CD
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Adult Jazz
2LP
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Side A
Bleat Melisma
Suffer One
y-rod
Side B
No Relief
Plenary
Marquee
Side C
Dusk Song
Earth Of Worms
No Sentry
Side D
Bend
I Was Surprised
Windfarm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Side A
Bleat Melisma
Suffer One
y-rod
Side B
No Relief
Plenary
Marquee
Side C
Dusk Song
Earth Of Worms
No Sentry
Side D
Bend
I Was Surprised
Windfarm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Spare Thought
2LP
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Side A
Bleat Melisma
Suffer One
y-rod
Side B
No Relief
Plenary
Marquee
Side C
Dusk Song
Earth Of Worms
No Sentry
Side D
Bend
I Was Surprised
Windfarm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.
Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.
“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”
Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.
“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”
“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”
“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”
So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.
Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.
Side A
Bleat Melisma
Suffer One
y-rod
Side B
No Relief
Plenary
Marquee
Side C
Dusk Song
Earth Of Worms
No Sentry
Side D
Bend
I Was Surprised
Windfarm
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Magnetism Records
Cat-No:MRCLP003
Release-Date:26.04.2024
Genre:Electronic
Configuration:3LP Excl
Label:Magnetism Records
Cat-No:MRCLP003
Release-Date:26.04.2024
Genre:Electronic
Configuration:3LP Excl
1
Digitalism - A1 Magnets 3:52
2
Digitalism - A2 Zdarlight (Original) 5:42
3
Digitalism - A3 I Want I Want 3:32
4
Digitalism - B1 Idealistic 4:08
5
Digitalism - B2 Digitalism In Cairo / Departure From Cairo 5:47
6
Digitalism - B3 Echoes 3:34
7
Digitalism - C1 The Pulse 4:24
8
Digitalism - C2 Moonlight 2:51
9
Digitalism - C3 Anything New 4:58
10
Digitalism - D1 Pogo 3:48
11
Digitalism - D2 Jupiter Approach / Jupiter Room 6:18
12
Digitalism - D3 Home Zone 2:07
13
Digitalism - D4 Apollo-Gize 2:19
14
Digitalism - E1 Faust 1:16*
15
Digitalism - E2 Hot Spot 3:27*
16
Digitalism - E3 Kontakt 4:16*
17
Digitalism - E4 Maya 1:58*
18
Digitalism - E5 Indoor Sunshine 4:09*
19
Digitalism - F- etching (no sound)
Limited 20th Anniversary Edition (The first Digitalism Single Release from this album dating 2004)
2 x 12" LP on coloured "neon green" vinyl + 1 x 12" LP one side with bonus tracks 1 side etched black vinyl, including unreleased bonus material and poster, spot lacquer paint
- 2 x 12" LP on coloured "neon green" vinyl + 1 x 12" LP one side with bonus tracks, 1 side etched black vinyl spot lacquer paint
- limited edition
- Including 5 unreleased bonus tracks from the original album recordings
- Including poster
- 20th anniversary
- special exclusive "Idealism Forever" live shows in Europe in April and May (TBA soon)
- Reissued on Digitalism's own label Magnetism
GENRE/S: Electronic, Indie, Techno, Dance, Indiepop
TRACKLISTS:
A1 Magnets 3:52
A2 Zdarlight (Original) 5:42
A3 I Want I Want 3:32
B1 Idealistic 4:08
B2 Digitalism In Cairo / Departure From Cairo 5:47
B3 Echoes 3:34
C1 The Pulse 4:24
C2 Moonlight 2:51
C3 Anything New 4:58
D1 Pogo 3:48
D2 Jupiter Approach / Jupiter Room 6:18
D3 Home Zone 2:07
D4 Apollo-Gize 2:19
E1 Faust 1:16*
E2 Hot Spot 3:27*
E3 Kontakt 4:16*
E4 Maya 1:58*
E5 Indoor Sunshine 4:09*
F - etching
* bonus tracks
SHORT INFO:
Idealism Forever is the reissue of Digitalism's genre defining debut studio album from 2007. Now it will be released as a remastered 3 LP set with 2 x 12 " on coloured vinyl and 1 x 12" LP on etched vinyl with bonus tracks, a poster, spot lacquer paint, as a limited edition. The original album double LP is sold out for years.
