DJ Support: Graeme Park, Tall Paul, Paul Oakenfold & Danny Rampling and many more

The DMENJ crew returns after their huge debut with two massive tracks. Already dancefloor staples worldwide, these heaters are now available on vinyl for a limited time.

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Tracklisting
A1 Unknown - One
A2 Unknown - Evil Forces
B1 Unknown - Passenger
B2 Unknown - Ten Eighty Eight

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Tracklisting
A1 Unknown - Need To Feel Loved
B1 Unknown - Need Your Loving

Sales Note
2026 black vinyl repress -

Two absolute bangers you need and you'll love.

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16 years after debuting, Coyote's hush-hush Magic Wand imprint continues to be one of the most reliable sources of Balearic-minded re-edits and reworks. Their latest is suitably mysterious - a single-sided missive released with no information about either the uncredited scalpel fiend behind it or the source material. What we can tell you is that 'Suntrip' is undeniably ace, with our shadowy editor delivering an extended, lightly dubbed-out take on what sounds like a mid-1980s big studio number: the kind of off-beat pop-not-pop record that Balearic heads love. Think synth marimba lines, fretless bass, effects-laden drums, glassy-eyed male lead vocals, glistening guitars, nods to dub and lashings



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Two new Moxy Edits — bass-heavy, floor-ready, summer certified.

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2026 repress on black 180g vinyl in black disco sleeve.

Tracklisting
A1 Unknown - Me Heard You Like My Basslines
A2 Unknown - Run Dem
A3 Unknown - Stekkerdoos
A4 Unknown - Pray
B1 Unknown - Tortuga Dub
B2 Unknown - Communicate
B3 Unknown - Sailor Dub Sound

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2 more unknown edits but 1 unknown producer. Please Forgive us.

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Tracklisting
A1 Unknown - ILL 001 A
B1 Unknown - ILL 001 B

Sales Note
-- 2026 repress --

The ill behaviour touches down for the first time. Unknown to all, yet known to many. Combining both the old and new, with amens and the lot like you've most probably heard before.

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Tracklisting
A1 UPSKIBOO - Vi Leger Med Biler
B1 UPSKIBOO - Bil Fri Jazz

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Tracklisting
A1 UPSKIBOO - Vi Leger Med Biler
B1 UPSKIBOO - Bil Fri Jazz

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Tracklisting
A1 PRINZ EZO - Kurzweiliger rauschverkehr
A2 PRINZ EZO - Vor dem geburt
B1 PRINZ EZO - False identity
B2 PRINZ EZO - Keep it unreal

Sales Note
Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin.

Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer
Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style,
persona, and sweaty live performance skills - his musical understanding and need to explore new directions
took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers -
but always in a tone of his own.

Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create.

The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers.

"Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder
kid by the media back in the 90's.

An insider with new knowledge of Bjorn told us:

"Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you
can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if
you want to, but don't expect all the rides to be fun - sometimes it hurts!

Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do
a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart,
making music documents for the few.

Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and
played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is
important if you want to make interesting music that last for the future.

When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous
underground labels, made the jump to a major label, and everything more or less turned out as a big
disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the
moniker Prinz Ezo - The Body Offset.

We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has
gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER

Why Kurier?

Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology -
he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and
understanding his skills, at the point where you understand why you have to cross borders, still incognito,
doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and
space.

Not Restless nor rootless, just forever on the move, always discovering new landscapes!

But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely
in balance with the music inside of him.

Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and
releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those
who never arrived.

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Tracklisting
A1 PRINZ EZO - Kurzweiliger rauschverkehr
A2 PRINZ EZO - Vor dem geburt
B1 PRINZ EZO - False identity
B2 PRINZ EZO - Keep it unreal

Sales Note
Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin.

Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer
Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style,
persona, and sweaty live performance skills - his musical understanding and need to explore new directions
took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers -
but always in a tone of his own.

Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create.

The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers.

"Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder
kid by the media back in the 90's.

An insider with new knowledge of Bjorn told us:

"Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you
can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if
you want to, but don't expect all the rides to be fun - sometimes it hurts!

Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do
a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart,
making music documents for the few.

Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and
played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is
important if you want to make interesting music that last for the future.

When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous
underground labels, made the jump to a major label, and everything more or less turned out as a big
disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the
moniker Prinz Ezo - The Body Offset.

We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has
gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER

Why Kurier?

Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology -
he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and
understanding his skills, at the point where you understand why you have to cross borders, still incognito,
doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and
space.

Not Restless nor rootless, just forever on the move, always discovering new landscapes!

But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely
in balance with the music inside of him.

Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and
releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those
who never arrived.


