Genre: House


Tracklist 12":

A1 – Bordeaux
A2 – Limoges
B1 – Poitiers
B2 – La Rochelle
B3 – Pau


Info:

LE TSEU POCIR (read it backwards) brings back the groove, some true soul and a right feeling – sampling his own work and bringing back the beauty of French House!

More

Genre: Techno, Tech-House, Trance


Tracklist 12":

A1 – Endless Summer (08:11)


Info:

A surprising, timeless summer anthem by Rico Puestel like it was born on Ibiza!

More

Genre: Techno, Tech-House


Tracklist 12":

A1 – Volute (2024 Remaster)
AA1 – Remembering October 3rd (2024 Remaster)


Info:

Two undeniable classics from Rico Puestel are back! Remastered in their truest idea of sound and for the first time on vinyl (AA1)!

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Genre: House


Tracklist 12":

A1 – Bordeaux
A2 – Limoges
B1 – Poitiers
B2 – La Rochelle
B3 – Pau


Info:

LE TSEU POCIR (read it backwards) brings back the groove, some true soul and a right feeling – sampling his own work and bringing back the beauty of French House!

More

180g 2xLP / Gatefold

Genre: Techno


Tracklist 12":

A1 - .
A2 - ..
AA1 - ...
AA2 - ….
AA3 - …..
AAA1 - …...
AAA2 - …....
AAAA1 - ….....
AAAA2 - …......


Info:

Rico Puestel always has a surprise in store: #technohasleftthebuilding ain't finished yet! We've come a long way baby... The original recording sessions has been more extensive than previously known of, based on the incentive question: If Techno has left the building, what is actually left of it?

In the aftermath of it all, Rico Puestel bounces back to the true-bred heart of Techno and its traits that really made him fall in love with it in the first place. He initially kept these additional and special tracks to himself throughout the first album part, but the time has come to deliver them subsequently now.

Literally point by point, Rico Puestel designes a mesmerizing trip into the greater depths of early club nights, thinking of a world without any trials and tribulations of smartphones or the internet - just dancing and loosing oneself in the magic of the the 4/4-impulse and a tapestry of sound woven around our being.

In times, when people felt as a unit-of-one movement on the dancefloor, with Techno being its undeniable soundtrack and moment of truth, diversity was no issue, so #technohasleftthebuilding's aftermath also dives into the realms of Trance and beyond, because way back: Techno was just Techno and it's all about the music in the end.

Starting with a warning from a dystopian point in time, this further album part is an admonition and a refined view back from outside the building...
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CD

Genre: Techno


Tracklist CD:

01 - .
02 - ..
03 - ...
04 - ….
05 - …..
06 - …...
07 - …....
08 - ….....
09 - …......


Info:

Rico Puestel always has a surprise in store: #technohasleftthebuilding ain't finished yet! We've come a long way baby... The original recording sessions has been more extensive than previously known of, based on the incentive question: If Techno has left the building, what is actually left of it?

In the aftermath of it all, Rico Puestel bounces back to the true-bred heart of Techno and its traits that really made him fall in love with it in the first place. He initially kept these additional and special tracks to himself throughout the first album part, but the time has come to deliver them subsequently now.

Literally point by point, Rico Puestel designes a mesmerizing trip into the greater depths of early club nights, thinking of a world without any trials and tribulations of smartphones or the internet - just dancing and loosing oneself in the magic of the the 4/4-impulse and a tapestry of sound woven around our being.

In times, when people felt as a unit-of-one movement on the dancefloor, with Techno being its undeniable soundtrack and moment of truth, diversity was no issue, so #technohasleftthebuilding's aftermath also dives into the realms of Trance and beyond, because way back: Techno was just Techno and it's all about the music in the end.

