From the Devine to the downright deranged...

This record has something for all the daring DJs out there!



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Straight Outta Belpaese, MORE disco – exotica – balearic- Italo-funk for the demanding digger!!!

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Experience the groove of RESPECT with their latest white-label release. Two fantastic edits packed with rhythm and energy! It's a sure hit on any dancefloor.

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EEE are back to kick of 2025 with another heavy house hitter to keep the party rocking!

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Tasty edits from an established producer with big support already from Hunne, CC: Disco, Shanti Celeste, Seth Troxler, Peach, Jobe Jobse, Eclair Fifi, Paula Tape, Demi Riquismo, Bradley Zero, Moxie & more. Don't sleep as this won't be around for long!

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Limited edition Red Vinyl Repress of the massive ‘Les Dance’

The original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

Needless to say JCG has taken the finest elements of the track and reworked them to bring joy to any serious dancefloor, moonlit or otherwise. Funky tribal percussion, dramatic synths and echoes add depth and modernity to the sound and vision of the original and of course that all-important instantly recognisable bass stab is stronger than ever. Flip for a stripped up, not down, dub and the result is a superb record that will be played far more than just for one day.

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Tracklisting
A1 Tommy The Cat - Up & Down
B1 Tommy The Cat - Poisonous Youth

Sales Note
Black repress from Splatter Cat In The Bag Limited 03 - Solo from Tommy the Cat !!


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DE - 22113 Hamburg
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Last year saw the release of portuguese electronic folk odyssey Soprem Bons Ventos on Soundway Records - this year Pedro brings it home to house. Pedro's House 002 is a hot and heartfelt ode to the hi-tech jazz universe, and the solar winds are blowing with a force. See you on the dancefloor space cowboy...

A1 - Solway System
A2 - 28 or 5 to 4
B1 - In the Attic
B2 - Knockup Stream
B3 - Maracuyá Matanzas

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Central Processing Unit releases have all been logged in an eight-bit binary numbering system ever since the Sheffield label arrived on the scene with Cygnus' 2012 LPNewmark Phase. With 256 variations allowed for in the binary catalogue, CPU now hit the halfway point more than a dozen years into their run. In that time the imprint has grown into one of the most celebrated voices in contemporary electro, its monochrome sleeve design reaching iconic status and early releases trading for big money in certain circles. As such,CPU128 Classicsserves as both a victory lap and a line in the sand, a survey of some of the highs in the imprint's discography and a second chance for CPU aficionados to get their hands on out-of-print material. And where else to begin but with a track from the very first CPU release? 'Red District Girls', a choice cut fromNewmark Phase, is as perfect a scene-setter now as it was all those years ago. This is a number which brings the Drexciya sound into the present day, offsetting some whip-smart drum tracking and a grizzled synth bassline with brilliantly eerie keys higher in the mix. CPU's reputation as a premier purveyor of modern machine-funk has been built on tracks like 'Red District Girls'. This lineage is unsurprisingly well represented onCPU128 Classics. From DMX Krew's clattering 'Not Very' to Jensen Interceptor's gurgling 'mActavis', Mikron's vroom-vrooming 'Sleep Paralysis' to the stentorian punch of MNLTH's 'Flektro',CPU128 Classicsis bursting full of mutated dancefloor tackle. It's as true now as it was back in 2012 - if you're looking for broken-beat 808s, sidewinder bass and synths which sound like they've been beamed in from deep space, then CPU is your go-to. However, just because the label is well-known for that particular sound doesn't meanCPU128lacks variation. Far from it - indeed, while post-Warp synth-work remains an overarching principle here, this collection demonstrates just how far the label casts its net in sonic terms. Take, for instance, more cerebral offerings like CN's 'Stellar Awakening'. The track still shares a clear point of origin with something like 'Red District Girls', but there's an altogether more carefree feeling to this nugget of sun-kissed electro that sets the scene for another lane of CPU's output, one of cerebral synth exploration indebted to ats like Boards of Canada. This is truer still on Mrs Jynx's 'Diving Loop' - with softly keening synth pads offset by only faint pitter-patter drums, 'Diving Loop' is a beautiful piece of dawn chorus electronica which proves yet again that the robots have feelings too. While the final joint here, Microlith's 2016 offering 'Dance With Me', is still forged on piston-precise drum programming and a cornucopia of bleep-bloop synths, the track's uplifting bounce is a world away from the foreboding feeling of some of this record's darker joints. As such, it's a perfect way to close outCPU128 Classics, an album which celebrates Central Processing Unit's past in order to look to the future. Here's to 128 more.