To date the album tracks have been used in numerous games and commercials. They have been sampled and used in new song interpretations all around the world. The songs have millions of streams over the different platforms and never lost their appeal. The new analogue master of the album shows the songs in their best outfit and the bonus material, which originally was recorded while making the album back in the days, have never been heard before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2 x 12" LP on coloured "neon green" vinyl + 1 x 12" LP one side with bonus tracks 1 side etched black vinyl, including unreleased bonus material and poster, spot lacquer paint
- 2 x 12" LP on coloured "neon green" vinyl + 1 x 12" LP one side with bonus tracks, 1 side etched black vinyl spot lacquer paint
- limited edition
- Including 5 unreleased bonus tracks from the original album recordings
- Including poster
- 20th anniversary
- special exclusive "Idealism Forever" live shows in Europe in April and May (TBA soon)
- Reissued on Digitalism's own label Magnetism
GENRE/S: Electronic, Indie, Techno, Dance, Indiepop
TRACKLISTS:
A1 Magnets 3:52
A2 Zdarlight (Original) 5:42
A3 I Want I Want 3:32
B1 Idealistic 4:08
B2 Digitalism In Cairo / Departure From Cairo 5:47
B3 Echoes 3:34
C1 The Pulse 4:24
C2 Moonlight 2:51
C3 Anything New 4:58
D1 Pogo 3:48
D2 Jupiter Approach / Jupiter Room 6:18
D3 Home Zone 2:07
D4 Apollo-Gize 2:19
E1 Faust 1:16*
E2 Hot Spot 3:27*
E3 Kontakt 4:16*
E4 Maya 1:58*
E5 Indoor Sunshine 4:09*
F - etching
* bonus tracks
SHORT INFO:
Idealism Forever is the reissue of Digitalism's genre defining debut studio album from 2007. Now it will be released as a remastered 3 LP set with 2 x 12 " on coloured vinyl and 1 x 12" LP on etched vinyl with bonus tracks, a poster, spot lacquer paint, as a limited edition. The original album double LP is sold out for years.
To date the album tracks have been used in numerous games and commercials. They have been sampled and used in new song interpretations all around the world. The songs have millions of streams over the different platforms and never lost their appeal. The new analogue master of the album shows the songs in their best outfit and the bonus material, which originally was recorded while making the album back in the days, have never been heard before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Christopher Rau - Abspace
2
Christopher Rau - Set It Off
3
Christopher Rau - Do It
4
Christopher Rau - One More Time
2024 repress in white standard sleeve
Tracklist:
A1 Abspace
A2 Set It Off
B1 Do It
B2 One More Time
Get down with 4 magic House-cuts by Christopher Rau. These irresistible grooves
will make the sun shine brighter for forever. Including full cover Artwork by Stefan Marx.
All tracks written, produced and mixed by Christopher Rau
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Smallville, 2023
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Abspace
A2 Set It Off
B1 Do It
B2 One More Time
Get down with 4 magic House-cuts by Christopher Rau. These irresistible grooves
will make the sun shine brighter for forever. Including full cover Artwork by Stefan Marx.
All tracks written, produced and mixed by Christopher Rau
Mastering by Helmut Erler
Vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound
Smallville, 2023
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rico Friebe - S. (Rico Puestel Dub Version)
2
Rico Friebe - .. (Rico Puestel Dub Version)
Genre: Techno, Tech-House
Tracklist 12":
A1 – S. (Rico Puestel Dub Version)
B1 – .. (Rico Puestel Dub Version)
Info:
Beauty at its peak with Rico Puestel dubs from soon-to-be-released originals by Rico Friebe!
