Hand stickered repress of GLENN's very first volume, out of print since 2018. BRASS CONSTRUCTION's "HAPPY PEOPLE", used on "VENUS (SUNSHINE PEOPLE)" gets chopped & is followed by WALTER MURPHY BAND's "MIDNIGHT EXPRESS". Flip it for a rework of "LOVE HANGOVER" & a classic VINCE MONTANA jam.

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Hand stickered white label, repressed for the fist time since 2017. Chicago's own works his magic on 4 more classic funk/soul jams: STEVIE's "AS IF YOU READ MY MIND" & EDDIE KENDRICKS "GIRL YOU NEED A CHANGE OF MIND" alongside classics from T-CONNECTION & MOTHERS FINEST

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Guy - Groove Me (Remixed By Kai Alcé & Stefan Ringer)
Flacko - Lonely Town (Remixed by Karizma)
Robert Glasper - Enoch's House (Remixed by DJ Kemit)


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A classic white label that has been out-of-print and hard-to-find for many years is now remastered and reissued with an all-new B side from edit maestro Mr. K. The original release is coveted not only for the quality of the edit but also for the beautiful sonics on the vinyl itself. The sound quality of the vintage release has been meticulously recreated on this new edition.

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Arguably the best and most rare mix/edit of the late ROMANTHONY's classic crowd pleasing "LET ME SHOW YOU LOVE" gets reissued and remastered on this limited edition 1-sided 12". BUZZIN CUZZINS featuring ROMANTHONY exclusive! HOUSE
Tracklisting: A. Let Me Show You Love (Quick Dub & Crooklyn Mix)

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Super Disco compiles 4 re-edits. Techno Twins 118bpm, Eddy Grant Sunshine 120bpm, Mighty Pope 122bpm, Myele-Black Line 107bpm


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One of the hottest tracks on the white Isle limited vinyl pressing get in fast!

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Classic classic classic NYC garage pressure from 1993 here courtesy of George Morel, "Let's Groove" is a true anthem, a sure shot party starter that crossed over into many scenes getting spins from all the big hitters in the USA, the UK garage dons and discerning European house heads alike. This repress boasts two brand new 2014 mixes, one from George himself that strips the OG right back to basics and one from newcomer Steve Nash who updates "Let's Groove" giving it a more contemporary feel.


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reissue!

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In 2013 bootshonk was the white label release spurred by the calls from DC10’s dance floor. This time around bootshonk steps ahead of the game and pre-empts two of this summer’s sure-fire underground DJ weapons. Troubled Times brings high energy tribal drumming, simple and stripped back to ultimate rhythmic effect. Patiently building up with claps before sliding into a moment of surrealist vocal samples, for a woozy, trippy vibe. With Stamper Square the mood shifts deeper, delving into the late night mystery and a new level of dance floor entrancement.


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Dublin producer Frank B’s sleeper hit from late 2012, ‘Chain Of Fools’, gets a vinyl run. B/W two remixes from Opal Tapes newcomer Lumigraph. Mastered by Helmut Erler at D&M.



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White label promo edition of the new Primal Scream single, featuringthe Original & that remix & Dub from original Screamadelica button pusher and national treasure, Andrew Weatherall These are official promo copies from the label, preceeding the full release. First come, first served !


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Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

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Diggin’ in the vast vaults of Victor Simonelli, a collection of classic Jazz-N-Groove remixes from the legendary Bassline Records label, fully remastered for the first time on one 12”.

Started back in 1993 by the man himself, the label features releases from the likes of Romanthony, Jocelyn Brown, DJ Duke and many more, also going on to spawn the Big Big Trax sublabel too.

For this 12 inch, a spotlight on Jazz-N-Groove, the legendary production team consisting of Marc Pomeroy, Brian Tappert & previously Roy Grant. Showcasing soulful house done properly, this EP takes in four of their sought-after ‘90s remixes of anthemic cuts from Northbound, Body Moods and Strive For Jive. For the house trivia heads out there, the pair also went on to launch Soulfuric Records and also digital download store, Traxsource.

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Originally released on Studio !K7 Records in 1998, Peter Kruder and Richard Dorfmeister's groundbreaking release, 'The K&D Sessions' reset the bar for what could be achieved in a compilation. Across an array of original tracks, dubs and infamous K&D Session remixes, the DJ and producer duo took the listener on a smoke-filled blunted journey that flowed flawlessly. Often compared to DJ Shadow's 'Endtroducing' for it's similarly deft craft of rhythm and quoted by Allmusic as "the most blissfully blunted music the world has ever heard", the album has sold over 1,000,000 copies to date and was included in Spin s Top 20 albums of 1999 .

The album has long since been deleted on Vinyl with original 4LP sets changing hands for 300+ on the collectors market and even a bootleg vinyl copy will set a buyer back over 100. Sixteen years later, this legendary album will be available as a long overdue 5LP reissue remastered by Bernie Grundman Mastering in Hollywood. Finally back in print in 180g vinyl.

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Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.

