12"
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Cat-No:RMECR003
Release-Date:26.04.2024
Genre:Techno
Configuration:12"
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Last in:07.06.2024
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Cat-No:RMECR003
Release-Date:26.04.2024
Genre:Techno
Configuration:12"
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1
Pletnev - Rubber Duck Riot
2
Pletnev - Jungle Worrier
3
Pletnev - I Gotta Feed My Wasps
4
Pletnev - Space Guitar Never Lies
Third R.A.N.D. Muzik x Echocentric collaboration. Twist your thoughts and sway your core to the sound of Pletnev.
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More records from Pletnev
Label:space lab
Cat-No:SPCLAB013
Release-Date:13.09.2024
Genre:House / Techno
Configuration:12"
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Last in:18.10.2024
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Last in:18.10.2024
Label:space lab
Cat-No:SPCLAB013
Release-Date:13.09.2024
Genre:House / Techno
Configuration:12"
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1
Pletnev - How To Calm Down After That?
2
Pletnev - I Like Your Bitcoin
3
Pletnev - Cover Them With Blankets
4
Pletnev - Skazka
On this new EP by Lithuanian producer Pletnev on space•lab, we’ve got four tracks bristling with hypnotic rhythms and driving basslines. Each track is infused with warm and bouncy groove, punchy drum programming with a sprinkling of Pletnev's signature EFX and unique one shots.
On space•lab 013, Pletnev continues to push the boundaries, solidifying his reputation as one of the most exciting new producers on the scene. More
On space•lab 013, Pletnev continues to push the boundaries, solidifying his reputation as one of the most exciting new producers on the scene. More
12"
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Label:Physical Education
Cat-No:PE018
Release-Date:12.07.2024
Genre:techhouse
Configuration:12"
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Last in:07.10.2024
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Label:Physical Education
Cat-No:PE018
Release-Date:12.07.2024
Genre:techhouse
Configuration:12"
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1
Pletnev - Soso
2
Pletnev - AI Took Me
3
Pletnev - Let's Go To Mars They Say
4
Pletnev - Wrapped In Latex, In Berlin, Alone
Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.
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Label:Linale Records
Cat-No:LINALE003
Release-Date:28.07.2023
Genre:Techno
Configuration:12"
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Last in:19.09.2023
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Last in:19.09.2023
Label:Linale Records
Cat-No:LINALE003
Release-Date:28.07.2023
Genre:Techno
Configuration:12"
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1
Pletnev - Red Nails Black Lips
2
Pletnev - How Could I Prove That You Are Wrong
3
Pletnev - I Stole It Somehow
4
Pletnev - Carma
Pletnev takes the reins for the label's third release with four weighty peak time cuts.
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12"
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Cat-No:RMECR001
Release-Date:13.01.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:29.03.2023
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Last in:29.03.2023
Cat-No:RMECR001
Release-Date:13.01.2023
Genre:House / Techno
Configuration:12"
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1
Pletnev - Bass Covered With Gold
2
Pletnev - Average Monday
3
Pletnev - And You Never Come Back
4
Pletnev - Am I Looking At Two Similar Cats
Four heady cuts, mind-bending and bold.
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
12" Excl
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Label:Le Temps Perdu
Cat-No:hhmm-0600
Release-Date:27.09.2019
Configuration:12" Excl
Barcode:4251648411437
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Last in:21.08.2019
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Last in:21.08.2019
Label:Le Temps Perdu
Cat-No:hhmm-0600
Release-Date:27.09.2019
Configuration:12" Excl
Barcode:4251648411437
1
Pletnev - Voranto Bros
2
Pletnev - Hope They Won't Come Back
3
Pletnev - Voranto Bros (Discodromo Remix)
4
Pletnev - Hope They Won't Come Back (Lion's Drums Remix)
Tracklist:
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)
Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.
His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.
On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.
Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu
More
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)
Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.
His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.
On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.
Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu
More
Label:Fleeting Wax
Cat-No:FW006t
Release-Date:27.04.2018
Genre:Afrobeat
Configuration:12" Excl
Barcode:4260544823619
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Last in:03.04.2018
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Last in:03.04.2018
Label:Fleeting Wax
Cat-No:FW006t
Release-Date:27.04.2018
Genre:Afrobeat
Configuration:12" Excl
Barcode:4260544823619
1
Pletnev - Aztec Code
2
Pletnev - Daywalker
3
Pletnev - Daywalker (Eva Geist & Mehmet Aslan Remix)
Track list:
A1 - Aztec Code
B1 - Daywalker
B2 - Daywalker (Eva Geist & Mehmet Aslan Remix)
Release Info:
In recent times Alex Pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. He joins us as Pletnev for "Aztec Code / Daywalker", a 12" combining his abundant influences to take us to bizarre, far-off places.
"Aztec Code" is a pure dance thing. Inspired by the fat kicks and live bass lines of the Big Beat era, Pletnev combines a jumping beat with african percussion and a charismatic vocal that seems to call out from between the palm fronds of somewhere steamy as we work up a sweat. Tenderly crafted with samples taken from almost 10 records, one-shots, drum layers and melodic licks are treated and mixed, giving rise to a warm, lush atmosphere perfect for circling a fire deep in the tropics.
