Label:Motion Ward
Cat-No:MWR001
Release-Date:07.06.2024
Configuration:LP
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Label:Motion Ward
Cat-No:MWR001
Release-Date:07.06.2024
Configuration:LP
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1
Hysterical Love Project - Miracle Mouthed
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Hysterical Love Project - Boyracer
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Hysterical Love Project - Come 2 Me, My Baby
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Hysterical Love Project - Oil Slicks (Song For The Spirals)
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Hysterical Love Project - Heat Of A Bolting Horse
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Hysterical Love Project - Lavender
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Hysterical Love Project - Your Laugh As My Ringtone
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Hysterical Love Project - See You At The
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Hysterical Love Project - Ionian Sea
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Hysterical Love Project - I Hope I See Some Of My Haters Out Tonight
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Hysterical Love Project - Cement
The new album from Hysterical Love Project is a moody collection of guitar-shimmered downtempo odes. Lashed by the blue-hot debris of missing, it reverbs with adoration for those dear and far. It says I'm sorry for taking photos of sunsets, I couldn't wait to be alive.
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Label:Motion Ward
Cat-No:MW011
Release-Date:20.09.2024
Configuration:LP
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Label:Motion Ward
Cat-No:MW011
Release-Date:20.09.2024
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Ulla & Ultrafog - dumb rain
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Ulla & Ultrafog - room core
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Ulla & Ultrafog - sad bowl
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Ulla & Ultrafog - lame mart
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Ulla & Ultrafog - pm filter
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Ulla & Ultrafog - jesses car
Repress !
Two individuals from faraway journeyed the world together, and were given many tiny gifts from the surroundings. Then the music came out as a matter of course, as if a thing was being put in its right place. More
Two individuals from faraway journeyed the world together, and were given many tiny gifts from the surroundings. Then the music came out as a matter of course, as if a thing was being put in its right place. More
Label:Motion Ward
Cat-No:MW008
Release-Date:21.04.2023
Configuration:2LP
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Last in:25.06.2024
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Label:Motion Ward
Cat-No:MW008
Release-Date:21.04.2023
Configuration:2LP
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1
Pontiac Stretaor - Cum Angelus
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Pontiac Stretaor - Post Los
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Pontiac Stretaor - Triz Cohors pt. 3
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Pontiac Stretaor - Lamp Fest
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Pontiac Stretaor - Transier Unt
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Pontiac Stretaor - Trizlang Gem Ft. Ulla
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Pontiac Stretaor - Stuck In A Cave
Label:Motion Ward
Cat-No:MW010
Release-Date:25.11.2022
Genre:Electronic
Configuration:LP
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Label:Motion Ward
Cat-No:MW010
Release-Date:25.11.2022
Genre:Electronic
Configuration:LP
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1
Ura - Halogen
2
Ura - Medicate
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Ura - 4give
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Ura - Let The VST Cry For You
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Ura - Baby With A Halo
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Ura - Untitled
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Ura - Gluicide
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Ura - Lettingo
Baby with a Halo is the newest record by Montreal based artist Ura. The songs on here feel like little organisms. While familiar genre references may shadow the pieces, from the faint ash of reminiscence comes something tactile and singular to the person who sat with the sounds and felt how they might coexist. Everything is rhythmic, the textures arrive, disappear and respond to each other in ways that could make you forget there was someone behind the controls all along. The result is full of love and ambiguity ~ choose ur own journey.
All music written and recorded by Ura
Cover and back of sleeve designed by Shy
Labels designed by IS
Mastered by Anne Taegert at D&M
Mixing assistance by Francis Latreille More
All music written and recorded by Ura
Cover and back of sleeve designed by Shy
Labels designed by IS
Mastered by Anne Taegert at D&M
Mixing assistance by Francis Latreille More
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Label:Ilian Tape
Cat-No:ITLP18
Release-Date:10.11.2023
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Cat-No:ITLP18
Release-Date:10.11.2023
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1
Full Bloom - Respawn
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Full Bloom - Speed FM
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Full Bloom - Time Zones
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Full Bloom - Zwischenwelt
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Full Bloom - Schwabylon Dub
Full Bloom is an experimental sound collective traveling through polyrhythmic timezones and psychedelic soundscapes deeply rooted in the aesthetics of Jazz, Hip Hop, Afrobeat and Dub. Whatever happens, we try to convey a feeling that sits deep in your stomach and makes your body move!
