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1
PLUSH - 01. Virginia
2
PLUSH - 02. More You Becomes You
3
PLUSH - 03. (I Didn't Know) I Was Asleep
4
PLUSH - 04. The Party l
5
PLUSH - 05. The Party ll
6
PLUSH - 06. Soaring And Boring
7
PLUSH - 07. (See It In The) Early Morning
8
PLUSH - 08. Save The People
9
PLUSH - 09. Instrumental
10
PLUSH - 10. The Sailor
Format: 2LP LTD White Vinyl, 12p Booklet, Tip On Sleeve / Territory: WW-US,UK,FR
First print run of 2000 w/w copies on White Vinyl LP in as near to the original packaging as possible. White outer bag with sticker, tip on gatefold sleeve and includes a 12 page, full colour booklet of many pictures, cuttings from the time with sleeve notes by MOJO Editor John Mulvey
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
A deluxe 12 page full size booklet comes with the LP version (which also comes packaged as close to the original as possible, with a printed outer envelope/bag) and a 20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
First print run of 2000 w/w copies on White Vinyl LP in as near to the original packaging as possible. White outer bag with sticker, tip on gatefold sleeve and includes a 12 page, full colour booklet of many pictures, cuttings from the time with sleeve notes by MOJO Editor John Mulvey
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
A deluxe 12 page full size booklet comes with the LP version (which also comes packaged as close to the original as possible, with a printed outer envelope/bag) and a 20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
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Format: CD, 20 page booklet/ Territory: WW-US,UK,F,JP
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by MOJO Editor John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by MOJO Editor John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
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1
Plush - No Title
2
Plush - No Title
3
Plush - No Title
Three 1982 disco classics from boogie trio Plush formed under the guidance of Angela Winbush, René Moore and Bobby Watson, get the official, remastered reissue treatment from the original tapes.
Opening up the EP, an Angela & Rene original ‘Free & Easy’ is taken on by the Plush troupe, with the legendary Tee Scott providing a trademark extended mix. It kicks off with cosmic synths that dissipate into heavy funk, electric bass riffs, whilst scorching top lines and choice guitar licks trade off over the top. Scott’s magic is clear to see in the composition of this extended mix. A man who clearly knew how to work a dancefloor, his use of breakdowns especially, extending the anticipation and power the track commands on its dancers. From the bass breaks that weave in modulated synths, to those that utilise the glorious sustained piano chords, cutting to just vocals and percussion before everything is added back in for ultimate dancefloor elation.
First up on the B side, ‘We Got The Love’, a more soulful, slowed down tip where staccato guitar plucks and chunky slap bass marries with warm Rhodes chords, and lush vocal harmonies blend with the power of Siedah Garrett commanding the lead vocals. A passion ingrained in their voices that cannot be taught, hanging in the air, as they hang onto their phrases.
Lastly, ‘Livin For Your Love’ a boogie-based serenade written by Herman Chainey and Tony L. Phillips, intertwines Phillips’ deep dulcet tones with Plush’s backing. Add in a dose of pure ‘80s bass synth, twanging funk flashes and juicy bass guitar ripples and you’ve got a recipe sure to woo any wandering hearts out there. More
Opening up the EP, an Angela & Rene original ‘Free & Easy’ is taken on by the Plush troupe, with the legendary Tee Scott providing a trademark extended mix. It kicks off with cosmic synths that dissipate into heavy funk, electric bass riffs, whilst scorching top lines and choice guitar licks trade off over the top. Scott’s magic is clear to see in the composition of this extended mix. A man who clearly knew how to work a dancefloor, his use of breakdowns especially, extending the anticipation and power the track commands on its dancers. From the bass breaks that weave in modulated synths, to those that utilise the glorious sustained piano chords, cutting to just vocals and percussion before everything is added back in for ultimate dancefloor elation.
First up on the B side, ‘We Got The Love’, a more soulful, slowed down tip where staccato guitar plucks and chunky slap bass marries with warm Rhodes chords, and lush vocal harmonies blend with the power of Siedah Garrett commanding the lead vocals. A passion ingrained in their voices that cannot be taught, hanging in the air, as they hang onto their phrases.
