Hyperstellar returns on Bordello A Parigi with a nocturnal and deeply magnetic EP. In For a Flash captures the fleeting beauty of a moment stolen from the night, the tension of a glance that will never return, the sensation of having loved inside a dream. The record carves out a singular aesthetic through new wave, shady atmospheres, and early electronic influences.

The eponymous track, In For a Flash, opens the record like a sudden vision: a burst of light in the dark, propulsive, yet already fading. From its fatalist urgency to the longing of The Dance We Never Had, each piece suggests a different facet of the same mirage. Surrender unfolds like a slow implosion, a toxic war between release and control, while L’Amour sur Saturne drifts endlessly in a suspended space, like a tale where the impossible is still imagined.

Influenced as much by Burial as by New Order, the solitude of classical composers or eccentric glam rock acts, Hyperstellar continues to build his artistry on numbers, and intimate constellations.?

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Balearic sounds and Mediterranean warmth are the inspirations for Bruno Belissimo’s Bordello A Parigi debut. Drawing on disco, house and funk, Ottimo! is a four tracker of electronic exuberance with Belissimo’s musical ability and range immediately spilling from the speakers. Guitar strings curve around synthlines in the title piece, percussive textures giving way to the mantra-like refrain of “Ottimo!” Thick bass echoes into beaming keys for “Meduse.” Bright notes cascade, grooves melting with vocoder lyrics as classic disco tones are reimagined in this modern mirrorball medley. Organic rhythms introduce the flip. “Mirage” opens to ripples of bongos and toms as a loose structure takes hold. Hedonistic chants rise to a shimmering chord, kicks and snares funnelling the building energy as bold blasts and samples shriek with delight. “Las Piramides De Ibiza” brings the quartet to a close. Clean drum patterns support joyous notes, a machine dipped voice calling time.

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Energy Fields is Gus Paterson’s vinyl debut. One of the brains behind Bokhari Records, this four tracker melts disco, italo and house into a creamy funk fondue. Staggered bleeps and crisp percussion introduce the title piece, samples echo as a squelching thick bassline drops. Countering the fudgey strings are sparkling synthlines, bold brassy analogue bursts tethering the track to the floor. Although tempos drop for “Emotive Feel,” the energy remains high. Robust keys are further fortified by blasts from vintage machines, a free flowing groove lifted into astral jazz. Sharp beats open the flip for “Cyborg Dateline.” Soon, Paterson’s melodic skill takes over. Layers of inspiration are held together by ambling notes. Echoes of cosmic and disco are adopted, a contemporary twist delivered through the complex intertwining of elements. Paterson takes us into the stratosphere for the finale. “Jetpack Joyride” maintains the rhythm of its predecessor, pouring on the funk through daring piano lines and rich strings of double bass. A trip into the beyond from this debutant.

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Returning to the Bordello, and the seven-inch, is Real Velour. This secretive figure reappears with two tracks of indie dance that bend and re-shape elements of italo disco, minimal pop and synth wave to create an utterly unique experience. Sleazy basslines and tropical percussion give way to heavily vocodered words in “Lover”, machine amor breaking to spoken human voice as melodies twirl. The romance described is one of passion, of friendship and of fidelity; but, with a hint of control. Clever and addictive, the composition cherry-picks bittersweet sounds to depict this relationship. The flip, “Look What You’ve Done”, maintains the candystore keys of the A-Side; the tone shifting as lyrics adopt a brazen and fortified vigour. It appears maybe that the promises of “Lover” have been shattered. While the love story turns to hurt feelings and regret, Real Velour keep the energy high to revel in the final break-up.