Starting with a warning from a dystopian point in time, this further album part is an admonition and a refined view back from outside the building...
More

Genre: Techno, Tech-House

Tracklist 12":

A1 – S. (Rico Puestel Dub Version)
B1 – .. (Rico Puestel Dub Version)


Info:

Beauty at its peak with Rico Puestel dubs from soon-to-be-released originals by Rico Friebe!
More

Genre: House, Acapella


Tracklist 12":

A1 – How You Feel (For Me)
A2 – Feelapella


Info:

Friebe and Puestel – the perfect match, a combined force! Golden times have come...
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180g 2xLP / Gatefold

Genre: Techno


Tracklist 12":

A1 - dek
A2 - nau
AA1 - ok
AA2 - sep
AA3 - ses
AAA1 - kvin
AAA2 - kvar
AAA3 - tri
AAAA1 - du
AAAA2 - unu
AAAA3 - nulo


Info:

This is the last album from Rico Puestel. After somehow three decades, Rico misses the cultural impact of Techno music as it has been and declares its spirits gone – at least personally. There's nothing more to tell. The self-consuming scene has reached its grotesque climax and left an empty shell of something once filled with so much passion, warmth, strength, heart and hope. The times just haven't changed – they lost their self-fulfilling purpose and authenticity.

Heavily influenced by prehistoric, tribal rhythms and trance-inducing dances within redundant structures, Techno music once had a natively true and unadulterated essence. A free spirit on the run. Rico found the right spot in time to gather all of his origins in Techno music for a last act of connecting to it. Being on an all-time high as a producer, he crafted the whole album on a course of twelve hours and relived all those deeply rooted moments and memories with Techno in fast motion. While the track titles are counting down from ten to zero in Esperanto, Rico clears up in peace and balance...

What once was, is now without form and void.
I left.
Everybody left.
Techno has left the building.

Farewell! More

CD

Genre: Techno


Tracklist CD:

01 - dek
02 - nau
03 - ok
04 - sep
05 - ses
06 - kvin
07 - kvar
08 - tri
09 - du
10 - unu
11 - nulo


Info:

This is the last album from Rico Puestel. After somehow three decades, Rico misses the cultural impact of Techno music as it has been and declares its spirits gone – at least personally. There's nothing more to tell. The self-consuming scene has reached its grotesque climax and left an empty shell of something once filled with so much passion, warmth, strength, heart and hope. The times just haven't changed – they lost their self-fulfilling purpose and authenticity.

Heavily influenced by prehistoric, tribal rhythms and trance-inducing dances within redundant structures, Techno music once had a natively true and unadulterated essence. A free spirit on the run. Rico found the right spot in time to gather all of his origins in Techno music for a last act of connecting to it. Being on an all-time high as a producer, he crafted the whole album on a course of twelve hours and relived all those deeply rooted moments and memories with Techno in fast motion. While the track titles are counting down from ten to zero in Esperanto, Rico clears up in peace and balance...

What once was, is now without form and void.
I left.
Everybody left.
Techno has left the building.

Farewell! More

Genre: Techno, Tech-House


Tracklist 12":

A1 – Make A Way (For Women) (11:11)


Info:

"Stop Violence Against Women" has been the life-long credo from Rico Puestel and "Make A Way (For Women)" is a stomping protest of 11 minutes and 11 seconds that proclaims the fortitude of women! Playing this one out there is more of an solidary act than just "a track being played"...

What Rico himself has to say about it: "With my 2022 Friebe-projects 'Jenni' and 'Jenni II', I started to make a public appearance on this topic of violence against women musically. Back in childhood days, I already felt an intensely unjust manner and imbalance regarding women in society and an almost predetermined non-equality. The violence always seemed so ever-present, even in the smallest details of behaviour and the associated self-understanding of men within their deeper planted attitude towards. I always felt an honourable glory and profound importance in women that seems impeccable and unreachable for men. It's clear that men would just be memories and ghosts without women... Musically speaking, while grewing up with Gabba and Trance i. a. in the 1990s, I simply feel no charm to nowadays reflection on these times with productions and releases that somehow just sound insincere and scheming. I'm missing the real attitude, feel and groove that doesn't even care if it's Techno, House or whatever and I'm also missing some of the stylistic approaches as well as the spirit from the "Minimal"-era. Based on all those thoughts, "Make A Way (For Women)" became this clenched fist - raised for good!"
More

Genre: Techno, Tech-House


Tracklist 12":

A1 – 212 (Rico Puestel's Uber Dub) (10:02)
B1 – Friend (Rico Puestel's Aachen Dub) (10:02)


Info:

Rico Puestel steps up his Dub game and delicately reinterprets two songs from his forthcoming 2024 singer-songwriter double-album „Anthems For A Lost Generation“ as Rico Friebe, delivering 10 deep and immersive minutes of electronic music on each side.