Lastly, ‘Livin For Your Love’ a boogie-based serenade written by Herman Chainey and Tony L. Phillips, intertwines Phillips’ deep dulcet tones with Plush’s backing. Add in a dose of pure ‘80s bass synth, twanging funk flashes and juicy bass guitar ripples and you’ve got a recipe sure to woo any wandering hearts out there. More
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Release-Date:06.02.2015
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Groove Line Records Autumn series of properly licensed rare disco / funk reissues continues with two superb slices of dance floor soul from the little known Candy Bowman - “I Wanna Feel Your Love” and “Since I Found You (Love Is Better Than Ever).” Released through RCA on 12” in 1981 under the production guidance of the team behind Stephanie Mills successful 1979 album “What Cha Gonna Do With My Lovin'” (James Mtume, Reggie Lucas), both these tracks exhibit the same smooth, subtle orchestration, instrumentation and soulfulness, and have found a loving home on dance floors and in record collections on both sides of the Atlantic and further a field ever since. “I Wanna Feel Your Love” opens with jazzy interplay between the guitars and synths then settles on the tight groove at 0m18 before Bowman's stunning, harmonised vocals build up with an intense yearning while the fluid bassline and Chic-esque rhythm guitars play with the drifting synth and horn lines all the way to the fade. The single version is also included on this release. “Since I Found You (Love Is Better Than Ever)” is incredibly smooth, mid-tempo R&B heaven, favoured by many UK DJs. The ascending piano riff which opens the track can't help but give you an immediate glow even before the beat kicks in and Bowman's joyful vocal hits the first verse. The heightened verses, in contrast to the smooth choruses, make this track perfect for the dancefloor, with a great chorus breakdown at 2m46 which rises back up and glides on the chorus to the fade. The innovative production on this track surely influenced many that came after. Due to the high quality of both of these tracks the original 12”'s are always in high demand by committed collectors. Making them the very definition of 80's Rare Groove!
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Format: CD, 20 page booklet/ Territory: WW-US,UK,F,JP
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by MOJO Editor John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
Genres : Classic, Souldrenched Pop, Indie Rock
Described by Uncut magazine as “One of the most charismatic and eccentric pop craftsmen of the past twenty years”, Liam Hayes has been making critically acclaimed records since the 90’s. His first single “Three-Quarters Blind Eyes b/w Found a Little Baby” released under the moniker Plush, was cited by the NME as being “..one of those rare records - and incredibly rare debuts - that instantly seems a classic..” Although he emerged from the Chicago indie-rock scene, Hayes is often compared with artists such as Jimmy Webb, Brian Wilson, Laura Nyro and Harry Nilsson. Like some of the best folk-pop or soft soul from the 1960’s and 1970’s there is a timeless quality to his music.
Re-release of debut album More You Becomes You is remastered from the original analogue tapes by Jason Hillier and recut for vinyl by Bob Weston, who also remastered the CD and Streaming formats.
20 page booklet comes with the CD version put together by Liam and Jason Harvey, with Sleeve Notes by MOJO Editor John Mulvey.
Tracklist
01. Virginia
02. More You Becomes You
03. (I Didn't Know) I Was Asleep
04. The Party l
05. The Party ll
06. Soaring And Boring
07. (See It In The) Early Morning
08. Save The People
09. Instrumental
10. The Sailor
Since his first single, Liam has released six long players. Here are some of the notices for those records: “More You Becomes You” (1998) “Seemingly from another time, eminently perfect ballideering” (Melody Maker), “Fed” (2002) “a soulful symphonic masterpiece” (Rolling Stone), “Bright Penny” (2009) “a lovely collection of blue-eyed soul” (Q), "Korp Sole Roller" (2014) “…sun-warped take on classic pop…gorgeous, seductive creations…” (Uncut), "Slurrup" (2015) “In short: Talented songwriter releases quality album loaded with quality tunes.” (Pitchfork), "Mirage Garage" (2018) "...a devastating one-two punch..." 8/10 (Uncut), "...one of Hayes' best ever sets.." (MOJO), "...a genuine triumph." ***** (Record Collector) More
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
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Label:Circus Company
Cat-No:ccs131
Release-Date:12.04.2024
Genre:Electronic
Configuration:LP Excl
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1
Rejoicer - Jail Time with Mr. Murd (Feat. Yonatan Albalak)
2
Rejoicer - Graveyard Party
3
Rejoicer - Your Tissue SVP
4
Rejoicer - SNG PLSTN
5
Rejoicer - I Think This Is Reasonable
6
Rejoicer - HRTSPC
7
Rejoicer - NOZPLZ
8
Rejoicer - Dada’s Bone
9
Rejoicer - OCNC XTR
10
Rejoicer - EZ PPL 4 TRTH
11
Rejoicer - Don’t Forget to Not Remember Who
Genre : Electronic - Downtempo
Tracklist :
A1. Jail Time with Mr. Murd (Feat. Yonatan Albalak) - A2. Graveyard Party - A3. Your Tissue SVP - A4. SNG PLSTN - A5. - I Think This Is Reasonable - A6. HRTSPC - B1. NOZPLZ - B2. Dada’s Bone - B3. OCNC XTR - B4. EZ PPL 4 TRTH - B5. Don’t Forget to Not Remember Who
Yuval Havkin, also known as Rejoicer, is one of the foremost exponents of downtempo music, inspired by the fusion of jazz and hip-hop. His new album thus draws on his early influences while exploring the world of calm, melodic electronic music that borders on ambient.
