Label:Warme Deken Records
Cat-No:wd.003
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182294
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Label:Warme Deken Records
Cat-No:wd.003
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182294
1
Club Warme Deken - Smokey And The Fundance Kid ft. Nikolai
2
Club Warme Deken - Mixdemos ft. San Proper
3
Club Warme Deken - Mind The Gap ft. Testa Rosa
4
Club Warme Deken - Droidt ft. San Proper
5
Club Warme Deken - Grappa ft. Nikolai
GENRE/S: HOUSE
TRACKLISTS:
A1. Smokey And The Fundance Kid ft. Nikolai
A2. Mixdemos ft. San Proper
B1. Mind The Gap ft. Testa Rosa
B2. Droidt ft. San Proper
B3. Grappa ft. Nikolai
SHORT INFO:
Time to freshen up
More
TRACKLISTS:
A1. Smokey And The Fundance Kid ft. Nikolai
A2. Mixdemos ft. San Proper
B1. Mind The Gap ft. Testa Rosa
B2. Droidt ft. San Proper
B3. Grappa ft. Nikolai
SHORT INFO:
Time to freshen up
More
More records from Warme Deken Records
7" Excl
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Label:Warme Deken Records
Cat-No:wd.002
Release-Date:07.06.2024
Genre:House
Configuration:7" Excl
Barcode:4251804181570
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Label:Warme Deken Records
Cat-No:wd.002
Release-Date:07.06.2024
Genre:House
Configuration:7" Excl
Barcode:4251804181570
1
Club Warme Deken & San Proper - Night Susan
2
Club Warme Deken & San Proper - Boom-A-Rang
GENRE/S: House
TRACKLISTS:
A1: Night Susan
B1: Boom-A-Rang
SHORT INFO:
‘Two pop-infused tunes from under the blanket, ahead of their upcoming new EP, stay tuned!’
More
TRACKLISTS:
A1: Night Susan
B1: Boom-A-Rang
SHORT INFO:
‘Two pop-infused tunes from under the blanket, ahead of their upcoming new EP, stay tuned!’
More
12" Excl
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Label:Warme Deken Records
Cat-No:wd.001
Release-Date:16.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142403
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Label:Warme Deken Records
Cat-No:wd.001
Release-Date:16.06.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142403
1
Club Warme Deken - Summer of Dove
2
Club Warme Deken ft. San Proper - Bucketliszt
3
Club Warme Deken - Call 122
4
Club Warme Deken - Acid for Kids
5
Club Warme Deken ft. San Proper - Keep it Simple
6
Club Warme Deken - Stiefeling
Comes with artwork-inlay of the Warme Deken Studio by Amsterdam based artist Jarmo Van Berkel.
GENRE/S: House
TRACKLIST:
A1 Summer of Dove
A2 Bucketliszt ft. San Proper
A3 Call 122
B1 Acid for Kids
B2 Keep it Simple ft. San Proper
B3 Stiefeling
SHORT INFO: Here come the warm blankets
More
GENRE/S: House
TRACKLIST:
A1 Summer of Dove
A2 Bucketliszt ft. San Proper
A3 Call 122
B1 Acid for Kids
B2 Keep it Simple ft. San Proper
B3 Stiefeling
SHORT INFO: Here come the warm blankets
More
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Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
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Cat-No:bewith023twelve
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Label:Toy Tonics
Cat-No:TOYT164
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:0880655516411
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Label:Toy Tonics
Cat-No:TOYT164
Release-Date:12.07.2024
Genre:House
Configuration:12" Excl
Barcode:0880655516411
1
Paul Older - Guapita
2
Paul Older - Keep On
3
Paul Older - I Like It, I Wanna It (Extended Version)
4
Paul Older - Loop Story
Tracklist 12":
A1) Guapita
A2) Keep On
B1) I Like It, I Wanna It (Extended Version)
B2) Loop Story
Toy Tonics comes with the first EP by Paul Older. Italian hero of vinyl diggers and maestro of rare edits. Paul is known for doing some of the sickest versions of rare jazz funk and Italian disco around. Played by every important DJ of the scene. Finally now he did his forst „legal“ record. 4 mad tracks based on recording of real musicians and bands from the Sonoton catalogue that he reworked legally and created smashing tracks for the dancefloors. This is amazing organic dance music. Live bass, drums, guitars and keyboards... played in a Afro-American vibe turned into modern house and indie dance that will put every dancefloor on fire.
