LP
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Label:International Anthem
Cat-No:IARC0089LPI
Release-Date:22.11.2024
Configuration:LP
Barcode:789993995004
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Last in:28.11.2024
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Label:International Anthem
Cat-No:IARC0089LPI
Release-Date:22.11.2024
Configuration:LP
Barcode:789993995004
2LP Maroon - both in Super-heavyweight gatefold jacket, and printed inner sleeves
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Jeff Parker and ETA IVtet
LP
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Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Configuration:LP
Barcode:789993994991
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Last in:12.03.2026
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Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Configuration:LP
Barcode:789993994991
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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LP
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Label:International Anthem
Cat-No:IARC0110LP
Release-Date:18.04.2026
Configuration:LP
Barcode:634457242128
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Label:International Anthem
Cat-No:IARC0110LP
Release-Date:18.04.2026
Configuration:LP
Barcode:634457242128
Black Vinyl LP (Record Store Day Exclusive)
Dear Children of Our Children, I Knew is a new EP recorded by Alabaster DePlume in the middle of his March 2025 US tour and in a sense serves as an epilogue to A Blade, which makes it all the more appropriate that the B side of its RSD-exclusive vinyl release contains the three song EP Cremisan: Prologue to A Blade, which was released (digital only) in fall 2024.
Listen: https://listen.k7.com/de8e6469-ea94-4fde-b576-435b650eabee
Side A - Dear Children of Our Children, I Knew
1) Bringing Up The Nakba
2) I Play A Role In It And I Know
3) It's Only Now Once (Elbit Systems Windowpane)
4) Glass
Side B - Cremisan
5) Honeycomb
6) Cremisan
7) Gifts of Olive
8) What Did The Child Say / Facing Reality
Info text
Dear Children of Our Children, I Knew is a new EP recorded by Alabaster DePlume in the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ishmaeli and drummer Tcheser Holmes, performing music of his critically-acclaimed album A Blade Because A Blade Is Whole (released March 2025). The trio's rapport was so strong that DePlume chose to use an off day in Brooklyn to record this collection of instrumentals, which were inspired by experiences he had sharing, performing and improvising off the music of A Blade for audiences across the US. Dear Children in a sense serves as an epilogue to A Blade, which makes it all the more appropriate that the B side of its RSD-exclusive vinyl release contains the three song EP Cremisan: Prologue to A Blade, which was released (digital only) in fall 2024. As with almost everything that DePlume has put forth in recent years, the connection of this work to Palestine is deep: the Cremisan EP itself was recorded in Palestine; Dear Children includes samples of children recorded in Bethlehem; and the album's cover art depicts wheatpaste posters of a drawing made by a 13 year old boy from Gaza (used with permission).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dear Children of Our Children, I Knew is a new EP recorded by Alabaster DePlume in the middle of his March 2025 US tour and in a sense serves as an epilogue to A Blade, which makes it all the more appropriate that the B side of its RSD-exclusive vinyl release contains the three song EP Cremisan: Prologue to A Blade, which was released (digital only) in fall 2024.
Listen: https://listen.k7.com/de8e6469-ea94-4fde-b576-435b650eabee
Side A - Dear Children of Our Children, I Knew
1) Bringing Up The Nakba
2) I Play A Role In It And I Know
3) It's Only Now Once (Elbit Systems Windowpane)
4) Glass
Side B - Cremisan
5) Honeycomb
6) Cremisan
7) Gifts of Olive
8) What Did The Child Say / Facing Reality
Info text
Dear Children of Our Children, I Knew is a new EP recorded by Alabaster DePlume in the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ishmaeli and drummer Tcheser Holmes, performing music of his critically-acclaimed album A Blade Because A Blade Is Whole (released March 2025). The trio's rapport was so strong that DePlume chose to use an off day in Brooklyn to record this collection of instrumentals, which were inspired by experiences he had sharing, performing and improvising off the music of A Blade for audiences across the US. Dear Children in a sense serves as an epilogue to A Blade, which makes it all the more appropriate that the B side of its RSD-exclusive vinyl release contains the three song EP Cremisan: Prologue to A Blade, which was released (digital only) in fall 2024. As with almost everything that DePlume has put forth in recent years, the connection of this work to Palestine is deep: the Cremisan EP itself was recorded in Palestine; Dear Children includes samples of children recorded in Bethlehem; and the album's cover art depicts wheatpaste posters of a drawing made by a 13 year old boy from Gaza (used with permission).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0108LP
