1
Pletnev - Aztec Code
2
Pletnev - Daywalker
3
Pletnev - Daywalker (Eva Geist & Mehmet Aslan Remix)
Track list:
A1 - Aztec Code
B1 - Daywalker
B2 - Daywalker (Eva Geist & Mehmet Aslan Remix)
Release Info:
In recent times Alex Pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. He joins us as Pletnev for "Aztec Code / Daywalker", a 12" combining his abundant influences to take us to bizarre, far-off places.
"Aztec Code" is a pure dance thing. Inspired by the fat kicks and live bass lines of the Big Beat era, Pletnev combines a jumping beat with african percussion and a charismatic vocal that seems to call out from between the palm fronds of somewhere steamy as we work up a sweat. Tenderly crafted with samples taken from almost 10 records, one-shots, drum layers and melodic licks are treated and mixed, giving rise to a warm, lush atmosphere perfect for circling a fire deep in the tropics.
On the flip, "Daywalker" is a completely original, synthesised outing. A sleazy lead line charms and slithers upwards between layers of syncopated tabla and a sultry acidic groove. The tune spins and twists around this central oriental theme, ever-evolving as layers of detailed percussion and ad-libbed melodies intensify the tone.
Sound artist Eva Geist joins Fleeting Wax label head Mehmet Aslan to spin "Daywalker". The pair create a sonic bridge between the two originals. Their hazy rework dubs out some electronic elements, adding contorted sound design, distant vocals, lofi samples and an italo leaning bass. A mystic incantation for spaced out late morning moments.
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A1 - Aztec Code
B1 - Daywalker
B2 - Daywalker (Eva Geist & Mehmet Aslan Remix)
Release Info:
In recent times Alex Pletnev has been making his mark on the musical stratosphere with an array of works from from cold wave edits, through gorgeous adaptations of african and world music to tribal techno originals. He joins us as Pletnev for "Aztec Code / Daywalker", a 12" combining his abundant influences to take us to bizarre, far-off places.
"Aztec Code" is a pure dance thing. Inspired by the fat kicks and live bass lines of the Big Beat era, Pletnev combines a jumping beat with african percussion and a charismatic vocal that seems to call out from between the palm fronds of somewhere steamy as we work up a sweat. Tenderly crafted with samples taken from almost 10 records, one-shots, drum layers and melodic licks are treated and mixed, giving rise to a warm, lush atmosphere perfect for circling a fire deep in the tropics.
On the flip, "Daywalker" is a completely original, synthesised outing. A sleazy lead line charms and slithers upwards between layers of syncopated tabla and a sultry acidic groove. The tune spins and twists around this central oriental theme, ever-evolving as layers of detailed percussion and ad-libbed melodies intensify the tone.
Sound artist Eva Geist joins Fleeting Wax label head Mehmet Aslan to spin "Daywalker". The pair create a sonic bridge between the two originals. Their hazy rework dubs out some electronic elements, adding contorted sound design, distant vocals, lofi samples and an italo leaning bass. A mystic incantation for spaced out late morning moments.
More
More records from Pletnev
1
Pletnev - How To Calm Down After That?
2
Pletnev - I Like Your Bitcoin
3
Pletnev - Cover Them With Blankets
4
Pletnev - Skazka
On this new EP by Lithuanian producer Pletnev on space•lab, we’ve got four tracks bristling with hypnotic rhythms and driving basslines. Each track is infused with warm and bouncy groove, punchy drum programming with a sprinkling of Pletnev's signature EFX and unique one shots.
On space•lab 013, Pletnev continues to push the boundaries, solidifying his reputation as one of the most exciting new producers on the scene. More
On space•lab 013, Pletnev continues to push the boundaries, solidifying his reputation as one of the most exciting new producers on the scene. More
1
Pletnev - Soso
2
Pletnev - AI Took Me
3
Pletnev - Let's Go To Mars They Say
4
Pletnev - Wrapped In Latex, In Berlin, Alone
Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.
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1
Pletnev - Rubber Duck Riot
2
Pletnev - Jungle Worrier
3
Pletnev - I Gotta Feed My Wasps
4
Pletnev - Space Guitar Never Lies
Third R.A.N.D. Muzik x Echocentric collaboration. Twist your thoughts and sway your core to the sound of Pletnev.
More
1
Pletnev - Red Nails Black Lips
2
Pletnev - How Could I Prove That You Are Wrong
3
Pletnev - I Stole It Somehow
4
Pletnev - Carma
Pletnev takes the reins for the label's third release with four weighty peak time cuts.
