Eversines returns to Nous'klaer Audio with a bouncing four-tracker EP. Warm acid lines laced with shimmering pads on top of electro-leaning drums. A versatile release to bring in the bag for club-nights and outdoor morning sessions. Full of feelings and always grooving.

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New Label by Eversines!

"Welcome to Jamming Is Life, a new label embodying the spirit of improvisation, spontaneity, and emotional expression through sound.

For the first release I’ve selected four of my tracks to set the mood for what I have in mind for this imprint:
Chasing the mystery in music, the unexplainable, while keeping it fresh and clubby. I’m not big on promo texts, but truly hope this music will find a way to speak to you.

Limited to 300 vinyl only copies, no repress.
Sincerely,
Eversines"

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Fresh new artist on the label, who has already established his name on the scene. A slowly cooked and well rounded EP from the dutch artist, where acid and emotion are the key references.

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Four years on from Bloei EP (ninih002) and his bewitching collaboration with Theremin soloist Carolina Eyck, Waves (yeyeh002), Eversines returns to Pieter Jansen’s yeyeh/ninih platform with his second solo album, Dwang. The intervening period has seen the Dutch producer release a string of EPs on dancefloor staples like De Lichting, Kalahari Oyster Cult and Wex, all while performing his particular brand of cross-genre dreaming music in DJ and live sets at clubs and festivals across Europe.

On Dwang, Eversines revisits the psychological themes he explored on 2021’s Solvation EP, here channelled into a compelling extended narrative centred on inner struggles and personal growth. Sequenced like a DJ set, the music on Dwang ranges between ambient, breaks, acid techno and trance in a progression that moves from a stance of denial and resistance, through acknowledgement and onwards to acceptance. This intense emotional process is skilfully evoked by Eversines’s expert control of tension, catharsis and relief across the album’s four sides.

Opening the first disc, ethereal opener ‘Bridge’ clears the mind of outside cares with ocean-deep dub. The moody yet measured breaks and acid of ‘Elev’ build a sense of anticipation before ‘Resist’ and ‘Must Know’ — both of them loopy, airtight takes on classic acid techno — each evoke the feeling of being trapped in a cycle. The second disc opens with ‘Fog’, a title done justice by the track’s billowing clouds of electrically-charged synths and murky bass. The wave of energy building up to this point begins to crest with ‘Onheil’ (‘Evil’), a driving floor-filler that could soundtrack a racing game from the future, before the surf finally breaks with the rushing Detroit-meets-psytrance barrage of ‘Problem Solving Mode’. ‘Tussen Tijd’ (‘In Between’) marks the calming of the waters with cautiously optimistic chord progressions and bright breaks.

It’s not a resolution, because in this life there are no easy answers. The trick, as Eversines tells us through this varied musical journey, is to let go of things outside your control and find peace in yielding to a higher flow. Thus Dwang, at once concise and expansive, uses the full range of Eversines’s dancefloor acumen to convey his personal message with universal resonance.

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Repress!
Eversines returns to Nous'klaer after his first track Draem on Paerels II. Four new tracks in a similar dreamy and uplifting fashion, but now ready for the dancefloor. Illustration on the cover by Emma Ruth Levie.

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Gem packed 12" by Eversines on his second EP for Nous'klaer Audio. Three rolling house groovers introduced by the blissful tune New Place.

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Dreamy blissed-out breaks from Eversines - including a special Eris Drew remix - released on Job Jobse's De Vlieger label.

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Hi, this is Remco, who made the music for this record. These tracks are my take on techno and electro cuts with an experimental twist. But I’d rather share a bit on the underlying theme of what this record means to me.

Digital Plant System, Solvation, Labyrinth and Altar all touch upon the subject of not always being able to change difficult situations that you encounter. It has occurred to me that the more you seek, the more you will keep looking. Digital Plant System for me symbolizes how it can feel very hard if not impossible to understand the world and how it works, while Solvation and Labyrinth as you might guess by their titles, feel like dwelling on certain problems and getting stuck in thought loops about them. The final track Altar is all about surrendering to the fact that a solution might not come by working ever so hard on analyzing it, but simply yielding to something bigger, and stop resisting.

This record feels very personal to me even though it’s one of the clubbier projects I’ve put out, which is why I like to share some of the symbolism these tracks hold for me. I really hope you enjoy them.

Sincerely,
Remco

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The second release on ninih is a package of personal stories by Amsterdam’s Eversines, truly captivating the sounds of the ninih label. He masterfully crafts densely layered and brooding soundscapes throughout the EP, appealing to heady listeners and vibing dancefloors alike. Transmissions of deep, swirling, cosmic synths coexist with ominous haunting echoes while warped chords slip in and out of focus. Weaponized experimental electronics blast off in a flurry of hard hitting kicks like a spaceship speeding through a sonic asteroid field before throttling back to an ethereal pace.