Release-Date:20.03.2026
Configuration:LP
Barcode:634457243880
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Label:International Anthem
Cat-No:IARC0108LP
Release-Date:20.03.2026
Configuration:LP
Barcode:634457243880
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who"s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0108LPI
Release-Date:20.03.2026
Configuration:LP
Barcode:634457243897
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Label:International Anthem
Cat-No:IARC0108LPI
Release-Date:20.03.2026
Configuration:LP
Barcode:634457243897
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who"s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD
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Label:International Anthem
Cat-No:IARC0108CD
Release-Date:20.03.2026
Configuration:CD
Barcode:634457243903
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Last in:25.02.2026
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Label:International Anthem
Cat-No:IARC0108CD
Release-Date:20.03.2026
Configuration:CD
Barcode:634457243903
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who"s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:International Anthem
Cat-No:IARC0107LP
Release-Date:06.03.2026
Configuration:LP
Barcode:634457237285
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Label:International Anthem
Cat-No:IARC0107LP
Release-Date:06.03.2026
Configuration:LP
Barcode:634457237285
Extra Stars is Gregory Uhlmann’s solo debut on International Anthem. It’s a deep and gorgeous expansion of the LA-based multi-instrumentalist producer / composer’s rhythmic ambient side, as nascently explored in his much-lauded duo with Meg Duffy, his trio work with Josh Johnson and Sam Wilkes, and in the gentler of SML (the improvising trance-jazz unit of which he is a member).
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0107LPI
Release-Date:06.03.2026
Configuration:LP
Barcode:634457237292
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Label:International Anthem
Cat-No:IARC0107LPI
Release-Date:06.03.2026
Configuration:LP
Barcode:634457237292
Extra Stars is Gregory Uhlmann’s solo debut on International Anthem. It’s a deep and gorgeous expansion of the LA-based multi-instrumentalist producer / composer’s rhythmic ambient side, as nascently explored in his much-lauded duo with Meg Duffy, his trio work with Josh Johnson and Sam Wilkes, and in the gentler of SML (the improvising trance-jazz unit of which he is a member).
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
CD
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Label:International Anthem
Cat-No:IARC0107CD
Release-Date:06.03.2026
Configuration:CD
Barcode:634457237308
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Last in:12.02.2026
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Label:International Anthem
Cat-No:IARC0107CD
Release-Date:06.03.2026
Configuration:CD
Barcode:634457237308
Extra Stars is Gregory Uhlmann’s solo debut on International Anthem. It’s a deep and gorgeous expansion of the LA-based multi-instrumentalist producer / composer’s rhythmic ambient side, as nascently explored in his much-lauded duo with Meg Duffy, his trio work with Josh Johnson and Sam Wilkes, and in the gentler of SML (the improvising trance-jazz unit of which he is a member).
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: https://listen.k7.com/b160ac60-df77-41ce-bfb6-d973dff2dcf1
Track listing
A1. Pocket Snail
A2. View Above
A3. Lucia
A4. Like Tea
A5. Days
A6. Worms Eye
A7. Burnt Toast
B1. Dottie
B2. Bristlecone
B3. Voice Exchange
B4. View Below
B5. Back Scratch
B6. Imprint
B7. Sugar Water
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0030LP11
Release-Date:05.12.2025
Configuration:LP
Barcode:634457226357
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Last in:23.02.2026
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Last in:23.02.2026
Label:International Anthem
Cat-No:IARC0030LP11
Release-Date:05.12.2025
Configuration:LP
Barcode:634457226357
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0027LP11
Release-Date:05.12.2025
Configuration:LP
Barcode:634457229808
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Last in:27.02.2026
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Last in:27.02.2026
Label:International Anthem
Cat-No:IARC0027LP11
Release-Date:05.12.2025
Configuration:LP
Barcode:634457229808
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:International Anthem
Cat-No:IARC0022LP11
Release-Date:05.12.2025
Configuration:2LP
Barcode:634457226340
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Last in:12.03.2026
Label:International Anthem
Cat-No:IARC0022LP11
Release-Date:05.12.2025
Configuration:2LP
Barcode:634457226340
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Birds of Paradise
2. Prayer for Amerikkka Pt. 1 & 2
3. Lesterlude
4. Twenty-Three N Me, Jupiter Redux
5. Whales
Side B
1. Simple Silver Surfer
2. Bird Dogs of Paradise