More
A1) Guapita
A2) Keep On
B1) I Like It, I Wanna It (Extended Version)
B2) Loop Story
Toy Tonics comes with the first EP by Paul Older. Italian hero of vinyl diggers and maestro of rare edits. Paul is known for doing some of the sickest versions of rare jazz funk and Italian disco around. Played by every important DJ of the scene. Finally now he did his forst „legal“ record. 4 mad tracks based on recording of real musicians and bands from the Sonoton catalogue that he reworked legally and created smashing tracks for the dancefloors. This is amazing organic dance music. Live bass, drums, guitars and keyboards... played in a Afro-American vibe turned into modern house and indie dance that will put every dancefloor on fire.
More
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Label:SVMRMX
Cat-No:SVMRMX001
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:
1
Bellaire - Daytime (Session Victim Remix)
2
Sweatson Klank - The Road To Love (Session Victim Remix)
Two certified club bangers finally available on wax, super lmtd. Edition!
Finally two highly acclaimed Session Victim Remixes for high profile artists Bellaire and Sweatson Klank are being released on vinyl for the first and only time.
A1 - Bellaire - Daytime (Session Victim Remix)
B1 - Sweatson Klank - The Road To Love (Session Victim Remix)
More
Finally two highly acclaimed Session Victim Remixes for high profile artists Bellaire and Sweatson Klank are being released on vinyl for the first and only time.
A1 - Bellaire - Daytime (Session Victim Remix)
B1 - Sweatson Klank - The Road To Love (Session Victim Remix)
More
12" Excl
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Label:Big Beat Manifesto
Cat-No:BBM001
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182157
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Label:Big Beat Manifesto
Cat-No:BBM001
Release-Date:26.07.2024
Genre:House
Configuration:12" Excl
Barcode:4251804182157
1
Colter Carson - A1 Tabu (06:30 min)
2
Colter Carson - A2 Love Cave (05:05 min)
3
Colter Carson - B1 Bass in Space (09:42 min)
4
Colter Carson - B2 DJ Drum Tool Edit (04:35 min)
5
Colter Carson - B3 Alto Voltaje (07:30 min)
12"
Tracklist:
A-Side
A1 Tabu (06:30 min)
A2 Love Cave (05:05 min)
B-Side
B1 Bass in Space (09:42 min)
B2 DJ Drum Tool Edit (04:35 min)
B3 Alto Voltaje (07:30 min)
Short information:
As an extension of his highly successful „Big Beat Manifesto“ series on Public
Possession, currently standing at Volume XI, Eden now opens up his garden to invite
some friends. The BBM label will host a series of releases that are close to his heart.
Secret D.J. Tools, meditative seances & more. Kicking of the new label is young
fellow kiwi Colter Carson, delivering 5 stellar dance songs. Already tested &
approved this mix of heavy percussion, quirky baselines and large synths will be just
the right treat for all fans of the Big Beats! More
Tracklist:
A-Side
A1 Tabu (06:30 min)
A2 Love Cave (05:05 min)
B-Side
B1 Bass in Space (09:42 min)
B2 DJ Drum Tool Edit (04:35 min)
B3 Alto Voltaje (07:30 min)
Short information:
As an extension of his highly successful „Big Beat Manifesto“ series on Public
Possession, currently standing at Volume XI, Eden now opens up his garden to invite
some friends. The BBM label will host a series of releases that are close to his heart.