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DE - 22113 Hamburg
Germany
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Tracklist 12":
A1 – S. (Rico Puestel Dub Version)
B1 – .. (Rico Puestel Dub Version)
Info:
Beauty at its peak with Rico Puestel dubs from soon-to-be-released originals by Rico Friebe!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mystic V - Miracles (Kai Alcé NDATL Vocal Mix)
2
Mystic V - Miracles (Kai Alcé NDATL Dubstrumental Mix)
3
Mystic V - Miracles (Main Mix)
4
Mystic V - All One's Hopes
"In Search of the Good" features 4 tracks - 2 originals from our own Mystic V and 2 remixes from legend Kai Alcé, with vocals from Peter Jericho, known for his work with Vick Lavender and solo projects.
A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A-side starts with Kai's vocal mix - solid and efficient track with the signature NDATL groove! A2 features the flute instrumental dub, adding a melodic and airy element blending seamlessly with Peter Jericho's cut out vocals.
On the flip, check out the original version of "Miracles" - a percussive classic house track with lush chords and strings, warm bassline and of course Peter Jericho's vocals for that extra spirituality and emotion. B2 features "All One's Hope", a captivating dance floor-ready track built around a powerful bassline and deep synths.
(A1) Miracles (Kai Alcé NDATL Vocal Mix)
(A2) Miracles (Kai Alcé NDATL Dubstrumental Mix)
(B1) Miracles (Main Mix)
(B2) All One's Hopes
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Blende - Rodeo
2
Blende - First Rodeo
3
Blende - Kampai
GENRE/S: House, Dance, Pop
Tracklist:
[12” vinyl]
A1. Rodeo
A2. First Rodeo
B1. Kampai
SHORT INFO:
Veteran producer Blende debuts on Studio Barnhus, the Athens-based Swede delivering 3 cuts full of
force and rich in detail, perfectly straddling that line between weirdo pop and freaky dance that the Stockholm
label loves to explore. Vocal contributions from Belgian rock experimentalist Mickael Karkousse and Los
Angeles-based singer-DJ sensation Smiles Davis complete the package, along with a trippy and menacing
cover by graphic wizard Stefan Fält. An essential Studio Barnhus dance record!
Johan Blende is a Swedish music producer, song writer and DJ. For the biggest part of this side of the millennium
he’s been weaving together modern dance music elements with retro sounds of the ‘70s and ‘80s.
VITAL SALES POINTS:
- limited edition of 500 copies
- purple vinyl with sticker on sleeve front and extra sticker inlay
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
[12” vinyl]
A1. Rodeo
A2. First Rodeo
B1. Kampai
SHORT INFO:
Veteran producer Blende debuts on Studio Barnhus, the Athens-based Swede delivering 3 cuts full of
force and rich in detail, perfectly straddling that line between weirdo pop and freaky dance that the Stockholm
label loves to explore. Vocal contributions from Belgian rock experimentalist Mickael Karkousse and Los
Angeles-based singer-DJ sensation Smiles Davis complete the package, along with a trippy and menacing
cover by graphic wizard Stefan Fält. An essential Studio Barnhus dance record!
Johan Blende is a Swedish music producer, song writer and DJ. For the biggest part of this side of the millennium
he’s been weaving together modern dance music elements with retro sounds of the ‘70s and ‘80s.