3. Nuevo Roquero Estéreo
4. Love Song (for Assholes & Clowns)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST
Side A
1. Birds of Paradise
2. Prayer for Amerikkka Pt. 1 & 2
3. Lesterlude
4. Twenty-Three N Me, Jupiter Redux
5. Whales
Side B
1. Simple Silver Surfer
2. Bird Dogs of Paradise
3. Nuevo Roquero Estéreo
4. Love Song (for Assholes & Clowns)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:International Anthem
Cat-No:IARC0105LP
Release-Date:07.11.2025
Configuration:LP
Barcode:634457224742
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Label:International Anthem
Cat-No:IARC0105LP
Release-Date:07.11.2025
Configuration:LP
Barcode:634457224742
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:International Anthem
Cat-No:IARC0105LPI
Release-Date:07.11.2025
Configuration:LP
Barcode:634457224759
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Last in:06.11.2025
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Label:International Anthem
Cat-No:IARC0105LPI
Release-Date:07.11.2025
Configuration:LP
Barcode:634457224759
col. 1LP Plankton
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:International Anthem
Cat-No:IARC0105CD
Release-Date:07.11.2025
Configuration:CD
Barcode:634457224766
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Last in:17.10.2025
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Barcode:634457224766
Digipak
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork.
How You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recorded improvisations from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a far higher level of self-awareness and a far deeper pool of source material.
As SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time.
“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork
It’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne & Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in late-60s; NYC for No Wave & the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. Available Friday November 7th, 2025.
Listen: listen.k7.com/e29444dd-0fd1-4859-91d1-6ff8d0730dd0
Tracklist:
1.1Gutteral Utterance
1.2Chicago Four
1.3Taking out the Trash
1.4Plankton
1.5Chicago Three
1.6Daves
1.7Old Mytth
1.8Stepping In / The Loop
1.9Brood Board SHROOM
1.10Odd Evens
1.11How You Been
1.12Moving Walkway
1.13Mouth Words
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:International Anthem
Cat-No:IARC0099LP
Release-Date:24.10.2025
Configuration:LP
Barcode:789993995899
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Label:International Anthem
Cat-No:IARC0099LP
Release-Date:24.10.2025
Configuration:LP
Barcode:789993995899
With Touch, the Tortoise band members — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity.
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.
Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang
Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.
Tracklisting:
1 Vexations
2 Layered Presence
3 Works and Days
4 Elka
5 Promenade À Deux
6 Axial Seamount
7 A Title Comes
8 Rated OG
9 Oganesson
10 Night Gang
Listen: https://listen.k7.com/a8e7bf74-0b1d-46a3-aa70-5ae6f5cf72a6
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0060LP
Release-Date:26.09.2025
Configuration:LP
Barcode:075597908213
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Label:International Anthem
Cat-No:IARC0060LP
Release-Date:26.09.2025
Configuration:LP
Barcode:075597908213
The title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album By Myself, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.
Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album Life Time and the music he and his friends conjured up was so special that it inspired Skinner to write an album’s-worth of phenomenal new music based on the work of Wadud, with a process inspired by this group-reimagining of Life Time.
The result is a tight, hypnotic and unique 31-minutes of music. Voices of Bishara is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic.
“We’re individual voices, coming together collectively,” says Skinner. “The idea was that we could collectively bring something more positive to the table. It’s the start of something.”
Tom Skinner and Voices of Bishara: bringers of good news.
Tracklist
1.1Bishara
1.2Red 2
1.3The Journey
1.4The Day After Tomorrow
1.5Voices (of the Past)
1.6Quiet as It's Kept
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Voices of Bishara began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album Life Time and the music he and his friends conjured up was so special that it inspired Skinner to write an album’s-worth of phenomenal new music based on the work of Wadud, with a process inspired by this group-reimagining of Life Time.
The result is a tight, hypnotic and unique 31-minutes of music. Voices of Bishara is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic.
“We’re individual voices, coming together collectively,” says Skinner. “The idea was that we could collectively bring something more positive to the table. It’s the start of something.”
Tom Skinner and Voices of Bishara: bringers of good news.
