeve, Sticker -
Genre: Ambient, Synth-Pop, Minimalism, Electronic, Experimental
- Official reissue of the Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 by legendary label Yen Records.
Tracklisting LP
A1. Technobose
A2. Giant Steps
A3. Flamengo
A4. N.F.G.
B1. Reply
B2. Timeless
B3. Cold Beach
B4. Luft
B5. Ascending
B6. Park
Info
WRWTFWW Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve.
Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing.
Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories.
The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.
Points of interests
- For fans of ambient, synth-pop, environmental, minimalism, furniture music, Inoyamaland, Satoshi Ashikawa, Yutaka Hirose, hotel lobbies, the simple pleasures of urban life, and daydreaming about an imaginary John Hughes movie set in Tokyo.
More
LP: 350gsm Sleeve, Sticker -
Genre: Ambient, Synth-Pop, Minimalism, Electronic, Experimental
- Official reissue of the Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 by legendary label Yen Records.
Tracklisting LP
A1. Technobose
A2. Giant Steps
A3. Flamengo
A4. N.F.G.
B1. Reply
B2. Timeless
B3. Cold Beach
B4. Luft
B5. Ascending
B6. Park
Info
WRWTFWW Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve.
Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra's Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blending instrumental synth-pop, soft electronic minimalism, and cozy sound design in the most heartwarming ways. It evokes the intimate pleasures of daydreaming in a hotel lobby, holding hands in a museum, or napping by the pool. It depicts the urban landscape as a caring environment, where simplicity and repetition is mind soothing and smile inducing.
Interior takes you into an alternate reality, where nostalgic modernism makes the present time feel like the fondest memories.
The unique sound of Interior caught the attention of William Ackerman and Anne Robinson who re-released the album in 1985 on their famed label Windham Hill Records (with a slightly different tracklisting) and then proceeded to put out their follow-up, Design, in 1987. After that, members of the group continued their careers separately, Daisuke Hinata notably recording an overlooked but absolutely amazing solo album, Tarzanland, in 1988.
Points of interests
- For fans of ambient, synth-pop, environmental, minimalism, furniture music, Inoyamaland, Satoshi Ashikawa, Yutaka Hirose, hotel lobbies, the simple pleasures of urban life, and daydreaming about an imaginary John Hughes movie set in Tokyo.
More
1
Housey Doingz - 1st Piano
2
Housey Doingz - 2nd Piano
3
Housey Doingz - 4th Piano
4
Housey Doingz - Sherbert Dip
5
Housey Doingz - Curly Wurly
6
Housey Doingz - Ambidextrous Left
7
Housey Doingz - Gob Stopper
8
Housey Doingz - Lonely Tribe
This compilation presents a selection of highly sought-after tracks and milestone classics crafted by esteemed Royal UK house producers.
Terry Francis, Nathan Coles (rip), Laurant Webb, Dave Coker and Justin Bailey.
With 16 tracks, many of which have never been reissued since their original pressings, fetching prices of hundreds of euros in the second-hand market (if you can find any in decent quality), while others were never released on vinyl. These are milestone classics, recorded and re-mastered directly from the original DATs for the first time.
This collection represents a pinnacle meeting of visionary minds who pioneered an entirely music genre, subsequently shaping the UK club scene with legendary Wiggle residency nights at iconic venues like Fabric. An essential and must-have album curated by Yossi Amoyal for Sushitech Records.
More
Terry Francis, Nathan Coles (rip), Laurant Webb, Dave Coker and Justin Bailey.
With 16 tracks, many of which have never been reissued since their original pressings, fetching prices of hundreds of euros in the second-hand market (if you can find any in decent quality), while others were never released on vinyl. These are milestone classics, recorded and re-mastered directly from the original DATs for the first time.
This collection represents a pinnacle meeting of visionary minds who pioneered an entirely music genre, subsequently shaping the UK club scene with legendary Wiggle residency nights at iconic venues like Fabric. An essential and must-have album curated by Yossi Amoyal for Sushitech Records.
More
1
Mixmaster Morris, J. Sharp, H. Hosono - Waraitake 13:35
2
Mixmaster Morris, J. Sharp, H. Hosono - Uchu Yuei (Swimming In Space) 09:34
3
Mixmaster Morris, J. Sharp, H. Hosono - Wakarimasen 07:01
4
Mixmaster Morris, J. Sharp, H. Hosono - Quiet Logic 07:45
5
Mixmaster Morris, J. Sharp, H. Hosono - Tsukimi (Moon Viewing) 08:55
6
Mixmaster Morris, J. Sharp, H. Hosono - Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Genre: Ambient, IDM, Chill Out, Electronica
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting DLP
A1. Waraitake 13:35
B1. Uchu Yuei (Swimming In Space) 09:34
C1. Wakarimasen 07:01
C2. Quiet Logic 07:45
D1. Tsukimi (Moon Viewing) 08:55
D2. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
- Limited edition double LP of QUIET LOGIC, for the first time – EVER!
More
DLP: Biovinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting DLP
A1. Waraitake 13:35
B1. Uchu Yuei (Swimming In Space) 09:34
C1. Wakarimasen 07:01
C2. Quiet Logic 07:45
D1. Tsukimi (Moon Viewing) 08:55
D2. Dr. Gauss / Yakan Hiko (Night Flight) 06:18
Info
WRWTFWW Records is flying high as it announces the reissue of the 1997 ambient masterpiece Quiet Logic by electronic music visionaries Mixmaster Morris (The Irresistible Force), Jonah Sharp (Spacetime Continuum), and Haruomi Hosono (Yellow Magic Orchestra). For the first time ever, this iconic album is available on vinyl as a double LP with a heavy 350gsm sleeve, as well as on digipack CD and digitally.
Quiet Logic invites listeners to embark on a captivating sonic odyssey, blending intricate rhythms and celestial environments that push the boundaries of electronic music. Co-crafted at Haruomi Hosono's Tokyo studio in 1997, this album represents a time of rapid transformation in the genre, with these three artists at the forefront of redefining soundscapes.
With its unique blend of influences from Hosono's immense contribution to electronic, pop, and experimental music to Morris' worldwide chill out DJ performances and Sharp's pioneering label, Reflective, Quiet Logic remains a timeless piece of ethereal electronica. It was originally only released in Japan in CD format on the Harry Hosono-curated Daisyworld Discs label.
Remastered for 2024, this reissue is a must-have for fans of Haruomi Hosono / YMO, The Irresistible Force, Spacetime Continuum, Dreamfish, Tetsu Inoue, FFWD, H.I.A., Fax +49-69/450464, and mind-expanding musics.
Immerse yourself now.
Quiet Logic is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of the irresistible Mixmaster Morris, Jonah Sharp’s all-encompassing space continuum, Harry Hosono’s legend, and immersive ambient music that takes you to places you didn’t know existed.
- Limited edition double LP of QUIET LOGIC, for the first time – EVER!
More