VITAL SALES POINTS:
- limited edition of 500 copies
- purple vinyl with sticker on sleeve front and extra sticker inlay
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Imogen Soundsystem - Paloma (Original Mix)
2
Antonio Zuza - Palmizana (Original Mix)
3
Imogen Soundsystem - Paloma (Darshan Jesrani Remix )
4
Antonio Zuza - Palmizana (Ilija Rudman's King Of Snakes Mix)
Entering a decade of existence since the first release back in 2015, Imogen Recordings has a constant flow of hi-quality releases. Based on an inhouse sound and artists that perfectly fits to that sound, Imogen label gained small but finger picked releases catalog and artists repertoire. Among those few Label released music from Darshan Jesrani ( Metro Area, Startree ), Charles Webster - Presence, Don Carlos, Ian Pooley, Ilija Rudman, Kai Alce to name a few and most recently Antonio Zuza.
New Catalog Number 19, brings Antonio Zuza and a duo Project between Ilija and Antonio - Imogen Soundsystem on the table. It's a "never leave my bag" material.
Antonio's "Palmizana" or Imogen Soundsystem's " Paloma" are both strong munition for any dancefloor request by simply delivering that vibe that we all love.
Powered by pristine production as Imogen's standard signature Darshan Jesrani and Ilija Rudman brought 2 sublime remixes to wrap this beautiful 12" Vinyl.
If we are talking about modern house approach with all the respect to it roots, we are talking about this record. It is here to satisfy old diggers and new people on the scene.
A1 - Imogen Soundsystem - Paloma (Original Mix)
A2 - Antonio Zuza - Palmizana (Original Mix)
B1 - Imogen Soundsystem - Paloma (Darshan Jesrani Remix )
B2 - Antonio Zuza - Palmizana (Ilija Rudman's King Of Snakes Mix)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
New Catalog Number 19, brings Antonio Zuza and a duo Project between Ilija and Antonio - Imogen Soundsystem on the table. It's a "never leave my bag" material.
Antonio's "Palmizana" or Imogen Soundsystem's " Paloma" are both strong munition for any dancefloor request by simply delivering that vibe that we all love.
Powered by pristine production as Imogen's standard signature Darshan Jesrani and Ilija Rudman brought 2 sublime remixes to wrap this beautiful 12" Vinyl.
If we are talking about modern house approach with all the respect to it roots, we are talking about this record. It is here to satisfy old diggers and new people on the scene.
A1 - Imogen Soundsystem - Paloma (Original Mix)
A2 - Antonio Zuza - Palmizana (Original Mix)
B1 - Imogen Soundsystem - Paloma (Darshan Jesrani Remix )
B2 - Antonio Zuza - Palmizana (Ilija Rudman's King Of Snakes Mix)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:The Very Polish Cut Outs
Cat-No:TVPC018
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
Label:The Very Polish Cut Outs
Cat-No:TVPC018
Release-Date:26.04.2024
Genre:House
Configuration:12" Excl
1
Justyna S. - Oko Za oko (Benncart House Bootleg)
2
Zenit - Dzisiaj Jutro
3
Rodas - Za Czym
4
Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
5
Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
6
Boryn - Byles Ze Mna
7
EXPO 2000 - Fantazja
After 14 years Zambon is closing down the beloved Sampler Series with Vol.10. 7 tracks. 7 new producers. All killers no fillers.
Tracklist:
A1. Justyna S. - Oko Za oko (Benncart House Bootleg)
A2. Zenit - Dzisiaj Jutro
A3. Rodas - Za Czym?
B1. Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
B2. Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
B3. Boryn - Byles Ze Mna
B4. EXPO 2000 - Fantazja
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
A1. Justyna S. - Oko Za oko (Benncart House Bootleg)
A2. Zenit - Dzisiaj Jutro
A3. Rodas - Za Czym?