Tracklist
1.1Bishara
1.2Red 2
1.3The Journey
1.4The Day After Tomorrow
1.5Voices (of the Past)
1.6Quiet as It's Kept
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:International Anthem
Cat-No:IARC0102LP
Release-Date:19.09.2025
Configuration:2LP
Barcode:634457216686
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Last in:22.09.2025
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Last in:22.09.2025
Label:International Anthem
Cat-No:IARC0102LP
Release-Date:19.09.2025
Configuration:2LP
Barcode:634457216686
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:International Anthem
Cat-No:IARC0102LPI
Release-Date:19.09.2025
Configuration:2LP
Barcode:634457216679
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Last in:05.12.2025
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Label:International Anthem
Cat-No:IARC0102LPI
Release-Date:19.09.2025
Configuration:2LP
Barcode:634457216679
2LP Green splatter
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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Liebigstrasse 2-20
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Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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Germany
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CD
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Label:International Anthem
Cat-No:IARC0102CD
Release-Date:19.09.2025
Configuration:CD
Barcode:634457216662
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Label:International Anthem
Cat-No:IARC0102CD
Release-Date:19.09.2025
Configuration:CD
Barcode:634457216662
CD
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
1 Sound then Words
2 We would lift our Voice...
3 We are calling out in this moment…
4 The Water is Rising / as we surpass the firing squad…
5 We have work to do... (speaking after the concert)
Saul Williams meets Carlos Niño & Friends at TreePeople is the first collaborative
album from poet/vocalist Saul Williams and percussionist/producer Carlos Niño.
The album was recorded live underneath black oak and walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.
The performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for Williams and Niño, who have been friends since the late 1990s.
For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone). Available Friday September 19th, 2025.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Athens Of The North
Cat-No:AOTNLP091
Release-Date:06.03.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
Barcode:5050580864252
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Label:Athens Of The North
Cat-No:AOTNLP091
Release-Date:06.03.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
Barcode:5050580864252
1
El Calefón - La Mosca
2
El Calefón - Desfile Na Praia
3
El Calefón - Funk Sin Cuenta
4
El Calefón - Al Son
5
El Calefón - Salir Del Agujero
6
El Calefón - Los Bsoaso De Paris
7
El Calefón - Quando Lembro
8
El Calefón - 6x8 En La Mañana
9
El Calefón - San Bon
El Calefón's 1985 LP Salir Del Agujero is a rare bird. Self-produced and privately released in Zurich, the albumdocuments one of the very few South American groups that were resident in Europe at the time, and certainly the only such band working in Switzerland. Co-founded by two Argentinians in Europe – the multi-instrumentalist, vocalist and composer Coqui Recaand the guitarist Pablo Miguez–the group consisted of Argentinian and Brazilian musicians, most of whom were present initially Europe as tourists, but had stayed on, without official sanction, as immigrants.Their music gathered its primary influences from the varied sounds of their home countries, fusing these elements drawn from the manifold indigenous styles of Argentina and Brazil with the international sounds of rock,jazz, pop and pan-Latin music. Honed and polished by the steady gigging through which the group earned their living in Zurich, the music that appeared onSalir Del Agujero was sophisticated, original and filled with light. Resonating with a freshness undiminished in forty years, the album brims with possibility and hums with tropical warmth, bearing testament to the open-hearted musical freedoms of a mercurial musical era
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DE - 22113 Hamburg
Germany
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Label:Mr Bongo
Cat-No:MRB7215
Release-Date:08.07.2022
Genre:World Music
Configuration:7"
Barcode:
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Label:Mr Bongo
Cat-No:MRB7215
Release-Date:08.07.2022
Genre:World Music
Configuration:7"
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1
Marcos Valle - Girassol
2
Marcos Valle - Girassol (Playback)
preview: https://www.youtube.com/watch?v=TIJsgX_W0MQ
It comes as no surprise to discover we are massive fans of Marcos Valle here at Mr Bongo, but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently.
'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7”. Composed by Marcos Valle, Paulo Sérgio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.
It’s a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved ‘Estrelar' era of Marcos Valle’s glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It comes as no surprise to discover we are massive fans of Marcos Valle here at Mr Bongo, but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently.
'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7”. Composed by Marcos Valle, Paulo Sérgio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.