This Is Reasonable has a chill-out feel to it, a record filled with melodies and atmospheres that, throughout its eleven tracks, conveys a sense of calm and floating, akin to ambient music. Stripped of the clichés of the genre, the album is built around subtle melodies and rich harmonies from keyboards and synths, which borrow as much from the spirit of jazz as from the inventions of electronica, whilst being supported by a gentle groove. This equilibrium is perfectly captured by Rejoicer's moniker, a term that evokes both the idleness of artificial paradises and a soft, caring form of spirituality.
Musical path
Yuval Havkin was born in Israel in 1985, and grew up in England before returning to his homeland. He began studying classical piano as a child, but was put off by such conservative teaching and turned to hip-hop and beatmaking in his teens. Throughout the 2000s, he learned his skills "on the job", working with musicians he met in Tel Aviv, a local scene that nurtured a sense of community and emulation. Back then, he was particularly impressed by the grooves and electronic inventions of Detroit producer Dabrye, who had a revelatory effect on him, before he discovered legendary musicians Madlib and Jay Dee aka J Dilla, who led him down the path of beatmaking.
Yuval Havkin's music career got off to a more serious start in the late 2000s with the creation of his own label, Raw Tapes, both based in Tel Aviv. Blending jazz, funk and hip hop, whilst still embracing pop influences, the label's productions showcased the richness of the new Israeli scene combining cool, elegance, playfulness, and a degree of research and inventiveness, thanks to the talent of artists and bands such as Duo Brothers, Maya Dunietz, iogi, Nitai Hershkovits, the Buttering Trio and Rejoicer, the artist's most personal project.
In 2018, Rejoicer's warm and engaging sounds caught the attention of the prestigious Los Angeles label Stones Throw, renowned for having signed his idols Madlib and J Dilla, not to mention Aloe Blacc and Peanut Butter Wolf (its founder). Two albums followed, Energy Dreams (2018) and Spiritual Sleaze (2020), both of which demonstrate his instrumental mastery, jazz culture and lush orchestrations. Both albums are on a par with more renown sampling prodigies of the beat scene, and gave him his first international recognition.
Now based between Los Angeles and Savyon, near Tel Aviv, this hyperactive and instinctive artist simultaneously pursues a career as a composer, musician and label owner, member of numerous bands and collective projects (Apifera, PlayDead, collaborations with Jimi Prasad and Avishai Cohen) while also offering his studios and production skills to other artists. “Fela Kuti meets Aphex Twin”
This new Rejoicer album, which follows three earlier jazz-tinged records, marks a new and more personal musical direction for an artist who previously favored group work and collaborations. Yuval chose here to delve into a more electronic and sequenced style of music, playing Prophet 6 and 8 synths, a Juno 60, a Minimoog and his Fender Rhodes keyboard, in contrast with the more organic sounds of his previous albums. While a few tracks on this new album may sound like a laid-back version of some of the Warp label's early electronic classics by Aphex Twin or Boards of Canada, Yuval Havkin claims to have also been inspired by the great Fela Kuti, particularly in his search for harmonies between bass, keyboards and
percussion, and by his elder trumpet-playing friend Avishai Cohen, a musician he particularly admires.
Beyond these various influences, This Is Reasonable is an album of compelling and bewitching melodies. The moods, peacefulness and sheer beauty of This Is Reasonable are, indeed, quite paradoxical, in stark contrast to the country's tragedies (the title explicitly refers to recent political disputes in Israel) and the war currently raging less than a hundred miles from his studio. A paradox fully embraced by the artist, who views his music as a response to the violence of our times.