While the original songs have never been designed for the dancefloor, both perfectly blend into the dry and groovy environment of Puestel's remakes and won't loose anything from their original message: Struggle, hope, friendship – things we desperately need in this world...
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Genre: Techno


Tracklist 12":

A1 - It Used To Hold A Mystery
A2 - It Used To Tell A Truth
B1 - It Used To Give Courage
B2 - It Used To Have Soul


Info:

Ladies and gentlemen, it's 2023 and Rico Puestel doesn't get Techno anymore. What happened? They might have grown apart... So he just did his thing and after twelve months of not producing anything electronic, he just wallowed in independence of doing what he always loved...
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Ltd. Light Green Vinyl Edition

Genre: Dub Techno


Tracklist 12":

A1 – What Is Dub? (6:45)
B1 – Baby Don't Hurt Me (7:47)
B2 – No More (5:42)


Info:

Rico Puestel is back on Exhibition with a surprise 3-track EP from the Dub realms! Something not necessarily to expect from him right here, right now...

Inspired by the music playing in the record stores on his childhood day visits, Rico zen-likely crafted these special dub tunes that feel like an endless BR Space Night episode from his teenager days...
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Blue Double Vinyl

Genre: Techno

Tracklist 12":

A1 – Cala Talida
A2 – Her
B1 – Untitled #1
B2 – Undertow
C1 – Snow Ink
C2 – Untitled #2
C3 – Untitled #3
D1 – Slow
D2 - Gilgamesh


Info:

Rico Puestel (Cocoon / Break New Soil) presents an exclusive collection of long-lost Techno tracks from his 2002-2004 archives on blue double vinyl, accompanied by a dream painting Rico did in basic school as full colour artwork!

Seemingly and somehow being ahead of their time, these tracks never made it to an official release although Rico always desired their sheer existence and overall sound, standing out in many different ways...

A further exhibition on the run! More

Vinyl Only! NO RETURN!

Disco Disco Records brings you the repress of the very first release! dope disco alert!

A1: Disco Disco
A2: Dancin All Night Long
B1: Anything for Me
B2: Dance With Me
More

Kicking off the sixth various artists record, ‘The Works’, on the Detroit-based Infolines label is Shaun
Reeves’ ‘Playground’. The co-founding member of the Visionquest project utilises a low-slung groove with
snaking, sizzling hats above while mysterious bell-like keys toll in the background. Up next, Infolines label
founder ADMN and Aran Daniels, one-half of the Remote Viewing Party alias who featured on the previous
Infolines VA, team up for ‘50 Gallon Drums’, a wonky trip boasting wild and whirring percussion in an
infectious drunken groove working perfectly alongside crunchy synth-lines.
"Cranberry, extra ice. IYKYK" - Infolines
On the B-side, the anonymous Bendersnatch returns to Infolines with ‘Doppler’, taking us deep under the
waves for a submarine expedition. The sonar bleeps among electrifying zaps, a steady techno beat leading
the way. Closing out this fantastic next instalment on the Infolines label is Snack Time founder Gino, who
brings us ‘Bonedog’, finishing the release on a high with psychedelic synth elements and an iconic, earworm
vocal over a slick groove - secret weapon energy!
Infolines, a dynamic collective of Producers, DJs, and friends hailing from Detroit, is renowned for its
compilations that showcase the distinct styles of its artists. Following the success of Infolines 005, ‘CAID’,
which garnered support from artists like Anfisa Letyago, Paco Osuna, and Korea Town Acid, the label is all
set to launch its superb sixth record. More

Territories: WW-FR

LP

Tracklist :

A1. Bicha
A2. Fourmis
A3. Calor
A4. Dropi Dropa

B1. Double Rainbow
B2. Renata
B3. Moto
B4. Beijo
B5. Coucou Pascal

Release Info:

Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.