It’s a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved ‘Estrelar' era of Marcos Valle’s glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Soundway Records
Cat-No:SNDWLP162
Release-Date:03.04.2026
Genre:Dub/Reggae
Configuration:2LP
Barcode:5060571364074
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Label:Soundway Records
Cat-No:SNDWLP162
Release-Date:03.04.2026
Genre:Dub/Reggae
Configuration:2LP
Barcode:5060571364074
1
Pat Bio - Guide Us Jah
2
Don Bruce - Watiyo
3
Johnny Keslar - Wadada
4
Orits Williki - Fight The Fire
5
Majah Kungu - Wayo Nack In Town
6
Oby Onyioha - Raid Dem Jah
7
Georgy-Gold Owoghiri - Wonderful Holiday
8
B.G. and Fibre - Drunken Driver (Dub)
9
Alphonsus Idigo - Mystic World
10
Sheila & Des Majek - Mother Nature
11
Jan Blast - Reggae Rigmarole
12
Alpha Kuffa - Messiah I
13
Bob Dazzy - Abandon Nation
A collection of fourteen digital reggae, deep roots and dub rarities from the Nigerian underground, spotlighting a time when Jamaican reggae entwined with Nigerian styles, politics and consciousness, creating a bridge between Lagos and Kingston. Fight the Fire is a companion piece to Soundway"s seminal "Doing it in Lagos" and "Nigeria Special" compilations, celebrating the innovation and musical experimentation of Nigeria in the 80s. Features rare tracks from key figures of the time including Oby Onyioha (with a crucial Burning Spear cover) and Orits Williki.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Label:Mr Bongo
Cat-No:MRBLP128
Release-Date:17.08.2021
Genre:World Music
Configuration:LP
Barcode:
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Label:Mr Bongo
Cat-No:MRBLP128
Release-Date:17.08.2021
Genre:World Music
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1
Novos Baianos - Brasil Pandeiro
2
Novos Baianos - Preta Pretinha
3
Novos Baianos - Tinindo Trincando
4
Novos Baianos - Swing De Campo Grande
5
Novos Baianos - Acabou Chorar
6
Novos Baianos - Mistério Do Planeta
7
Novos Baianos - A Menina Dança
8
Novos Baianos - Besta É Tu
9
Novos Baianos - Um Bilhete P'ra Didi
10
Novos Baianos - Preta Pretinha
Repress!
Official Mr Bongo reissue.
** Voted No. 1 in the ‘Top 100 Brazilian Albums Ever’ in Rolling Stone Magazine, Brazil **
'Acabou Chorare' is the second album from 'Novos Baianos’, who formed in Bahia, Brazil in the 1960’s. They are considered to be one of the most important and revolutionary groups in Brazilian music.
'Acabou Chorare’ was originally released in 1972 by Som Livre after the success of their first LP 'É Ferro na Boneca’ in 1970. It is considered to be one of the most important and influential albums of all time, charting at number one in a Rolling Stone Brazil's 'Top 100 Brazilian Albums Ever’ chart. 'Preta, Pretinha’ placed 20th in the same publications list of the greatest Brazilian songs of all time. Upon release, 'Acabou Chorare' stayed near the top on the album charts for more than thirty weeks, and received huge radio support across the country. It also became very popular in Europe shortly afterwards.
The unique sound of this record is a result of the fusion of samba, MPB, rock ‘n’ roll and bossa nova, and strong influences from Gilberto Gil, who frequently played with the group, and bossa nova legend Joao Gilberto.
The album was written by Moraes Moreira, Luiz Galvão, Jorginho Gomes, Assis Valente, Pepeu Gomes and Paulinho Boca de Cantor.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Official Mr Bongo reissue.
** Voted No. 1 in the ‘Top 100 Brazilian Albums Ever’ in Rolling Stone Magazine, Brazil **
'Acabou Chorare' is the second album from 'Novos Baianos’, who formed in Bahia, Brazil in the 1960’s. They are considered to be one of the most important and revolutionary groups in Brazilian music.
'Acabou Chorare’ was originally released in 1972 by Som Livre after the success of their first LP 'É Ferro na Boneca’ in 1970. It is considered to be one of the most important and influential albums of all time, charting at number one in a Rolling Stone Brazil's 'Top 100 Brazilian Albums Ever’ chart. 'Preta, Pretinha’ placed 20th in the same publications list of the greatest Brazilian songs of all time. Upon release, 'Acabou Chorare' stayed near the top on the album charts for more than thirty weeks, and received huge radio support across the country. It also became very popular in Europe shortly afterwards.
