SKYLLUMINA represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller.

Goller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition, and an incredibly diverse résumé that includes performance and recording with Bex Burch’s Vula Viel, Shabaka Hutchings, Rokia Traore, Melt Yourself Down, Sam Amidon, and even a very brief moment with Paul McCartney.

For SKYLLUMINA, her International Anthem debut, Goller expands upon the concept of her first solo album Skylla – de-tuned bass harmonics with layered voices – this time collaborating with a different drummer on each track. “As a bass-player, I love playing with drummers and I decided to focus on my close connection to that instrument and to the amazing people I met in my life who play it,” says Goller. “There were some who played tuned percussion as well, so it would give me another element to explore.” Her accompanists on the album include The Smile's Tom Skinner, go-to London drummer Seb Rochford, Berlin-based International Anthem labelmate Bex Burch, and ex-pat Chicago legend Frank Rosaly. But more importantly, the music is an immersive hyperfocus for Goller and her patently distinct, singular compositional vision.

SKYLLUMINA, despite its highly conceptual origins, is heavy with human emotion. Its dark washes of melody and contrapuntal percussion could fit easily into a mixtape with indie downbeat / ennui royalty like Grouper or Low, while also being right at home next a Cage-Tudor prepared piano piece. And the piercing, sibi
lant ice age siren song heard in Goller's powerfully feminine vocal arrangements find her in an otherworld only occasionally inhabited by the likes of Björk and The Knife.

Goller says: “This record is deep insight into my soul and my recent life. it’s coming through a meteor storm and grasping the first light. Coming out of a very unexpected tumultuous time there is a lot of feelings of grief, loss, hope, purest of love, connection to my home, death and new configurations as well as self-discovery.”

Tracklist
1.1Below My Skin
1.2Reach Down Into The Deepest White
1.3Of Snowhere
1.4Next Time I Keep My Hands Down
1.5All The Light I Have, I Hand To You
1.6She Was My Own She Was Myself
1.7How To Be Free From It
1.8From Breaks To Shreds It's A Short Path
1.9Don't Follow Me
1.10I Have For You - Simple Truth

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WAS - Word and Sound Medien GmbH
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Germany
Contact: [email protected]More

SKYLLUMINA represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller.

Goller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition, and an incredibly diverse résumé that includes performance and recording with Bex Burch’s Vula Viel, Shabaka Hutchings, Rokia Traore, Melt Yourself Down, Sam Amidon, and even a very brief moment with Paul McCartney.

For SKYLLUMINA, her International Anthem debut, Goller expands upon the concept of her first solo album Skylla – de-tuned bass harmonics with layered voices – this time collaborating with a different drummer on each track. “As a bass-player, I love playing with drummers and I decided to focus on my close connection to that instrument and to the amazing people I met in my life who play it,” says Goller. “There were some who played tuned percussion as well, so it would give me another element to explore.” Her accompanists on the album include The Smile's Tom Skinner, go-to London drummer Seb Rochford, Berlin-based International Anthem labelmate Bex Burch, and ex-pat Chicago legend Frank Rosaly. But more importantly, the music is an immersive hyperfocus for Goller and her patently distinct, singular compositional vision.

SKYLLUMINA, despite its highly conceptual origins, is heavy with human emotion. Its dark washes of melody and contrapuntal percussion could fit easily into a mixtape with indie downbeat / ennui royalty like Grouper or Low, while also being right at home next a Cage-Tudor prepared piano piece. And the piercing, sibi
lant ice age siren song heard in Goller's powerfully feminine vocal arrangements find her in an otherworld only occasionally inhabited by the likes of Björk and The Knife.

Goller says: “This record is deep insight into my soul and my recent life. it’s coming through a meteor storm and grasping the first light. Coming out of a very unexpected tumultuous time there is a lot of feelings of grief, loss, hope, purest of love, connection to my home, death and new configurations as well as self-discovery.”

Tracklist
1.1Below My Skin
1.2Reach Down Into The Deepest White
1.3Of Snowhere
1.4Next Time I Keep My Hands Down
1.5All The Light I Have, I Hand To You
1.6She Was My Own She Was Myself
1.7How To Be Free From It
1.8From Breaks To Shreds It's A Short Path
1.9Don't Follow Me
1.10I Have For You - Simple Truth

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

SKYLLUMINA represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller.

Goller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition, and an incredibly diverse résumé that includes performance and recording with Bex Burch’s Vula Viel, Shabaka Hutchings, Rokia Traore, Melt Yourself Down, Sam Amidon, and even a very brief moment with Paul McCartney.

For SKYLLUMINA, her International Anthem debut, Goller expands upon the concept of her first solo album Skylla – de-tuned bass harmonics with layered voices – this time collaborating with a different drummer on each track. “As a bass-player, I love playing with drummers and I decided to focus on my close connection to that instrument and to the amazing people I met in my life who play it,” says Goller. “There were some who played tuned percussion as well, so it would give me another element to explore.” Her accompanists on the album include The Smile's Tom Skinner, go-to London drummer Seb Rochford, Berlin-based International Anthem labelmate Bex Burch, and ex-pat Chicago legend Frank Rosaly. But more importantly, the music is an immersive hyperfocus for Goller and her patently distinct, singular compositional vision.

SKYLLUMINA, despite its highly conceptual origins, is heavy with human emotion. Its dark washes of melody and contrapuntal percussion could fit easily into a mixtape with indie downbeat / ennui royalty like Grouper or Low, while also being right at home next a Cage-Tudor prepared piano piece. And the piercing, sibi
lant ice age siren song heard in Goller's powerfully feminine vocal arrangements find her in an otherworld only occasionally inhabited by the likes of Björk and The Knife.

Goller says: “This record is deep insight into my soul and my recent life. it’s coming through a meteor storm and grasping the first light. Coming out of a very unexpected tumultuous time there is a lot of feelings of grief, loss, hope, purest of love, connection to my home, death and new configurations as well as self-discovery.”

Trackliste
1.1Below My Skin
1.2Reach Down Into The Deepest White
1.3Of Snowhere
1.4Next Time I Keep My Hands Down
1.5All The Light I Have, I Hand To You
1.6She Was My Own She Was Myself
1.7How To Be Free From It
1.8From Breaks To Shreds It's A Short Path
1.9Don't Follow Me
1.10I Have For You - Simple Truth

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

TRACKLIST
Side A
1. Birds of Paradise
2. Prayer for Amerikkka Pt. 1 & 2
3. Lesterlude
4. Twenty-Three N Me, Jupiter Redux
5. Whales
Side B
1. Simple Silver Surfer
2. Bird Dogs of Paradise
3. Nuevo Roquero Estéreo
4. Love Song (for Assholes & Clowns)


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SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.

How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.

As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.

“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork

It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.

Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0

Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

col. 1LP Plankton
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.

How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.

As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.

“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork

It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.

Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0

Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Digipak
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.

How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.

As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.

“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork

It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.

Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0

Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More

With Touch, the Tortoise band members — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity.
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.

Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang

Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6

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DE - 22113 Hamburg
Germany
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The title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album By Myself, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.

Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album Life Time and the music he and his friends conjured up was so special that it inspired Skinner to write an album’s-worth of phenomenal new music based on the work of Wadud, with a process inspired by this group-reimagining of Life Time.

The result is a tight, hypnotic and unique 31-minutes of music. Voices of Bishara is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic.

“We’re individual voices, coming together collectively,” says Skinner. “The idea was that we could collectively bring something more positive to the table. It’s the start of something.”

Tom Skinner and Voices of Bishara: bringers of good news.

Tracklist
1.1Bishara
1.2Red 2
1.3The Journey
1.4The Day After Tomorrow
1.5Voices (of the Past)
1.6Quiet as It's Kept

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Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)

Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.

The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.

For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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2LP Green splatter

Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)

Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.

The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.

For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.


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DE - 22113 Hamburg
Germany
Contact: [email protected]More

CD

Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)

Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.

The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.

For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog. Angel Bat Dawid"s International Anthem debut The Oracle introduced her multifaceted voice to the world. The response to its modest, initial cassette/digital release in January of 2019 was immediate, and immense.

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Germany
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Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog. Recordings from the Åland Islands, the duo debut by synthesist Jeremiah Chiu and violist Marta Sofia Honer, is a truly unique series of pieces that marry acoustic and electronic sounds with field recordings, all captured on a trip to the titular Baltic archipelago.

Tracklist
1.1In Aland Air
1.2On the Other Sea
1.3Snacko
1.4Stureby House Piano
1.5Rocky Passage
1.6Kumlinge Kyrka
1.7Voices
1.8By Foot By Sea
1.9Anna's Organ
1.10Archipelago
1.11Under the Midnight Sun

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The Oganesson Remixes EP follows the March 2025 release of “Oganesson”, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney,
indie music icons Broken Social Scene, and International Anthem labelmate
Makaya McCraven. The Oganesson Remixes EP is released ahead of a new album
by Tortoise, which will be announced and released this fall via International Anthem.

This very limited 12” record features artwork by Tortoise’s John Herndon.