On the flip, "Daywalker" is a completely original, synthesised outing. A sleazy lead line charms and slithers upwards between layers of syncopated tabla and a sultry acidic groove. The tune spins and twists around this central oriental theme, ever-evolving as layers of detailed percussion and ad-libbed melodies intensify the tone.
Sound artist Eva Geist joins Fleeting Wax label head Mehmet Aslan to spin "Daywalker". The pair create a sonic bridge between the two originals. Their hazy rework dubs out some electronic elements, adding contorted sound design, distant vocals, lofi samples and an italo leaning bass. A mystic incantation for spaced out late morning moments.
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A1 - Aztec Code
B1 - Daywalker
B2 - Daywalker (Eva Geist & Mehmet Aslan Remix)
Release Info:
In recent times Alex Pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. He joins us as Pletnev for "Aztec Code / Daywalker", a 12" combining his abundant influences to take us to bizarre, far-off places.
"Aztec Code" is a pure dance thing. Inspired by the fat kicks and live bass lines of the Big Beat era, Pletnev combines a jumping beat with african percussion and a charismatic vocal that seems to call out from between the palm fronds of somewhere steamy as we work up a sweat. Tenderly crafted with samples taken from almost 10 records, one-shots, drum layers and melodic licks are treated and mixed, giving rise to a warm, lush atmosphere perfect for circling a fire deep in the tropics.
On the flip, "Daywalker" is a completely original, synthesised outing. A sleazy lead line charms and slithers upwards between layers of syncopated tabla and a sultry acidic groove. The tune spins and twists around this central oriental theme, ever-evolving as layers of detailed percussion and ad-libbed melodies intensify the tone.
Sound artist Eva Geist joins Fleeting Wax label head Mehmet Aslan to spin "Daywalker". The pair create a sonic bridge between the two originals. Their hazy rework dubs out some electronic elements, adding contorted sound design, distant vocals, lofi samples and an italo leaning bass. A mystic incantation for spaced out late morning moments.
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Last in:05.02.2018
Label:sze
Cat-No:sze005
Release-Date:25.01.2018
Genre:Techno
Configuration:12"
Barcode:
1
pletnev - Her Cruel Smile
2
pletnev - Thrown Furniture
3
pletnev - My First Teacher
4
pletnev - Thrown Furniture (Ploy Remix)
Lithuanian artist Pletnev debuts on SZE with 3 tracks of ethno-techno, backed with a remix from Ploy. Having previously released on the likes of Meda Fury, Bahnsteig23 and Le Temps Perdu, the ?Thrown Furniture EP? sees Pletnev delve into the harder-edged side of his work.
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12" Excl
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Label:Le Temps Perdu
Cat-No:hhmm-0200
Release-Date:23.06.2017
Configuration:12" Excl
Barcode:4260038317686
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Last in:13.06.2017
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Last in:13.06.2017
Label:Le Temps Perdu
Cat-No:hhmm-0200
Release-Date:23.06.2017
Configuration:12" Excl
Barcode:4260038317686
Tracklist:
A1: St. Bones
A2: Devil's Logic
B1: St. Bones (RYOTA OPP Remix)
B2: St. Bones (Inga Mauer Remix)
Short info:
Never underestimate a quiet guy.
Soft spoken and well-mannered Alexander Pletnev moved 3 years ago from the Russian city of St. Petersburg to the Lithuanian capital of Vilnius. That has been more than enough time for him to make the city his own. A co-founder of a hip barber's shop that also hosts an improvised Vinyl second hand corner, not to mention a cozy little bar where he can be found serving a quirky selection of beers, Alex soon embraced influences filtered through the local nightlife institution 'Opium Club'. His production powerhouse Pletnev explores darker territories and far-out music lands untouched by his bright and melodic creative alter ego - Ponty Mython.
The St. Bones EP follows his well received and strongly selling offerings on Meda Fury and Bahnsteig23. The EP's two tracks, of contrasting mood and tempo, are accompanied by two top drawer remixes from the Japanese tailor of sound and taste RYOTA OPP and on-the-rise fellow St. Petersburg producer and selector, Inga Mauer.
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A1: St. Bones
A2: Devil's Logic
B1: St. Bones (RYOTA OPP Remix)
B2: St. Bones (Inga Mauer Remix)
Short info:
Never underestimate a quiet guy.
Soft spoken and well-mannered Alexander Pletnev moved 3 years ago from the Russian city of St. Petersburg to the Lithuanian capital of Vilnius. That has been more than enough time for him to make the city his own. A co-founder of a hip barber's shop that also hosts an improvised Vinyl second hand corner, not to mention a cozy little bar where he can be found serving a quirky selection of beers, Alex soon embraced influences filtered through the local nightlife institution 'Opium Club'. His production powerhouse Pletnev explores darker territories and far-out music lands untouched by his bright and melodic creative alter ego - Ponty Mython.
The St. Bones EP follows his well received and strongly selling offerings on Meda Fury and Bahnsteig23. The EP's two tracks, of contrasting mood and tempo, are accompanied by two top drawer remixes from the Japanese tailor of sound and taste RYOTA OPP and on-the-rise fellow St. Petersburg producer and selector, Inga Mauer.
