The Album “Prawda Cel Przeslanie” (which translates to “Truth Purpose Message”) by the polish duo Trials X, which officialy came out in the year 1995, was the first ever hip hop album that was released in Poland. 30 year after its recording The Very Polish Cut Outs are reissuing this obscure gem for the first time on vinyl (the original album was a cassette only release). It is often said that pioneers don’t have an easy life. Being a protoplast in a given field, you lay the foundation for the fruits that others will reap, often forgetting your achievements. This is not entirely the case with Trials X, as the band's contribution to the history of the Polish hip-hop scene is widely known and appreciated, but mainly only among raps biggest enthusiasts and diggers. This special 30th aniversary vinyl edition will hopefully introduce this pionieering album to a wider audience which will apprieciate its strong points but also shortcomings as it is a big piece of eatern european hip hop history.

Tracklist:

A1 Intro (natarcie przerwa marazm)
A2. Przestroga
A3. Miasto
A4. Co to znaczy
A5. Czuje sie lepiej
A6 Radio New
A7. Detroit 2XP
A8 DA P-Arty (mix)
A9. S.M.R.C
A10 Wild Percusion XL

B1 Muzyczny Narkotyk (goscinnie Oliwka i MC Bob)
B2 Jestem Wojownikiem
B3 Walkin’ Jazz
B4 Jaraja, Jaraja…
B5 Od Ciebie Zalezy
B6. Fekalia
B7 Outro (misja spelniona)
B8 Wild Percussion XXL

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Pejzaz (aka Bartosz Kruczyski) returns with two captivating new collage albums. Divided into two records LIST I (which was released end of September this year) & LIST II - which premieres end of movember - delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST II guides the listener into the night, combining trip hop and dub influences, dusty samples, wailing blues guitars, and cold-wave synthesizers. Its haunting soundscapes provide an apt soundtrack for winter in Eastern Europe.

Notably, this marks Pejzaz first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List II
A2 Duchy Lasu
A3 Imperium Znaków
A4 Blues Trzeci
A5 Bez Grawitacji
A6 Ogród

B1 Serce
B2 Po Godzinach
B3 Wizje
B4 Dziennik Pisany Noc?
B5 Linia Pi?kna
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Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.

LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).

Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.

Tracklist:

A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions

B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V

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Zambon from The Very Polish Cut-Outs have once again sought out forgotten and somewhat obscure artists whose music is in need of a revival. This time, they have chosen the duo MODFUNK, who were active in the Polish electronic music scene from 1999 to 2009. Piotr Jarecki and Martin Tigermann, two Varsovians who shared a love for the "french touch" genre that dominated dancefloors worldwide at the time, showcasing Daft Punk, Cassius, Stardust, and Bob Sinclar, were the brains behind the project.

The compilation comprises a subjective and cross-sectional selection of the ten best tracks from Modfunk's entire discography. While their music evolved over the years, they never abandoned their French-inspired sound, which is why the compilation includes tracks like "Souler" and "The Wav," which draw inspiration from Daft Punk. It also features "Love," a track sung in Polish that echoes Romanthony's work, as well as "Texmex" and "Wishes," two electropop tracks that could have been released on Ed Banger Records

Includes printed insert with the history of the group Modfunk


A1 Souler
A2 The Wav
A3 Funksalad
A4 Love
A5 Juice
B1 Wishes
B2 Possibiity For Significant Other
B3 Tex Mex
B4 Through The Sound
B5 Just…

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Approximately 3 years after the release of their debut album, ETNOBOTANIKA are back. Lesne Duchy is yet another joint release from the Silesian duo, coming out on the collaborative efforts of Superkasety Records and The Very Polish Cut Outs. These are still the sounds of a dusty old cassette, however this time the digging didn't take place in the allotment gardens, but rather somewhere in the woods, within a thick layer of moss. Hauntology and nostalgia still play important roles yet they are no longer in the foreground. Certain associations with primordial magic, wild backwoods and unspeakable mysteries come to the fore. The ambience encapsulated in these tropes is the key to understanding this album. One can, of course, mention that sonically the producers are once again flirting with dubtechno, ambient and sampled collages, but all these genre clichés are only tools resulting from the individual inspirations and experiences of Alergeek and Uwdar (i.e. the two halves of ETNOBOTANIKA), and are meant to build the right mood, not to put Le?ne Duchy into the tight framework of, say, club music or trip-hop. If this album is to be pinned down to anything, it is probably library music.
The 80 minutes of music spanning two vinyl records and a chunk of cassette tape make for quite a long record, ETNOBOTANIKA however make sure there is absolutely no dullness, precisely thanks to the variety of moods. At times it leads us playfully out into the woods, other times it haunts us a little, but eventually all ends well, and we don't even get the chance to realise that we've been wandering around the green backwoods for over an hour... and we want to go back there again and again.