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1
Pletnev - Bass Covered With Gold
2
Pletnev - Average Monday
3
Pletnev - And You Never Come Back
4
Pletnev - Am I Looking At Two Similar Cats
Four heady cuts, mind-bending and bold.
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
For curious dancers, their stories to unfold.
From Lithuanian maestro, Pletnev his name.
Modular beats, a rhythmic refrain…
Echocentric Records & R.A.N.D. Muzik Recordings team up to bring you,
‚And You Never Come Back EP‘ by Pletnev. More
1
Pletnev - Voranto Bros
2
Pletnev - Hope They Won't Come Back
3
Pletnev - Voranto Bros (Discodromo Remix)
4
Pletnev - Hope They Won't Come Back (Lion's Drums Remix)
Tracklist:
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)
Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.
His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.
On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.
Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu
More
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)
Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.
His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.
On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.
Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu
More
1
pletnev - Her Cruel Smile
2
pletnev - Thrown Furniture
3
pletnev - My First Teacher
4
pletnev - Thrown Furniture (Ploy Remix)
Lithuanian artist Pletnev debuts on SZE with 3 tracks of ethno-techno, backed with a remix from Ploy. Having previously released on the likes of Meda Fury, Bahnsteig23 and Le Temps Perdu, the ?Thrown Furniture EP? sees Pletnev delve into the harder-edged side of his work.
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More
Tracklist:
A1: St. Bones
A2: Devil's Logic
B1: St. Bones (RYOTA OPP Remix)
B2: St. Bones (Inga Mauer Remix)
Short info:
Never underestimate a quiet guy.
Soft spoken and well-mannered Alexander Pletnev moved 3 years ago from the Russian city of St. Petersburg to the Lithuanian capital of Vilnius. That has been more than enough time for him to make the city his own. A co-founder of a hip barber's shop that also hosts an improvised Vinyl second hand corner, not to mention a cozy little bar where he can be found serving a quirky selection of beers, Alex soon embraced influences filtered through the local nightlife institution 'Opium Club'. His production powerhouse Pletnev explores darker territories and far-out music lands untouched by his bright and melodic creative alter ego - Ponty Mython.
The St. Bones EP follows his well received and strongly selling offerings on Meda Fury and Bahnsteig23. The EP's two tracks, of contrasting mood and tempo, are accompanied by two top drawer remixes from the Japanese tailor of sound and taste RYOTA OPP and on-the-rise fellow St. Petersburg producer and selector, Inga Mauer.
More
A1: St. Bones
A2: Devil's Logic
B1: St. Bones (RYOTA OPP Remix)
B2: St. Bones (Inga Mauer Remix)
Short info:
Never underestimate a quiet guy.
Soft spoken and well-mannered Alexander Pletnev moved 3 years ago from the Russian city of St. Petersburg to the Lithuanian capital of Vilnius. That has been more than enough time for him to make the city his own. A co-founder of a hip barber's shop that also hosts an improvised Vinyl second hand corner, not to mention a cozy little bar where he can be found serving a quirky selection of beers, Alex soon embraced influences filtered through the local nightlife institution 'Opium Club'. His production powerhouse Pletnev explores darker territories and far-out music lands untouched by his bright and melodic creative alter ego - Ponty Mython.
The St. Bones EP follows his well received and strongly selling offerings on Meda Fury and Bahnsteig23. The EP's two tracks, of contrasting mood and tempo, are accompanied by two top drawer remixes from the Japanese tailor of sound and taste RYOTA OPP and on-the-rise fellow St. Petersburg producer and selector, Inga Mauer.
More
More records from Fleeting Wax
Track list:
A - efsun feat. Idil Mese
B - ghost station
Release Info:
Mehmet Aslan returns to his own Fleeting Wax imprint, in order to deliver the first in a series of releases as part of a new project, ghost station, including a collaboration with fellow Turkish singer, songwriter and vocal producer, Idil Mese.
Efsun, translating to enchantment in Farsi, is the sound of Idil Mese transforming an understated, somewhat folksy instrumental of Aslan’s into a bewitching and subtle musical spell. Initially tense,
Idil Mese’s vocal spell wraps beautifully around a brittle guitar motif, inches above a sea of atmospheric ambience. In it’s second half, synthesis and sitar unite, taking efsun into more revelatory territory, employing a playful melody and warm, cosmic textures.
