Eversines returns to Nous'klaer Audio with a bouncing four-tracker EP. Warm acid lines laced with shimmering pads on top of electro-leaning drums. A versatile release to bring in the bag for club-nights and outdoor morning sessions. Full of feelings and always grooving.

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For the 30th release on Undersound Recordings, we welcome on board Eversines.

“Void Walk” emerged from playful experimentation with gears, resulting in a straightforward, acid-laced tune. “User Six”: Inspired by an earlier live set, features a loop that straddles the lines between house and techno. “Rainy Move” was thought and produced on a rainy day, this track maintains a dreamy and ambiguous atmosphere while retaining a driving house groove.“XP Pattern Test” explores sampling from other instruments, culminating in a dark, closing track with an ominous tone.

“From vision to reality”

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Fresh new artist on the label, who has already established his name on the scene. A slowly cooked and well rounded EP from the dutch artist, where acid and emotion are the key references.

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Four years on from Bloei EP (ninih002) and his bewitching collaboration with Theremin soloist Carolina Eyck, Waves (yeyeh002), Eversines returns to Pieter Jansen’s yeyeh/ninih platform with his second solo album, Dwang. The intervening period has seen the Dutch producer release a string of EPs on dancefloor staples like De Lichting, Kalahari Oyster Cult and Wex, all while performing his particular brand of cross-genre dreaming music in DJ and live sets at clubs and festivals across Europe.

On Dwang, Eversines revisits the psychological themes he explored on 2021’s Solvation EP, here channelled into a compelling extended narrative centred on inner struggles and personal growth. Sequenced like a DJ set, the music on Dwang ranges between ambient, breaks, acid techno and trance in a progression that moves from a stance of denial and resistance, through acknowledgement and onwards to acceptance. This intense emotional process is skilfully evoked by Eversines’s expert control of tension, catharsis and relief across the album’s four sides.

Opening the first disc, ethereal opener ‘Bridge’ clears the mind of outside cares with ocean-deep dub. The moody yet measured breaks and acid of ‘Elev’ build a sense of anticipation before ‘Resist’ and ‘Must Know’ — both of them loopy, airtight takes on classic acid techno — each evoke the feeling of being trapped in a cycle. The second disc opens with ‘Fog’, a title done justice by the track’s billowing clouds of electrically-charged synths and murky bass. The wave of energy building up to this point begins to crest with ‘Onheil’ (‘Evil’), a driving floor-filler that could soundtrack a racing game from the future, before the surf finally breaks with the rushing Detroit-meets-psytrance barrage of ‘Problem Solving Mode’. ‘Tussen Tijd’ (‘In Between’) marks the calming of the waters with cautiously optimistic chord progressions and bright breaks.

It’s not a resolution, because in this life there are no easy answers. The trick, as Eversines tells us through this varied musical journey, is to let go of things outside your control and find peace in yielding to a higher flow. Thus Dwang, at once concise and expansive, uses the full range of Eversines’s dancefloor acumen to convey his personal message with universal resonance.

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Repress!
Eversines returns to Nous'klaer after his first track Draem on Paerels II. Four new tracks in a similar dreamy and uplifting fashion, but now ready for the dancefloor. Illustration on the cover by Emma Ruth Levie.

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Gem packed 12" by Eversines on his second EP for Nous'klaer Audio. Three rolling house groovers introduced by the blissful tune New Place.

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Dreamy blissed-out breaks from Eversines - including a special Eris Drew remix - released on Job Jobse's De Vlieger label.

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Hi, this is Remco, who made the music for this record. These tracks are my take on techno and electro cuts with an experimental twist. But I’d rather share a bit on the underlying theme of what this record means to me.

Digital Plant System, Solvation, Labyrinth and Altar all touch upon the subject of not always being able to change difficult situations that you encounter. It has occurred to me that the more you seek, the more you will keep looking. Digital Plant System for me symbolizes how it can feel very hard if not impossible to understand the world and how it works, while Solvation and Labyrinth as you might guess by their titles, feel like dwelling on certain problems and getting stuck in thought loops about them. The final track Altar is all about surrendering to the fact that a solution might not come by working ever so hard on analyzing it, but simply yielding to something bigger, and stop resisting.