More
More records from R.A.N.D. Muzik x Echocentric
Cat-No:RMECR002
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:22.11.2023
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Last in:22.11.2023
Cat-No:RMECR002
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
DC Salas - Light In The Distance
2
DC Salas - A Second Home
3
DC Salas - Pressure
4
DC Salas - The Stronges Love
Second RAND Muzik x Echocentric collaboration. Four mesmerizing club tools for total floor control by the mighty Belgian beat smith DC Salas. Highly flammable, handle with care.
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12"
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Cat-No:RMECR001
Release-Date:13.01.2023
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:29.03.2023
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Last in:29.03.2023
Cat-No:RMECR001
Release-Date:13.01.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Pletnev - Bass Covered With Gold
2
Pletnev - Average Monday
3
Pletnev - And You Never Come Back
4
Pletnev - Am I Looking At Two Similar Cats
Four heady cuts, mind-bending and bold.
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
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12"
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Label:Noise To Meet You
Cat-No:N2MU008
Release-Date:17.02.2023
Genre:Electro
Configuration:12"
Barcode:
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Last in:17.06.2024
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Last in:17.06.2024
Label:Noise To Meet You
Cat-No:N2MU008
Release-Date:17.02.2023
Genre:Electro
Configuration:12"
Barcode:
1
UHF - Ballad For Hal
2
Ivna Ji - Maar
3
Francois Dillinger - Eleusinian Artifact
4
Lloyd Stellar - Solar Reflector
5
Univac - Noid Invaders
6
Cosmic Lydén - Fast 1
Noise To Meet You presents hand in hand with Univac, Ivna Ji, Francois Dillinger, Lloyd Stellar, UHF, and Cosmic Lydén its 8th release, “Antarctica Station 4”. The darkest reference so far paying tribute to a masterpiece by one of the most influential artists within the global electronic music scene, The Thing by John Carpenter. A heterogeneous compilation that melds the nostalgic and sensitive side of electro with its most powerful nature.
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Label:Disco Disco Records
Cat-No:DISCO010
Release-Date:19.04.2024
Configuration:12" Excl
Barcode:
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Last in:21.06.2024
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Last in:21.06.2024
Label:Disco Disco Records
Cat-No:DISCO010
Release-Date:19.04.2024
Configuration:12" Excl
Barcode:
1
Delfonic - Turn Me Loose (feat. CC)
2
Delfonic - Get Ready (Delfonic Rework)
3
Delfonic - Funny Bones (Delfonic Rework)
4
Delfonic - Cycles (Delfonic Edit)
Vinyl Only ! NO RETURN!
Berlin's king of disco and soulful vibes is back with a solo EP on the Berlin vinyl only underground label Disco Disco Records. Four uplifting disco-house tracks for the dance floor.
500 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Turn Me Loose (feat. CC)
A2: Get Ready (Delfonic Rework)
B1: Funny Bones (Delfonic Rework)
B2: Cycles (Delfonic Edit)
More
Berlin's king of disco and soulful vibes is back with a solo EP on the Berlin vinyl only underground label Disco Disco Records. Four uplifting disco-house tracks for the dance floor.
500 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Turn Me Loose (feat. CC)
A2: Get Ready (Delfonic Rework)
B1: Funny Bones (Delfonic Rework)
B2: Cycles (Delfonic Edit)
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Label:Toy Tonics
Cat-No:TOYT159
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
Barcode:0880655515919
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Last in:05.07.2024
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Last in:05.07.2024
Label:Toy Tonics
Cat-No:TOYT159
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
Barcode:0880655515919
1
Gee Lane - Monkeys
2
Gee Lane - Neon Beach
3
Gee Lane - The Fourth
4
Gee Lane - Monkeys (musclecars Remix feat. Kamaal)
5
Gee Lane - Neon Beach (Demi Riquísimo Remix)
Tracklist 12":
A1) Monkeys
A2) Neon Beach
A3) The Fourth
B1) Monkeys (musclecars Remix feat. Kamaal)
B2) Neon Beach (Demi Riquísimo Remix)
A new Toy Tonics EP. It’s the second by Venezuelan house DJ and producer Gee Lane. Including amazing remixes by NYC mainstay musclecars!
Gee Lane’s debut EP Metamorphosis (with remixes by Demi Riquísimo and Divorce From New York Remix & PIEK ) came out last October.
But as Virginie (her real name) is a steady name of tue Toy Tonics crew now and plays almost every weekend at one of the worldwide Toy Tonics Jams it makes sense to put out a follow up fast.
Gee Lane originally from Caracas now in Barcelona is a passionate DJ and vinyl digger with an extraordinary positive energy and attitude. A DJ diva in a positive way. A unique personality with a very strong style (in music but also as a person) and very elaborated ability to read and play with the dancers. Like the first EP also this one was recorded in Barcelona and Berlin with a little help by Robin Braum from Athlete Whippet. The music reflects well her roots and passion for everything what came out from New York’s dance culture. You can hear influences from the 80‘ promo disco scenes as well as the 1990 Body & Soul/ Francois Kervorkian / Joe Claussell universe. In fact Gee Lane after being raised in Caracas and musically educated by her father from a very early age, (a composer and musician) she moved to New York at a very young age in the late 90's where she fell in love with the HOUSE scene. And especially everything that happened at the famous and influential ’Body & Soul’ club.