Trackliste
1.1Oganesson
1.2Oganesson (Saul Williams Remix)
1.3Oganesson (Heba Kadry Remix)
1.4Oganesson (Patrick Carney Remix)
1.5Oganesson (Broken Social Scene Remix)
1.6Oganesson (Makaya McCraven Remix)

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Germany
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Hyperglyph is the first new album in 11 years from composer/trumpeter/synthesist Rob Mazurek and composer/percussionist Chad Taylor’s long-running Chicago Underground Duo project. Mazurek and Taylor have played music together in a multitude of formations over nearly three decades, including their ongoing partnership in Mazurek’s large-format-skyward-expressionism vehicle Exploding Star Orchestra, in the expanded Chicago Underground Trio, Quartet and Orchestra (all with guitarist Jeff Parker), as well as a plethora of other assemblages. The early albums by the Duo have proven to be embryonic blueprints for the avant-jazz / electronic / indie rock hybridizing of the time, making them majorly important moments in the articulation of the “jazz” dimensionality of the then-burgeoning "post rock" sound. That sound, of course, was being transmitted far and wide due to the success of these groups as well as the Mazurek/Parker project Isotope 217, and the Chicago Underground’s frequently-intersecting collaborators in Tortoise. Just as most of the still-working projects born of that era have evolved, reconfigured, and grown, the Chicago Underground Duo has undergone a number of musical moltings, with the project always in the background of disparate individual aural investigations. The concurrent personal evolutions of Mazurek and Taylor as the Duo project drops off and picks back up makes it a true reflection of their own lives and friendship. Available Friday August 15th, 2025.

Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Hyperglyph is the first new album in 11 years from composer/trumpeter/synthesist Rob Mazurek and composer/percussionist Chad Taylor’s long-running Chicago Underground Duo project. Mazurek and Taylor have played music together in a multitude of formations over nearly three decades, including their ongoing partnership in Mazurek’s large-format-skyward-expressionism vehicle Exploding Star Orchestra, in the expanded Chicago Underground Trio, Quartet and Orchestra (all with guitarist Jeff Parker), as well as a plethora of other assemblages. The early albums by the Duo have proven to be embryonic blueprints for the avant-jazz / electronic / indie rock hybridizing of the time, making them majorly important moments in the articulation of the “jazz” dimensionality of the then-burgeoning "post rock" sound. That sound, of course, was being transmitted far and wide due to the success of these groups as well as the Mazurek/Parker project Isotope 217, and the Chicago Underground’s frequently-intersecting collaborators in Tortoise. Just as most of the still-working projects born of that era have evolved, reconfigured, and grown, the Chicago Underground Duo has undergone a number of musical moltings, with the project always in the background of disparate individual aural investigations. The concurrent personal evolutions of Mazurek and Taylor as the Duo project drops off and picks back up makes it a true reflection of their own lives and friendship. Available Friday August 15th, 2025.

Track listing
1 Click Song
2 Hyperglyph
3 Rhythm Cloth
4 Contents of Your Heavenly Body
5 The Gathering
6 Plymouth
7 Hemiunu
8 Egyptian Suite / Part 1: The Architect
9 Egyptian Suite / Part 2: Triangulation of Light
10 Egyptian Suite / Part 3: Architectronics of Time
11 Succulent Amber



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Black 140g 2xLP, in a heavyweight UV-Gloss jacket, with 12"x12" insert booklet, with IA OBI Strip & printed inner sleeves.
Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem.

tracklist:

Side A
1) Chicago, January 13th, 2020
2) Makaya McCraven - The Jaunt
3) Junius Paul - Asé
4) Dezron Douglas & Brandee Younger - The Creator Has a Master Plan
5) Resavoir - Taking Flight
6) Irreversible Entanglements - Open The Gates
7) Angel Bat Dawid - We Are Starzz
8) Rob Mazurek - Exploding Star Orchestra - Abstract Dark Energy (Parable 9)

Side B
9) The Most Amazing Time
10) Damon Locks - Black Monument Ensemble - Rebuild a Nation
11) Dos Santos - A Shot in the Dark
12) Daniel Villarreal - In/On
13) Anna Butterss - Pokemans
14) SML - Industry
15) Jeremiah Chiu & Marta Sofia Honer - Snåcko

Side C
16) Jeff Parker - Cliche
17) Jamire Williams - And Then the Anointing Fell
18) Carlos Niño & Friends - Please, wake up.
19) Thandi Ntuli with Carlos Niño - Voice and Tongo Experiment
20) Tom Skinner - Quiet as it’s Kept
21) Ruth Goller - Next time I keep my hands down
22) Alabaster DePlume - A Gente Acaba (Vento Em Rosa)

Side D
23) Old Fashioned Chicago Music
24) jaimie branch - theme 001 (live)
25) Tomin - Angela’s Angel
26) Asher Gamedze - Melancholia
27) Ibelisse Guardia Ferragutti & Frank Rosaly - MESTIZX (Brownswood Basement Live)
28) Ben LaMar Gay - Oh Great Be The Lake
29) Charles Stepney - Step on Step

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Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.