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For the last release of 2024, we are welcoming on board Matthias with a 3 tracker EP named “Life Among Nightmares”.

The EP opens with “Global Thunder”, a mind-bending techno synth-wave track that slowly crescendos into an epic, nostalgic journey of cinematic, futuristic distress. On the B-side is “Living Nightmare”, a moody fusion of eccentric analog sounds, swinging percussion, and acid techno sequences, followed by “Sunfall”, an ode to eternal night where sinister synths and gloomy pads lurk in the shadows, setting the stage for an enigmatic techno-wave excursion.

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USR031: The 5th Various Artists 12”

“Transference of Energy” by our beloved Wedding Acid Group opens the EP in perfect Undersound style. No words are needed for this iconic trio anymore. Following that, we are very happy to welcome Albert Ess with “Do As I Say,” a crunchy electro beat that will hypnotize your brain. Next, Syntelman presents “Singlestranded,” showcasing his darker and melodic musical vision.
Closing the EP, J. Mono returns to Undersound after three years with “Love2.” This track is an ode to resilience, reminding us to stay strong in our darkest moments and that we can overcome anything, no matter what.

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Directly from Saudi Arabia, Noboot delivers a 4 tracker ep as his first solo 12” ever released.

The Ep opens with “404,” a nocturnal ambiance takes center stage. The synthesizer tones weave a captivating tapestry, initiating a profoundly gratifying journey through pulsating acid 4/4 rhythms. Following “Weather Systems,” cosmic dreaminess evokes pure contentment, with a neon-hued, blissful ambient backdrop.
The B side takes an even more melancholic direction with “Glumnite” that brings a dark midnight vibe, blending tempos into a mix of blue acid Electro and techno. In “Sing & Cry,” the music unfolds organically, sidestepping predictable crescendos to create a melancholic atmosphere. The result is a truly poignant track that evokes genuine sadness and emotional resonance.

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REPRESS

For the next release, we are glad to introduce the Wedding Acid Group and also inaugurate a major redesign of our label. WAG are a group of three friends based in Budapest, jamming on both classic Roland gear, but also modern instruments like the Monomachine. All the tracks were recorded live around 2016 in the Ballacid studio “Újpest”.

The EP opens with three fast paced tracks where emotional melodies are intertwined with classic 909, 707 and 606 drums. The flipside presents the uplifting “Chocoball 707” and closes with “Paprika Dye Acid”, the slowest jam of the EP.

Overall, the tracks offer a glimpse into the emotional world of these three talented Hungarian producers and we are extremely happy to have them on board for their second vinyl release.

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After many years of dedication, devotion and hard work behind the scenes we are happy to share the first album ever released on vinyl by the Wedding Acid Group.
This musical odyssey consists of 8 meticulously crafted tracks, created between 2010 and 2021, representing over a decade of evolution and growth. Each song showcases a unique facet of the trio’s musical prowess, with tempos ranging from 100 to 150 bpm.

Disc 1 serves as a testament to the signature sounds of WAG, kicking off with the iconic and mesmerizing dark break journey “Toy Story” at 150 bpm. The energy continues to soar with the pulsating beats of “Colombo Acid” and “Low Moisture Acid,” both guaranteed to ignite dancefloors worldwide. The first disc comes to a close with “Lost Memory FM,” a true sonic adventure that starts in the abstract, gradually building up to the trademark dancefloor groove that the trio is renowned for.

Disc 2 delves into the introspective and emotive side of WAG’s production process. “Optimistic Acid,” the sole 4/4 track on the second record, enchants listeners with its rhythmic grooves and dreamy melodies, setting the stage for a captivating journey. “Sunday Circles” takes a detour into deeper realms with its evocative and playful melodies. The final side of the album delves even deeper into emotional territory with “Dog Park Memories,” culminating in the breathtaking closing track, “City Gate Funk.”

We are humbled and honoured to present this remarkable work by our dear friends, the Wedding Acid Group. As the second album to grace the shelves of Undersound Recordings.

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The Italian electronic music scene of the 90s was a melting pot where influences from different parts of the world fused to give rise to a unique and interesting sounds. Out of this vibrant scene, Italian producer Livio Foglio released a string of EP’s under different aliases and collaborations spanning all genres of electronic music and beyond. ??We are glad to present four archival tracks rescued from DAT under his less-known Periferico alias. The EP opens with two positive dance floor cuts, where progressive influences meet techno flavours. On the flip-side “Ambrasex” takes the listener through an introspective journey with its nostalgic overtones. “Persuasive Flight” closes the EP, leaving the listener in a sweet trance.