This culture increased her curiosity to become a DJ (and vinyl digger herself) who is not just interested in house music but wants to explore other genres such as funk, Hip-Hop, jazz and Latin sounds and include these vibes into her DJ sets. A vinyl collector (and long time record shop employee) since then, she is known for her musical eclecticism that leads her to mix everything what she wants ...
Gee Lane now is a steady member of the Toy Tonics Krew and is already playing the Toy Tonics Jams all around Europe.
More
A1) Monkeys
A2) Neon Beach
A3) The Fourth
B1) Monkeys (musclecars Remix feat. Kamaal)
B2) Neon Beach (Demi Riquísimo Remix)
A new Toy Tonics EP. It’s the second by Venezuelan house DJ and producer Gee Lane. Including amazing remixes by NYC mainstay musclecars!
Gee Lane’s debut EP Metamorphosis (with remixes by Demi Riquísimo and Divorce From New York Remix & PIEK ) came out last October.
But as Virginie (her real name) is a steady name of tue Toy Tonics crew now and plays almost every weekend at one of the worldwide Toy Tonics Jams it makes sense to put out a follow up fast.
Gee Lane originally from Caracas now in Barcelona is a passionate DJ and vinyl digger with an extraordinary positive energy and attitude. A DJ diva in a positive way. A unique personality with a very strong style (in music but also as a person) and very elaborated ability to read and play with the dancers. Like the first EP also this one was recorded in Barcelona and Berlin with a little help by Robin Braum from Athlete Whippet. The music reflects well her roots and passion for everything what came out from New York’s dance culture. You can hear influences from the 80‘ promo disco scenes as well as the 1990 Body & Soul/ Francois Kervorkian / Joe Claussell universe. In fact Gee Lane after being raised in Caracas and musically educated by her father from a very early age, (a composer and musician) she moved to New York at a very young age in the late 90's where she fell in love with the HOUSE scene. And especially everything that happened at the famous and influential ’Body & Soul’ club.
This culture increased her curiosity to become a DJ (and vinyl digger herself) who is not just interested in house music but wants to explore other genres such as funk, Hip-Hop, jazz and Latin sounds and include these vibes into her DJ sets. A vinyl collector (and long time record shop employee) since then, she is known for her musical eclecticism that leads her to mix everything what she wants ...
Gee Lane now is a steady member of the Toy Tonics Krew and is already playing the Toy Tonics Jams all around Europe.
More
Label:Mondo Groove
Cat-No:MGMS13
Release-Date:05.04.2024
Configuration:12"
Barcode:
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Last in:03.04.2024
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Last in:03.04.2024
Label:Mondo Groove
Cat-No:MGMS13
Release-Date:05.04.2024
Configuration:12"
Barcode:
1
Kaoru Kuroki - The Age Of Innocence
2
Kaoru Kuroki - A Love Note For You
3
Kaoru Kuroki - Birth From Time
4
Kaoru Kuroki - Chinatown Love
Note: limited edition picture disc
A cult 12? EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.
A total of 4 tunes, including “???? (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “?????? (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ???? (Chinatown Love) ???; an erotic serenade dedicated to Chinatown.
Picture disc in the colorful cover.
Licensed by TEICHIKU RECORDS CO.,LTD; original master tapes. More
A cult 12? EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.
A total of 4 tunes, including “???? (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “?????? (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ???? (Chinatown Love) ???; an erotic serenade dedicated to Chinatown.
Picture disc in the colorful cover.
Licensed by TEICHIKU RECORDS CO.,LTD; original master tapes. More
LP
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Label:Record Kicks
Cat-No:RKX095LP
Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580819450
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Last in:30.04.2024
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Last in:30.04.2024
Label:Record Kicks
Cat-No:RKX095LP
Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580819450
1
Michelle David & The True-Tones - Brothers & Sisters
2
Michelle David & The True-Tones - That Is You
3
Michelle David & The True-Tones - If You Don't Try
4
Michelle David & The True-Tones - More Grace
5
Michelle David & The True-Tones - Miracles
6
Michelle David & The True-Tones - Let Me Tell It
7
Michelle David & The True-Tones - Karma
8
Michelle David & The True-Tones - Peace
9
Michelle David & The True-Tones - Cold Cold World
10
Michelle David & The True-Tones - Little Girl
11
Michelle David & The True-Tones - Sweet Spirit
12
Michelle David & The True-Tones - P.U.S.H.
Gospel-soul sensational Michelle David & The True-Tones return with brand new album "Brothers & Sisters".
Dutch combo Michelle David & The True-Tones make a triumphant return with their new album "Brothers & Sisters", which will be released next April 05 via Milan label Record Kicks. The awaited album follows their 2022 full length "Truth & Soul", which was named one of the Albums of the Year at BBC Radio 6. Raised in New York in a church, Michelle David started singing at the age of four and joined her first group, The Mission of Love, when she was five. During her career, she toured the world with Broadway musical "Mama", contributed to successful theatre shows such as "The Sound of Motown", "Glory of Gospel" and "Mahalia" and recorded for artists such as Diana Ross and Michael Bolton. This all happened before releasingsix critically acclaimed gospel-infused albums with the True-Tones.