Secret D.J. Tools, meditative seances & more. Kicking of the new label is young
fellow kiwi Colter Carson, delivering 5 stellar dance songs. Already tested &
approved this mix of heavy percussion, quirky baselines and large synths will be just
the right treat for all fans of the Big Beats! More
Label:Quintessentials
Cat-No:Quintesse91
Release-Date:16.08.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180184
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Label:Quintessentials
Cat-No:Quintesse91
Release-Date:16.08.2024
Genre:House
Configuration:12" Excl
Barcode:4251804180184
1
RALPH SESSION - A : I know you can
2
RALPH SESSION - B1: Take me higher
3
RALPH SESSION - B2: House family
Tracklist 12" :
A : I know you can
B1: Take me higher
B2: House family
Short info:
Ralph Session is no stranger to the House music scene. He's been dropping House tunes for years on quality labels like Razor n Tape, Local Talk, Freerange, Nervous…and he's not stopping there! His "For The House Heads" release on Quintessentials combines NYC Deep House vibes with modern & classic touches. Awaiting you are 3 dope club cuts he's crafted, complete with punchy beats, heavy bass lines, uplifting vocals and catchy melodies. This summer will be a hot one for the House heads!
More
A : I know you can
B1: Take me higher
B2: House family
Short info:
Ralph Session is no stranger to the House music scene. He's been dropping House tunes for years on quality labels like Razor n Tape, Local Talk, Freerange, Nervous…and he's not stopping there! His "For The House Heads" release on Quintessentials combines NYC Deep House vibes with modern & classic touches. Awaiting you are 3 dope club cuts he's crafted, complete with punchy beats, heavy bass lines, uplifting vocals and catchy melodies. This summer will be a hot one for the House heads!
More
Label:Scharnhorst
Cat-No:scharnhorst05.5
Release-Date:26.07.2024
Genre:Techno
Configuration:12" Excl
Barcode:
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Label:Scharnhorst
Cat-No:scharnhorst05.5
Release-Date:26.07.2024
Genre:Techno
Configuration:12" Excl
Barcode:
1
RP - MFG
2
RP - THNKYNL
3
RP - DNTKNWWHTCNSVYFRM
4
RP - DPNDNCS
5
RP - CHGRNDLMR
Cat.No: SCHARNHORST005.5
Genre: Techno, Tech-House
Tracklist 12”:
A1 – MFG
A2 – THNKYNL
B1 – DNTKNWWHTCNSVYFRM
B2 – DPNDNCS
B3 – CHGRNDLMR
Info:
Summertime with RP on fire! Who else grooves like him on this record? Only on vinyl! More
Genre: Techno, Tech-House
Tracklist 12”:
A1 – MFG
A2 – THNKYNL
B1 – DNTKNWWHTCNSVYFRM
B2 – DPNDNCS
B3 – CHGRNDLMR
Info:
Summertime with RP on fire! Who else grooves like him on this record? Only on vinyl! More
12" Excl
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Label:Noland Tracks
Cat-No:NOT-04
Release-Date:05.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:
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Cat-No:NOT-04
Release-Date:05.07.2024
Genre:Deephouse
Configuration:12" Excl
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1
Joãozinho Morgado & Gebrüder Teichmann
- Morgadinho (Gebrüder Teichmann Remix)
2
Gebrüder Teichmann
- Kalimada
When Mano asked Gebrüder Teichmann to do a remix for Joãozinho Morgado, the King of Drums (O Rei dos Tambores) the two brothers couldn´t get more excited:
Starting from a love for dirty fast Kuduro beats those two pale potatoes, who spent years in dark Berlin basement underground clubs have been infected by energetic Angolan rhythms.
During their stays and musical collaborations in Luanda, they soon found Semba, Kazukuta, Kilapanga, Rumba and Merengue and all that fantastic musicians and music of the 60´s and 70´s golden age of Angolan music. Morgadinho was originally recorded at Gravisom studio in Lisbon, where Joãozinho Morgado orchestrated a groovy jam session with the Turma da Bênção project by Conjunto Angola 70 & Paulo Flores. Joãozinho was accompanied by Botto Trindade (Solo Guitar), Pirika Duia (Viola Ritmo), Mayo Bass (Viola Bass) and Galiano Neto (Percussion). The session was coordinated by Armando Gobliss.