Meanwhile, on ‘ghost station’, from which the project takes its name, layers of meaning and recording slowly unravel, revealing a compelling soundscape. Recorded in one take, and completed across one night, ‘ghost station’ began with Aslan and his sampler surfing the busy radio waves of Berlin, eventually settling on a beautiful score broadcast on one of the city’s classical stations. Just as soon as Aslan had the frequency on lockdown, the signal disappeared unable to be retrieved quickly enough, if ever. Loosely inspired by the work of Swiss visual artist and musician Pipilotti Rist, the track instead unfolds woozily like a dream, undulating through offbeat bleeps, ghostly voices and improvised swells of noise, while still maintaining it’s own quietly propulsive groove.
Sounding more like himself than ever on his own Fleeting Wax outlet and incorporating an impressive range of musical techniques over just two tracks, ‘ghost station’ further establishes Mehmet Aslan as a restlessly inventive musical talent. -Text by John Thorp
More
A - efsun feat. Idil Mese
B - ghost station
Release Info:
Mehmet Aslan returns to his own Fleeting Wax imprint, in order to deliver the first in a series of releases as part of a new project, ghost station, including a collaboration with fellow Turkish singer, songwriter and vocal producer, Idil Mese.
Efsun, translating to enchantment in Farsi, is the sound of Idil Mese transforming an understated, somewhat folksy instrumental of Aslan’s into a bewitching and subtle musical spell. Initially tense,
Idil Mese’s vocal spell wraps beautifully around a brittle guitar motif, inches above a sea of atmospheric ambience. In it’s second half, synthesis and sitar unite, taking efsun into more revelatory territory, employing a playful melody and warm, cosmic textures.
Meanwhile, on ‘ghost station’, from which the project takes its name, layers of meaning and recording slowly unravel, revealing a compelling soundscape. Recorded in one take, and completed across one night, ‘ghost station’ began with Aslan and his sampler surfing the busy radio waves of Berlin, eventually settling on a beautiful score broadcast on one of the city’s classical stations. Just as soon as Aslan had the frequency on lockdown, the signal disappeared unable to be retrieved quickly enough, if ever. Loosely inspired by the work of Swiss visual artist and musician Pipilotti Rist, the track instead unfolds woozily like a dream, undulating through offbeat bleeps, ghostly voices and improvised swells of noise, while still maintaining it’s own quietly propulsive groove.
Sounding more like himself than ever on his own Fleeting Wax outlet and incorporating an impressive range of musical techniques over just two tracks, ‘ghost station’ further establishes Mehmet Aslan as a restlessly inventive musical talent. -Text by John Thorp
More
Vinyl Only Release.For their fifth release Fleeting Wax welcomes friend Jonny Rock to the label with “Oldschoolrider Edits Vol. 5”.
Track list:
A1 - Radio Morocco (Jonny Rock Edit)
A2 - Housey Mousey (Jonny Rock Edit)
B - Yab Yum (Jonny Rock Edit)
Release Info:
A familiar and reliable musical force, Jonny cut his teeth behind the counter at Phonica &
Blackmarket Records during the 00’s and has has proven his tastes time and time again with his Disco
Hamam and Hamam House imprints and releases on labels like Cocktail D’amore and Oye edits.
This three-tracker rides Middle Eastern waves, reflecting mystical vibrations to take you through time
and space. Jonny delivers reworks of “Radio Morocco”, an italo tainted work out that rumbles and
punches, “Housey Mousey”, an exquisitely eery acid house jam from ’88 and “Yab Yum”, a wild and
percussive trip.
All three are sure to roar like thunder on the dance floor!
More
Track list:
A1 - Radio Morocco (Jonny Rock Edit)
A2 - Housey Mousey (Jonny Rock Edit)
B - Yab Yum (Jonny Rock Edit)
Release Info:
A familiar and reliable musical force, Jonny cut his teeth behind the counter at Phonica &
Blackmarket Records during the 00’s and has has proven his tastes time and time again with his Disco
Hamam and Hamam House imprints and releases on labels like Cocktail D’amore and Oye edits.
This three-tracker rides Middle Eastern waves, reflecting mystical vibrations to take you through time
and space. Jonny delivers reworks of “Radio Morocco”, an italo tainted work out that rumbles and
punches, “Housey Mousey”, an exquisitely eery acid house jam from ’88 and “Yab Yum”, a wild and
percussive trip.
All three are sure to roar like thunder on the dance floor!
More