Classic Black 140g LP inside a heavyweight reverse-board jacket with 16-page insert booklet (new for IA11, with additional photos, new liner notes written by New Breed bassist / co-producer Paul Bryan, and an in-depth conversation between JP and IARC co-founder Scott McNiece), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.

https://listen.k7.com/2a605c5a-e78e-4cc5-88cf-b5a9ff52e487

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 International Anthem will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi strip and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Ben LaMar Gay’s de facto debut album, Downtown Castles Can Never Block The Sun, was the attempt to introduce the legendary Chicago composer / improvisor / renaissance man to the rest of the world with a compilation of tracks from “7 albums he made over 7 years but never made the effort to actually release.”
140g Classic Black LP in heavyweight jacket, with 12x12" insert booklet, IA OBI strip & printed poly-lined inner sleeve. Pressed at Pallas in Germany.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

140g black vinyl in heavyweight jacket with glossy photo insert sheet, IARC OBI & poly-lined inner sleeve.
A Blade Because A Blade Is Whole is the latest album from London-based composer-poet-activist-improviser Alabaster DePlume, his first major work following 2022’s GOLD and 2020's To Cy & Lee: Instrumentals Vol 1.

Trackliste
1.1Oh My Actual Days
1.2Thank You My Pain
1.3Invincibility
1.4Form a V
1.5A Paper Man
1.6Who Are You Telling, Gus
1.7Prayer For My Sovereign Dignity
1.8Kuzushi
1.9Salty Road Dogs Victory Anthem
1.10Too True
1.11That Was My Garden

https://listen.k7.com/063b1ce6-5776-4655-8618-50475a7c2c90

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A Willed and Conscious Balance is the first album of material arranged for an ensemble by multi-instrumentalist composer Tomin Perea-Chamblee.
The bulk of the album was recorded in one day at The Bunker in Brooklyn, NY by IARC house engineers Dave Vettraino and David Allen, and features a truly incredible lineup that includes members of Irreversible Entanglements and jaimie branch’s FLY or DIE. Tomin’s work with this group of veteran musicians is singular though, instantly setting this material apart from the discographies of its contributors.

Imagine the density of a J.J. Johnson arrangement rhythmically stretched and pulled à la Thembi-era Pharoah Sanders, or the Dolphy-infused bop squawk elegance of Booker Little's Out Front sent through the sonic washing machine of Bernie Maupin's The Jewel in the Lotus. With each listen, the potential for comparisons feels both endless and unsatisfying, and while there were certainly hints of this direction on Tomin’s collection of solo recordings from 2024, Flores para Verene / Cantos para Caramina – simple & entrancing chord progressions, favoring the dirge, favoring the repetitive – the sounds heard on A Willed and Conscious Balance take the listener somewhere new. Somewhere fresh yet familiar. A group exploration of simplicity that yields something complicated, just like life itself.


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WAS - Word and Sound Medien GmbH
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Uhlmann Johnson Wilkes is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers" impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. In these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could be described as a jazz-informed take on progressive electro-acoustic chamber music.

Tracklist
1.1Marvis
1.2Fumarole
1.3Arpy
1.4Frica
1.5Hoe Down
1.6Jicama
1.7Unsure
1.8Fields
1.9Shwa
1.10Rewinded
1.11The Fool on the Hill

https://listen.k7.com/a11879b2-4bd0-44f3-bf1b-d3aea065344a

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Over the course of 2025 International Anthem will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi strip and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Makaya McCraven’s International Anthem debut In The Moment is the album that properly introduced the then-burgeoning drummer/producer to the world.
140g Classic Black LP in heavyweight jacket, with 12x12" insert booklet, IA OBI strip & printed poly-lined inner sleeve. Pressed at Pallas in Germany.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Deluxe Vinyl package includes 140g Black LP in a heavyweight jacket, a 16-page newsprint insert booklet AND insert poster with artwork by Damon Locks + poly-lined inner sleeve, pressed at Pallas in Germany.
List of Demands, Damon Locks" first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized MF DOOM-meets-Nikki Giovanni rhythm experiments. The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks" decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry - each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.

Tracklist
1.1Reversed
1.2Distance
1.3Holding the Dawn in Place (Beyond, Pt. 2)
1.4Everything's Under Control
1.5Isn't It Beautiful
1.6High Priestess
1.7Meteors of Fear
1.8List of Demands
1.9The Signal is Hot
1.10Control Power
1.11Click
1.12Reversed, Pt. 2 (Something to Love)

Stream: https://listen.k7.com/d1b28c36-20a5-4ec8-9bed-cef2e662c2db

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Germany
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This is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057), and his first with The Black Lungs.

Tracklist
1.1Find Each Other
1.2Determining Facts
1.3Antagonism
1.4Elaboration
1.5Constitution
2.1Destitution
2.2High Land. New Home
2.3Melancholia
2.4Deposition: A Song for the Dialectician

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