Lanark Artefax releases a new EP titled ‘Corra Linn’ on 24th October via Numbers, l-a-n-a-r-k.net.
It is the Scottish producer’s first solo output since his breakout record on Whities in 2017, which included the ethereal ‘Touch Absence’. The three-track EP arrives after last year’s remix of Björk and an extensive period touring his internationally acclaimed live A/V show.
Recorded sometime in the last year and a half, the three tracks across ‘Corra Linn’ materialise like a cascading data flow; combining lazer sharp digital synths and hyperspatial sound design with scaled up, spine-tingling choral melodies, time-refracted field recordings and ethereal childlike vocal arrangements.
The EP’s title track, ‘Corra Linn’, takes its name from a waterfall in the Lanark area of Scotland, the water of which flows into one of the oldest hydro-electric power stations in the UK. The artwork accompanying the EP is a photomicrographic image of Lanarkite; a rare and precious mineral form. Almost all significant occurrences of Lanarkite were discovered deep within the Leadhills in South Lanarkshire, but it is said that an unknown, but large, quantity of it was once unearthed at the base of Corra Linn waterfall.
Visit the Lanark Artefax web portal l-a-n-a-r-k.net to explore the digital archive accompanying the release.


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Much of the Collide"s sound is derived from an old Aria Pro II electric guitar from Leif"s childhood, scratched up with damaged and unpredictable electrics. The record leans into this sense of things being broken or damaged - and how sometimes things need to break in order for us to make sense of them- revelling in, rather than resisting, unpredictability. Lush textures traverse us across unexpected terrains.

Tracklist
1.1How to Eat an Orange (Part 1)
1.2How to Eat an Orange (Part 2)
1.3Yes No
1.4Wrong Way
1.5Aria
1.6Filmed Backwards
1.7Learn and Unlearn
1.8Wearing the Sea

Listen: https://listen.k7.com/3f3f3e53-65ae-4a20-affc-0251ce55efcd

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Prolific South East London guitarist and songwriter Alpha Maid presents her album Is this a queue, out via AD 93 on the 21st November.
Streaming link: https://s.disco.ac/secpszhevisv

Tracklisting:
A1 - 6-9
A2 - 2 Number (ft. Leo Hermitt)
A3 - Guarded
A4 - CC
A5 - GOAT Rosetta
B1 - WHY WE HAVE TO MOVE (ft. Valentina Magaletti)
B2 - On Smoke
B3 - Strut In Straddle
B4 - Palimpsest (ft. Coby Sey & Ben Vince)

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Conamara-raised musician and performer Olan Monk has announced Songs for Nothing, their second album will be released on London label AD 93, on 7 November 2025.

Listen: listen.k7.com/bd38f2c5-4b7f-4035-9f1d-d83f19e6c19b

TRACK LIST
A1 CORP
A2 DOWN 3
A3 10 DAYS
A4 BLANK PAGE
A5 DRÓN FEADÓIGE

B1 OATMILK
B2 CAN’T WAIT
B3 POMEGRANATE
B4 FATE (REPRISE)
B5 AMHRÁN MHAÍNSE

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Joanne Robertson follows up on AD 93 with the album Blurrr, out 19th September.

Streaming links: https://s.disco.ac/crophlnmvsji


Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay

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Transparent Vinyl!

** 2LP gatefold sleeve with printed inners

An opening of the portal, Friend is the culmination of a decade of K’s work; the gates of which gleam like a slow drip of melodic infusion, at once a remedy and an inquiry. Friend encapsulates a lifelong praxis of intuitive music making, delivering a more precise and controlled sound, with versions of songs shifting into focus like recovered memories. Feeling her way through textures, a return to an intimacy and clarity of voice with a melding of refined technique, these soundscapes lay down a framework over time that traces the history of her practice.

james K has been a cosmic point of the aesthetic underground across the world, as a vocalist, producer, artist and collaborator. Her breathy, lilting vocals have floated across some of the past year’s best music. Expanding and ethereal, they make you feel like the call is coming from inside the house. You can trace touch points across her lengthy catalogue, spanning from the foundational urgency of 2013’s debut Rum EP, to the prismatic elasticity of PET (She Rocks!/Dial), to the strange-faced, visceral and, at times, sepulchral intoxication of Random Girl (Incienso), to the universal ecstasy of trip-hop lullaby ‘Scorpio’ (AD 93). To this day, her ??transmutative career has led K to amass a bouquet of collaborations with artists like Heith, Moin, Fergus Jones + Huerco S., Priori, Yves Tumor, Drew McDowall, LEYA, and others.