The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.

"One of the most innovative new names around" NME

"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR

"Kaleidoscopic techno-pop" DJ MAG

"A real anti-depression remedy"LINE OF BEST FIT

"Their main goal? To make everybody dance" METAL MAGAZINE

‘It’s hard to find an act as distinctive as PPJ » MIXMAG

More

2LP

- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker


2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract

3. TRACKLIST:

Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly

Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar

Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social


Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta

4. SHORT INFO:

Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.

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LP, 2024 Repress - half speed mastering

Amazing and legendary 1994 cult album on the equally amazing and legendary Irdial Disc label, remastered at Emil Berliner Studios in half speed mastering.

Tracklist:

A1 Untitled
A2 Untitled
B1 Untitled
B2 Untitled
B3 Untitled




About The Reviews >>>>


"The 50 best IDM albums of all time"
Pitchfork

"A liquidy headbox of aural shapes, whose forms hardly change yet seem to encompass infinite viscosity within them, like rainbow pools of oil on water"
Wire

"Before IDM became a nation of Aphex and Autechre cosplayers, the genre was less defined by aesthetics than by a shared ideology. Here was a loosely connected axis of post-rave kids, united by little more than a shared willingness to subvert the tools of their techno idols and create sounds that hadn't previously been imagined. No record of the era better embodies this find-a-machine-and-freak-it ethos than Islets in Pink Polypropylene, the otherworldly debut by British producer Anthony Manning."
Pitchfork

"It’s refreshing to hear an all-electronic album that sounds so organic yet so totally alien."
Fact

"One of the UK’s first post-rave ambient records proper; sharing much more in common with Autechre’s Amber or AFX’s Selected Ambient Works Vol. II - which were both released in that same year - than anything else before or around it."
Boomkat

For fans of avant everything innovative and experimental music.




About The Album>>>>

The whole album was composed and realized on the Roland R8 drum machine. It followed the same process as the Elastic Variations pieces, with the major addition of many, many hours of editing.

Each piece was composed as a series of patterns, of varying lengths ( 5,6,7 bars long ). The stock R8 sounds were embellished with one of several ROM sound library cards ( mostly the Dance card, number 10 ).

These patterns were created by tapping out a rhythm, then, in real time, using the Pitch slider as the pattern looped, to create improvised melodies for each of the pattern's voices.

The rough version of each piece was built by stitching the patterns together as a song, listening to each addition over and over, to make sure the melodies flowed into each other in a vaguely coherent manner.

Once this initial rough structure was in place I set about fine tuning every single note.

The R8 doesn't allow you to assign a pitch to a note in the conventional sense. It's not possible to assign a pitch of Middle C to the first note of the first bar. Instead, it assigns a numerical value to a note's pitch, between -4800 and +4800 ( I think those numbers are correct - that little screen is seared into my memory ).

If you restrict all notes within a piece to a multiple of, say, 400, you therefore create the possibility of a sort of scale. For multiples of 400, you have a total number of 24 permissable notes. However, most of the percussive sounds, when pitch shifted, only sounded 'good' over a reduced range.

The first editing step was to go through the entire piece, and change every note's pitch to its nearest multiple of 400.

The second step was to draw out the entire piece on graph paper, the Y axis being pitch, X being time. This drawing gave me a visual sense of a melody's flow. It was easy to see too many notes clustering around too tight a pitch range for instance, or a single note straying way down into the lower register while all others at that point in the melody were in the upper.

Once these first 'clearing-up' edits were complete I could set about re-writing elements that didn't sound right melodically. Often this meant stripping out whole chunks of superfluous notes, to reveal a cleaner melody line, then shifting its shape slightly. If the flow of the line of dots on the graph 'looked' balanced and sweetly sinuous, then often it sounded so.