A
Joãozinho Morgado - Morgadinho (Gebrüder Teichmann Remix)
Original version courtesy of Mano for Keep On Pushin Records
B
Gebrüder Teichmann - Kalimada
More
Starting from a love for dirty fast Kuduro beats those two pale potatoes, who spent years in dark Berlin basement underground clubs have been infected by energetic Angolan rhythms.
During their stays and musical collaborations in Luanda, they soon found Semba, Kazukuta, Kilapanga, Rumba and Merengue and all that fantastic musicians and music of the 60´s and 70´s golden age of Angolan music. Morgadinho was originally recorded at Gravisom studio in Lisbon, where Joãozinho Morgado orchestrated a groovy jam session with the Turma da Bênção project by Conjunto Angola 70 & Paulo Flores. Joãozinho was accompanied by Botto Trindade (Solo Guitar), Pirika Duia (Viola Ritmo), Mayo Bass (Viola Bass) and Galiano Neto (Percussion). The session was coordinated by Armando Gobliss.
A
Joãozinho Morgado - Morgadinho (Gebrüder Teichmann Remix)
Original version courtesy of Mano for Keep On Pushin Records
B
Gebrüder Teichmann - Kalimada
More
2LP Excl
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Cat-No:ERE1000
Release-Date:09.08.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:197342611107
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Cat-No:ERE1000
Release-Date:09.08.2024
Genre:HipHop/Rap/Urban
Configuration:2LP Excl
Barcode:197342611107
2xLP, Gatefold Jacket,Black Vinyl
About:
Following his most commercially and critically successful year to date, Conway the Machine returns with his first full length offering of 2024, “Slant Face Killah.” Long teased as the second half of the chart-topping 2023 album, “WON’T HE DO IT,” fans see Conway the Machine embracing his killer instincts on the mic, and doing so with versatility - rapping over the familiar gritty, dark beats fans remember discovering him on during his come up (Milano Nights, Pt. 1) to more unconventional beats, showcasing his ability to adapt and grow (Raw!). With an impressive feature list including Method Man, Raekwon, Joey Bada$$, Larry June, Key Glock, Jay Worthy & more, and production from heavyweight producers such as The Alchemist, Daringer, Conductor Williams, Cardo, Swizz Beatz & more, The Machine illustrates both his reach in today’s rap game, as well as his ability as a tastemaker. Known for consistently delivering quality music for his die-hard fans, The Machine is back to put his stamp on 2024. 2xLP Vinyl, includes Gatefold Jacket.
Key Marketing/Selling:
• Conway the Machine is a member of the well known Hip-Hop collective, Griselda, which includes artists such as Westside Gunn & Benny the Butcher
• Griselda/Drumwork titles are heavy physical movers and rarely offered at retail
• Documentary detailing the album creation process released on YouTube
• Features include Stove God Cooks, Larry June, Method Man, SK Da King, Flee Lord, Joey Bada$$, Key Glock, Rya Maxwell, Tech N9ne, Jay Worthy, T.F., 2 Eleven, Ab-Soul & Raekwon, with production handled by The Alchemist, Swizz Beatz, Cool & Dre, Camouflage Monk, Beat Butcha, Conductor Williams, Cardo, Don Cannon, Cubeatz, Daringer, Napes & More
• Music videos released for several tracks, with more videos to come post release
• Album trailer released, including footage of him linking up with pop star Dua Lipa
• Press/radio coverage from outlets such as RapRadar, HotNewHipHop, XXL, Essence, HipHopDX, Revolt, BrooklynVegan & more
• Interview released with Clash Magazine
• Recently concluded impressive European run
Tracklist:
A1/1. Despertar
A2/2. Mutty (feat. Stove God Cooks)
A3/3. Give & Give (feat. Cool & Dre)
A4/4. Milano Nights, Pt. 1
B1/5. Kin Xpress (feat. Larry June)