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The Smile's latest remix compendium is a striking one, with two eminent producers reimagining tracks from the British rock band/Radiohead offshoot's latest and third album, CUTOUTS. This remix-set takes the core of the band's genre-blend sound, from art rock to experimental electronica, and contorts it into yet another division of volatile allotropes, this time welcoming light show IDM extravaganzist James Holden and East Kent musician Robert Stillman. Both versions are full displays of productive talent, humanisti, but still cognitively vector-mapped out in digi-space ahead of time, mirroring the abstracted, rather listless and amoral lyrics heard in the title track ("And your force means nothing...")

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Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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Black Truffle is back with a delicious new EP, "Gourmet Edits", which takes you on a four-course adventure through the vintage disco territory, blending Jazz-Funk and Latin elements.
Black Truffle's distinctive style is characterised by skilful reinterpretations of hidden treasures from the 70's with a passionate focus on preserving the essence of the original material...

'Disco Meringue' is a crispy piano-driven appetiser with Latin flavour. Its syncopated piano riffs imbue it with a jazzy vibe that makes it a great tool to seamlessly transition between disco, Latin, and modern deep house in your set.

'Drum Tartar' is a percussive tour de force that oscillates between groovy Jazz-Funk and spicy Bossa-Nova, culminating in a thundering drum break that continues for an impressive third of the track.
'Consomme' is the EP's bread and butter for the dance floor layering pulsing percussion, wailing organ riffs, crunchy guitars, curious vocoders and many sax and organ solos that keep on taking it higher and higher resulting in a sizzling high-energy banger.
For dessert, we have 'Souffle', a fluffy big-band Jazz number with a funky Disco beat that gradually develops into an ecstatic culmination with a choir.

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TRACKLIST

01. AROUND ME
02. COME
03. DESTROY ME
04. BLOOD
05. IN 2 U
06. LEVITATING

#2:
01. FOREVER
02. BLUE TO BLACK
03. TAKE
04. NO RETURN
05. YOU
06. END IN BLUE

The Bug aka Kevin Martin, and producer/vocalist Dis Fig aka Felicia Chen, refer to their style on `In Blue' as "Tunnel Sound"; a foggy, melancholic meltdown of narco-dancehall-soul and dread-drenched, electronic dub. The 2018 prototype rhythms for this album were a continuation of Martin's ongoing quest for a futuristic dancehall mutation, but more sci-fi, aquatic and smokey than before. An obsessive search for the right sultry 2AM voice to ride his syncopated walls of sub, fuzzed out white noise and infinite echoes eventually led him to Dis Fig's torched soul-jazz glow, and 20 months of subsequent lab exchanges have resulted in the deeply sensual pulsations and lyrical long shadows of `In Blue' - an album that shares shades of King Midas Sound's wrecked lovers rock, alongside the bass immersion that The Bug has become infamously known for. Just as Martin took a stylistic swerve on `In Blue', so did Chen. Previously known for experimental noise onslaughts and emotional exorcisms, she opts here for threatening intimacy and hushed confessionals, concentrating on bittersweet vocals and seductive surprises that are all the more potent for their inferred narratives and delicate delivery. Mixed during lockdown, the sense of claustrofear, escapism and tension throughout is palpable. With the bewitching croon of Dis Fig directing the flow, carnality and violence merge under the turbulent, cinematic surface of an hypnotically addictive album.


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From the Devine to the downright deranged...

This record has something for all the daring DJs out there!



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Tracklisting
A1 Mattia Dambrosio - Spring
A2 Mattia Dambrosio - Ossidiana
B1 Mattia Dambrosio - Domani
B2 Mattia Dambrosio - Stabs
B3 Mattia Dambrosio - Warmer

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore