NYC’s Jkriv delivers a package of proto and golden era house re-edits for longtime pals Pleasure of Love.

The Razor N Tape label co-founder has reliably delivered dancefloor ready cuts on Z Records, Glitterbox, Barefoot Beats, Rocksteady Disco as well as his own imprint. On his first Pleasure of Love release Jkriv explores house in all its NYC glory; extending the energy on mid-late 80s proto (Got a Thing, Don’t Take Your Love Away) and masterfully looping and building tension with underappreciated early 90s house (G.D., Feel It). Expert level re-rubs by one of NYC’s finest producers.

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Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor.

From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.

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Razor-N-Tape co-founder JKriv delivers a trio of all-original cuts on his Something Else EP, bringing together a cast of featured hometown Brooklyn talent to center dynamic songwriting with club-ready vibes.

On the A1 title track, a playful funk-laden bassline lays the foundation for an explosive hook and soaring vocal performance from Brandon Markell Holmes. Dynamic live instrumentation take center stage in the soulful Try Again, which builds to an anthemic peak as guests Nic Hanson and Phenomenal Handclap Band intone the song’s hopeful message.

On the flip, the laid-back boogie groover Shoulda Been Me slow-burns with heavy bass, percussive rhythms, and serene synth-work to support the layered vocal textures by Toribio (of Conclave). Detroit legend Alton Miller takes the tune in a classic soulful deep house direction, with a bouncing rhodes pattern revolving over solid drums, and showcasing Toribio’s vocal prowess in a new light.


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Respectful edits from NYC's finest JKriv (Razor N Tape)



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RNT co-head JKriv does it up royal here with a bit of old and a bit of new. On the A side The Queen On Her Throne is one of J's seminal reworks in all of its 8 min glory, and although names have been changed to protect the innocent, a bomb by any other name is still a bomb! On the flip, a lesser known West African 70's jam is worked up into a raucous jazzy afro-house stomper in King Mashie. Plus there's a the stripped down beats-n-synth-apella of Queen's Beats, perfect for mixing with the OG or played on its own!

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That snappy dresser Gator Boots is back in town, this time bringing Sol Power All-Stars in tow for a four tracker of unquestionable fire.

On the A, a deep, soulful house flip of an R&B classic as Sol Power All-Stars take on Brandy - Full Moon featuring keyboardist Will Rast, formerly of the Brooklyn-based legendary afrobeat band Antibalas and also of DC-based The Funk Ark. Will delivers warm chords and a blistering moog solo that works perfectly with the afro house production. Following that ‘Water Drip’ has a familiar sample, completely recontextualized into a midtempo acid-tinged chugger. Perfect for the heavy warm-ups or the late night dance floor freaks.

On the B side, no one is funkier than the J.B.s but the Sol Power All-Stars put their stamp on this groovy classic. Part bruk, part acid, all funk! And rounding it all off, a reggae disco Classique Peter Tosh - Buk in Hamm Palace gets the Sol Power treatment with added heft, percussion, and extended dub to the original. Start it from the top for the vocal or at the halfway point if you just want that deep dubby disco goodness.

DJ Support:

Soul Clap, SONNS, Paula Tape, Dazzle Drums, Sam Proper, Delfonic, Will Clarke, A-track, Dennis Ferrer, Ray Mang, Kiko Navarro, Mabhew Dear, Mano Le Tough, Terry Farley

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Gator Boots strapped up and ready to wade in, Jacques Renault leads the expedition with four globetrotting gems, reworked, reloved and rejuvenated with the dancefloor squarely in his sights. One side a double shot of sun-soaked energy and the flip, two late night stompers ready to let loose.

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Gator Boots returns… On the A side, Roy deeply flipped and reinterpreted with underground appeal for the discerning DJ. On the B side, an absolute Wonder classic. Rounding it out 'Send a Letter', expanded and splashed out with lush pads, warmth and a lil' drum machine flex to boot!

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Japanese House music duo don dadas, Dazzle Drums, offer masterclass edits of two absolute soul/disco anthems. Big plays from Louie Vega on Mandrill!

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A1 – Zommbie
B1 - Suffering and Smiling

Gator Boots returns with two dancefloor ready edits of African legend Fela Kuti brought to you by Rudimental member Piers Aggets’ new Rotate38 project.

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A1 - Underneath The Lights
B1 - Can't Stop The Jump

Ancient Deep strap up and wade on down into the Gator Boots waters with a two track EP of razor-sharp heaters.

Capturing that disco exuberance, adding a taste of Ancient Deep flair and reworking them into DJ friendly, dancefloor cuts – it’s a must once again from the Gator Boots camp.

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Gator Boots returns for lucky 13. Three edgy edits from Italian outfit Blue Mondays. Including longtime favorite White Wedding and other unexpected dance floor excursions.

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“We’re going to Graceland! Soul Clap returns giving one of Paul Simon’s most beloved records in history that signature edit ‘tidal-wave of emotion’ touch that has taken so many other classics and brought them into new light for Today’s dance floor. The nostalgia is in full effect as this 1985 anthem takes the boys right back in their formative school years.”
“The Clap flips this Paul Simon and Ladysmith Black Mambazo sample into a tribal house groover. Propelled by tube driven drum machines, cascading scales and melodies, Lady Smith’s rooted in the raw sounds of bygone synths nurtured back to life”
“Soul Clap breaks the main mix down to its bare essentials on this drum tool bringing the rhythms to the forefront highlighting the vocal chant that gives the original record its signature feeling”

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The latest edition of Gator Boots is a split 12” with edits that cut straight to the dancefloor.
On the A Side Boston’s Trip Report pays R.E.S.P.E.C.T. with an acid workout. On the flip G Markus freaks a dancehall classic with some more acid and smooths out a forgotten 2000’s r&b gem.