Note: limited to 200 copies

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A small package that delivers a serious wallop, “Try No More” by Glitterin is guaranteed to provide some heat on dancefloors this Summer. From the juddering throb of the opening kicks to the ricocheting rhythms, the track fixes itself directly under the mirrorball from the outset. Produced by Jason Core, this is late night lover affair material that is brimming with energy. When the firework melody bursts, it ignites. Sharp and warm synth stabs are left smouldering by the driving and impassioned voice of Sandry Sanz. A tale of unrequited love unfolds between the cymbal crashes and spiralling synthines, lines that grow ever bolder through Tony David’s emotive guitar solo. The flip is dedicated to Core’s instrumentation with the range of analogue sounds and synthesizer intensity coming to the fore. Intricate patterns and counter melodies are woven, key shifts and pulsating percussion imbibe this dub mix with all the spirit of the original. Fierce and fiery from beginning to end.

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A decade has passed since Infinity Night graced Bordello A Parigi with his wonderful Winter and Summer EPs. After too long a wait, the French producer returns with the aptly titled Le Temps Qui Passe. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth. A melancholic melody meanders through brightness in “Tu Ne Me Re´ponds Pas”, dulcet words hidden under the machine gauze of a vocoder. Skittish percussion gives way to the refrain of “It’s Full of Stars”. Hazy keys appear as an arpeggiator rumbles below a shimmering sky. “Les Souvenirs De Valerie” picks up where its predecessor left off. Astral notes are beamed into the heavens, echoing into the while crisp cymbals tether the piece. Infinity Night has always sought that point of balance in his music, a bittersweetness he accentuates and explores. This is true in the darker shades of “Nymphomania”. Beats are bolstered, key stabs piercing the tenderness of analogue trills. The title track is a rich patchwork. A burbling undercurrent supports forays into diverse tangents with lyrics surfacing through key shifts and sliding scales. Marching to militaristic rhythms, “I Comme Icare” is the curtain call. The stringent drums are broken by sailing synthlines, vocals masked in a familiar mesh to close. Le Temps Qui Passe, well worth the wait.

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Panthera is back at the Bordello with his most energy-packed release to date. Synthsizer Hits III is forged in the heat of Hi-NRG, the romance of italo and the daring synthesizer hooks of 1980s Europe. A thick rasping beat pounds above a juddering arpeggiator line before hedonistic surges ignite “Fumare”, an achingly addictive opener. Vocals are toyed with, used to increase the potency of the chosen machines and sounds. A circling chant infects “Lucifera” as a joyous melody takes hold of this modern Summer anthem, euphoric notes ushering in the dawn while speakers and strobe throb. There is a palpable power that permeates the 12”. “The Magic Touch” sends strings sailing skyward as rich percussive textures take root below. From this fertile ground, a sensational ode to the synthesizer flowers. Vocoder lyrics, pulsating rhythms and keys that are truly fantastical. “Toccata” finishes this analogue celebration. Slow burning with disco inflections, this finale soon shows its true colours. Daring counter melodies frolic, from the elegant and refined to the brash and broad, in this mirrorball inspired last dance.

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What do you get if you put two synthesizer sorcerers in the same room? In the case of Skatebård and Lauer, the answer is Trollkraft. Between them, the Norwegian-German partnership have hundreds of releases, run record labels and have wowed crowds across the globe. In short, the two tracks of Trollkraft are the product of some serious electronic talent. Rich and textured drum layers give way to strings and a vibrating bass for the title piece. Twists and turns abound, elements of disco and house brush shoulders with indie and italo as the pair tear down genre divisions. A 90s heyday influence that runs through both offerings, with “One Night In Geilo” taking its cue from house rhythms and a two-stepping melody adopted from that emblematic decade. Reimagining rave in their own effervescent and playful style, these strobe and fog veterans serve up a fat slice of glow-stick elation. Strings weave high into the dawning sky, bongos and toms reveling next incandescent synthines with just a touch of trance thrown in to add spice to this heady and euphoric mix. Two tracks from two true masters.