B2/6. Meth Back! (feat. Method Man, SK Da King & Flee Lord)
B3/7. Ninja Man (feat. Swizz Beatz)
C1/8. Vertino (feat. Joey Bada$$)
C2/9. Ten / Rya Interlude (feat. Key Glock & Rya Maxwell)
C3/10. Dasani
C4/11. Raw! (feat. Tech N9ne)
D1/12. Surf & Turf (feat. Jay Worthy, T.F, 2 Eleven & Ab-Soul)
D2/13. Karimi
D3/14. The Red Moon In Osaka (feat. Raekwon)
Socials:
Twitter: 142.3k followers
IG: 664k followers
FB: 121k followers
YT: 216k subs / 123M+ views
More
About:
Following his most commercially and critically successful year to date, Conway the Machine returns with his first full length offering of 2024, “Slant Face Killah.” Long teased as the second half of the chart-topping 2023 album, “WON’T HE DO IT,” fans see Conway the Machine embracing his killer instincts on the mic, and doing so with versatility - rapping over the familiar gritty, dark beats fans remember discovering him on during his come up (Milano Nights, Pt. 1) to more unconventional beats, showcasing his ability to adapt and grow (Raw!). With an impressive feature list including Method Man, Raekwon, Joey Bada$$, Larry June, Key Glock, Jay Worthy & more, and production from heavyweight producers such as The Alchemist, Daringer, Conductor Williams, Cardo, Swizz Beatz & more, The Machine illustrates both his reach in today’s rap game, as well as his ability as a tastemaker. Known for consistently delivering quality music for his die-hard fans, The Machine is back to put his stamp on 2024. 2xLP Vinyl, includes Gatefold Jacket.
Key Marketing/Selling:
• Conway the Machine is a member of the well known Hip-Hop collective, Griselda, which includes artists such as Westside Gunn & Benny the Butcher
• Griselda/Drumwork titles are heavy physical movers and rarely offered at retail
• Documentary detailing the album creation process released on YouTube
• Features include Stove God Cooks, Larry June, Method Man, SK Da King, Flee Lord, Joey Bada$$, Key Glock, Rya Maxwell, Tech N9ne, Jay Worthy, T.F., 2 Eleven, Ab-Soul & Raekwon, with production handled by The Alchemist, Swizz Beatz, Cool & Dre, Camouflage Monk, Beat Butcha, Conductor Williams, Cardo, Don Cannon, Cubeatz, Daringer, Napes & More
• Music videos released for several tracks, with more videos to come post release
• Album trailer released, including footage of him linking up with pop star Dua Lipa
• Press/radio coverage from outlets such as RapRadar, HotNewHipHop, XXL, Essence, HipHopDX, Revolt, BrooklynVegan & more
• Interview released with Clash Magazine
• Recently concluded impressive European run
Tracklist:
A1/1. Despertar
A2/2. Mutty (feat. Stove God Cooks)
A3/3. Give & Give (feat. Cool & Dre)
A4/4. Milano Nights, Pt. 1
B1/5. Kin Xpress (feat. Larry June)
B2/6. Meth Back! (feat. Method Man, SK Da King & Flee Lord)
B3/7. Ninja Man (feat. Swizz Beatz)
C1/8. Vertino (feat. Joey Bada$$)
C2/9. Ten / Rya Interlude (feat. Key Glock & Rya Maxwell)
C3/10. Dasani
C4/11. Raw! (feat. Tech N9ne)
D1/12. Surf & Turf (feat. Jay Worthy, T.F, 2 Eleven & Ab-Soul)
D2/13. Karimi
D3/14. The Red Moon In Osaka (feat. Raekwon)
Socials:
Twitter: 142.3k followers
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Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
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Label:imbalance computer music
Cat-No:ML-036LP
Release-Date:06.09.2024
Configuration:2LP Excl
Barcode:5051142068927
1
Monolake - 01 The Elders Disagree
2
Monolake - 02 Thru Stalactites
3
Monolake - 03 Signals
4
Monolake - 04 Cute Little Aliens
5
Monolake - 05 Intermezzo
6
Monolake - 06 Global Transport
7
Monolake - 07 Stasis Field
8
Monolake - 08 Prime Lundy
9
Monolake - 09 Red Alphonso
10
Monolake - 10 Eclipse