The unique sound of this record is a result of the fusion of samba, MPB, rock ‘n’ roll and bossa nova, and strong influences from Gilberto Gil, who frequently played with the group, and bossa nova legend Joao Gilberto.
The album was written by Moraes Moreira, Luiz Galvão, Jorginho Gomes, Assis Valente, Pepeu Gomes and Paulinho Boca de Cantor.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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7"
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Last in:25.11.2025
Label:Mr Bongo
Cat-No:BRZ45030
Release-Date:21.06.2024
Genre:Funk
Configuration:7"
Barcode:
1
Marcos Valle - Estrelar
2
Robson Jorge & Lincoln Olivetti - Alleluia
Repress!
Marcos Valle is back again, this time with the almighty ‘Estrelar’, his most well known disco/boogie track co-written with Leon Ware. Added hints of Yacht Rock too! The video, filmed in Rio in the early 1980’s, is particular special and is well worth 5 minutes of your time. Marketed as “workout music" at the time, ‘Estrelar’ was his best-selling record with a total of around 90,000 sales. ‘Estrelar’ is taken from his 1983 self titled LP released on Som Livre.
'Alleluia' –– two of the masters of the Brazilian Boogie sound joined forces to make a self-titled LP released in 1982 that epitamised the sound of early 80’s Rio de Janeiro. Synths and keys float over razor sharp samba, jazz and 2-step drum grooves backed by huge layers of horns. Production is as shiny, bright and ultra clean as it ever got! ‘Alleluia’ is a mid tempo groover, with rich horns, guitar, synth and vocal lines. An end of the night jam if ever there was one. Released on the LP mentioned above and also on 7” in 1983.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Marcos Valle is back again, this time with the almighty ‘Estrelar’, his most well known disco/boogie track co-written with Leon Ware. Added hints of Yacht Rock too! The video, filmed in Rio in the early 1980’s, is particular special and is well worth 5 minutes of your time. Marketed as “workout music" at the time, ‘Estrelar’ was his best-selling record with a total of around 90,000 sales. ‘Estrelar’ is taken from his 1983 self titled LP released on Som Livre.
'Alleluia' –– two of the masters of the Brazilian Boogie sound joined forces to make a self-titled LP released in 1982 that epitamised the sound of early 80’s Rio de Janeiro. Synths and keys float over razor sharp samba, jazz and 2-step drum grooves backed by huge layers of horns. Production is as shiny, bright and ultra clean as it ever got! ‘Alleluia’ is a mid tempo groover, with rich horns, guitar, synth and vocal lines. An end of the night jam if ever there was one. Released on the LP mentioned above and also on 7” in 1983.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
pre-sale
Label:Panorama
Cat-No:PAN011
Release-Date:20.03.2026
Genre:Brazil, Bossa, Salsa
Configuration:7"
Barcode:
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Label:Panorama
Cat-No:PAN011
Release-Date:20.03.2026
Genre:Brazil, Bossa, Salsa
Configuration:7"
Barcode:
1
Fruko Y Sus Tesos - A La Memoria Del Muerto
2
The Latin Brothers - Buscándote
Fresh on the Discos Panorama series, we head back to Colombia with the undisputed king Fruko y Sus Tesos, pairing him with another all-time classic on the flip from The Latin Brothers. Two heavyweight dancefloor cuts, one essential 7inch.
On the A-side, Fruko does what he does best — driving, percussive salsa built for movement, locked-in rhythm section, sharp horns, and that unmistakable swing that’s kept his records in DJ bags for decades. On the flip, “Buscándote” from The Latin Brothers brings a slower, more melodic touch without losing any punch — real music.
Both sides feature the presence of the legendary Piper Pimienta Díaz on vocals. His voice is raw, expressive, and instantly recognisable. A true legend of the game.
Part of PANORAMA’s Discos Panorama series, this release continues the label’s focus on Colombian salsa at its most vital and dancefloor-ready. Carefully selected, respectfully remastered, and pressed for DJs and collectors alike — music that’s been doing the work for years, now brought back where it belongs.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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On the A-side, Fruko does what he does best — driving, percussive salsa built for movement, locked-in rhythm section, sharp horns, and that unmistakable swing that’s kept his records in DJ bags for decades. On the flip, “Buscándote” from The Latin Brothers brings a slower, more melodic touch without losing any punch — real music.