B1. Ka-ya-h - Na Jezykach (Niko Deep House Wersja)
B2. Bem i bek - Powrotna Bossa Nova (TiTLEZ Edit)
B3. Boryn - Byles Ze Mna
B4. EXPO 2000 - Fantazja
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mainline Magic Orchestra - Skateboarding Is Not A Crime 00:03:47
2
Mainline Magic Orchestra - How 2 Please Me 00:04:16
3
Mainline Magic Orchestra - Elektrassu 00:02:06
4
Mainline Magic Orchestra - WORK 00:03:43
5
Mainline Magic Orchestra - Bruce Willis 00:05:09
6
Mainline Magic Orchestra - VIP 00:04:16
7
Mainline Magic Orchestra - Cigarrito 00:03:36
8
Mainline Magic Orchestra - BDSM (BLISS, DREAMS, SOUL, MEMORIES) 00:03:33
9
Mainline Magic Orchestra - El Crit De L'Shrek 00:03:40
10
Mainline Magic Orchestra - Arsa 00:03:30
11
Mainline Magic Orchestra - Pretty Otter 00:03:40
12
Mainline Magic Orchestra - House Music 2 The W?rld 00:02:56
13
Mainline Magic Orchestra - Killersito (+18) 00:03:19
WW EXCLUDING Spain, Andorra, Mexico, Argentina, Bolivia, Bouvet Island, Brazil, Chile, Colombia, Ecuador, Falkland Islands (Malvinas), French Guiana, Guyana, Paraguay, Peru, South Georgia and the South Sandwich Islands, Suriname, Uruguay, Venezuela, Antarctica, Heard Island and McDonals Islands, French Southern Territories
Tracklist:
A1) Mainline Magic Orchestra Skateboarding Is Not A Crime 00:03:47
A2) Mainline Magic Orchestra, P.Vanillaboy How 2 Please Me 00:04:16
A3) Mainline Magic Orchestra Elektrassu 00:02:06
A4) Mainline Magic Orchestra, Juicy Romance WORK 00:03:43
A5) Mainline Magic Orchestra Bruce Willis 00:05:09
A6) Mainline Magic Orchestra, LVL1 VIP 00:04:16
B1) Mainline Magic Orchestra Cigarrito 00:03:36
B2) Mainline Magic Orchestra BDSM (BLISS, DREAMS, SOUL, MEMORIES) 00:03:33
B3) Mainline Magic Orchestra El Crit De L'Shrek 00:03:40
B4) Mainline Magic Orchestra Arsa 00:03:30
B5) Mainline Magic Orchestra Pretty Otter 00:03:40
B6) Mainline Magic Orchestra House Music 2 The W?rld 00:02:56
B7) Mainline Magic Orchestra Killersito (+18) 00:03:19
Info:
Finally the debut Album by „Mainline Magic Orchestra” is out via Public Possession & Primavera
Labels, 01. March, 2024.
Se bendecido!
Harri Poter, Pretty Otter, Trabajo con Shrek, Smoking prohibited, John McClane pleases U, hohoho,
killer. Featuring. Juicy Romance, LVL1 & P. Vanillaboy
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1) Mainline Magic Orchestra Skateboarding Is Not A Crime 00:03:47
A2) Mainline Magic Orchestra, P.Vanillaboy How 2 Please Me 00:04:16
A3) Mainline Magic Orchestra Elektrassu 00:02:06
A4) Mainline Magic Orchestra, Juicy Romance WORK 00:03:43
A5) Mainline Magic Orchestra Bruce Willis 00:05:09
A6) Mainline Magic Orchestra, LVL1 VIP 00:04:16
B1) Mainline Magic Orchestra Cigarrito 00:03:36
B2) Mainline Magic Orchestra BDSM (BLISS, DREAMS, SOUL, MEMORIES) 00:03:33
B3) Mainline Magic Orchestra El Crit De L'Shrek 00:03:40
B4) Mainline Magic Orchestra Arsa 00:03:30
B5) Mainline Magic Orchestra Pretty Otter 00:03:40
B6) Mainline Magic Orchestra House Music 2 The W?rld 00:02:56
B7) Mainline Magic Orchestra Killersito (+18) 00:03:19
Info:
Finally the debut Album by „Mainline Magic Orchestra” is out via Public Possession & Primavera
Labels, 01. March, 2024.
Se bendecido!