TRACKLIST:

A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi

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Repress!!

Dan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.


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Repress!

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Rezzett offer up a little something for afters on their new self-released EP

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Kerri Chandler’s Kaoz Theory welcomes the return of Dj Steaw in January 2024 with his ‘Get Back To The Fonk’ EP.

Parisian House stalwart Dj Steaw has grown to become a widely respected figure in the field of
raw, underground, classic House over the past decade, racking up releases on many leading
imprints of the genre such as Hot Haus, Meta, Local Talk, Step and Phonogramme as well as his
own Steaward, Rutilance and House Puff. Here though he returns to Kaoz Theory following the
success of his ‘Colour Of Mind’ EP in 2022.

Title-cut ‘Get Back To The Fonk’ opens and sees Dj Steaw lay down a jazzy keys and stab
sequences, a bouncy bass line and heavily swung drums alongside an amalgamation of spoken
word vocals and chants. ‘Don’t Stop’ follows next and shift focus into deeper realms with warm,
fluttering chords, swaying subs and airy strings running atop of a robust rhythm.
‘In My Body’s House’ is up next to open the B-side, embracing a true House feel this time through
the use of organic piano melodies, sax licks and organ lines intertwined with a bumpy bass hook
and dubbed out vocal effects. ‘Grey Matter’ then concludes the original material, focusing on
multilayered dreamy keys, resonant flutters and skippy percussion.

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The rarest and best genuinely outsider soul 45 to come out of America (I know that's a controversial shout), Lee Tracy's super rare single outing from the outskirts of Nashville is a dream of something bigger that never came in time for him. A beautiful, haunting song cut to cassette with help from his friend Isaac Manning (on the Casio). Flipped with an almost unrecognizable version of Whitney Houston's hit "Saving All My Love For You" which stands all tall as what was the original B-Side. Beyond essential cut of outside soul.

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Nu Groove spotlights the artists that made the legendary NYC label a firm favourite of crate diggers then and now with a series of their vital tracks re-edited by leading industry figures and choice selectors of today.

The label was born in 1988 by Frank and Karen Mendez as an outlet for some of Rheji and Ronald ‘Rhano’ Burrell’s more experimental music, and ‘Nu Groove Edits, Vol. 2’ continues to celebrate the Burrell twin’s genre defining output.

First up, Dutch duo Dam Swindle edit ‘I’ll Say A Prayer 4 U’ from Rhano’s Equation project, paying homage to the American house music that greatly inspired them. Next up, Rheji’s Houz’ Neegroz classic ‘Keep Dance’n’ gets reworked by house purist Phil Weeks. Another moniker from Rhano, K.A.T.O.’s five-track Disco-Tech EP harked back to the heady disco hustle of the 70s, with the lead single edited for this collection by one of Germany’s most influential house producers, the late Soulphiction.

Closing out this celebration of the Burrell brothers is the unstoppable production duo Honey Dijon & Luke Solomon as they take on Rhano’s ‘When Can I Call You’ featuring Lisa Lee.

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Tracklisting
A1 Morphology - Hydrosphere
A2 Morphology - Icefields
B1 Morphology - Drumlin
B2 Morphology - Spherules
C1 Morphology - Fragmented
C2 Morphology - Curie Point
D1 Morphology - Rift Valley
D2 Morphology - Metamorphic

Sales Note
Morphology debut on the Belgian De:tuned label with the vibrant eight-track electro album 'Fractures'. The Finnish duo, Matti Turunen and Michael Diekmann, lay down a versatile blend of cosmic string harmonies and powerful bass work-outs merged with techno and acid elements suitable for the floor, late night driving and home listening sessions. Skillfully produced electro science in their own signature style transports you into a darker realm.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

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"Please welcome: It’s The Arps! Oslo’s magic music maker Todd Terje has already gained a wunderkind like reputation for his gentle yet potent productions (we won’t mention the “E” word here) on labels like Full Pupp, Permanent Vacation or Running Back on top of being one of the best remixers money can buy (Shit Robot, Bryan Ferry, Dølle Jølle et cetera et cetera). What is there left for him to do? Establish a label of his own! “It’s The Arps” is the starting signal for Olsen. And what a splendid one it is. Created from scratch and solely on the mythical synthesizer ARP 2600 (check www.letsnerd.com for help), it features four tracks (reads instant classics) that couldn’t be a better follow-up to his 2011 super hit EP “Ragysh”. Towering over the assortment is the laser crime scene called “Inspector Norse”. Defying genres and blinkers, this is finest goose bumps dance music that makes you whistle along, laughing and crying all at the same time – but the rest isn’t half bad either. The short, but sweet “Myggsommer” gives away Terje’s secret love for quirky exotika, whereas “Swing Star Pt 1” and its brother have a (balearic) brilliance and witchery to them that is rarely found nowadays. Powered by Smalltown Supersound and housed in a beautiful sleeve courtesy of Bendik Kaltenborn (www.benkalt.no). 100% Arp 2600 and 200% Todd Terje!"



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