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Tracklisting
A1 Q·BASÍC - Sure We Can Go To The Moon
B1 Q·BASÍC - Up That Urban Zen

Sales Note
This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

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Tracklisting
A1 Q·BASÍC - Sure We Can Go To The Moon
B1 Q·BASÍC - Up That Urban Zen

Sales Note
This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

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Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz

Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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Backstock

Tracklisting
A1 Valyom - Echo Dreams
A2 Valyom - Valyom
B1 Valyom - 242 Compliment

Sales Note
The newly reborn Danish label, tech-nology, is reintroducing itsfirst two releases.
Tech-nology is thrilled to reintroduce the world to the groundbreaking debut releases from 2003.

This was the first release on the label bearing the title "RedSector" and catapulted tech-nology into the music scene with adistinctive blend of warm, raw, and captivating machine funk, fusing elements of techno and electroclash. The title track"Valyom" reach third place on Ricardo Villalobos' chart, while"Echo Dreams" became an enduring electro classic.

Hailing from Belgium, Valyom, also known as Filip Vandendriessche, had already left a strong mark on the music landscape under the moniker DJ Valium. He had previously released with the German label International DJ Gigolo Records and emerged as one of the first Belgian artists to contribute tothe Detroit sound with releases on Teknotika Records.

Filip Vandendriessche has been a fixture on record labels and event flyers since the early '90s when, fueled by his passion for dance music, he co-founded the UFO parties in the western provinces of Belgium. These early gatherings laid the foundation for a global journey that took him to some of the most iconic underground parties labels worldwide.

Tech-nology is proud that Valyom was the first artist to be released on the label.

Red is also the colour of love!

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Backstock

Tracklisting
A1 El Far - Him
B1 El Far - Her
B2 El Far - Wet Area

Sales Note
The newly reborn Danish label, tech-nology, is reintroducing its first two releases.

The second release on tech-nology back in 2003 by El Far, also known as Bjorn Svin, stands as a true techno masterpiece andis now rereleased as the label has been relaunched in 2023. Bjorn Svin has taken the lead again, contributing a remix that kick-starts the label in 2023 with TN EDITS 02 Lotte kaersa:"Prov og gor li'som jeg" - played by Luca Bacchetti at Burning Man 2023.


Additionally, the track gained attention on the latest Michael Meyer podcast, ... .


But this is all about the beginning of the label and the beginningon the dancefloor Bjorn Svin was one of the first electronic musician in Denmark spearheaded an uprising Scandinavian rave scene, developinga unique, recognizable sound inspired by Detroit techno and British early IDM pioneers: playful and melodic but simultaneously groovy and entrancing.

In 1997, April Records released Bjorn Svin's debut full-lengthalbum Mer Strom; the opening single became an unofficialanthem for the entire generation of Scandinavian ravers.

Tech-nology captured a mature Bjorn Svin in 2003 and releasedwhat is arguably his best techno track ever produced, featured on this EP that highlights his techno skills under the moniker El Far. This authentic techno experience transports you back to theorigins of electronic dance music, going back to the old abandoned warehouses where social and casual dancing defined the essence of the scene.

Yet, the record captures what it is still all about, the love to themusic, the love on the dancefloor, this is him, her and wet area.

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Tracklisting:
A1 Unknown - Unknown
B1 Unknown - Unknown
B2 Unknown - Unknown
C1 Unknown - Unknown
D1 Unknown - Unknown
D2 Unknown - Unknown

Sales Note
Hot on the heels of TN EDITS 01 - featuring Lotte Kaersa's: "Prov og gor li'som jeg" (Bjorn Svin Remix), this marks the second release of the reborn danish label Tech-nology, and it's truly an exceptional release. Every track, in its unaltered state, has been extensively club tested by label owner & DJ Mester Jakobsen and is now reedited with finesse of love to be played loud on a wide selection of dancefloors.

All killers, no fillers.
300 copies - no repress!
One copy per person please

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Tracklisting:
A1 Unknown - Unknown
B1 Unknown - Unknown
B2 Unknown - Unknown
C1 Unknown - Unknown
D1 Unknown - Unknown
D2 Unknown - Unknown

Sales Note
Hot on the heels of TN EDITS 01 - featuring Lotte Kaersa's: "Prov og gor li'som jeg" (Bjorn Svin Remix), this marks the second release of the reborn danish label Tech-nology, and it's truly an exceptional release. Every track, in its unaltered state, has been extensively club tested by label owner & DJ Mester Jakobsen and is now reedited with finesse of love to be played loud on a wide selection of dancefloors.

All killers, no fillers.
300 copies - no repress!
One copy per person please

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Tracklisting
A1 Lotte Kærså - Prøv og Gør li'som Jeg
B1 Lotte Kærså - Extra aej version

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pink vinyl / printed sleeve / 180 grams

Tracklisting
A1 Lotte Kærså - Prøv og Gør li'som Jeg
B1 Lotte Kærså - Extra aej version

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House, Latin and New Wave Edits ***VINYL ONLY***

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After an outstanding debut on M.A.D Records earlier this year Rakim Under is back with the first in his edits series 'Rakim Redun Vol.1'.
5 edits set to move any dance floor. Rakim Under really is one to watch.