This entire process took many weeks per piece. Weeks of doing almost nothing else. Listening. Re-drawing. Re-writing. Listening. Round and round and round. When I could hear the whole thing in my head, from beginning to end, and nothing seemed to jar ( too excessively ), I knew it was done, time to move on.

I imagine it's very similar to the process of stop animation. Your days are filled with painfully tiny incremental changes that seem to be getting nowhere. Then, slowly, a shape, narrative, starts to appear. Then, all of a sudden, somehow, it's done.

When all the pieces were complete the R8 was taken into Irdial's studio where some simple effects were added, each voice recorded individually for clarity onto 8-track tape and mastered onto an ex-BBC half-inch tape deck.

Then I slept. And vowed never to do it again.

*****

And the title ?

Soon after finishing the pieces I happened to read a magazine article about Christo's "Surrounded Islands" installation with the music playing in the background.

There was something about a particular cluster of words within a random sentence that seemed pleasing and somehow appropriate.

"Islets in Pink Polypropylene" seemed to make as much sense as anything else. More

GENRE/S: House, Deep House, Acid House, Breakbeat

TRACKLISTS:
A1 Green Ink - Level 2
A2 Green Ink - Level 2 (Will Hofbauer’s Ground Floor Mix)
B1 Green Ink - Dafen Village
B2 Green Ink - Nierpa

SHORT INFO:
Green Ink is back with his third entry in the Altered States EP catalog! His "Level 2" EP comes with three original gems made for the dance floor.
Joining on remix duties is none other than the very talented producer and "Third Place" label head Will Hofbauer who delivered a catchy, stripped-back interpretation of the title track.


More

Rights: World excluding FR , including the UK

Packaging: 1 x Solid White Vinyl, Sleeve with fluorescent green panton, marketing frontsticker

TRACKLISTING
SIDE A
1 LA VALSE
2 C'EST PAS LA MER À BOIRE
3 VOILÀ L'ÉTÉ
4 FAMILLE HEUREUSE
5 L'HOMME DES MARAIS
6 FACE À LA MER (MASSIVE ATTACK REMIX)

SIDE B
1 SOUS LE SOLEIL DE BODÉGA
2 ZOBI LA MOUCHE
3 LA DANSE DES NÉGRESSES VERTES
4 HOU! MAMMA MIA
5 LEÏLA
6 HASTA LLEGAR




SHORT BIOG

"Toujours l'été" is the very first Les Négresses Vertes Best Of on Vinyl. 12 classic track on white vinyl edition fairly priced , from" Sous le soleil de Bodéga", "Voilà l'été" to "Zobi La mouche " and Massive Attack's cult remix of "Face à la mer " .
Les Négresses Vertes are a cult french alternative band formed in 1987 with a unique sound. The original line up was a group of 9 friends, some of them never played music before : we can say they very quickly improved . They can be best described as a fusion of world music and alternative rock. Their particular music influences were Raï, Mediterrean music and French café / chanson française up to lyrics. They were in the same time a big band & a rock band with tremendous concerts throughout the UK & Europe . After two first and cult albums "Mlah" & "Famille Nombreuse" and the death of the former charismatic singer Helno, the band decided to keep on playing with Stéphane Mellino & (Matias) Canavese replacing Helno as the main songwriters & singers. After "Zig-Zague" & "Trabendo" albums, they disbanded in 2001.
Following a few live reunions , Stéphane & Iza Mellino ,original members, reformed the live band in 2018 to celebrate the 30th anniversary of cult debut album "Mlah" with an intensive French tour. They have kept playing since and will be back onstage from late spring 2024 for a 30 dates new tour visiting a few countries and very likely to be extended in 2025. Longue vie aux Négresses Vertes !
More

Territories: ww -fr -benelux -it

Genre: Funk / Soul / Disco

Tracklist :

A1. Histoire d’1 soir (bye bye les galères)
A2. Histoire d’1 soir (bye bye les galères) [Discomix]

B1. Histoire d’1 soir (bye bye les galères) - Blutch Edit
B2. Histoire d’1 soir (bye bye les galères) [Version Instrumentale]
B3. Histoire d’1 soir (bye bye les galères) [Choeur & a capella]

Release Info:
Great classic and timeless tune of the 80s and French Boogie scene, « Histoire d’1 Soir (Bye bye les galères) » is an ode to party, liberty, youth and freedom, interpreted by Bibi Flash aka Brigitte Gasté, an atypical singer from the French Boogie.