Friend is K’s return to the core; each song anchored by the past, present and future: all inherently connected, yet each compressing its own raw emotion, transmuting across a spectrum of fully realized manifestations. K holds a prism to the personal and reflects it outwards, illuminating her blues with a vibrant acceptance of love. Based in New York where she was born and has lived most of her life, there is a constant evolution of the city which she embodies sonically, like the growth, decay and push, pull of relationships and spaces. At the crux of these crossroads is the homespun and ever-evolving DIY rave culture which continues to embody and cycle through lives of its own. This ecology spans across geographical lines and remains the touchstone and core of the james K vocation: the backbone and infrastructure from which her distinctive command of interwoven guitar and electronic arrangements ultimately coalesces. Grafting fragments of the real and the surreal is the provenance she draws from in her thoughtful and emotive international performances including Dekmantel, Sustain Release, Mutek, iii Points, and more. Her international recognition has guided her to the stages of both her contemporaries and pioneers: some of these including James Ferraro, Robert Aiki Aubrey Lowe, Morton Subotnick, Nick Leon, Arushi Jain, Malibu, and Priori, among others.

Friend was written and produced in studios between New York and Montreal; featuring collaborations with contemporaries and friends, Special Guest DJ, Francis Latrielle, Ben Bondy, Patrick Holland, Hank Jackson, and Adam Feingold. The new record is anchored by K’s penchant for melody at the forefront, which feature her ‘heavenly vocals. Her delivery glistens with the Elizabeth Fraser effect: carried foremost by feeling, the curvature of her indecipherable lyrics capture the fleeting moment in which euphoria sinks into quiet melancholy,’ and a dreamy flow-state of softly-textured, finitely detailed hi-fi production. K’s willingness to be vulnerable - to delve into/feel her way through rangelessness is her signature: exploring the contours of all genres, and laying the framework for new conversations between artists.)

Listen: https://s.disco.ac/mlslyxaszdiq

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Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has
combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP,
Kansai Bruises.

The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics
that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic
percussion while dreams of pesto float through sake-soaked alleyways.

[Artwork: Will Bankhead]

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Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.


Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)

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Biosphere’s album The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.


Tracklist:
A1 - Time Of Man
A2 - The Way Of Time
A3 - Like The End Of The World
B1 - All Stars Have Names
B2 - The Old Way Was Gone
B3 - The Way Of Time (On And On)

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Going belly up, guess it’s always a possibility. Following the release of their latest acclaimed record You Never End (Pitchfork, The Quietus, RA) Moin follow up with their latest EP. Belly Up will be out via AD 93 on the 9th May.

Tracklist:


A1 - SEE
A2 - I’M REALLY FLAGGING (OR I
TRUSTED U)
A3 - YOU LEAVE ME BREATHLESS
B1 - X.U.Y. B2 - I DON’T KNOW WHERE TO LOOK
B3 - THE DAY

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For their second album 'The Foel Tower', Quade holed up in an old stone barn in the cradle of a Welsh mountain valley. It was an environment that would shape the band – a Bristol four piece made up of Barney Matthews, Leo Fini, Matt Griffiths and Tom Connolly – and the record they have made. It’s an album that is as dreamy as it is melancholic, and as quiet and tender as it is forceful and potent – gliding across genres like winds blowing over those wide-spanning Welsh hills.

Tracklisting:

A1 - Beckett
A2 - See Unit
A3 - Bylaw 7.1
B1 - Nannerth Ganol
B2 - Canada Geese
B3 - Black Kites

Listen: https://listen.k7.com/e8c2ea1d-39f6-4f92-83e9-66143e55cb56

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"Kind Regards" is the second duo release from guitarist Oren Ambarchi and drummer Eric Thielemans, out via AD 93. The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023). Kind Regards finds the duo refining their shared language while continuing to take risks, allowing the music"s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive.
Tracklist
1.1Kind Regards (Beginning)
1.2Kind Regards (Conclusion)

https://listen.k7.com/7e96712e-a51a-4c64-9b78-6c00f774ccc8

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YHWH Nailgun announce their debut album "45 Pounds", out via AD 93. "45 Pounds" is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growl sof Zack Borzone. Across the record the four-piece reimagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.

TRACKLIST: A1. PENETRATOR A2. CASTRATO RAW (FULLBACK) A3. PAIN FOUNTAIN A4. ANIMAL DEATH ALREADYBREATHINGA5. ULTRA SHADE B1. IRON FEETB2. TEAR PUSHER B3. SICKLE WALK B4. BLACKOUT B5. CHANGER



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Wojciech Rusin is a Polish-born audio visual artist based in London. He draws inspiration from alchemical and gnostic texts, early renaissance choral music and Eastern European mythologies. "Honey for the Ants" completes an "alchemical trilogy", after The Funnel and Syphon. These albums are informed by mystical and gnostic texts, celebrating the weird, unhinged and occasionally beautiful.