More
Tracklist :
A1. Jail Time with Mr. Murd (Feat. Yonatan Albalak) - A2. Graveyard Party - A3. Your Tissue SVP - A4. SNG PLSTN - A5. - I Think This Is Reasonable - A6. HRTSPC - B1. NOZPLZ - B2. Dada’s Bone - B3. OCNC XTR - B4. EZ PPL 4 TRTH - B5. Don’t Forget to Not Remember Who
Yuval Havkin, also known as Rejoicer, is one of the foremost exponents of downtempo music, inspired by the fusion of jazz and hip-hop. His new album thus draws on his early influences while exploring the world of calm, melodic electronic music that borders on ambient.
This Is Reasonable has a chill-out feel to it, a record filled with melodies and atmospheres that, throughout its eleven tracks, conveys a sense of calm and floating, akin to ambient music. Stripped of the clichés of the genre, the album is built around subtle melodies and rich harmonies from keyboards and synths, which borrow as much from the spirit of jazz as from the inventions of electronica, whilst being supported by a gentle groove. This equilibrium is perfectly captured by Rejoicer's moniker, a term that evokes both the idleness of artificial paradises and a soft, caring form of spirituality.
Musical path
Yuval Havkin was born in Israel in 1985, and grew up in England before returning to his homeland. He began studying classical piano as a child, but was put off by such conservative teaching and turned to hip-hop and beatmaking in his teens. Throughout the 2000s, he learned his skills "on the job", working with musicians he met in Tel Aviv, a local scene that nurtured a sense of community and emulation. Back then, he was particularly impressed by the grooves and electronic inventions of Detroit producer Dabrye, who had a revelatory effect on him, before he discovered legendary musicians Madlib and Jay Dee aka J Dilla, who led him down the path of beatmaking.
Yuval Havkin's music career got off to a more serious start in the late 2000s with the creation of his own label, Raw Tapes, both based in Tel Aviv. Blending jazz, funk and hip hop, whilst still embracing pop influences, the label's productions showcased the richness of the new Israeli scene combining cool, elegance, playfulness, and a degree of research and inventiveness, thanks to the talent of artists and bands such as Duo Brothers, Maya Dunietz, iogi, Nitai Hershkovits, the Buttering Trio and Rejoicer, the artist's most personal project.
In 2018, Rejoicer's warm and engaging sounds caught the attention of the prestigious Los Angeles label Stones Throw, renowned for having signed his idols Madlib and J Dilla, not to mention Aloe Blacc and Peanut Butter Wolf (its founder). Two albums followed, Energy Dreams (2018) and Spiritual Sleaze (2020), both of which demonstrate his instrumental mastery, jazz culture and lush orchestrations. Both albums are on a par with more renown sampling prodigies of the beat scene, and gave him his first international recognition.
Now based between Los Angeles and Savyon, near Tel Aviv, this hyperactive and instinctive artist simultaneously pursues a career as a composer, musician and label owner, member of numerous bands and collective projects (Apifera, PlayDead, collaborations with Jimi Prasad and Avishai Cohen) while also offering his studios and production skills to other artists. “Fela Kuti meets Aphex Twin”
This new Rejoicer album, which follows three earlier jazz-tinged records, marks a new and more personal musical direction for an artist who previously favored group work and collaborations. Yuval chose here to delve into a more electronic and sequenced style of music, playing Prophet 6 and 8 synths, a Juno 60, a Minimoog and his Fender Rhodes keyboard, in contrast with the more organic sounds of his previous albums. While a few tracks on this new album may sound like a laid-back version of some of the Warp label's early electronic classics by Aphex Twin or Boards of Canada, Yuval Havkin claims to have also been inspired by the great Fela Kuti, particularly in his search for harmonies between bass, keyboards and
percussion, and by his elder trumpet-playing friend Avishai Cohen, a musician he particularly admires.
Beyond these various influences, This Is Reasonable is an album of compelling and bewitching melodies. The moods, peacefulness and sheer beauty of This Is Reasonable are, indeed, quite paradoxical, in stark contrast to the country's tragedies (the title explicitly refers to recent political disputes in Israel) and the war currently raging less than a hundred miles from his studio. A paradox fully embraced by the artist, who views his music as a response to the violence of our times.
