“Valsadeira” is a pulsing uptempo excursion from the African island nation of Cabo Verde, with driving percussion, impassioned vocals, and tasty synth work. Sung in Portuguese, the track begins on a romantic note which builds toward a dramatic flip halfway through that gives way to a hypnotic tropical vamp. The drum tool extends the rhythmic breaks of the song into a useful standalone percussion jam. Odo Kakra Sika Kakra is a bouncy and joyous slice of Ghanaian highlife. With crisp 90s-era production and sweet vocal melodies, JKriv edited this one with love for maximum booty shaking and smiles. "Batonga" is a mid tempo slice of Afrofunk with a mid 1980s downtown NYC feel, led by angular and funky guitars, layered synths, and a female vocal with African chants. The drum break features a textured beat including big electronic drums, percussions and an interlocking kalimba line.

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Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor.

From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.

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Razor-N-Tape co-founder JKriv delivers a trio of all-original cuts on his Something Else EP, bringing together a cast of featured hometown Brooklyn talent to center dynamic songwriting with club-ready vibes.

On the A1 title track, a playful funk-laden bassline lays the foundation for an explosive hook and soaring vocal performance from Brandon Markell Holmes. Dynamic live instrumentation take center stage in the soulful Try Again, which builds to an anthemic peak as guests Nic Hanson and Phenomenal Handclap Band intone the song’s hopeful message.

On the flip, the laid-back boogie groover Shoulda Been Me slow-burns with heavy bass, percussive rhythms, and serene synth-work to support the layered vocal textures by Toribio (of Conclave). Detroit legend Alton Miller takes the tune in a classic soulful deep house direction, with a bouncing rhodes pattern revolving over solid drums, and showcasing Toribio’s vocal prowess in a new light.


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Respectful edits from NYC's finest JKriv (Razor N Tape)



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RNT co-head JKriv does it up royal here with a bit of old and a bit of new. On the A side The Queen On Her Throne is one of J's seminal reworks in all of its 8 min glory, and although names have been changed to protect the innocent, a bomb by any other name is still a bomb! On the flip, a lesser known West African 70's jam is worked up into a raucous jazzy afro-house stomper in King Mashie. Plus there's a the stripped down beats-n-synth-apella of Queen's Beats, perfect for mixing with the OG or played on its own!

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Dance floor in need of a little spark? Need some extra ammo in the record bag for this weekend’s set? Pleasure of Love has the key to your ignition with a new series of specialty re-edits from the vaults. "Covers Blown Vol. 1," features a pair of unlikely disco classics expertly done up in a smokin' tex-mex style

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Lisbon’s Larry Quest joins the Pleasure of Love crew with an impressive sonic journey of all things house, balearic, and tribal.

After releases on Delusions of Grandeur and Log Records, Quest delivers his most refined EP yet, harnessing his knack for live/analog synthesis & soulful, hypnotic grooves.

'Blue Tide' leads off the EP with a wave of pads and deep sax soulfulness before giving way to a bubbly, modular groove. 'Hold Function' finds LQ exploring a tribal, almost trance-y take on Detroit techno/house foundation. And on the title track the producer eases into a throwback mid-90s house vibe with bursts of M1 organ and Rhodes stabs.

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Philly’s Universal Cave crew have been putting out top notch edits and mixes on their own imprint for nearly a decade, including the beloved Soft Rock for Hard Times series.

For the first time, Universal Cave teams up with another label, Pleasure of Love, for a release of reworks, delivering 4 stitched up dance floor heaters. Variety pack of choice cuts here - reggae proto house, lo-fi 80s digi funk, peak-time piano charged house de salsa, and driving atmospheric italo. All expertly re-rubbed, from the vaults of the Universal Cave.

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Barcelona's Pau Roca is back with his 2nd release on LA label Pleasure of Love, EP of cool-hazy balearic house with equal parts sunrise and sunset energy.

Roca is a standout in the Barcelona DJ scene, with his party Libido and labels Escola and Bons Records, he’s established himself as a premiere record collector/DJ and a producer in the scene. You can hear it in "Euphoria", a track that shows Roca’s deep understanding/appreciation of this music’s roots while updating the sound and capturing the mood and essence of the title. "Marble Arch" is another chugging, deep italo/spanish house number - filtering in breakbeats, choir patches, and a resonant lead to hypnotizing effect.

The legend Pal Joey brings a trademark sound to his version of "Euphoria" on the flip, lending vocals and organ to a tripped out and blissful vision of the track. "Hope" rounds out the EP, a downtempo, uplifting piece for lovers of atmospheric retro-house.

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Melbourne digger and edit master Hysteric joins the Pleasure of Love fam with this 4 track EP, Pleasure of Edits 08: Kitchen Appliances. With releases on Public Possession, Lisbon’s Ostra Discos, Centre Neptune, and his own italo influenced Mothball record label, Hysteric delivers an adventurous Pleasure of Love 12 Inch that continues to reward on repeated listens. 'Chrome Plated Broiler' kicks things off and lives up to the name, a bouncy late 80s new beat dance floor heater. Another highlight is 'Automatic Can Opener,' a post-disco tinged, xylophone led groover that highlights a cheeky vocal re-sampling bit to great effect. Hysteric and Pleasure of Love make for a good pairing on this cosmic edit twelve.

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A1 - Chimay Groove (Edit)
A2 - Acid5 Finale (Edit)
B1 - Bump Theme (Edit)
B2 - Nana’s House (Edit)

LA’s Pleasure of Love edit series is back, after a brief hiatus, with an eye towards the sounds of Italodance, New Beat, and late 80s acid.

Dino Soccio takes over editorial duties and delivers a darker, playful take on early rave meets disco edits. “Chimay Groove” is a thumping new beat number reminiscent of Lola’s Wax the Van, while “Acid5 Finale” is a lighthearted, rolling acid workout.

On the B side “Bump Theme” is a peak-time, driving Italodance DJ tool for rooms big and small. Rounding out the release is “Nana’s House,” an uplifting early 90s french-afro revision.


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The sixth edition of the Pleasure of Love edit series features the Toronto based Patchouli Brothers (GAMM, Basic Fingers, Barefoot Beats, Tugboat). The duo have a long running disco & house party called Beam Me Up and have a proven track record of slicing up and distilling rare, underappreciated cuts into peak time dance floor gems.
The A1 is a raw, driving Côte d'Ivoire disco revision with excellent celebratory vocal loops and synth leads. Next up is a smooth italo, tip-tap, jam re-edited to perfection, highlighting the sophisticated horn and lead synth interplay.
On the flip is a rubbery synth bass led soca jam that will set off just about any party with its catchy vocals and tension/release re-arrangement. And rounding out the release is a dutch disco call and response re-edit detailing a common thread in the dancer-DJ relationship. Dance floor tested and approved!


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The fourth release on LA’s Pleasure of Love “Pleasure of Edits” series features west coast talent Air Zaïre on editorial duties. The desert drive opener “Midnight Sun” finds a hypnotic groove with woodwind leads and acoustic guitar on a cosmic journey through daytime disco. The A2, “Canguelo Perro,” struts through a Paraguayan groove with a sweet saturated guitar hook that sticks with you in the best possible way. The B side features an off kilter synth bass and pad heavy 80s Japanese flip in “Shojo Showdown” with crunchy effects and chugging arps leading the way.
Closing out the record is “South of Sunset,” a euphoric looping strings party starter, an instant classic at the Hollywood weekly party.

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