Emerging from the confines of the underground, Shadow Pressings returns with a brand-new slab of raw wax—four cuts of stripped-back, analog-driven house music from an artist whose identity remains in the shadows. True to the label’s ethos, this release channels the spirit of Chicago basements and Detroit lofts, where swing, grit, and soul collide beneath the glow of a red light.

A1 - Trentsetter
A2 - Unreleased Slices
B1 - Dreamed Up Ecstasy
B2 - Am I

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2025 repress

Tracklisting:
A1 Unknown - Space Muffin'
A2 Unknown - This Sound
B1 Unknown - Space Agent
B2 Unknown - Whispers

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DJ Support: Seth Troxler, Marco Carola, Sasha & Digweed, Camelphat, Dennis Cruz and many more

The chances are you've already heard this track being played all over the place this summer; It's been causing some damage on the dancefloor all over, and is now it's finally available on wax for a limited time

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2025 Repress

Tracklisting:
A1 Unknown - Chord Tune
A2 Unknown - Remember
B1 Unknown - Underground
B2 Unknown - Lost Time

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Only Music Matters is a mysterious label that deals in white hot minimal and tech from either one unknown or various rotating unknown artists who all go by the name Unknown. They are all straight to dancefloor, no-frills business, including this one: 'AAA001A' is dark and rumbling with a mid-tempo groove and sleazy vocal slurs from a Saint Germain classic. 'BBB001B' brings a more luminous synth glow and fluttering motifs up top that elevate the dubby, wafting drums. 'BBB002B' completes the trip with some warped pads and sci-fi details over another dusty mix of drums and bass. The likes of Dubfire and Priku have already been banging this one, so you should too.

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Tracklisting
A1 Unknown - Hardcore Bass
B1 Unknown - E's In Effect

Sales Note
- blue vinyl repress 2025-

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Tracklisting
A1 UNKNOWN - Being Alone
A2 UNKNOWN - Justify
B1 UNKNOWN - Justify (UNKNOWN remix)
B2 UNKNOWN - Justa Part

Sales Note
We go back to basics - 3 minimal house groovers and remix

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After the people asked, The Gallery is finally back open; and what 2 stunning new pieces of Artwork are now on show for everyone to enjoy, and have a lovely, lovely time to…it was worth the wait! You would have heard Harvey, Artwork, Hunnee, Peggy and a few other choice DJ’s showing these beauty’s to the crowds over the last 2 summers…and now you too can own these masterpieces. Be quick before Christies and co make copies unaffordable. Art for all!

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Two new Moxy Edits — bass-heavy, floor-ready, summer certified.

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Tracklisting
A1 Re-Thinkable
B1 The Worst

Sales Note
- 2025 repress

If we do the unthinkable would it make us look crazy? Probably yes, although we don't really care. Tip top, heartfelt beats with soul by some unknown geezer pressed on clear transparant 12'' vinyl with a silver sleeve. They're bound to sell like hotcakes, don't sleep on it!


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2025 Repress

Tracklist:
A1 Unknown - I Need Your Lovin' (Dirty '97 Mix)
A2 Unknown - Sweet Love
B1 Unknown - 5 On It
B2 Unknown - No Diggity

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2 more unknown edits but 1 unknown producer. Please Forgive us.

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Tracklisting
A1 PRINZ EZO - Kurzweiliger rauschverkehr
A2 PRINZ EZO - Vor dem geburt
B1 PRINZ EZO - False identity
B2 PRINZ EZO - Keep it unreal

Sales Note
Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin.

Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer
Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style,
persona, and sweaty live performance skills - his musical understanding and need to explore new directions
took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers -
but always in a tone of his own.

Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create.

The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers.

"Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder
kid by the media back in the 90's.

An insider with new knowledge of Bjorn told us:

"Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you
can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if
you want to, but don't expect all the rides to be fun - sometimes it hurts!

Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do
a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart,
making music documents for the few.

Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and
played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is
important if you want to make interesting music that last for the future.

When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous
underground labels, made the jump to a major label, and everything more or less turned out as a big
disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the
moniker Prinz Ezo - The Body Offset.

We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has
gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER

Why Kurier?

Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology -
he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and
understanding his skills, at the point where you understand why you have to cross borders, still incognito,
doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and
space.

Not Restless nor rootless, just forever on the move, always discovering new landscapes!

But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely
in balance with the music inside of him.

Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and
releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those
who never arrived.

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Tracklisting
A1 PRINZ EZO - Kurzweiliger rauschverkehr
A2 PRINZ EZO - Vor dem geburt
B1 PRINZ EZO - False identity
B2 PRINZ EZO - Keep it unreal

Sales Note
Tech-Nology was launched in 2003 specifically to make records with the artist Bjorn Svin.