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Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz

Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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Repress!

Two of dance music's most recognisable names come together once more as Nic Fanciulli returns on the mighty Rekids. Fanciulli has long been one of the leading lights in the house world. His Saved Records label is one of the go-to outlets for forward-thinking grooves thanks to his own music and his on-point A&R of many other talents. Over the years, his releases have explored every facet of house and tech, while the man himself has played every major club and festival in the world. This is Fanciulli's third outing on Rekids after 12"s in 2019 and 2020, and it might be his best yet. The stylish and seductive sounds of 'On My Mind' open up with loopy and catchy vocals, disco-tinged house beats and plenty of feel-good energy. The funky basslines and innovative samples make this a fun, full flavour and heart-warming groove that is sure to get crowds locked in and hands in the air. The brilliant 'U Gotta' is another track steeped in classic references but with a modern twist. It builds in careful layers that tease and please with sustained strings and low, grinding bass offset by the diva vocals and atmospheric crowd noise. When it drops, it is the sort of tune to bring real rapture to the party.

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Released on 2xLP cut at 45RPM in gatefold sleeve with 6 panel fold-out poster.

Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.

From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.

The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.

The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.

Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.

At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.

Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.

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Colored Vinyl Repress!

A four-piece band based in Tokyo.

Initially playing reggae/dub music, the band gradually developed into an innovative fusion of diverse musical influences, such as jazz, soul, psyche pop, new age, and exotica. A sound is based on groove and euphoria, with nostalgic melodies.

They have performed at iconic events in Japan such as Fuji Rock Festival, and also have been looking overseas since they performed in Canada(Toronto, Montreal, and Vancouver) in 2019. The new EP "Ramble In The Rainbow"(2024) is their first international release on the US label Peoples Potential Unlimited.

The work shows their musical maturity, drawing inspiration from Sun Ra, Lee "Scratch" Perry, and Yasuaki Shimizu.

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Kosh continues to move at his own pace with his label Convergence. Musically, that’s fast, but output wise, careful and considered, with over a year or more apart between each installment. That’s because creating complex worlds within worlds, which the Moroccan artist has a knack for, certainly takes time. Now a trifecta of releases in, the Enslaved EP serves as his most fine-tuned and liberated project for the label yet.

On the title track, split between a vocal mix and bonus beat version, Kosh delivers a cosmic and introspective electro demonstration at its core, with flares of psychedelic and trance inducing sonic fusions. Its lyrical content is trademark Kosh, with its cautiously optimistic reflections on the world intuitively tapping into the current zeitgeist, yet through a universal futurist lens, leaving the listener with a sentiment that’s timeless and expansive.

The flip side sees the filtered house foundation of “Supernova” burst into scorching Detroit style techno stabs before the EP enters into uncharted territory with the interplanetary escape soundtrack on acid that is “Above & Beyond.”

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Acclaimed UK electronic music producer, DMX Krewhas announced a brand new album, 'UnlikelySeeming', on the Byrd Out label out on 3rd May. The8-track album showcases his blend of joyous,melodic synth hooks, textured pads and analoguedrum machine rhythms. Leaving to one sidepummeling sounds, the focus of this album is onsonic fun, mining the 80s pop vibe DMX Krew doesso well. BBC 6 Music's Tom Ravenscroft describesthe trailing single 'Wednesday Memory' as "thefunkiest thing ever ... it's almost too joyous". Fromthe first 'A New Story', through to 'UncertainCalculation', DMX Krew delivers densely layered andsatisfying tracks, demonstrating the more imaginativeside of his output. The slight outlier is 'Continuation'which offers the most forceful 303 workout, bestsuited to a sweaty dance floor in the early hours.Overall the feel is playful, intelligent, melodic andwonderfully fun - best exemplified by multi-synthmasterpiece 'Data Cruncha' and Megadrive-esquetitle track 'Unlikely Seeming'. To finish the album,'Unlikely Seeming' is given a rework by Portland-based artist Break Mode, managing to achieve aremix that is at once ethereal and uplifting - it has4am written all over it. DMX Krew, aka EdwardUpton, has been crafting innovative electronic musicfor nearly 30 years, releasing on the likes of Rephlex,Central Processing Unit, and Gudu. With a soundrooted in synth-pop, electro, and Italo disco, DMXKrew's music evokes nostalgia for pop melodies andthe early days of rave culture


A1. A NEW STORY
A2. DATA CRUNCHA
A3. UNLIKELY SEEMING
B1
. CONTINUATION
B2. WEDNESDAY MEMORY
B3. IT'S TOMORROW


Stream: http://tinyurl.com/UnlikelySeemingSC

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REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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