Both sides feature the presence of the legendary Piper Pimienta Díaz on vocals. His voice is raw, expressive, and instantly recognisable. A true legend of the game.
Part of PANORAMA’s Discos Panorama series, this release continues the label’s focus on Colombian salsa at its most vital and dancefloor-ready. Carefully selected, respectfully remastered, and pressed for DJs and collectors alike — music that’s been doing the work for years, now brought back where it belongs.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Configuration:LP
Barcode:789993994991
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Label:International Anthem
Cat-No:IARC0089LP
Release-Date:22.11.2024
Configuration:LP
Barcode:789993994991
In their first bout of new music since 2022’s critically celebrated Mondays at Enfield Tennis Academy, Jeff Parker and his ETA IVtet find themselves exploring the depths of improvised jazz grooves on The Way Out of Easy.
Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
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Germany
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Tracklist
1.1Freakadelic
1.2Late Autumn
2.1Easy Way Out
2.2Chrome Dome
Listen: https://listen.k7.com/3b02e2f5-05af-484c-8bbe-5645f87763dc
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Liebigstrasse 2-20
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Label:Lamunai Records
Cat-No:LMR024
Release-Date:16.05.2025
Genre:World Music
Configuration:12"
Barcode:5050580850149
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Label:Lamunai Records
Cat-No:LMR024
Release-Date:16.05.2025
Genre:World Music
Configuration:12"
Barcode:5050580850149
1
Upit Sarimanah - Tumbila Di Adu Boksen
2
Upit Sarimanah - Sambatan Sakadang Kuja
3
Upit Sarimanah - Pantja Sila
4
Upit Sarimanah - Tjiandjur
5
Upit Sarimanah - Haleuang Abdi
6
Upit Sarimanah - Kitjir-Kitjir
7
Upit Sarimanah - Oraj Welang
8
Upit Sarimanah - Tjikapundung
9
Upit Sarimanah - Kunaon Neuteup Ka Abdi
10
Upit Sarimanah - Kongkorongok Hajam
11
Upit Sarimanah - Order Baru
12
Upit Sarimanah - Maling Tjabe
Upit Sarimanah's self-titled album is here, a captivating collection of songs that reimagined what Sundanese music really means. Originally released by Mesra Records, it finally got repressed by LaMunai Records after out of circulation for decades. Born Suryamah on April 16, 1928, in Sadang, Purwakarta, Upit Sarimanah was a famous Indonesian singer, particularly known for her traditional Sundanese songs in the 1950s. She was a prominent figure at RRI Jakarta from 1950 to 1984 and also led the Gamelan Siliwangi.
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Label:Khotin Industries
Cat-No:KIND011
Release-Date:28.11.2025
Configuration:12"
Barcode:
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Label:Khotin Industries
Cat-No:KIND011
Release-Date:28.11.2025
Configuration:12"
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1
Khotin - You Made My Weekend Wonderful
2
Khotin - HP 1
3
Khotin - Drrrrruid Dance (Ft. Nik 7)
4
Khotin - Vacation (Spam Free Mix)
5
Khotin - Oasis Bioreference
6
Khotin - On Heaven
Repress!
Incoming transmission: six shimmering new tracks on the downtempo spectrum from the Khotin Industries Northern HQ. Peace to all listeners.
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Incoming transmission: six shimmering new tracks on the downtempo spectrum from the Khotin Industries Northern HQ. Peace to all listeners.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:International Anthem
Cat-No:IARC0033LP11
Release-Date:27.06.2025
Configuration:LP
Barcode:634457209138
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Label:International Anthem
Cat-No:IARC0033LP11
Release-Date:27.06.2025
Configuration:LP
Barcode:634457209138
Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Classic Black 140g LP inside a heavyweight reverse-board jacket with 8-page insert booklet (new for IA11, with additional photos and new liner notes written by IE bassist Luke Stewart), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with new lacquers cut by Daniel K at SST.
https://listen.k7.com/4f6ed595-3399-4ff1-8de6-d4ec011ef652
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Germany
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Classic Black 140g LP inside a heavyweight reverse-board jacket with 8-page insert booklet (new for IA11, with additional photos and new liner notes written by IE bassist Luke Stewart), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with new lacquers cut by Daniel K at SST.
https://listen.k7.com/4f6ed595-3399-4ff1-8de6-d4ec011ef652
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