Michelle David & The True-Tones know how to put on a glowing evening of classic soul. With their upbeat grooves, powerful vocals, and strong melodies, they have already conquered many festivals and numerous clubs. Having played renowned Dutch festivals such as Pinkpop and North Sea Jazz, the band toured from Spain to Scandinavia, leaving memorable impressions wherever they play; delivering an unforgettable live experience. In addition, the band's discography has also been praised; receiving an Edison nomination (the Dutch Grammy) for "The Gospel Session" in 2019, while their previous record "Truth & Soul" was named Album of the Month on FIP radio in France and Album of the Year at Craig Charles' BBC Radio 6 Music show. The group did numerous radio and TV performances and were even invited to play their music on the biggest National TV show during the Winter Olympics 2022.
In the new album – arguably their finest work to date – the band have once again masterfully captured the infectious energy and soulful vibe of their live performances in the studio. This band's ability to seamlessly translate the raw, dynamic essence of their live shows into recorded tracks is a testament to their musical prowess and dedication to preserving the authenticity of their sound; rougher and more energetic than before, drawing inspiration from old gospel to the classics of the renowned Stax label.
Michelle David (vocals), Paul Willemsen (guitars, organ, percussion, backing vocals), Onno Smit (guitars and backing vocals) and Bas Bouma (drums, percussion) form a tight-knit unit that seamlessly blends their individual talents, resulting in the distinctive sound that defines Michelle David & the True-Tones. The band's instrumentation, characterized by groovy basslines, and Michelle David's powerhouse vocals, becomes a vibrant tapestry in the studio setting. The prominent addition of horns on the album brings a dynamic dimension to the songs, adding layers of texture and a sense of grandeur to the band's already compelling sound. The meticulous production work – by Paul Willemsen and Onno Smit – ensures that every nuance of their live sound is captured.
The new record is recorded live – with the full band; simultaneously in one room, making it sound energetic, authentic, and captivating. The influence of early soul records is recognizable; drawing from the timeless sounds of Curtis Mayfield and Bobby Womack, Michelle David & the True-tones infuse their recordings with soulful melodies, impassioned vocals, and tight, rhythmic arrangements. This dedication to a collective studio experience contributes to the warmth and authenticity that defines Michelle David & The True-Tones' new record; breathing new life into a genre while paying homage to its roots.
On "Brothers & Sisters" you'll hear the distinctive sound and message of Michelle David & The True-Tones. The music on "Brothers & Sisters" encapsulates the band's signature blend of soul, rhythm, and groove, elevating the album beyond a mere collection of songs to a resonant narrative. Michelle David & the True-Tones use their artistic platform to inspire positive change, encouraging listeners to join them on a journey of reflection, compassion, and collective responsibility. In a world filled with challenges, "Brothers & Sisters" emerges as a musical beacon, illuminating the path towards a future where the legacy of love and light endures.
Michelle David's introspective liner notes provide a profound insight into the thematic core of the album, echoing the age-old question, "Am I My Brother's Keeper?" Her resounding answer, a vibrant "YES, I AM," sets the tone for an album that goes beyond a mere self-absorbed journey, evolving into a collective exploration of "US & WE." At the heart of "Brothers & Sisters" is a reflection on the world around us, acknowledging the multitude of challenges that demand immediate attention. Michelle David channels her observations of the world, drawn from various sources such as TV, radio, social media, and publications, into the album. Rather than turning a blind eye to the pressing concerns, she embraces the power of music as a medium of expression: "I decided to express it through the only medium I knew how: singing into the mirror and allowing the mirror's light to reflect upon you."
With "Brothers & Sisters" Michelle David & the True-Tones have crafted a sonic journey which resonates with the soulful spirit of their live shows, inviting audiences to groove along with them on a timeless musical voyage.
“MDTT has kept intact its red-hod groove and its ability to guide us towards collective hope”
FIP — Radio France
“Michelle David & The True-Tones deliver that soulful goodness”
SoulTracks.com —
“Brothers & Sislers" is not only the retro-soul album of the year - it is one of the best albums of the year”
Kulturnews Magazine — More
Dutch combo Michelle David & The True-Tones make a triumphant return with their new album "Brothers & Sisters", which will be released next April 05 via Milan label Record Kicks. The awaited album follows their 2022 full length "Truth & Soul", which was named one of the Albums of the Year at BBC Radio 6. Raised in New York in a church, Michelle David started singing at the age of four and joined her first group, The Mission of Love, when she was five. During her career, she toured the world with Broadway musical "Mama", contributed to successful theatre shows such as "The Sound of Motown", "Glory of Gospel" and "Mahalia" and recorded for artists such as Diana Ross and Michael Bolton. This all happened before releasingsix critically acclaimed gospel-infused albums with the True-Tones.
Michelle David & The True-Tones know how to put on a glowing evening of classic soul. With their upbeat grooves, powerful vocals, and strong melodies, they have already conquered many festivals and numerous clubs. Having played renowned Dutch festivals such as Pinkpop and North Sea Jazz, the band toured from Spain to Scandinavia, leaving memorable impressions wherever they play; delivering an unforgettable live experience. In addition, the band's discography has also been praised; receiving an Edison nomination (the Dutch Grammy) for "The Gospel Session" in 2019, while their previous record "Truth & Soul" was named Album of the Month on FIP radio in France and Album of the Year at Craig Charles' BBC Radio 6 Music show. The group did numerous radio and TV performances and were even invited to play their music on the biggest National TV show during the Winter Olympics 2022.