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Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
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Last in:29.10.2024
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Last in:29.10.2024
Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
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Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
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Susumu Yokota - B2. Oh My God (2024 Remaster)
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Susumu Yokota - B3. Tambarin (2024 Remaster)
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Susumu Yokota - C1. Oponchi (2024 Remaster)
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Susumu Yokota - C2. Ao-oni (2024 Remaster)
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Susumu Yokota - C3.3. Akafuji (2024 Remaster)
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Susumu Yokota - D1. Alphaville (2024 Remaster)
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Susumu Yokota - D2. Tanuki (2024 Remaster)
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Susumu Yokota - E1. Floating G (2024 Remaster)**
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Susumu Yokota - E2. H (2024 Remaster)**
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Susumu Yokota - E3. B (2024 Remaster)**
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Susumu Yokota - F1. F (2024 Remaster)**
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Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
+ Show full info- Close
in stock
Last in:12.11.2024
Label:warp
Cat-No:WARPLP324
Release-Date:28.01.2022
Genre:Jazz
Configuration:LP
Barcode:
1
Nala Sinephro - Space 1
2
Nala Sinephro - Space 2
3
Nala Sinephro - Space 3
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Nala Sinephro - Space 4
5
Nala Sinephro - Space 5
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Nala Sinephro - Space 6
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Nala Sinephro - Space 7
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Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
Label:Soundway Records
Cat-No:SNDWLP139
Release-Date:30.07.2024
Genre:Jazz
Configuration:LP
Barcode:5060571361134
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Last in:05.11.2024
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Last in:05.11.2024
Label:Soundway Records
Cat-No:SNDWLP139
Release-Date:30.07.2024
Genre:Jazz
Configuration:LP
Barcode:5060571361134
Following on from his previous debut album Tape 1/Tape 2 on Soundway, Felbm delivers Tape 3/Tape 4: an intimate, emotional, lilting and melodic solo project. These 14 lo-fi, instrumental, jazz-infused sketches were written on guitar, with cascading keyboards, vibraphone and drum machine. Possessing a restorative and soothing quality, it goes some way to balancing out a chaotic year for the world at large. With echoes of the dreamier end of 1980s English indie-pop, minimal ambient music and Brazilian bossa-nova, Topper"s musical storybook includes touches of The Durutti Column, hints of Antônio Carlos Jobim and Baden Powell, whilst all set firmly in the summer fields of Germany and the Netherlands. The recording method used for the creation and recording of Tape 3 and Tape 4 follows the same as his previous release: all sketches were initially recorded onto cassette on a 4-track tape machine. Most notably a vibraphone finds its way onto almost every track fitting Topper"s sound-palette perfectly: warm yet distinctive, a percussive as well as sustaining sound that evokes some melancholy and a certain timeless nostalgia. Features that most certainly also apply to the other "new" instrument on the tapes: mellotron flutes. Tape 3/Tape 4 navigates the space between quiet, open, meditative tunes and more solid instrumental works, reflecting his constant search for an optimal balance between stillness and movement.
Tracklist
1.1Filatelie
1.2Tartufai
1.3Tiquetonne
1.4Veluwe
1.5Herausweh
1.6Talmen
1.7Heisei
1.8Brunnengasse
1.9Colorists
1.10Langeweile
1.11Beaufort
1.12Somnambulant
1.13Regtur
1.14Midori More
Tracklist
1.1Filatelie
1.2Tartufai
1.3Tiquetonne
1.4Veluwe
1.5Herausweh
1.6Talmen
1.7Heisei
1.8Brunnengasse
1.9Colorists
1.10Langeweile
1.11Beaufort
1.12Somnambulant
1.13Regtur
1.14Midori More
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Last in:24.09.2024
Label:NTS
Cat-No:NTSC5V
Release-Date:26.01.2024
Genre:Folk
Configuration:2LP
Barcode:
1
Albert Giménez - Conte Xinés
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John Lawson - Time Will Say Nothing But I Told You So
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Roberto Menabo - Il Ritorno Dell'Enola Gay
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Dominique - Aquarium
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Maurizio Angeletti - Zen & The Stone Game
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Hans Reichel - Could Be Nice Too
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Mickeranno - Dai Vetri
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Axel Schultheiss - Pas De Deux
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Norman Teeling - Two Rainbows
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Bojan Drobez - Krog Na Vodi
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Gereon Piller & Gerhard Krause - Blue Winter
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Peter Finger - Second Love
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Andy Bole - That Way
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Enrico Marcandalli - Il Divano Arancione
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Dave Maddison - Phase Shift By Earth
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Martin Kolbe & Ralf Illenberger - Veits Tanz
NTS presents European Primitive Guitar, a compilation of instrumental guitar compositions, mapping out European analogues of the American Primitive Guitar movement, spearheaded by John Fahey in the 1950s. European Primitive Guitar spans works directly influenced by and responding to Fahey’s approach to composition, alongside works by artists that arrived at similar conclusions independently. The music is, at once, both starkly traditional and contemporary. This is no more evident than with the opening song on the compilation, Spanish guitarist Albert Giménez’s 1982 composition Conte Xinès. The song draws on numerous idioms of music - flamenco, jazz, ambient music, and guitar soli - within its shimmering arpeggios, culminating as a decidedly Spanish music that has collected the ephemera of the guitar’s travels before returning home. The compilation also explores wider ideas around experimentalism happening in Europe during the time of this anthology. German composer Hans Reichel not only developed new ways of playing the instrument, but also new ways of building guitars - pushing the boundary of what a guitar could be and how it could sound.The compilation will be released on January 26th d as a 2xLP gatefold vinyl. The physical release is accompanied by an extended essay from The Hum’s Bradford Bailey.