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Daniel Monaco and John Noseda join forces for Alektra, a new project born out of a deep love for Hi-NRG and raw 808 sounds. Renowned for their dj sets, trips that delve into tropical obscurities, Chicago jack and Rimini romances, the pair have channelled a unique blend of untamed house and shimmering italo melodies into pure dancefloor euphoria. Their debut release, “Shake Your Body,” drops on Bordello A Parigi. Neon synthwork is punctured by clean punches of percussion, scaling melodies set firmly in the golden analogue era. Key stabs drive the track with Only Bee’s honeyed lyrics pushing the energy levels higher. In true 1980s anthem form, the flip is dedicated to the instrumental with the synthesizers and their hypnotic melodies taking centre stage: Alektra’s machines smouldering with fiery intensity. That same intensity closes, Only Bee’s mellifluous vocals given the limelight for the acapella close. Dancefloor definitions redefined. Welcome to Alektra.

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Mr. Computer sees two figureheads of Dutch electronics pay homage to the voice of electro disco, the vocoder. Figi and Luca dell’Orso team up to sing praise of a tool that has crossed genres and styles and give the little metal larynx deserved limelight on their own three track theatre. Rumbling bass is shot through with crisp snaps in the title piece, warbling vocals rising as keys dance in this wonderful collaboration. Production across the 12” is beautifully clean and sharp, allowing the rich analogue sound and robotic lyrics to be fully appreciated. Of course, as happens with the vocoder, those lyrics are just that shade of bittersweet. That brooding quality is used to full effect by Luca dell’Orso in “Fire with Fire”. A bold and daring melody is countered by a tale flecked with sorrow, the brightness and immersion of synths contrasted by the filtered and fractured human voice. Figi flies solo for the finale. “Moonlight (Vocoder Version)” dips words in a thick mechanical syrup, a story of burning love recanted to moonbeam rinses and bending disco bars. A true celebration of man and machine.

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Bordello A Parigi welcome the prolific Kirill Junolainen into the fold. He debuts under his Konerytmi alias with four tracks that join the dots of disco, italo, synth pop and wave. The title piece, “Super Ekstaasi”, is an analogue rollercoaster of emotive lyrics and sparkling synthlines shot through with distant melancholy. The frosty “Klassikkoelokuva” follows. Contrasting its predecessor, this glacial work of electro cuts crystalline chords with crisp claps and bending basslines. Temperatures rise on the flip. Slow and sci-fi inspired, the thoughtful “Hirvijarvi” explores the cosmos through searching synthlines and probing percussion. The gamut of Konerytmic is on display with the finale being no exception. “Uusiaalto” is both brittle and bold. Refracted computer chirps are draped in soaring strings, pinpricks of drum piercing the stern samples that break the delicacy of the track’s composition. Super Ekstaasi through and through.

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Aimer Perdre is a movie by the Guit Brothers and tells the story of Armande Pigeon; the queen of shenanigans. In Brussels, she struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.

For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.

Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.

Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.

The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.

Comes with a limited edition flexidisc with a bonus track.

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Through darkness diamonds spread their richest light…

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‘Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacifico—meaning “peaceful” or “calm” in Italian—embodies the album’s theme of the closing experience of his travels.

The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.

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Antoni Maiovvi is an artist like few others. “Knights of New Haven” summarises his unique ability and unparalleled range. This return to the Bordello reflects the influence of the West Coast Sound of the Netherlands as well as that machine music of his adopted home of the U.S. “Later Not Lately” bends bars above a throbbing kick, hi-hats ruffling the clean arcs of string. Echoes of Chicago and Detroit penetrate the EP. Melting melodies fold and oscillate under the crashing cymbals of “Slack Blabbath”, staggered synthlines jolted by tight percussion patterns. A brother-in-arms opens the flip, Danny Wolfers drafted in under his Legowelt moniker to turn his magic to “Later Not Lately”. Undulating undertones are sliced by serrated snares before a sordid TB303 is unsheathed, Wolfers’ soulful and squalid retelling of the original. “The Madness in the Method” closes. Fizzing static blurs drum patterns, a taut note piercing the dense bass fog. Teetering between the profound and the profane, Maiovvi pivots his horror disco trademark sound with driving house drums and devil-may-care grandeur. An EP of epic proportions.