Second album by ETNOBOTANIKA
2LP - 80 Minutes of Music


A1 Najstarsze Drzewo Swiata
A2 Wil
A3 Na Polanie
A4 Knieje
A5 Czarownice
B1 Bagna
B2 Swietliki
B3 Deszcz Deszcz
B4 Tajemnice
B5 Beboki
C1 Sladami Wilka
C2 Nowa Sciezka
C3 Spiew Znad Rzeki
C4 Chocholy
D1 Planeta Las
D2 Wszystkie Swity
D3 Lesny Ambient
D4 Piochy

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30 YEARS ANNIVERSARY VINYL REMASTERS

Vinyl only
Remastered


GENRE/S:
Progressive House, Techno, Trance

TRACKLISTS:
A. Café Del Mar (DJ Kid Paul Mix 30 - years anniversary Vinyl Remaster)
B. Café Del Mar (Three ’N One Remix - 30 years anniversary Vinyl Remaster)

SHORT INFO:
Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions. Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.

Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.

Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.


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Tresor Records is proud to announce the reissue of a classic from the early catalogue, 3MB feat. Magic Juan Atkins.
Initially released in 1992, Juan Atkins joined forces with Moritz von Oswald and Thomas Fehlmann, for the second iteration of the latter duo's 3 Men in Berlin project, producing a monumental collaboration between Berlin and Detroit that profoundly affected the path forward for techno music.
The impact this album holds is evident in how it elevates beyond a singular or separable representation of its origins. Instead, it resonates through a collaborative nature that reflects its inherent melting pot. Where hints of each member's sound - Atkins' mangled and bouncing funk, von Oswald's purist echoes and foundation rumblings, and Fehlmann's ambient meshes - may be heard coalescing in a slipstream, and at other times tussling in fervent unfoldings. It may be almost 30 years old, but it remains deeply innovative at its core - folding and warping, unrelenting from its vision.
Densely packed is a propulsive drive of discordant bubbling and jazz-induced textures. Featuring much-beloved tracks such as Jazz Is The Teacher and Die Kosmischen Kuriere, Atkins, von Oswald and Fehlmann forming an emission bound together as a mould of metropolis navigation. Be it amid destructed realities harbouring the bleakest of nights, or long-lensed sci-fi visions, joining dots between the position of the feet and the head. The flanging pads and chirruping percussion of Jazz Is The Teacher lead in a moment in dance music that is as legendary as iconic, shifting into terrains far-out, receiving astral missives then rendering them to groove. Laid back, soulful and affective, it equals ultra-funky, interstellar techno that, once heard, leaves us never quite the same.
TRACKLIST:
A1. Bassmental (Magic Juan Edit) 06:29 A2. Bassmental 09:01 B1. Die Kosmischen Kuriere (Moritz von Oswald + Thomas Fehlmann Mix) 06.32 B2. Die Kosmischen Kuriere 05.28 C. Jazz Is The Teacher (Magic Juan Edit) 09.40
D1. Jazz Is The Teacher (Moritz von Oswald + Thomas Fehlmann Mix) 07.21 D2. The 4th Quarter 05.08

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Vinyl only

GENRE/S:
Progressive House, Techno, Trance

TRACKLISTS:
A1. Café Del Mar (Nalin & Kane Remix)
B1. Café Del Mar (Deadmau5 Remix)

SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.

The second part in the series features two of the most recognizable interpretations, which fed into the hearts of millions: the remixes from 90ies Trance legends Nalin & Kane, originally released in 1998, which takes us on a deeper trance journey, raiding the senses with warm, calming pads before lush basses come through and ultimately that famous, instantly recognizable melody, alongside iconic Deadmau5 who delivered a remarkable housegrooving deep interpretation of the classic in 2008.

After about 15 years this cult classics are finally available again on vinyl in a new cutting.


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180g. 2LP vinyl w/ download code
Tresor Records celebrates the return of Psyk on its catalogue, with his new album "A Moment Before". This is Psyk's first long player since his debut "Time Foundation" on Luke Slater's Mote Evolver imprint.
The Spanish producer released his first single for Tresor, "Works" , in 2015. Four years later, the production of "A Moment Before" comes as natural progression, within the cosmos of the Berlin techno mothership for Psyk.
The album is undoubtedly Psyk's most advanced piece of work to date. It dialogs with practices in reduced forms of techno, as originated by artists like Robert Hood, through the recently re-released "Internal Empire" on Tresor.
TRACKLIST: A1. Untitled A2. A Moment Before A3. Grain B1. Deep Breath B2. Waves C1. Acid Test C2. Panic Attack D1. Peace Of Mind D2. Artemis
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Territories: World excl. UK + North America