Harri Poter, Pretty Otter, Trabajo con Shrek, Smoking prohibited, John McClane pleases U, hohoho,
killer. Featuring. Juicy Romance, LVL1 & P. Vanillaboy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:studio LABOUR
Cat-No:SL002
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
Label:studio LABOUR
Cat-No:SL002
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:2LP Excl
1
GmbH - A1. LABOUR feat. Khyam Allami - Welt am Draht
2
GmbH - A2. Nene H - All This For What
3
GmbH - A3. ripp - thuoq thump (Europe Endless Edit)
4
GmbH - B1. Billy Bultheel feat. Steve Katona - YLEM
5
GmbH - B2. Fatima Al Qadiri - Alkahaf feat. Bobo Secret & Lama3an
6
GmbH - C1. Lyra Pramuk - Witness (Guest on Earth Rework)
7
GmbH - C2. LABOUR - White Noise
8
GmbH - C3. Asmara - Deviant Eyes
9
GmbH - D1. LABOUR - Talisman
10
GmbH - D2. Gabber Modus Operandi - Awul-Awul
11
GmbH - D3. LABOUR - Talisman (CEM Egg of The King remix)
2LP Gatefold, spot-varnish, embossing and hot-foil printing of the belly band on a heavy weight cardboard
GmbH: An Anthology of Music for Fashion Shows 2016-2023 Vol. 1 is a limited special-edition beautifully designed double-LP featuring the embossed kufic symbol of the Berlin fashion house, GmbH, with a musical timeline of all runway shows between 2016-2023 on printed gatefold. Etched-in-stone, the cover art playfully references archeological discoveries and ancient futurisms.
This first volume spans GmbH’s lifetime, highlighting both the importance of music to their ethos with some of the most relevant and forward thinking artists and producers of our time. To the artists who contributed to this compilation, GmbH is more than a fashion brand; it is a "community of resistance and empowerment" (Lyra Pramuk) rooted in the "representation of diasporic style and sensuality" (Fatima Al Qadiri), fostering community through its socio-political outlook.
Released on studio LABOUR, the imprint by GmbH long-term collaborators, LABOUR.
Tracklist:
LABOUR feat. Khyam Allami - Welt am Draht
Nene H - All This For What
ripp - thuoq thump (Europe Endless Edit)
Billy Bultheel feat. Steve Katona - YLEM
Fatima Al Qadiri - Alkahaf feat. Bobo Secret & Lama3an
Lyra Pramuk - Witness (Guest on Earth Rework)
LABOUR - White Noise
Asmara - Deviant Eyes
LABOUR - Talisman
Gabber Modus Operandi - Awul-Awul
LABOUR - Talisman (CEM Egg of The King remix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GmbH: An Anthology of Music for Fashion Shows 2016-2023 Vol. 1 is a limited special-edition beautifully designed double-LP featuring the embossed kufic symbol of the Berlin fashion house, GmbH, with a musical timeline of all runway shows between 2016-2023 on printed gatefold. Etched-in-stone, the cover art playfully references archeological discoveries and ancient futurisms.
This first volume spans GmbH’s lifetime, highlighting both the importance of music to their ethos with some of the most relevant and forward thinking artists and producers of our time. To the artists who contributed to this compilation, GmbH is more than a fashion brand; it is a "community of resistance and empowerment" (Lyra Pramuk) rooted in the "representation of diasporic style and sensuality" (Fatima Al Qadiri), fostering community through its socio-political outlook.
Released on studio LABOUR, the imprint by GmbH long-term collaborators, LABOUR.