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The 2nd of 2 singles from the wizards of editing, with lysergic renderings of some well-known pop/dance classics, just not as you might expect.

Finally on vinyl after some considerable time, this one has a limited pressing!


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Epitomising the very best of their hometown’s unparalleled musical heritage, Detroit’s Dames Brown are the vocal trio you may not yet know by name but are sure to know by voice. Lending their exquisite range to a number of modern house essentials, including Sophie Lloyd’s ‘Calling Out’, The Vision featuring Andreya Triana ‘Heaven’ and David Penn’s ‘Nobody’ in recent years, Athena Johnson, Teresa Marbury and LaRae Starr now release ‘What Would You Do?’ on a special 12” package. Produced by long-time collaborator of the group and fellow Motor City native Amp Fiddler and Mahogani Music regular Andrés, this slick, funk-filled and typically soulful vinyl release features the exceptional original version alongside house icons Louie Vega and Josh Milan’s Two Soul Fusion Remix and Expansions NYC Dub Vocal. Closing out the package Lyon house superstar Folamour provides his remix, with his signature groove a perfect match for the Dames exceptional vocal. A powerful combination of Detroit’s finest, and with remixers of the highest order involved, this 12” package is not to be missed.

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GREEN MARBLED VINYL! LIMITED TO 300 UNITS! INCL. LINER NOTES + STICKER

Swiss intergalactic 3 piece experimentalists lean on a Dadaist theme for their late-night, jam-inspired, and smokey beat laden trip to the cosmos.

Distilling surf rock, jazz and ambience, energised and patched together with spoken word samples, wind instruments and, blunted hip hop beats, ali dada’s album SUM is their invitation to dadaversum’ - their eccentric universe of sound and emotion.

Featuring Orlando Ludens (guitar & ambient soundscapes), Rulla (beats & field recordings) and Max Licht (brass & trombone), experimentation is the trio’s constant and SUM is the result of jams and associative distillation’ always with a fluid sense of genre.

Whilst SUM clearly takes new and furtive steps, ali dada’s sound is wholly their own. Nothing feels rigid here and rules don’t apply. Improvisation lingers in the air, even after the last note fades. A series of sound sketches, dense in detail, stylistically rich, SUM gives licence to couch-melt, sungaze or for those used to wintry climes, add another log on the fire.

“The songs often emerge from imperfect elements or mistakes, like from a loop or glitch. or something I played that wasn’t quite clean and building on that becomes the challenge ” recalls Orlando. Rulla adds “I play a lot of instruments, very, very badly and in music production, I’m trained to craft something awesome out of wonky sounds. That’s how songs emerge from unusual sounds”.

As for who played the double bass, no one remembers. Who belongs to the band and who doesn’t is open to interpretation. Though a core group exists the spotlight remains on experimentation through jam sessions. ali dada is a construct, a dadaverse.

Highlights include the album’s opener 'abolish the police', a mix of guitars, weirded-out wind instruments and Häuserfrau’s ever chilled vocal presence. 'tone print' is the band’s first single from the album, which combines sliding guitar, the infamous psychedelic Tim as a narrator, some early CPU game sound-splats and a meteoric dope beat, providing the head nodding groove. 'ohnedi'’s ambient charm features some gorgeous manipulated choir moments and some fidgety electronic synths.

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Repress!

One of the releases we're really hyped about! This was Eunice Collins ONLY release EVER! Released on the tiny Mod-Art label from Chicago in 1974, the hypnotically alluring "At The Hotel" has finally emerged from the shadows over the last 10 years or so. In fact, it's a bona-fide cult classic now with no less than three recent samplings by Lion Babe, Alkalino and Flamingosis. We are proud to re-release this totally unique recording on the original Mod-Art imprint.

Also, worth checking is the out-of-this-world flute instrumental version on the flip. Probably one of the most individual Modern Soul records ever. Current value is in the £750 region for a decent copy. Expect plenty of all-round action on this and it should work across multiple scenes. Plus, it will sell forever. We are so lucky to get these works-of-art out there again.

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For its second release, following SALÒ's feverish self-titled debut album, Berlin-based platform Kuboraum substantiates its musical perspective, bringing together an eccentric set of tracks from friends and family. Each artist was invited personally by the platform to write a piece of music inspired by Kuboraum's philosophical and aesthetic principles.
the Kuboraum Editions compilation features tracks from Space Afrika, LABOUR, Moin, V/Z, µ-Ziq, Lucy Railton, Alessandro Adriani and many more

Tracklisting
A1. Moin - Lapsed
A2. Space Afrika - <3Less
A3. V/Z - All The Rest Of It
B1. LABOUR - Mass and Mess, Dispersion of Subjectivity
B2. Alessandro Adriani - Impressioni Dinamiche
B3. Emma DJ - (untitled)

C1. MC Yallah X Debmaster - Nzimba
C2. Ziúr - Vacuum
C3. Quelza - Boiling Ice In Frozen Cup
D1. µ-Ziq - Never
D2. REGIS - LET LOVE DECIDE
D3. Lucy Railton - Medieval Sui

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Dance floor in need of a little spark? Need some extra ammo in the record bag for this weekend’s set? Pleasure of Love has the key to your ignition with a new series of specialty re-edits from the vaults. "Covers Blown Vol. 1," features a pair of unlikely disco classics expertly done up in a smokin' tex-mex style

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