In the new album – arguably their finest work to date – the band have once again masterfully captured the infectious energy and soulful vibe of their live performances in the studio. This band's ability to seamlessly translate the raw, dynamic essence of their live shows into recorded tracks is a testament to their musical prowess and dedication to preserving the authenticity of their sound; rougher and more energetic than before, drawing inspiration from old gospel to the classics of the renowned Stax label.
Michelle David (vocals), Paul Willemsen (guitars, organ, percussion, backing vocals), Onno Smit (guitars and backing vocals) and Bas Bouma (drums, percussion) form a tight-knit unit that seamlessly blends their individual talents, resulting in the distinctive sound that defines Michelle David & the True-Tones. The band's instrumentation, characterized by groovy basslines, and Michelle David's powerhouse vocals, becomes a vibrant tapestry in the studio setting. The prominent addition of horns on the album brings a dynamic dimension to the songs, adding layers of texture and a sense of grandeur to the band's already compelling sound. The meticulous production work – by Paul Willemsen and Onno Smit – ensures that every nuance of their live sound is captured.
The new record is recorded live – with the full band; simultaneously in one room, making it sound energetic, authentic, and captivating. The influence of early soul records is recognizable; drawing from the timeless sounds of Curtis Mayfield and Bobby Womack, Michelle David & the True-tones infuse their recordings with soulful melodies, impassioned vocals, and tight, rhythmic arrangements. This dedication to a collective studio experience contributes to the warmth and authenticity that defines Michelle David & The True-Tones' new record; breathing new life into a genre while paying homage to its roots.
On "Brothers & Sisters" you'll hear the distinctive sound and message of Michelle David & The True-Tones. The music on "Brothers & Sisters" encapsulates the band's signature blend of soul, rhythm, and groove, elevating the album beyond a mere collection of songs to a resonant narrative. Michelle David & the True-Tones use their artistic platform to inspire positive change, encouraging listeners to join them on a journey of reflection, compassion, and collective responsibility. In a world filled with challenges, "Brothers & Sisters" emerges as a musical beacon, illuminating the path towards a future where the legacy of love and light endures.
Michelle David's introspective liner notes provide a profound insight into the thematic core of the album, echoing the age-old question, "Am I My Brother's Keeper?" Her resounding answer, a vibrant "YES, I AM," sets the tone for an album that goes beyond a mere self-absorbed journey, evolving into a collective exploration of "US & WE." At the heart of "Brothers & Sisters" is a reflection on the world around us, acknowledging the multitude of challenges that demand immediate attention. Michelle David channels her observations of the world, drawn from various sources such as TV, radio, social media, and publications, into the album. Rather than turning a blind eye to the pressing concerns, she embraces the power of music as a medium of expression: "I decided to express it through the only medium I knew how: singing into the mirror and allowing the mirror's light to reflect upon you."
With "Brothers & Sisters" Michelle David & the True-Tones have crafted a sonic journey which resonates with the soulful spirit of their live shows, inviting audiences to groove along with them on a timeless musical voyage.
“MDTT has kept intact its red-hod groove and its ability to guide us towards collective hope”
FIP — Radio France
“Michelle David & The True-Tones deliver that soulful goodness”
SoulTracks.com —
“Brothers & Sislers" is not only the retro-soul album of the year - it is one of the best albums of the year”
Kulturnews Magazine — More
3LP
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Label:Soundway Records
Cat-No:SNDWLP148
Release-Date:10.05.2024
Genre:World Music
Configuration:3LP
Barcode:5060571362445
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Cat-No:SNDWLP148
Release-Date:10.05.2024
Genre:World Music
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1
The Godfathers - Ebe Ye Yie Ni
2
Pat Thomas - Gye Wani
3
Pepper, Onion, Ginger & Salt - M.C. Mambo
4
Andy Vans - Adjoa Amisa
5
George Darko - Kaakyire Nua
6
Rex Gyamfi - Obiara Bewu
7
Starlite - Anoma Koro
8
Abdul Raheem - Alaiye
9
Jon K - Asafo
10
Kwasi Afari Minta - Barima Nsu
11
Marijata (feat. Ata Kak) - Otanhunu
12
Gyedu Blay Ambolley - Apple
13
Dadadi - Jigi Jigi
14
Charles Amoah - Fre Me (Call Me)
15
Ernest Honny - New Dance
16
Bessa Simons - Sii Nana
17
Nan Mayen - Mumude
18
Nana Budjei - Asobrachie
In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music.
This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.
More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.
Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.
Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.
Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.
Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.
Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era. More
This style soundtracked the birth of a new, proud Ghanaian identity and captured the idiosyncrasies of a rapidly changing postcolonial society, marked by increased migration and wider access to global sounds and modern technology.