With its light lyrics and mythical chorus, its euphoria and irresistible disco-rap vibe, this track produced by Philippe Renaux (Holly Guns, Clever, Pianola…) released in 1983 is a sincere photography of its time, during which these children of the « summer of love » and May 68 criss-crossed Paris in search of endless nights, pleasure and freedom.

A prized and rare record which is nowadays repressed by Barbecue imprint in 2021, in its 12’’ version, with the original, the Disco Mix, instrumental and the A Cappella, and is accompanied by a new modern and festive edit by French house producer Blutch.

Printed inner sleeve included.
More

Track Listing:
A1 – ADMN, Mister Joshooa – LFOs are Tight (Original Mix)
A2 – ADMN, Mister Joshooa – LFOs are Tight (Delano Smith Remix)
B1 – ADMN – Technology is Creepy (Original Mix)
B2 – Remote Viewing Party – Pink Panther (Original Mix)

You have reached the Infolines. The Infolines spaceship lands back in Detroit and invite Mister Joshooa & Delano
Smith aboard. Buckle up dinguses, it’s gonna be quite the ride. More

Territories: WORLD minus US

GENRES: Ambient, Electronica

TRACKLISTS:
1. Aphasia
2. A Study of Dreams
3. Apollo's
4. Everglades
5. Fortuna
6. Ava
7. Lucid
8. Thalamus
9. Celeste
10. Lumiere

SHORT INFO:

Multidisciplinary artist Yannick Verhoeven, aka Ramses3000, is back with a new album called ‘Thalamus’. Earlier known from his electro-cha3bi outlet Cairo Liberation Front, Verhoeven decided to discover unknown musical territory as he was inspired by calming music and aimed to compose music that allows the listener to relax and process the stimuli of daily life. Earlier this year ‘Thalamus’ was showcased at prestigious art installations at Museum De Pont, Kunstinstituut Melly and Stedelijk Museum Breda and music festivals such as November Music and ADE. Crafting the album for two years resulted in a remarkable trip that sounds like a cross-pollination where the classical and digital worlds meet, incorporating influences from ambient, jazz, new age and psychedelic music



More

You have reached the Infolines. Tonight, we send you on a journey packin’ east to play in the magnificent halls where thespians and rock & roll once played. ‘The Theatre’ features a compilation of cuts that inspire those who listen to sweat in the soon to be humid weather of Detroit.
Bendersnatch is back again, this time with their funky groove ‘Vice Versa’, tooled as a call to the dance floor with a kick that cuts, and bleeps reminiscent of the second wave of techno. Remote Viewing Party brings us a break beat rhythm joined by instrumentalists Ezuch & Bcota with ‘Outpost’. The duo brings shows us their depth creating an atmosphere that will bring you chills, and tears that you will probably think is sweat running down your face. Newcomer Dev-Lish is joined by Maxlow with their head banger ‘Faith In The Machine, in a collaboration inspired by the Detroit birthed genre ‘sludge’. Evil grinding tones with huge bass and dark vocals will make you want to breath. Last, but not certainly least is Francois Dillinger. This artist has been churning out his art and making waves in the electro and techno communities. He brings to the table ‘Lost Loops’ with nothing short of huge bass, large spatial tones designed to hit all frequency ranges leaving room for the crowd to breath while being taken on a journey.
As always, keep an eye on this space and be sure to call in for the waypoint to the party.

A1 - Bendersnatch - Vice Versa (Original Mix)
A2 - Remote Viewing Party feat Ezuch & Bcota - Outpost (Original Mix)
B1 - Dev-Lish, Maxlow - Faith In The Machine (Original Mix)
B2 - Francois Dillinger - Lost Loops (Original Mix) More