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As the first release for 2023, we are happy to welcome Böhm, part of the infamous 030303 label, to our discography with 4 tracks reminiscing of the golden days of UK techno. “Light Transmission” opens the EP at a slower pace, gently inviting the listener to the producer’s musical world. “Solar Limit” picks the pace up with intertwined portamento leads, bassline and pads.

On the flip-side, “Unsolved Origin” continues the artist’s melodic emotional journey. The last track closing the EP, “Monarch Monster”, sees a departure from the producer’s trademark style with EBM/new beat influenced drums.

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Undersound is back with its second split EP. This time we have invited two of the leading new school electro producers: Cyan85 and LeiteDos Santos.

The EP opens with two tracks from scene mainstay Cyan85. “If I could” haunts the listener with its vocoder and eerie pads and bassline whereas “Leave” is a classic groovy workout.

On the flipside, Leite Dos Santos presents two machine-funk infused jams, with the jazzy melodies in “Before The Train” and oriental mood in “Night’s Warrior” closing the EP.

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ZamZam 95 is a link with the enigmatic French producer Hiss Is Bliss. We’ve been fans since the very first drop on their 777Hz label and these two sides drive straight to the heart of the dub techno galaxy.

Little is known about Hiss Is Bliss beyond the fact that they hail from France, are steeped in esotericism, and create tunes as masterfully grounded in roots reggae as they are in techno and related strands of electronic music. Their releases are utterly free of hype, beautifully crafted 10” vinyl plates that let the singers and tracks speak for themselves.

At the risk of being cheeky, “Nope” is absolute dub techno bliss. The 808 kick propels the track relentlessly forward, saturated washes of color streak the night sky, while syncopated hi hats and warm, soulful chords bring life- dare we say funk- to a style too often stiff and clinical, too in thrall to the past to truly step forward. Matching Hiss is Bliss in mystery, Ras Lys’ vocal brings a Dread perspective on music and the sometimes shady business of music, a grounded contrast to the deep inner space explored by the tune itself. The B-side version “Abbadia” splits musical atoms through the desk, focusing squarely on the stripped 4/4 elements and gloriously distorted pads that echo and cycle like tides in a darkly shimmering sea.

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Pavel Milyakov, AKA Buttechno, coming through with the kind of impeccably-produced, trance-inducing deftness we've come to expect.

A kindred spirit of the Oyster Cult, this is a union long overdue. While he’s often found working in horizontal zones, inhabiting the intersection between ambient and downtempo, these are dancefloor dynamics for pure contemplation. Gone is the amorphous abstraction of releases like ‘PSY X’ and the kind output reserved for release under his birth name, instead opting for a lean, hypnotic kind of minimalism.

‘OYSTER57’ picks up where the ‘Inorganic Demons’ LP and aptly-titled ‘Minimal Cuts’ series left off. Saying that, the first three tracks navigate territory gloomier than the aforementioned; uneasy at times but deeply engrossing, smudged and frayed into heads-down interzones of tunnelling throb and icy melodic flourish. Girder-strength pressure primed for metaphysical experience.

Then, like a vestige of the finest turn-of-the-century progressive trance, ’bleeps’ ends proceedings on a slight departure. A showcase of restraint from the Berlin-based maestro and a fitting way to close.

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A NEW FOUR TRACKER BY RISK MANAGEMENT PRODUCTIONS CREW MEMBER, TOM CARRUTHERS! YOU KNOW HIS MASSIVE RECORDS THAT MADE NOISE FOR L.I.E.S. AND NOW HE IS BACK WITH A FOUR TRACK SLAMMING OLD SCHOOL CHICAGO STYLE FLOOR BURNER. TOTAL MIX SHOW HOUR MATERIAL!