More
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Label:Running Back
Cat-No:rblp09
Release-Date:24.05.2024
Genre:House
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1
tornado wallace - Lonely Planet
2
tornado wallace - Trance Encounters
3
tornado wallace - Today ft. Sui Zhen
4
tornado wallace - Warp Odyssey
5
tornado wallace - Voices
6
tornado wallace - Kingdom Animalia
7
tornado wallace - Healing Feeling
2024 Repress
Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
More
Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
More
Label:TTJ Edits
Cat-No:TTJ5335
Release-Date:24.05.2024
Configuration:12"
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Label:TTJ Edits
Cat-No:TTJ5335
Release-Date:24.05.2024
Configuration:12"
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1
V.A. - A1.Love The One You're With
2
V.A. - A2.Happy Together
3
V.A. - B1.Belladonna
12" Excl
in stock
Label:Energy Exchange Records
Cat-No:EXREC004
Release-Date:19.04.2024
Genre:Deephouse
Configuration:12" Excl
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Label:Energy Exchange Records
Cat-No:EXREC004
Release-Date:19.04.2024
Genre:Deephouse
Configuration:12" Excl
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1
30/70 - ACCEPTANCE - ZEITGEIST/GOODMOOD Sex and Candy Flip
2
Energy Exchange Ensemble - LIME GREEN SKIES - ZEITGEIST/GOODMOOD Edit
3
30/70 - PLEASURE - Maytra Roller Edit
4
Energy Exchange Ensemble - BRIGHTER STAR - Close Counters Remix
5
30/70 - ACCEPTANCE - Concrete Souls Sikly House Edit
lim. Vinyl Version / No repress!
This Album serves as a 2023 wrap up, focusing primarily on two releases: Energy Exchange Records Vol. I and 30/70 ART MAKE LOVE. In the spirit of the Energy Exchange family, we have shared the duties of remixing/re-imaging some of our most in demand cuts from the year utilizing our in-house production team and extended family 30/70 collective. Keep it locked, we are just warming up!
Support from : Severino (Horse Meat DIsco), Stu (Wolf Recordings), Mali (Rhythm Section), Quinton (Strut Records), Mr Redley, Jonny Alexander, Aly Bandcamp, Gilles Secretsundaze, Lucas Benjamin, Dean Chew (Darker Than Wax), Aroop Roy, Alex Attias, Louis Mixmag, Marcel Vogel, cosmosofi, Delfonic
A1. 30/70 - ACCEPTANCE - ZEITGEIST/GOODMOOD Sex and Candy Flip
A2. Energy Exchange Ensemble - LIME GREEN SKIES - ZEITGEIST/GOODMOOD Edit
B1. 30/70 - PLEASURE - Maytra Roller Edit
B2. Energy Exchange Ensemble - BRIGHTER STAR - Close Counters Remix
B3. 30/70 - ACCEPTANCE - Concrete Souls Sikly House Edit
More
This Album serves as a 2023 wrap up, focusing primarily on two releases: Energy Exchange Records Vol. I and 30/70 ART MAKE LOVE. In the spirit of the Energy Exchange family, we have shared the duties of remixing/re-imaging some of our most in demand cuts from the year utilizing our in-house production team and extended family 30/70 collective. Keep it locked, we are just warming up!
Support from : Severino (Horse Meat DIsco), Stu (Wolf Recordings), Mali (Rhythm Section), Quinton (Strut Records), Mr Redley, Jonny Alexander, Aly Bandcamp, Gilles Secretsundaze, Lucas Benjamin, Dean Chew (Darker Than Wax), Aroop Roy, Alex Attias, Louis Mixmag, Marcel Vogel, cosmosofi, Delfonic
A1. 30/70 - ACCEPTANCE - ZEITGEIST/GOODMOOD Sex and Candy Flip
A2. Energy Exchange Ensemble - LIME GREEN SKIES - ZEITGEIST/GOODMOOD Edit
B1. 30/70 - PLEASURE - Maytra Roller Edit
B2. Energy Exchange Ensemble - BRIGHTER STAR - Close Counters Remix
B3. 30/70 - ACCEPTANCE - Concrete Souls Sikly House Edit
More
Label:Public Possession
Cat-No:PP096
Release-Date:07.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144148
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Label:Public Possession
Cat-No:PP096
Release-Date:07.06.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144148
1
Sano - Si Te Doy Un Beso (05:22 min)
2
Sano - Tu Para Mi (04:14 min)
3
Sano - No Seas Loca (05:33 min)
4
Sano - Nuevas Emociones (05:35 min)
Tracklist:
A1) Si Te Doy Un Beso (05:22 min)
A2) Tu Para Mi (04:14 min)
B1) No Seas Loca (05:33 min)
B2) Nuevas Emociones (05:35 min)
Short info:
After a four year hiatus finally Sano is back with Volume IV of Latino Body Music.
Transmitting from the green hills of Colombia - out of the jungle - into your hearts. Heavy
rhythms for mind, body & soul. El Disco es cultura!