FORMAT: CD digipack

TRACKLIST:
01/A1 L10 03:56
02/A2 Death Switch (feat. King Kashmere) 03:04
03/A3 Appi 02:58
04/B1 STMS 03:56
05/B2 BS2 02:57
06/B3 Lacovset (feat. Ella Fleur) 03:26
07/C1 Spinning Globe (feat. King Kashmere) 03:57
08/C2 LFIVE 05:58
09/C3 Slinky 04:04
10/D1 NB AP 04:06
11/D2 Effem 04:31
12/D3 KZAP 03:56

RELEASE INFO:
Slinky, a new album from The Fear Ratio, the collaborative project of Mark Broom and James Ruskin, is forthcoming on Tresor Records.
In their first outing since They Can't Be Saved, released on Skam in 2020, they enlist British rapper King Kashmere, who features on two tracks. Where James Ruskin has appeared
on Tresor Records for his seminal albums Point 2, Into Submission, The Dash and his recent Siklikal EP, the only appearance of Mark Broom on the label is a 2002 remix of
The Golden Apple by Eddie “Flashin” Fowlkes.

The duo unveiled this new work and collaboration with King Kashmere in a live show for a 30th Anniversary event for
Tresor Berlin televised on Arte, performing amidst a battery of lights and fogged-up refraction. It demonstrated their
rough-hewn fundamentals, roving melodies and investigative power, newly advanced by voice.

Death Switch is the first appearance by King Kashmere, savaging questions on segregation and suering, encoding
into our brains the much-repeated refrain - “You wanna know, why they wanna flip the death switch“. Spinning Globe
captures Kashmere in a gritty flow over a swaggering beat, bouncing and resonant. This unsanded voice lends an
enhanced texture and tension to the highly-processed sonic palette of Broom and Ruskin, accumulating with innate mettle.

Elsewhere, Appi dredges depths as widescreen beats lurk, digital artefacts pave the way to a hauntingly melancholic
coda. Lacovset features singer Ella Fleur who has worked with Mark Broom on his solo release Fünfzig. It enacts a
pointillist gated vocal alongside dolphin-like percussive communications. On LFIVE, the duo embalms their sonic textures with digital eects that flutter austerely with
syncopation in the crosswind of a beat that recalibrates at points.

An urgency slowly draws in on title track Slinky through fizzing electronics and fractured drums all corroded. Eem
locates a semblance of euphoria, with a tranceinducing release led by swirling arpeggios. Closer KZAP finds
the calmest moment on the record, with its wafting, nebulous synths and swamped hip hop beat.

Slinky finds an ever-evolving project, The Fear Ratio shapeshifting by bringing in the voice into their work and
continually pushing with their incredibly-eected rhythmic styles and peculiar, wandering synthesis. More

Tresor Records proudly presents the second chapter in Mønic's musical journey on the label. Head of Osiris Music, Mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. 'Four Sides Of Truth' opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. This discussion will continue throughout the record, taking additional drums into the exchange and swirling into 'Point To The Sun' in full panning effect. On the other side, lower frequencies undoubtedly take over and win the argument in 'Self Doubt Is Worthless'. UK-based Kamikaze Space Programme contributes with a revisited version of 'Morse', initially released on the Parsons Hill EP. Preserving the abrasive textures of the original, KSP dramatically raises the track's thrilling factor.



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FORMAT 12” 180g, T30 Obi Strip, full printed sleeve, incl. Download Code

TRACKLIST

1./A1 Free Your Body 5:58
2./A2 Mr Kinney 6:05
3./B1 Bipolar 5:46
4./B2 Life 5:00
5./B3 7000 Miles 4:45

Release Note:

Ignore expectations and Free Your Body.
Travel a new path and Free Your Body.
Accept the limitations and Free Your Body.
Free your mind then Free Your Body.
Move to the beat and Free Your Body.
We encourage you to Free Your Body.
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Territories: World minus UK & US

2023 repress

2x12" 180g vinyl, full printed sleeve, dl card

TRACKLIST
1/A1. Intro 00:58
2/A2. First 04:46
3/A3. Krautrock 04:33
4/B1. Movement 04:33
5/B2. 9 Hours Into The Future 04:32
6/C1. Depart 04:11
7/C2. Rotunda 04:29
8/C3. Waiting 02:39
9/D1. Scorn 04:55
10/D2. Return 04:35

Release Info:
Tresor Records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic
music would turn down. Three of the finest in this collection were contributed by Surgeon;
“Basictonalvocabulary”, “Balance” and “Force + Form”, which all came out between 1997 and 1999.
Surgeon’s inimitable combination of Detroit techno and post-industrial sounds emanating from his British
homeland found its fullest expression in these masterful trio of releases.
Following the release of Surgeon's first album in 5 years "Crash Recoil" earlier in 2023, Tresor Records have decided
that its high time to give these seminal albums another airing. More

FORMAT 2LP 180g vinyl, printed sleeve, dl card

TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.

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