Bjorn was the first Danish artist who made underground crossover into commercial hit territory via "Mer
Strom" - but still keeping respect in the "real" music world for his enthusiasm, non-compromising style,
persona, and sweaty live performance skills - his musical understanding and need to explore new directions
took the crowd on a personal musical journey from jazz and classical musicians to early electronic pioneers -
but always in a tone of his own.

Bjorn always felt a need to escape norms, to grow and not to repeat, but investigate and create.

The first record on Tech-Nology was born under the alias - El Far: Couples of lonely dancers.

"Bjorn is maybe the most talented electronic producer ever in Denmark" and he was celebrated as a wonder
kid by the media back in the 90's.

An insider with new knowledge of Bjorn told us:

"Yeah I think its good music.. It's not for everyone I must add, but it's definitely quality music for those who dig this sound.. sometimes a bit too deep.. which kind of works against it, cause you really need to listen to it.. you cannot just skip through it, cause then you don't really grasp the soul of it.. so this is what makes it more difficult to sell - but if a guy like this was a bigger name he would sell much better.."

We love Bjorn and we agree - We have tried to sell Bjorn and his music for over 2 decades now - But you
can't capture Bjorn, you can't own him - he is only making music for himself - and you can get on the ride if
you want to, but don't expect all the rides to be fun - sometimes it hurts!

Bjorn is difficult to sell, but we don't think Bjorn really would like to sell much better if he had the option to do
a more commercial approach to his music - because Bjorn is about not selling out, he's a purist at heart,
making music documents for the few.

Bjorn is bigger than superficial success and streaming numbers. He made jingles for Nokia, toured and
played Roskilde's main stage, the biggest Festival in Denmark, but he still doesn't care... and that is
important if you want to make interesting music that last for the future.

When Bjorn met Mester Jakobsen, label boss of Tech-Nology, he has been releasing on numerous
underground labels, made the jump to a major label, and everything more or less turned out as a big
disappointment, so Bjorn presented a completely experimental album to the Tech-Nology label under the
moniker Prinz Ezo - The Body Offset.

We loved it then - we still love it now - and a truly collectors item and a secret DJ tool.

Today, Bjorn is still breaking all habits and rules, still doing the same thing - just in new ways, but he has
gained insight on another level, adding even more nuances and textures to his post-genre compositions.

Welcome to the second album by Prinz Ezo on Tech-Nology: KURIER

Why Kurier?

Because Bjorn left to explore the Berlin Underground, shortly after the first two releases on Tech-Nology -
he left his roots to search for a bigger meaning, a bigger understanding, to compose real mature sounds and
understanding his skills, at the point where you understand why you have to cross borders, still incognito,
doing smuggler-sounds, always in transit - between cities, between cultures, between worlds, time and
space.

Not Restless nor rootless, just forever on the move, always discovering new landscapes!

But now Bjorn is settling down - accordingly with the music - to find - not inner peace, but to be completely
in balance with the music inside of him.

Prinz Ezo is raw, narrative, minimalistic electronic storytelling that refuses to freeze. Tension builds and
releases - feel the energy and the drama for the last 2 decades if you dare to take the journey?

Almost twenty years after the first Prinz Ezo album, it has now been possible to make the music for those
who never arrived.


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Tracklisting
A1 Q·BASÍC - Sure We Can Go To The Moon
B1 Q·BASÍC - Up That Urban Zen

Sales Note
This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

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Tracklisting
A1 Q·BASÍC - Sure We Can Go To The Moon
B1 Q·BASÍC - Up That Urban Zen

Sales Note
This is the debut release from Danish Qbasic as a solo artist, and its likely the strongest lo-fi record to emerge straight out of Copenhagen.

The A-side brings a cheerful, feel-good disco vibe, based on an old Detroit sample that loops endlessly, accompanied by repetitive, uplifting woodwind instrument.

Flip over to the B-side, and youll encounter a strong contrast: dark, mean heavy, and gritty cassette tape samples create a dreamy, solitary journey through an urban nightscape. As you walk through the dark night you discover shadows of new, sleepy buildings appear, drawing you in, yet leaving you torn between approaching or retreating. You dont want to go towards them, but neither do you want to leave.

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Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz

Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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Backstock

Tracklisting
A1 Valyom - Echo Dreams
A2 Valyom - Valyom
B1 Valyom - 242 Compliment

Sales Note
The newly reborn Danish label, tech-nology, is reintroducing itsfirst two releases.
Tech-nology is thrilled to reintroduce the world to the groundbreaking debut releases from 2003.

This was the first release on the label bearing the title "RedSector" and catapulted tech-nology into the music scene with adistinctive blend of warm, raw, and captivating machine funk, fusing elements of techno and electroclash. The title track"Valyom" reach third place on Ricardo Villalobos' chart, while"Echo Dreams" became an enduring electro classic.