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Label:Tresor Records
Cat-No:tresor365
Release-Date:14.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180801
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Last in:15.05.2024
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Last in:15.05.2024
Label:Tresor Records
Cat-No:tresor365
Release-Date:14.06.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804180801
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Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
Label:Tresor Records
Cat-No:TRESOR355
Release-Date:14.04.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804139717
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Last in:16.03.2024
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Last in:16.03.2024
Label:Tresor Records
Cat-No:TRESOR355
Release-Date:14.04.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804139717
1
LNS & DJ Sotofett - Reform 04:18
2
LNS & DJ Sotofett - Plexistorm 04:29
3
LNS & DJ Sotofett - 355 Loop A (vinyl only)
4
LNS & DJ Sotofett - Electric Terraforming 05:16
5
LNS & DJ Sotofett - 909 The Controller 04:13
6
LNS & DJ Sotofett - 355 Loop B (vinyl only)
Territories: World excl. UK + North America
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1 Reform 04:18
A2 Plexistorm 04:29
A3 355 Loop A (vinyl only)
B1 Electric Terraforming 05:16
B2 909 The Controller 04:13
B3 355 Loop B (vinyl only)
RELEASE INFO:
LNS and DJ Sotofett return to Tresor Records with The Reformer EP. This new record moves forward with a crystal clear,
direct and controlled output, leaving their debut album "Sputters" as an end-mark of a sonic era. Here they evolve into a
topography full of contrasts, where harsh digital artefacts, scanner sounds, and vocoder voices cast melodic colors across
cold landscapes of club-ready electro.
"Reform" plunges deep into an electro sound splintered by binary bits and submerged pads that beckon a serene melody,
which echoes and loops to entangle with mutant voices, noises and buzzes. "Plexistorm" leads with synthesized strings and
arpeggiated acidic bleeps until a thick bass emerges, sounding almost like a long-lost Analord record. Heavily shapeshifting
with eects processing, it proves primitive movements in dubbing are the perfect counterpart to this precise electro sound.
With "Electric Terraforming", the duo uncover charged energy sources required for life on another planet, as broad synth pads
and memorable vocoder harmonies draw this earworm to a close. Mighty washes of dub rule on "909 The Controller" as a
skipping beat invites a slow, rippling melody and percolating reverberated synths.
The vinyl record has significantly dierent sonics to the digital release, and, exclusively, each side ends in a locked groove
produced by DJ Sotofett. More
FORMAT 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
A1 Reform 04:18
A2 Plexistorm 04:29
A3 355 Loop A (vinyl only)
B1 Electric Terraforming 05:16
B2 909 The Controller 04:13
B3 355 Loop B (vinyl only)
RELEASE INFO:
LNS and DJ Sotofett return to Tresor Records with The Reformer EP. This new record moves forward with a crystal clear,
direct and controlled output, leaving their debut album "Sputters" as an end-mark of a sonic era. Here they evolve into a
topography full of contrasts, where harsh digital artefacts, scanner sounds, and vocoder voices cast melodic colors across
cold landscapes of club-ready electro.
"Reform" plunges deep into an electro sound splintered by binary bits and submerged pads that beckon a serene melody,
which echoes and loops to entangle with mutant voices, noises and buzzes. "Plexistorm" leads with synthesized strings and
arpeggiated acidic bleeps until a thick bass emerges, sounding almost like a long-lost Analord record. Heavily shapeshifting
with eects processing, it proves primitive movements in dubbing are the perfect counterpart to this precise electro sound.
With "Electric Terraforming", the duo uncover charged energy sources required for life on another planet, as broad synth pads
and memorable vocoder harmonies draw this earworm to a close. Mighty washes of dub rule on "909 The Controller" as a
skipping beat invites a slow, rippling melody and percolating reverberated synths.