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Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordello’s latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound.

Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.

Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.

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To celebrate their 30 year anniversary Peppermint Jam release a series of edits & remixes on vinyl. First up is a 7 inch version of T-Ski Valley ‘Catch The Beat’ featuring an edit of the classic Dimitri from Paris & Mousse T. Oldskool mix, flipped with the ‘Special Remix Instrumental’. Limited Edition act fast!

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TO COMMEMORATE THE 10th ANNIVERSARY OF HIS PASSING

DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL

Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.

Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.

“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”

Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation

The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.

Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention here: https://thefkfoundation.org/

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Repress!

"Just Like a Doorknob" is very serious boogie funk written in 1983 by Claudette Washington and Dennis Bell who were also the original producers. Superb electronic disco track with huge vibes that are devastating when they hit the scene. The piece has become an Italo-Boogie classic. It has a sumptuous groovy synth bass with a fantastic piano accompaniment, the vocal version has a very American style. This precious reissue masterfully remastered by Dom Scuteri for Best Record also includes an unreleased instrumental dub version and finally a picture sleeve with captivating artwork.

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TO COMMEMORATE THE 10th ANNIVERSARY OF HIS PASSING

DEFECTED HONOURS FRANKIE KNUCKLES WITH SPECIAL EDITION ‘HOUSE MASTERS’ VINYL

Defected celebrates the life and legacy of house music pioneer Frankie Knuckles with a limited-edition vinyl offering of his notable ‘House Masters’ release.

Marking ten years since his passing, join Defected in honouring the enduring legacy of house music pioneer. All proceeds of ‘House Masters: Frankie Knuckles’ will be donated to Frankie Knuckles Foundation as it was when the compilation was originally released back in April 2015.

“Frankie Knuckles, whom many consider to be one of the architects of house music is still highly influential to a new generation. Since his untimely passing ten years ago it has been incredible to see the continued outpouring of love and respect that he has received. His legacy is why the Frankie Knuckles Foundation exists. Through our work we honour him by supporting initiatives that he was passionate about: music education, AIDS and diabetes research, prevention and LGBTQIA+ youth homelessness. This commemorative vinyl release of ‘House Masters’ in association with Defected will allow us to do just that!”

Frederick Dunson, Founder, President & Executive Director, Frankie Knuckles Foundation

The forthcoming vinyl releases will feature a selection of his finest productions and remixes including the seminal ‘Your Love’, ‘The Whistle Song’ and remixes for Chaka Khan and Sounds Of Blackness.

Find out more about Frankie Knuckles Foundation and its commitment to educating and supporting initiatives across LGBTQIA+ communities and AIDs prevention here: https://thefkfoundation.org/

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Repress!

These three songs by Kasso re-edited and mixed by John Jellybean Benitez between 1981 and 1982 represent a musical bridge that allows us to move from Europe to North America easily, but only if equipped with roller skates. JJBB with his skillful work in those early 80s was able to open new paths to Italo-Disco by fusing it with other styles, thus leaving an indelible mark on musical culture and the evolution of various genres. "Key West", so happy and melodic, is an extraordinary piece of music that has become a classic of the underground house music scene of New York and Chicago, contributing among other things to building freestyle music in the early 80s along with pieces like "Dirty Talk", "The Mexican", "Rapture", etc. it could be heard at night in East New York, Brooklyn, anywhere on any Saturday circa 1983. Also "Walkman", one of the best instrumental dance songs, could also be heard in every handball court and schoolyard in Brooklyn and Queens as it embodied the vibe of gritty New York at the time, but it also became a staple in Chicago during WBMX 102.7. it was fm Hot Mix 5, which influenced house music. This song and countless other pieces have crossed and transcended trends such as uprocking, roller skating break dancing, webo dancing. "Kasso", which in addition to the title of the third song of this splendid reissue published by Best Record, is also the pseudonym of the fairy Claudio Simonetti. This piece actually is a classic Jazz funk, not disco, which is to be enjoyed and to dance, dance, dance, takes us back to the Funhouse and the unique way of mixing music, sometimes with brutal, energetic, stimulating changes of rhythm, of Jellybean Benitez, who as always blessed every track he touched with his talent.