More
A1) Si Te Doy Un Beso (05:22 min)
A2) Tu Para Mi (04:14 min)
B1) No Seas Loca (05:33 min)
B2) Nuevas Emociones (05:35 min)
Short info:
After a four year hiatus finally Sano is back with Volume IV of Latino Body Music.
Transmitting from the green hills of Colombia - out of the jungle - into your hearts. Heavy
rhythms for mind, body & soul. El Disco es cultura!
More
LP Excl
pre-sale
Label:Tonal Union
Cat-No:TU007LE
Release-Date:06.09.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804143622
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Genre:Electronic
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1
Passepartout Duo and Inoyama Land - Strange Clouds
2
Passepartout Duo and Inoyama Land - Abstract Pets
3
Passepartout Duo and Inoyama Land - Simoom
4
Passepartout Duo and Inoyama Land - Tangerine Fields
5
Passepartout Duo and Inoyama Land - Observatory
6
Passepartout Duo and Inoyama Land - Mosaic
7
Passepartout Duo and Inoyama Land - King in a Nutshell
8
Passepartout Duo and Inoyama Land - Xiloteca
9
Passepartout Duo and Inoyama Land - Solivago
10
Passepartout Duo and Inoyama Land - Berceuse
11
Passepartout Duo and Inoyama Land - Axolotl Dreams
1. LTD LP - Territory: WW Minus UK/Eire,Usa, Canada, JP
-- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Locked Groove
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Electronic / Ambient
3. TRACKLISTS:
Please add track lists for all listed formats.
A1. Strange Clouds
A2. Abstract Pets
A3. Simoom
A4. Tangerine Fields
A5. Observatory
B1. Mosaic
B2. King in a Nutshell
B3. Xiloteca
B4. Solivago
B5. Berceuse
B6. Axolotl Dreams
4. SHORT INFO:
Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.
Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."
Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.
"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."
More
-- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Locked Groove
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Electronic / Ambient
3. TRACKLISTS:
Please add track lists for all listed formats.
A1. Strange Clouds
A2. Abstract Pets
A3. Simoom
A4. Tangerine Fields
A5. Observatory
B1. Mosaic
B2. King in a Nutshell
B3. Xiloteca
B4. Solivago
B5. Berceuse
B6. Axolotl Dreams
4. SHORT INFO:
Kindred spirits Passepartout Duo and Inoyama Land embody the essence of play - charting a new chapter and reinvigorating the environmental music and electronic landscape.
Passepartout Duo is formed of Nicoletta Favari (IT) and Christopher Salvito (IT/US), who since 2015 have been on a continuous journey travelling the world's corners, engaged in a creative process they term "slow music". Having been guests of many notable artist residencies and with live performances in cultural spaces and institutions, their evocative music escapes categorisation. With no fixed abode their musical pilgrimage brought them to Japan first in 2019, which prompted a deep connection to Kanky? Ongaku 'environmental music', a genre in which Inoyama Land is often associated with, soundtracking the duo's first immersive experience. In 2023 the duo revisited Japan and set out to reconnect in particular with the music of Inoyama Land, performed by Makoto Inoue and Yasushi Yamashita. The highly revered album 'Danzindan-Pojidon' (1983) produced by Haruomi Hosono amongst other well publicized and acclaimed reissues (Light in The Attic Records' Grammy-nominated compilation 'Kanky? Ongaku'), produced a global resurgence and admiration of the environmental music movement. Nicoletta took the lead to seek out Inoyama Land and in making contact successfully their intrigue and eagerness to meet was warmly reciprocated, and the group scheduled to meet in the form of a spontaneous improvisation session. "We're deeply concerned with what it means to be a duo, and what it means for people to connect through music."
Radio Yugawara is a unique one-off transmission from a specific place and point in time, unlikely to ever occur again. The respective duo's approach can really be described as "tuning in", a tuning into each other, to themselves, and to the surrounding nature of Yugawara. Like waves that travel off-world, sounds travel through the universe and can be lost forever if we don't seek them out. In finding a harmonic affinity within their instruments and a spiritual kinship in their interwoven performance, Radio Yugawara at its core is an interpretation of feeling, of close human interaction and the true essence of discovery.
"The album is both a transmission from a location, but also a tuning into the surroundings and to each other. Music in this kind of ephemeral moment is much less about active creation and more about discovering something which is already there in the air."