This record feels very personal to me even though it’s one of the clubbier projects I’ve put out, which is why I like to share some of the symbolism these tracks hold for me. I really hope you enjoy them.

Sincerely,
Remco

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The second release on ninih is a package of personal stories by Amsterdam’s Eversines, truly captivating the sounds of the ninih label. He masterfully crafts densely layered and brooding soundscapes throughout the EP, appealing to heady listeners and vibing dancefloors alike. Transmissions of deep, swirling, cosmic synths coexist with ominous haunting echoes while warped chords slip in and out of focus. Weaponized experimental electronics blast off in a flurry of hard hitting kicks like a spaceship speeding through a sonic asteroid field before throttling back to an ethereal pace.



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The second Jamming Is Life release comes from Amsterdam’s hidden gem RDS. After a close friendship of almost a decade, I feel proud to showcase his work on my imprint.
His signature style flows from the use of dusty machines dating back further than himself. Including many limitations in his process, inspiration is bound to erupt, and you clearly hear it on this record.

The balance in the selection sways from modern acid on the first track Creek, mysterious tech on A2: Chronicles, a proggy and tribal tool on the B1, Slappy Whappy Dub. Rounding it out with the last track Syngery-Lo, with a subtly trancy techno cut. Let it speak to you ??

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Tracklisting
A1 Pily - Bailo En Circuito
A2 Marcos Coya - Buahh Trance
B1 Prince De Takicardie - Badalona's House (First Mix)
B2 JNJS - X - Money
B3 Eren Arif - High Volume

Sales Note
We are back, and pleased to introduce you the first ever physical 'Various Artist' release with some of our favourite producers and good friends.Our dear Pily who has been the secret weapon inside many USB's and record bags lately, opens up with A1. 'Bailo En Circuito' sampling Alma Matris vocals, adding an infectious beat, simple and quirky enough to keep you going, masterpiece/.A2. Coming all the way from South America, Uruguayan super newcomer DJ/producer Marcos Coya debuts on DID with a straight fire tune. Hypnotic and with a characteristic acid strength, 'Buahh Trance' has been heavily supported by legendary DJ KOOLT this past summer. Flipping the record B1 is none other than the prince of fast heart-beats, recently moved to Spain, Prince De Takicardie brings the 'Badalona's House', an after-party happy/trippy tune, let's take the ride!.B2 by the Ibizan boy's JNJS (Jacob Saavedra & Jay Nortown) 'X-Money' is an economical broken-tech story, it will make you think about it, if you are deep in dis one enough...B3 is London's upcoming Dub Dealer Eren Arif with 'High Volume' a breakbeat dubby tune to close the V/A.

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After two years of silence, Downbeat comes back with an old friend of the label. The responsible for that fantastic “Foregrounds and Backgrounds” ep, DaRand Land releases a new vinyl on the label from Madrid and he is fit as a fiddle. This underground music hero presens 4 synthetic deep house tracks with all those elements that are already an original brand: Hypnotic vibes with warm and smooth synth lines, silky pads and dubby basslines, This whisper from the lake EP will be immediately loved by the label followers because is exactly what the label is. Atmospheric and erotic midtempo house that represents perfectly the sound of Downbeat.

Mastered by Jose Rico

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Los Primos joins Lapse Records with their debut EP - “Under-Stompin’”. The novel project consists of Toronto’s Cosmic JD and Aaron Santos, members of the Hypnotic Mindscapes label and party collective.

Created in an extended after-hour production session at the mythical Payphone studios on Queen Street West, the duo present a 4 track collection of emotionally stripped mood stretching club tracks, encapsulating raw harmonics and modular electronics.

Acid infused analogue tech-house opens the A side with playful positivity in “What We’re On”, followed by a darker minimalist exploration in “Primitive Holiday '', a collaboration with Japanese artist and fellow local, Masayuki Tomita, tensioned by hypnotic arpeggios and creeping minor pads, setting the tone for a spooky flip.

B1 “Vicky’s Out 4 Blud”, centres raw retro techno energy sampling 90’s vocal chops from Nic Cage’s “Vampire Kiss”, before the vocoder-led electro twist of B2 “The TS Chronicles” closes the transmission resonating Darwinian ideas in the manner of “Natural selections acts by competition”.

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Reissue of this italo disco rarity from 1982 with Flemming Dalum remixes!

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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