Tracklist
1.1Flesh Eater
1.2Magus
1.3Behind the Palazzo
1.4Gifts for the Surgeon
1.5Tools for Humanity
1.6Carpathian Stone Spinners
1.7Kittens meet Puppies for the First Time
1.8Hands of a Despot
1.9Heretic Milieu
1.10Even the Moon

Listen: https://listen.k7.com/ce69bf95-9981-4e1f-9a71-643375cbca8b

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Two Tuscan Geese

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Jump Ship, Sit Lean, Be Still, Stand Tall is a collaborative LP from BZDB, comprised of Duncan Bellamy and Belinda Zhawi (MA.MOYO), that will be released via AD 93. The record is a collection of sonic-poetry setting Zhawi"s illuminating, elliptical words in dialogue with diffuse, explorative music and sound by Bellamy. Together they render these disparate forms into something distinct, melancholic and luminous, fluctuating between expansive contemporary classical arrangements and intimate layered vocal experiments.

Tracklist
1.1Dancesing
1.2Stockwell
1.3Jump Ship
1.4Shield
1.5Water
1.6Tomb
1.7Dream Sequence
1.8La Recherche
1.9Holes
1.10Your Absence

https://listen.k7.com/bccee580-9a94-4195-8481-0a86edf20edb

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GAISTER (Olivia Salvadori, Akihide Monna and Coby Sey) bring their self-titled LP out via AD 93 on the 1st November 2024.
Tracklist
1.1Source
1.2Conscious Concentration
1.3Solar
1.4Geist
1.5Shi
1.6Track 6
1.7Assonanze
1.8Sento

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‘Paste’ is the new album by Moin (Joe Andrews, Tom Halstead & Valentina Magaletti) due for release on the 28th October 2022 via AD 93.

The follow up to their well received debut album ‘Moot!’, the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling techniques to redefine it's context, not settling on any one style but moving through them in search of new connections.

By exploring these relationships, Moin delivers another collage of the known and unknown, punctuated by words that are just out of reach.

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Tracklist

Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow

B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes


Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.

The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.





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We are happy to announce this Sun Ra tile for this year's RecordStoreDay release!

Please note that stock is limited and needs to be allocated so you might not get your full requested quantity

Introducing a musical treasure from the enigmatic Sun Ra's expansive discography, Strut Records proudly presents "Inside The Light World: Sun Ra Meets The OVC”. This extraordinary album unveils previously unreleased recordings from the year 1986 for the very first time, showcasing a unique chapter in the Sun Ra catalogue, officially released for Record Store Day 2024.

Listen: https://on.soundcloud.com/kVj3m

Tracklisting:

A1 CALLING PLANET EARTH 11:01
A2 THEME OF THE STARGAZERS 8:35
A3 LOVE IN OUTER SPACE (DX7 INTERLUDE) 2:34
B1 LOVE IN OUTER SPACE 6:32
B2 STARDUST FROM TOMORROW 5:19
B3 EL IS A SOUND OF JOY 7:44
B4 SUNSET ON THE NILE (DX7 INTERLUDE) 3:20
C1 SUNSET ON THE NILE 7:39
C2 EAST OF THE SUN 4:39
C3 SATURN RINGS 6:03
C4 CALLING PLANET EARTH (PIANO INTERLUDE) 2:18
D1 DISCIPLINE 27-II 22:33

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REPRESS!

This is the first 12“ of the new Move D - “Recurrent Recollections“ series. “Something ’Bout The D“ is featuring three previously released tracks, that only ever appeared on Various Artists compilations on different record labels - from Fred P’s Earth Tones Vol. 1, via Russ Gabriel’s Ferox label to Lowtec’s Out to Lunch imprint. Now for the first time on Source Records, this 12“ kicks off with Aspiration 2010, a subtle and slow building Deep Acid House track evolving across the entire side A. On the B-side the title track “Something ’Bout The D“ takes the vibe back to 90s oldschool Detroit inspired house music - spiced with some 909 euphoria, some uplifting chords and a technoid, abstract but soothing melody. Closing out the 12“ on B2 is the much beloved and hard to find Move D contribution to Out To Lunch’s “Airbag Craftworks Vol. 2“ compilation “Marshmellow Boots“. A hypnotic and bouncing hookline is transformed over surrounding synth stabs and dubs. A subdued fluffy little groover in a typical Move D trademark fashion.

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NTS presents European Primitive Guitar, a compilation of instrumental guitar compositions, mapping out European analogues of the American Primitive Guitar movement, spearheaded by John Fahey in the 1950s. European Primitive Guitar spans works directly influenced by and responding to Fahey’s approach to composition, alongside works by artists that arrived at similar conclusions independently. The music is, at once, both starkly traditional and contemporary. This is no more evident than with the opening song on the compilation, Spanish guitarist Albert Giménez’s 1982 composition Conte Xinès. The song draws on numerous idioms of music - flamenco, jazz, ambient music, and guitar soli - within its shimmering arpeggios, culminating as a decidedly Spanish music that has collected the ephemera of the guitar’s travels before returning home. The compilation also explores wider ideas around experimentalism happening in Europe during the time of this anthology. German composer Hans Reichel not only developed new ways of playing the instrument, but also new ways of building guitars - pushing the boundary of what a guitar could be and how it could sound.The compilation will be released on January 26th d as a 2xLP gatefold vinyl. The physical release is accompanied by an extended essay from The Hum’s Bradford Bailey.

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