2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse
Composed, mixed and produced by Robert Henke 2024.. More
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180054
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Last in:28.06.2024
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Last in:28.06.2024
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180054
1
Edward - A1 Primal Dream
2
Edward - A2 Blue Glue
3
Edward - B1 Eddie Green
4
Edward - B2 So Slow
12" - Cover Artwork by Stefan Marx
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
Label:Limousine Dream
Cat-No:TSOL013-LP
Release-Date:23.08.2024
Genre:techhouse
Configuration:2LP
Barcode:
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Label:Limousine Dream
Cat-No:TSOL013-LP
Release-Date:23.08.2024
Genre:techhouse
Configuration:2LP
Barcode:
1
Darren Roach - The Truth
2
Darren Roach - Pier 23
3
Darren Roach - Disclaimer (Vronski & Roach)
4
Darren Roach - Low Ranger Don't Stop
5
Darren Roach - What You've Made (Ode To Nat Mix)
6
Darren Roach - BB
7
Darren Roach - Helm's Deep
8
Darren Roach - Augusto
Darren Roach’s debut album lands on Limo! With its sights set squarely on the dancefloor, ‘Low Ranger’ may seem to have come out of nowhere, but to those who have been paying attention, his music has never stopped making an impact. Roach boasts a catalog of releases that begins in the ‘90s, and a few of these long-lost pearls resurface here, freshly mastered and ready to go. The bulk of the album, however, consists of freshly crafted nuggets that will surely stand the test of time just the same. The album is a testament that truly good music doesn’t degrade over time, and the decades of quality behind ‘Low Ranger’ reveal a master of his craft.
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Label:Dark Entries
Cat-No:DE-001
Release-Date:19.07.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
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Label:Dark Entries
Cat-No:DE-001
Release-Date:19.07.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
1
Eleven Pond - Tear & Cinnamon
2
Eleven Pond - Watching Trees
3
Eleven Pond - Days Hence
4
Eleven Pond - Tightrope
5
Eleven Pond - Asterisk
6
Eleven Pond - Portugal
7
Eleven Pond - Moving Nowhere
8
Eleven Pond - Changing Face
9
Eleven Pond - Temporeal
10
Eleven Pond - Ignorant Father
11
Eleven Pond - Ask / Jealousy
Dark Entries celebrates its 15th anniversary by returning to where it all started, our initial darkest entry: Eleven Pond’s masterpiece Bas Relief, an ultra-obscure album from 1986 that would become a definitive dark pop holy grail. Eleven Pond was James Tabbi (vocals, acoustic guitar), Jeff Gallea (drum machine, synthesizer, vocals), Jack Schaeffer (guitar) and Dan Brumley (synthesizer, samples, vocoder, melodica). They met in Rochester, NY, while attending art school, brought together by their shared love of 4AD and Factory Records. Taking cues from acts like Joy Division, Fad Gadget, and For Against, Eleven Pond’s infectious basslines, churning guitar riffs, and atmospheric synths will charm all fans of moody music. But what really makes Bas Relief shine is the timeless songwriting on classics like “Tear and Cinnamon”, “Portugal”, and the anthemic “Watching Trees.”
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More
With only 500 copies in it’s initial release, Bas Relief resurfaces with a fresh remaster that corrects a pitch shift from previous reissues. Each copy is housed in a screen printed jacket, like the 1986 edition, and includes a lyric sheet, two postcards and a bookmark. Bas Relief is a true lost relic of the cold 80’s and an essential piece Dark Entries history. More