More
Label:Flaneurecordings
Cat-No:FR007
Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
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Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
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1
Dj Jauche - Body, Funk´n Soul
2
Dj Jauche - The Balance
Red Coloured Two Track Ep by DJ Jauche
A Dj Jauche - Body, Funk´n Soul
B Dj Jauche - The Balance
More
A Dj Jauche - Body, Funk´n Soul
B Dj Jauche - The Balance
More
LP Excl
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Label:Tonal Union
Cat-No:TU002LC
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804144971
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Last in:29.04.2024
Label:Tonal Union
Cat-No:TU002LC
Release-Date:16.02.2024
Genre:Alternative/Electronic
Configuration:LP Excl
Barcode:4251804144971
LP - Territory: WW Minus UK/Eire,Usa, Canada
- Limited Edition (300 copies worldwide)
- Transparent ´Clear’ vinyl
- Printed on heavyweight reverse board outer sleeve
- Double sided printed vinyl insert featuring illustrations by Blue Lake
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
GENRE/S: Ambient / Experimental / Alternative / Jazz
TRACKLISTS:
Side A
01. Dallas
02. Green-Yellow Field
03. Bloom
04. Rain Cycle
Side B
01. Writing
02. Fur
03. Sun Arcs
04. Wavelength
4. SHORT INFO:
Weaving between self-built zithers, drones, clarinets, slide guitars and drum machines, ‘Sun Arcs’ is a beautifully
unique sound offering with inventive, free spirited and DIY sensibility.
Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician
Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It
follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus
warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla
dal Forno. A self taught player, Dungan began freely experimenting with self-built multi-string instruments,
preferring to build his own hybrid 48-string zither and working in the realms of left-field ambient music, off kilter
folk and improvised acoustic minimalism.
Musically it portrays a form of double life led by an American-identifying person living in Scandinavia, and a new
found presence in Denmark, seeking out underdeveloped marshlands and barren stretches of beach adrift from
other rhythms and distractions. Highlighting their individual and potent importance Dungan concludes: “Both
places feel like “me”, I think on some level the music is always some kind of self-portrait.” ‘Sun Arcs’ depicts
the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm
sun drenched scene. The album scales new glorying heights and further defines Dungan’s musical narrative,
inhabiting a unique space in left-field, improvised and experimental music, borning his most accomplished
compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds
with a renewed sense of joy and discovery.
The album's rich tapestry was mixed by Jeff Zeigler (Laraaji, Mary Lattimore, Kurt Vile / Steve Gunn) and mastered
by Stephan Mathieu (Kali Malone, KMRU, Félicia Atkinson). More
- Limited Edition (300 copies worldwide)
- Transparent ´Clear’ vinyl
- Printed on heavyweight reverse board outer sleeve
- Double sided printed vinyl insert featuring illustrations by Blue Lake
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
GENRE/S: Ambient / Experimental / Alternative / Jazz
TRACKLISTS:
Side A
01. Dallas
02. Green-Yellow Field
03. Bloom
04. Rain Cycle
Side B
01. Writing
02. Fur
03. Sun Arcs
04. Wavelength
4. SHORT INFO:
Weaving between self-built zithers, drones, clarinets, slide guitars and drum machines, ‘Sun Arcs’ is a beautifully
unique sound offering with inventive, free spirited and DIY sensibility.
Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician
Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It
follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus
warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla
dal Forno. A self taught player, Dungan began freely experimenting with self-built multi-string instruments,
preferring to build his own hybrid 48-string zither and working in the realms of left-field ambient music, off kilter
folk and improvised acoustic minimalism.
Musically it portrays a form of double life led by an American-identifying person living in Scandinavia, and a new
found presence in Denmark, seeking out underdeveloped marshlands and barren stretches of beach adrift from
other rhythms and distractions. Highlighting their individual and potent importance Dungan concludes: “Both
places feel like “me”, I think on some level the music is always some kind of self-portrait.” ‘Sun Arcs’ depicts
the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm
sun drenched scene. The album scales new glorying heights and further defines Dungan’s musical narrative,
inhabiting a unique space in left-field, improvised and experimental music, borning his most accomplished
compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds
with a renewed sense of joy and discovery.
The album's rich tapestry was mixed by Jeff Zeigler (Laraaji, Mary Lattimore, Kurt Vile / Steve Gunn) and mastered
by Stephan Mathieu (Kali Malone, KMRU, Félicia Atkinson). More
LP
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Label:Strut Records
Cat-No:STRUT298LP
Release-Date:17.06.2022
Genre:Soul/Funk
Configuration:LP
Barcode:
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Last in:31.05.2024
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Label:Strut Records
Cat-No:STRUT298LP
Release-Date:17.06.2022
Genre:Soul/Funk
Configuration:LP
Barcode:
Strut present an exclusive collaboration between two jazz greats, Bennie Maupin and Adam Rudolph, on ‘Symphonic Tone Poem For Brother Yusef’, originally commissioned by the Angel City Jazz festival in Claremont, to mark the late, great Yusef Lateef’s 100th birthday on 9th October, 2020.