The vinyl record has significantly dierent sonics to the digital release, and, exclusively, each side ends in a locked groove
produced by DJ Sotofett. More
Label:Emotional rescue
Cat-No:erc034
Release-Date:23.02.2017
Configuration:LP
Barcode:
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Last in:14.02.2020
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Label:Emotional rescue
Cat-No:erc034
Release-Date:23.02.2017
Configuration:LP
Barcode:
1
v.a. - Mahalangur
2
v.a. - Criola
3
v.a. - A Letter From Yellowland
4
v.a. - Komba
5
v.a. - Broken Toy
6
v.a. - Caballos
7
v.a. - Heroina
8
v.a. - The Answer
9
v.a. - Where Is The Love In This World
10
v.a. - Beast Of Burden
11
v.a. - Stranger In The New Light
12
v.a. - Lakota
Emotional Rescue starts its 5th year by shining a light on one of Europe's best underground 80s' label in Spain's Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K's esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother "response" to Laurie Anderson's Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of's closer, Angels .
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More
Label:Soundway Records
Cat-No:SNDWLP127
Release-Date:26.10.2018
Genre:Jazz
Configuration:LP
Barcode:5060571360229
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Last in:05.11.2024
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Label:Soundway Records
Cat-No:SNDWLP127
Release-Date:26.10.2018
Genre:Jazz
Configuration:LP
Barcode:5060571360229
1
Felbm - Birkelunden
2
Felbm - Funicular
3
Felbm - Monolocale
4
Felbm - Sternenhimmeln
5
Felbm - Bladerdek
6
Felbm - Memoirists
7
Felbm - Sakura
8
Felbm - Tandem
9
Felbm - Anderstein
10
Felbm - Birkach
11
Felbm - Herfston
12
Felbm - Maktene
13
Felbm - When It Rains
14
Felbm - Samensmelten
15
Felbm - Takumi
In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Together with a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.
The distinct character that the tracks emit also comes from a unique place; Felbm’s influences are not the usual and predictable lot and include Mocky, Mathieu Boogaerts, Andy Shauf, Sam Prekop, Tonbruket, Tape and Mary Lattimore. Even then he manages to extract an essence or a mood from his influences rather than emulate them. “My taste goes into all kinds of directions - the context or genre doesn’t really matter.” More
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.
The distinct character that the tracks emit also comes from a unique place; Felbm’s influences are not the usual and predictable lot and include Mocky, Mathieu Boogaerts, Andy Shauf, Sam Prekop, Tonbruket, Tape and Mary Lattimore. Even then he manages to extract an essence or a mood from his influences rather than emulate them. “My taste goes into all kinds of directions - the context or genre doesn’t really matter.” More
Label:Strangelove
Cat-No:SL114
Release-Date:26.05.2023
Configuration:12" Excl
Barcode:4251804142373
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Last in:22.05.2023
Label:Strangelove
Cat-No:SL114
Release-Date:26.05.2023
Configuration:12" Excl
Barcode:4251804142373
1
Frank Harris & Maria Marquez - A1- Loveroom - Frankie's Deluxe Mix
2
Frank Harris & Maria Marquez - A2- Down By The Rio - Frankie's Deluxe Mix
3
Frank Harris & Maria Marquez - B1- Down by the Rio - Frakas Mix
4
Frank Harris & Maria Marquez - B2- Down by the Rio - Julien Dyne Mix
12" - Essential Balearic heat beat! Follow up to the labels previous album of Frank & Maria's work 'Echoes' SL104
Tracklist:
Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix
Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix
Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!
More
Tracklist:
Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix
Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix
Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!
More
Label:Tresor Records
Cat-No:tresor360
Release-Date:24.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804141376
in stock
Last in:12.07.2024
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Last in:12.07.2024
Label:Tresor Records
Cat-No:tresor360
Release-Date:24.05.2024
Genre:Techno
Configuration:12" Excl
Barcode:4251804141376
1
Model 500 - I.D.L.E. 05:39
2
Ectomorph - Searching (Live at Globus) 04:54
3
AMX - Your Body 05:20
4
DJ Stingray 313 - Dynamic Instability 04:14
5
JakoJako - Metal Goat 05:05
6
Erik Jabari - Screamore 04:47
Territories: World excl. UK
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
Label:Tresor Records
Cat-No:tresor332
Release-Date:04.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009333
in stock
Last in:18.09.2024
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Last in:18.09.2024
Label:Tresor Records
Cat-No:tresor332
Release-Date:04.10.2024
Genre:Techno
Configuration:12" Excl
Barcode:5051142009333
1
Donato Dozzy - messy kafka world 05:21
2
Donato Dozzy - synthi chase 05:15
3
Donato Dozzy - wooden dolls don’t cry 06:13
4
Donato Dozzy - cassiopea 36 06:30
2024 Repress
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More
TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30
The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.
More