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Celestial Echo is thrilled to introduce the reissue of Brutal Force's revered classic, 'Dreams For Sale.' Originally released, this soulful gem has maintained its status as a sought-after treasure by DJs and electronic music enthusiasts for years. A favourite of Floating Points, Jeremy Underground and Frederika

With original copies becoming more and more elusive, and only released on poor quality styrene, the decision to reissue this soulful gem was an easy one.

Celestial Echo proudly presents the re- issue on a limited edition 7-inch vinyl re- cord, remastered and pressed on heavyweight vinyl for an authentic ana- log experience. This exclusive release is adorned with a striking picture sleeve and redesigned labels, adding a con- temporary touch to this soulful master- piece.

CER001 gained huge support from DJs such as Gilles Peterson, Craig Charles and Ross Allen, with more to be expected as the label grows.

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James Curd’s Pronto label returns on vinyl once again with four heavy weight remixes by some of the best producers in the game. Do not miss!

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After over 40 years and with great pride we bring to light in the formidable Maxi 45 single format another great little gem hidden in the vast panorama of Italian disco.
Author, painter, poet and all-round musician, Luciano Angeleri collaborated on the project with enthusiasm and exceptional enthusiasm. With his inimitable humor he gave us many laughs and beautiful reflections on an unparalleled golden age.
Thank you so much Luciano!
The Pink Colored Vinyl in Limited Edition, in addition to the two hits "Un' Estate di Sesso" and "Donna", offers two modern versions on the B-Side: Lance with a jaunty Re-Edit and our Marta Paradise with a real King -Work with a retro futuristic flavour.

May the Italian Summer be with you…

A1 - Un'Estate Di Sesso (Original Version)
A2 - Donna
B1 - Un'Estate Di Sesso (Lance Re-Edit)
B2 - Un'Estate Di Sesso (Marta Paradise Litoranea Rework)

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Tracklisting
A1 Frenk Dublin - Unseen World
A2 Frenk Dublin - The Creator
B1 Frenk Dublin - Pharaoh Dub
B2 Frenk Dublin - 4th Hour

Sales Note
ECHOLTD009: 12" EP 180g Gold / Blue marbled vinyl.

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Soul Clap’s House of EFUNK label record label celebrates the 10th anniversary of their party of the same name that’s been ongoing each year at Movement Festival since 2014. The EFUNK party is commemorated with a 4-track house compilation that showcases some of the city’s finest talent. DJ Minx’s late night soulful house affair 'Sweet' bubbles with her seductive vocals set against percolating rhythms, romantic chords, and funky trumpets. Marcellus Pittman’s '888 In The Groove' is a chugging instrumental house jam that is surrounded in swirling synth arpeggios and cosmic pads centered by a hefty kick and meaty bass line. Mike (Agent X) Clark’s 'Where You Get That Funk From' pays reimagines the bright funk of Parliament-Funkadelic inside of a brooding and dank deep house beat with a loping bass line. On sillygirlcarmen’s 'Good Times' she delivers an angelic vocal performance with an uplifting message on her minimal but classic Detroit house sounding track.

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Thom Yorke composed the original score for Daniele Luchetti’s film Confidenza, an adaptation of the Italian drama based on Domenico Starnone’s novel of the same name. His original soundtrack will be released digitally on April 26, with vinyl and CD to follow on July 12. Confidenza sees Yorke working again with Sam Petts-Davies as well as the London Contemporary Orchestra alongside a jazz ensemble which included Robert Stillman and fellow The Smile bandmate Tom Skinner.

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First new album in 3 years from Bruno Pronsato, fusing experimental tunings with his signature percussive workouts

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