More than 20 years after the release of the heavy funk and Afrobeat-focused Ghana Soundz compilations, and following the success of 2009’s Ghana Special: Modern Highlife, Afro Sounds & Ghanaian Blues 1968-1981, Soundway is now shining the spotlight on the multifaceted, diasporic sounds of the ‘80s on new compilation Ghana Special - Volume 2, a collection of 18 burger highlife, electronic afrobeat, and reggae tracks.
Though Ghanaian to its very core, burger highlife emerged mostly outside of Ghana and just as the sun was setting on the country’s musical golden age. In the 1960s and 1970s cities such as Accra, Tema, Takoradi, and Cape Coast were home to thriving music scenes, and the loud horn sections of the big highlife bands, or the simpler, socially conscious palm wine music ruled the dance halls, locals drinkeries, and airwaves.
Back then music represented a powerful force, and an artist’s endorsement or dissent could make or break a politician. Perhaps to curb this power, the incoming military regime-imposed curfews and substantial import taxes on musical instruments in the early 1980s. These measures, coupled with a profound economic downturn and shifting musical preferences that saw DJs replacing large live bands, served as the final blow to Ghana's once-thriving music scene.
Musicians left Ghana in droves, scattering across West Africa, Europe, and North America. Thanks in part to its more permissive migration policies Germany became the heart of this scene, and the movement in fact takes its name from “Bürger”, the German for “citizen”. Less confined by genres than back in Ghana, artists in the diaspora were quick to engage with the different styles, working disco, boogie, and funk into their highlife melodies. Access to state-of-the-art studios and modern musical technologies also gave birth to all sorts of mutations: burger highlife in fact is less defined by one particular sound, than by the experimental approach and global outlook of its artists.
Tracks such as Ernest Honny’s experimental cut “New Dance” are an example of just how far artists strayed from original highlife arrangements. Honny, who started his career as a keyboard player with Dr K Gyasi’s band The Noble Kings, had moved to Benin in the 1980s, where he experimented with synthesisers and drum machines at one of Cotonou’s top studios. Similarly, Nan Mayen’s “Mumude” is a slick, 80’s pop track which was recorded in Germany, with only a slight echo of highlife in its opening Fanti lyrics.
This generation of artists found inspiration in sounds that transcended geographical boundaries: singer and guitarist Nana Budjei, who was originally from central Ghana but had moved to the UK in the 1980s, says that his radiant, sun-drenched 1988 track “Asobrachie” is “influenced by reggae maestros Bob Marley and Alpha Blondy, and traditional Akan folklore music”; on “Jigi Jigi”, the Kumasi-born, Sweden transplant Delips Apo draws on soca, latin, and zouk influences.
Throughout the 1980s Ghanaian artists kept producing increasingly innovative and experimental hybrids, winning over new audiences abroad. Though back in Ghana the new sound was initially met with disapproval by purists, it slowly became a symbol of a new, worldly and modern Ghanaian identity. The creativity and open mindedness that characterised burger highlife have gone on to shape the evolution of Ghanaian music since, giving artists the freedom to explore new global sounds while preserving a proudly Ghanaian soul. Ghana Special - Volume 2 stands as a vibrant tribute to the lasting legacy of this groundbreaking musical era. More
Label:Bordello A Parigi
Cat-No:BAP200
Release-Date:26.04.2024
Configuration:12"
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Release-Date:26.04.2024
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1
Anbau - Mortirolo '94
2
Anbau - Pista Da Ballo
3
Anbau - Altro Sogno
4
Anbau - The Choice
Barcelona’s Anbau (Aspecto Humano) debuts on Bordello with a Giro d’Italia themed EP. Dedicated to its heroic riders and specifically the late Marco Pantani. He broke through in 1994, winning one of the hardest Giro climbs with an incredible time record; the Passo del Mortirolo. He eventually became second in the final rankings of this legendary tour of Italy.
The release will be out on the 4th of May, kicking off the 108th edition of La Corsa Rosa. Every copy comes in a limited edition sleeve with a unique and rare original Merlin collector’s sticker of the 78th Giro from ’95.
Riposa in pace, Il Pirata. More
The release will be out on the 4th of May, kicking off the 108th edition of La Corsa Rosa. Every copy comes in a limited edition sleeve with a unique and rare original Merlin collector’s sticker of the 78th Giro from ’95.
Riposa in pace, Il Pirata. More
Label:Bordello A Parigi
Cat-No:BAP205
Release-Date:10.05.2024
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP205
Release-Date:10.05.2024
Configuration:12"
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1
Aural Trace - White Rose
2
Sparkling Attitude & Gianmaria Gamberini - Goodbye Boy
3
Bubs - Libellune
4
Amount - Love You
Bordello Travels presents the fourth volume of ‘Buone Vacanze’ with your tour guides Aural Trace, Sparkling Attitude & Gianmaria Gamberini, Bubs and Amount. Comes with a limited edition Bordello Aperitivo sticker sleeve.
limited to 200 copies, no repress More
limited to 200 copies, no repress More
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Last in:10.06.2024
Label:Mr Bongo
Cat-No:MRBLP291
Release-Date:31.05.2024
Genre:Funk
Configuration:LP
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1
Raúl Gómez - Preludio De Un Amor
2
Raúl Gómez - Tema De La Sierra
3
Raúl Gómez - Dacapo
4
Raúl Gómez - Marinero Quiero Ser
5
Raúl Gómez - Anatomia De Un Problema
6
Raúl Gómez - Mi Samba Carnaval
7
Raúl Gómez - Poema En La Playa
8
Raúl Gómez - 6 Son
9
Raúl Gómez - El Sonido De La Montaña
10
Raúl Gómez - Un Paseo A La Playa
For the next reissue in Mr Bongo’s Cuban Classics series, we look to Raúl Gómez’s entrancing 1977 Instrumental album. Presenting a unique blend of orchestral disco and jazz-funk, with Afro-Cuban flavours and soundtrack influences, it’s rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.
Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.
It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or MFSB. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.
Predominantly an instrumental album as the title suggests, the record showcases the Orquesta EGREM in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.
A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.
Featuring replica artwork, the vinyl release is presented with a Cuban Classic Series OBI Strip. More
Cuban composer and singer Raúl Gómez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba’s state-owned label Areito, Instrumental sees Gómez not only as an instrumentalist and author, but also as a producer and arranger.
It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic-Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or MFSB. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it’s a recipe for a record that captivates from start to finish.
Predominantly an instrumental album as the title suggests, the record showcases the Orquesta EGREM in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of ‘Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, ‘6 Son’ is a mind-melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.
A wide-ranging, multi-dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.
Featuring replica artwork, the vinyl release is presented with a Cuban Classic Series OBI Strip. More
Label:Glitterbox
Cat-No:GLITS121
Release-Date:12.04.2024
Genre:House
Configuration:12"
Barcode:826194657970
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Label:Glitterbox
Cat-No:GLITS121
Release-Date:12.04.2024
Genre:House
Configuration:12"
Barcode:826194657970
1
Melvo Baptiste ft. Dames Brown - Sweat
2
Lovebirds - Burn It Down (Club Mix)
3
Art Of Tones & Inaya Day - Give My Love
4
Young Pulse & Fleur De Mur - Smooth Sweet Talker
Following several releases that continue to establish Glitterbox as the hub for independent house and disco worldwide, four sought-after mixes that have soundtracked the label's parties appear on wax for the first time. Leading Glitterbox Jams Volume 7 is label head Melvo Baptiste alongside Detroit trio Dames Brown with the infectious 'Sweat', a track that made waves in 2023 with its irresistible rhythms and stellar vocals. Marking their first original track on the label, Lovebirds ‘Burn It Down’ showcases the Berlin-based duo as the house and disco authorities that they are. Next up, Art Of Tones & Inaya Day make dancefloor magic with their uplifting collaboration 'Give My Love', before sensual earworm ‘Smooth Sweet Talker’ by Young Pulse & Fleur De Mur closes out the compilation. This four-track package once again shows the disco, funk and soul sound of Glitterbox at its very best.
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Last in:10.06.2024
Label:Mr Bongo
Cat-No:MRBLP292
Release-Date:07.06.2024
Genre:Funk
Configuration:LP
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1
Juan Pablo Torres Y Algo Nuevo - Y Que Bien
2
Juan Pablo Torres Y Algo Nuevo - Rico Melao
3
Juan Pablo Torres Y Algo Nuevo - Pastel En Descarga
4
Juan Pablo Torres Y Algo Nuevo - A Luna Llena
5
Juan Pablo Torres Y Algo Nuevo - Con Aji Guaguao
6
Juan Pablo Torres Y Algo Nuevo - Son A Propulsion
7
Juan Pablo Torres Y Algo Nuevo - Si No Fuera Por Emiliana
8
Juan Pablo Torres Y Algo Nuevo - Ey!...Op1
9
Juan Pablo Torres Y Algo Nuevo - Son Riendo
10
Juan Pablo Torres Y Algo Nuevo - Super Son
The next release in the Mr Bongo Cuban Classics series, is one of Juan Pablo Torres' most-known and loved albums, the iconic Super Son from 1977. A wonderful record of tripped-out rumbas, psych-Afro-Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres’ band, Algo Nuevo.
As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.
Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.
Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.
Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.
Featuring replica artwork, the vinyl release is presented with an OBI Strip. More
As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito, the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.
Post-revolution, there was a contrast in Cuba’s musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the ‘70s and ‘80s and Super Son is a prime example of that. ‘Y Que Bien' kicks off the album taking you down a tripped-out, cosmic rabbithole, psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro-Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique. Fuzzed-up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.
Elsewhere, there’s the ‘70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or ‘Son A Propulsión' and ‘Son Riendo’, two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.
Super Son is up there as one of the funkiest Cuban records around, a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.
Featuring replica artwork, the vinyl release is presented with an OBI Strip. More
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Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
Configuration:LP Excl
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Last in:24.04.2024
Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
Configuration:LP Excl
Barcode:4251804180900
1
Edwin Schimscheimer - Bon Nuit Michelle
2
Dancing Fantasy - Mystery Voice
3
Peak Of Normal - Hava
4
Christian Ch. Kneisel - Jungle Connection
5
Beau Michael - Move Away (Extended)
6
Summer Vee - Judas
7
Patrick Jahn & Erobique - Moonlight Shuffle
8
Ikee Largo - After The Storm
Tracklist:
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
More
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
More