Hailing from Belgium, Valyom, also known as Filip Vandendriessche, had already left a strong mark on the music landscape under the moniker DJ Valium. He had previously released with the German label International DJ Gigolo Records and emerged as one of the first Belgian artists to contribute tothe Detroit sound with releases on Teknotika Records.

Filip Vandendriessche has been a fixture on record labels and event flyers since the early '90s when, fueled by his passion for dance music, he co-founded the UFO parties in the western provinces of Belgium. These early gatherings laid the foundation for a global journey that took him to some of the most iconic underground parties labels worldwide.

Tech-nology is proud that Valyom was the first artist to be released on the label.

Red is also the colour of love!

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Backstock

Tracklisting
A1 El Far - Him
B1 El Far - Her
B2 El Far - Wet Area

Sales Note
The newly reborn Danish label, tech-nology, is reintroducing its first two releases.

The second release on tech-nology back in 2003 by El Far, also known as Bjorn Svin, stands as a true techno masterpiece andis now rereleased as the label has been relaunched in 2023. Bjorn Svin has taken the lead again, contributing a remix that kick-starts the label in 2023 with TN EDITS 02 Lotte kaersa:"Prov og gor li'som jeg" - played by Luca Bacchetti at Burning Man 2023.


Additionally, the track gained attention on the latest Michael Meyer podcast, ... .


But this is all about the beginning of the label and the beginningon the dancefloor Bjorn Svin was one of the first electronic musician in Denmark spearheaded an uprising Scandinavian rave scene, developinga unique, recognizable sound inspired by Detroit techno and British early IDM pioneers: playful and melodic but simultaneously groovy and entrancing.

In 1997, April Records released Bjorn Svin's debut full-lengthalbum Mer Strom; the opening single became an unofficialanthem for the entire generation of Scandinavian ravers.

Tech-nology captured a mature Bjorn Svin in 2003 and releasedwhat is arguably his best techno track ever produced, featured on this EP that highlights his techno skills under the moniker El Far. This authentic techno experience transports you back to theorigins of electronic dance music, going back to the old abandoned warehouses where social and casual dancing defined the essence of the scene.

Yet, the record captures what it is still all about, the love to themusic, the love on the dancefloor, this is him, her and wet area.

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Tracklisting:
A1 Unknown - Unknown
B1 Unknown - Unknown
B2 Unknown - Unknown
C1 Unknown - Unknown
D1 Unknown - Unknown
D2 Unknown - Unknown

Sales Note
Hot on the heels of TN EDITS 01 - featuring Lotte Kaersa's: "Prov og gor li'som jeg" (Bjorn Svin Remix), this marks the second release of the reborn danish label Tech-nology, and it's truly an exceptional release. Every track, in its unaltered state, has been extensively club tested by label owner & DJ Mester Jakobsen and is now reedited with finesse of love to be played loud on a wide selection of dancefloors.

All killers, no fillers.
300 copies - no repress!
One copy per person please

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Tracklisting:
A1 Unknown - Unknown
B1 Unknown - Unknown
B2 Unknown - Unknown
C1 Unknown - Unknown
D1 Unknown - Unknown
D2 Unknown - Unknown

Sales Note
Hot on the heels of TN EDITS 01 - featuring Lotte Kaersa's: "Prov og gor li'som jeg" (Bjorn Svin Remix), this marks the second release of the reborn danish label Tech-nology, and it's truly an exceptional release. Every track, in its unaltered state, has been extensively club tested by label owner & DJ Mester Jakobsen and is now reedited with finesse of love to be played loud on a wide selection of dancefloors.

All killers, no fillers.
300 copies - no repress!
One copy per person please

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Tracklisting
A1 Lotte Kærså - Prøv og Gør li'som Jeg
B1 Lotte Kærså - Extra aej version

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pink vinyl / printed sleeve / 180 grams

Tracklisting
A1 Lotte Kærså - Prøv og Gør li'som Jeg
B1 Lotte Kærså - Extra aej version

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Tracklisting
A1 Unknown Artist - Back The Funk
A2 Unknown Artist - Beginners
B1 Unknown Artist - Block Rockin'
B2 Unknown Artist - The Funk

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Tracklisting
A1 Unknown - Cindy
B1 Unknown - Grindhouz (radio edit)
B2 Unknown - Grindhouz

Sales Note
There is no in-between, neither is it only black or white - it is always, also, a question about
contrast.

This is the third edit release on the newly reborn Tech-nology label.

The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his
Soundcloud, radioshow - a big thanks.

The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.

The edit series is a mix between techno, which was initially the start of the label, so!

The edit series is not disco in the sense that is most popular or most accepted, this is a new way!

Making a techno approach to attack the original disco track.

Tech-nology!

This output is the third and not a secret track.

Here it is black, like the techno sound behind.

There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.

But the flipside, with 2 versions, is the big room killer.

There is always white noice

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DE - 22113 Hamburg
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Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

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