Tracklist:
LABOUR feat. Khyam Allami - Welt am Draht
Nene H - All This For What
ripp - thuoq thump (Europe Endless Edit)
Billy Bultheel feat. Steve Katona - YLEM
Fatima Al Qadiri - Alkahaf feat. Bobo Secret & Lama3an
Lyra Pramuk - Witness (Guest on Earth Rework)
LABOUR - White Noise
Asmara - Deviant Eyes
LABOUR - Talisman
Gabber Modus Operandi - Awul-Awul
LABOUR - Talisman (CEM Egg of The King remix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dirty Channels & Eternal Love - I'm Coming Out feat Mariseya (Extended Mix)
2
Dirty Channels & Eternal Love - Take Me Up feat Mariseya (Original Mix)
3
Dirty Channels & Eternal Love - Take Me Up feat Mariseya (Gerd Janson Remix)
4
Dirty Channels & Eternal Love - I'm Coming Out feat Mariseya (Instrumental Mix)
GENRE/S: Electronic, Nu-Disco, House
TRACKLISTS:
A1. I'm Coming Out feat Mariseya (Extended Mix)
A2. Take Me Up feat Mariseya (Original Mix)
B1. Take Me Up feat Mariseya (Gerd Janson Remix)
B2. I'm Coming Out feat Mariseya (Instrumental Mix)
SHORT INFO:
“The Dirty Love EP” marks the union of the artists' creative minds, but also a blend of Old School - New School: is not just a meeting of musical minds, but reflected in both the production and the soundscape. The release conquers with a new take on Italo House, giving it a modernised edge: a reinterpretation of Italo House, enhanced by world music influences, thanks to Mariseya's vocals.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1. I'm Coming Out feat Mariseya (Extended Mix)
A2. Take Me Up feat Mariseya (Original Mix)
B1. Take Me Up feat Mariseya (Gerd Janson Remix)
B2. I'm Coming Out feat Mariseya (Instrumental Mix)
SHORT INFO:
“The Dirty Love EP” marks the union of the artists' creative minds, but also a blend of Old School - New School: is not just a meeting of musical minds, but reflected in both the production and the soundscape. The release conquers with a new take on Italo House, giving it a modernised edge: a reinterpretation of Italo House, enhanced by world music influences, thanks to Mariseya's vocals.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ori Lichtik - A. Half Life
2
Ori Lichtik - B1. Nu
3
Ori Lichtik - B2. Bill
12"
Techno, Electronic
TRACKLISTS:
A. Half Life B1. Nu B2. Bill
Announcing Vax Records, the clandestine sanctuary for connoisseurs of techno. Born in Berlin's depths, our curated sounds defy the dance floor, delving into the obscure. Crafted for the discerning, we explore into the dark realms of performative artistry.
From today we present our first release, Vax Records 0000 0001 with Ori Lichtik on Half Life.
The tracks were produced between 2006 and 2017 by Ori Lichtik. Half Life and Bill are precise cuts of extensive productions, tailored for the club, while Nu secretly hits everyday dance training routines. Dim the light.
Intoxicating
Hypnotic
Minimal
Percussive
Alternating with drums and bass
Sharp and sensual techno
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Techno, Electronic
TRACKLISTS:
A. Half Life B1. Nu B2. Bill
Announcing Vax Records, the clandestine sanctuary for connoisseurs of techno. Born in Berlin's depths, our curated sounds defy the dance floor, delving into the obscure. Crafted for the discerning, we explore into the dark realms of performative artistry.
From today we present our first release, Vax Records 0000 0001 with Ori Lichtik on Half Life.
The tracks were produced between 2006 and 2017 by Ori Lichtik. Half Life and Bill are precise cuts of extensive productions, tailored for the club, while Nu secretly hits everyday dance training routines. Dim the light.
Intoxicating
Hypnotic
Minimal
Percussive
Alternating with drums and bass
Sharp and sensual techno
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Pierre - acid love
2
DJ Pierre - acid love dub
2024 RP Edition
Tracklist
A ACID LOVE
B ACID LOVE DUB
Shortinfo:
ACID LOVE!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A ACID LOVE
B ACID LOVE DUB
Shortinfo:
ACID LOVE!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More