NOTE FROM THE LABEL:

RISK MANAGEMENT PRODUCTIONS IS HERE!
THE FIRST OFFICIALLY SANCTIONED SUB-LABEL OF L.I.E.S. RECORDS,RISK MANAGEMENT IS A FULL SCALE PRODUCTION TEAM AND LABEL DEDICATED TO PRESERVING THE INTEGRITY OF DANCE MUSIC AND COLLECTIVELY ELIMINATING ALL THE WACK MUSIC THAT HAS BEEN POLLUTING YOUR AIRWAVES AS OF RECENT TIMES. TIRED OF ALL THAT NOISE OUT THERE? LET THE RISK MANAGEMENT PRODUCTION CREW LEAD YOU IN THE RIGHT DIRECTION. WE LOOK BACK TO THE DAYS WHEN NAMES REALLY MEANT SOMETHING AND PRODUCERS AND DJS HAD REAL RESUMES TO PROVE IT, NOT SOME RANDON NO NAME TALKING BS ON THE WEB. WE LOOK TO WHEN THERE WAS A TRUE DEDICATION AND RESPECT FOR THE CRAFT. THINK OF MUSTO AND BONES, HOW AND LITTLE, THE BURRELL BROTHERS, DEF MIX PRODUCTIONS, MAW, YOU GET THE IDEA, REAL PRODUCTION TEAMS WHO MADE A MARK, DJS WHO REALLY DJ'ED AND MADE THE CULTURE WHAT IT WAS. RISK MANAGEMENT IS A SMALL HAND PICKED CREW OF LIKE MINDED PRODUCERS AND DJS DEDICATED TO THE WAYS OF OLD, BRINGING FRESH MUSIC TO YOU FOR THE CLUB. NO POSING, JUST MUSIC!

MORE INFO TO COME!

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Dance music traditionalist Tom Carruthers joins Craigie Knowes. Tom’s commitment to the ruff n’ ready sound of dance music’s formative years is unshaken on the De-Facto EP, bundled with the same synths, drum machines, samplers and FX used in the by-gone golden era of the UK acid, breaks and hardcore scenes. Soul is found in disorder, not in a world that places false hope in perfectionism.

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Due to high demand, My King is Light releases the Tarde remixes. These tracks, originally produced by Nina Kraviz, receive two stunning reinterpretations by Melchior Productions Ltd.

The remixes blend into deeply spiritual, melancholic soundscapes, capturing the essence of the original while adding a new dimension of depth and emotion.

This is a limited press.

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Outside In is back with the fourth instalment, this time with another solid 4 tracker from the enigmatic DJ Oukun, a producer you would have seen before.

Four tracks created with long afters in mind, expect long rolling baselines with some acidy twists and turns. Pressed in limited quantities.

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Leon Vynehall’s critically acclaimed ode to the formative cassette mixtapes of his youth, Music For The Uninvited, celebrates 10 years with a reissue on his Studio Ooze imprint, and comes with 2 previously unreleased bonus tracks, ‘Peaces’ and ‘Blue’, recorded during the same sessions.

There’s a stirring musicality of nostalgic disposition at the heart of Leon Vynehall’s ‘Music From The Uninvited’. Originally released on Martyn’s 3024 imprint in 2014, its premise across seven tracks was sincere yet simple; a strikingly personal tribute to the flow and textures of the cassette mixtape through the sounds of modern dance music. Specifically, it was influenced by Vynehall’s early childhood memories of listening to his Mum’s funk, soul, and hip-hop tape collection while she drove him to and from school. This conceptual infrastructure, paired with its wide-eyed dancefloor inclinations, helped elevate the release beyond its immediate club surroundings into something much grander and widely celebrated.

A warbling textural continuum of tape hiss, aided by the record’s mastering from tape, and Vynehall’s unrivaled knack for melody and hooks forms the celebrated core of Music For The Uninvited. It’s rousingly immersive as a result, enhanced by a symphonic soul courtesy of Laurie Ross (aka Eagle For Hands) and his cello playing on tracks like Inside The Deku Tree

and Be Brave, Clenched Fists. The influence of sampling also looms large, with the record’s anthemic centrepiece It’s Just (House Of Dupree) showcasing this best in its famous inclusion of Willi Ninja’s dialogue from the documentary ‘Voguing: The Message’. Tracks like Goodthing and Pier Children offer the release’s most club-focused moments in their bump’n’swing house moods and grooves. In contrast, the swooning balearia of Christ Air and St. Sinclair offer a gorgeous two-part conclusion to its original tracklist. The previously unreleased Peaces and Blues are both included here for the first time to commemorate the record’s decade anniversary, two tracks recorded in 2013 during the same sessions that are lovingly complementary to the original collection in their warm and low-slung house grooves.

Reflecting on Music For The Uninvited a decade on offers us a wonderful opportunity to celebrate Vynehall’s perennial talent within the modern electronic music landscape, offering a highly personalised glimpse into the early origins of his now singular style. While his output has transformed gloriously since its release, this reissue gives us a timely reminder of the immovable power of music from the heart.

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Troy is back on non series white with another dense, powerful 4 tracker ep

Tracklist
A1. Troy - Shadow Of The Comet
A2. Troy - Slow Burn

B1. Troy - Twilight
B2. Troy - God´s Flesh





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