A1 FIRST MOVEMENT 8:53
A2 SECOND MOVEMENT 6:49
A3 THIRD MOVEMENT (Part 1) 5.52
B1 THIRD MOVEMENT (Part 2) 3.22
B2 FOURTH MOVEMENT 8:58
B3 FIFTH MOVEMENT 7:33 More
A1 FIRST MOVEMENT 8:53
A2 SECOND MOVEMENT 6:49
A3 THIRD MOVEMENT (Part 1) 5.52
B1 THIRD MOVEMENT (Part 2) 3.22
B2 FOURTH MOVEMENT 8:58
B3 FIFTH MOVEMENT 7:33 More
12" Excl
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Cat-No:rbtw-12
Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181181
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Last in:13.05.2024
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Last in:13.05.2024
Cat-No:rbtw-12
Release-Date:24.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251804181181
1
Tiger & Woods - Cotton & Silk feat. ‘Em
2
Tiger & Woods - Mary Babe
3
Tiger & Woods - Cotton & Silk (Instrumental)
4
Tiger & Woods - Emotional Frequency
5
Tiger & Woods - Danzin’ Dayzz
Tracklist
A1. Cotton & Silk feat. ‘Em
A2. Mary Babe
A3. Cotton & Silk (Instrumental)
B1. Emotional Frequency
B2. Danzin’ Dayzz
Cotton and Silk compliment each other like cookies and milk, you and your lover or Tiger & Woods. The new leading track of Dancing without Headphones by the always reliable Italian duo. Now featuring the tried and tested heavenly vocal chords of ’Em and meaningful lyrics. Hardcore boogie peak time vibes!
The rest of the record suits these needs and follows Larry Tiger's and David Woods‘ highest production standards.. Play- and powerful, formidable and floor-shaking, you will be hard-pressed to find the same quality somewhere else. With or without headphones: essential listening!
More
A1. Cotton & Silk feat. ‘Em
A2. Mary Babe
A3. Cotton & Silk (Instrumental)
B1. Emotional Frequency
B2. Danzin’ Dayzz
Cotton and Silk compliment each other like cookies and milk, you and your lover or Tiger & Woods. The new leading track of Dancing without Headphones by the always reliable Italian duo. Now featuring the tried and tested heavenly vocal chords of ’Em and meaningful lyrics. Hardcore boogie peak time vibes!
The rest of the record suits these needs and follows Larry Tiger's and David Woods‘ highest production standards.. Play- and powerful, formidable and floor-shaking, you will be hard-pressed to find the same quality somewhere else. With or without headphones: essential listening!
More
12" Excl
in stock
Label:Toy Tonics
Cat-No:toyt124v
Release-Date:04.02.2022
Genre:House
Configuration:12" Excl
Barcode:0880655512413
in stock
Last in:22.05.2024
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in stock
Last in:22.05.2024
Label:Toy Tonics
Cat-No:toyt124v
Release-Date:04.02.2022
Genre:House
Configuration:12" Excl
Barcode:0880655512413
1
Sam Ruffillo - A1) Danza Organica (Musumeci Remix) (5:33)
2
Sam Ruffillo - A2) Perfetta Cosi (Gome Remix) (4:45)
3
Sam Ruffillo - B1) Es Buena (Extended Mix) (5:44)
4
Sam Ruffillo - B2) Perfetta Cosi (Extended Mix) (4:58)
Tracklist 12":
A1) Danza Organica (Musumeci Remix) (5:33)
A2) Perfetta Cosi (Gome Remix) (4:45)
B1) Es Buena (Extended Mix) (5:44)
B2) Perfetta Cosi (Extended Mix) (4:58)
Release Info:
It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo's music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam's beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP.
The girl voice comes from NINFA. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along... the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :)
This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.
More
A1) Danza Organica (Musumeci Remix) (5:33)
A2) Perfetta Cosi (Gome Remix) (4:45)
B1) Es Buena (Extended Mix) (5:44)
B2) Perfetta Cosi (Extended Mix) (4:58)
Release Info:
It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo's music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam's beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP.
The girl voice comes from NINFA. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along... the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :)
This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.
More