Tracklisting
A1 747 - Veiltail
B1 747 - Stairway

Sales Note
Three years have passed since 747 last set-free works from his studio. He makes the wait well worthwhile as he emerges with two exquisitely dreamy and emotionally charged compositions in this cinched two-track record.

Opening with the A, 'Veiltail' immerses into the depths of an abyssal realm, where distorted, crunchy synths echo like sonar pulses in the darkness of an underwater cathedral. Amidst the depths, solacing hymn-like pads gently weave through the ethereal atmosphere, crafting a transcendent tale of introspection and longing.

On the B-side, 'Stairway' ascends upward to celestial realms. Guided by broken beats and a minor chord progression, the whining lead extends an ethereal arm, a beacon on the misty mountain. A break in the sky unveils beaming lights, a beckoning call to the heavens where euphoric arpeggios await; self-actualization is realized. More

Tracklisting:
A1 Nicola Dal Sacco - Wirrwarr
A2 Nicola Dal Sacco - Gelato
B1 Nicola Dal Sacco - Parapiglia
B2 Nicola Dal Sacco - Linea

Sales Note
Nicola Dal Sacco treats us to an acid-soaked quartet for his debut solo EP on Aquaregia, a tantalizing follow-up to the Italian producer's contribution to the Acid Analects VA series.

Setting the tone, the title track, "Wirrwarr", revs up with driving drums and swirling pads - a sunrise escapade along a mountain pass. As daybreak approaches, the breakdown hits, introducing warm beaming pads. On the second leg, the journey continues with "Gelato", a spellbinder that melds serpentine acid lines with a vintage flair, navigating hairpins and snaking through narrow hillside corridors; vertigo ensues.

"Parapiglia" continues the trip with an eerie and enchanting lowlight drive. Melancholic acid whines while lush ethereal pads swaddle; a haunting mist rolling over the road. A deep closer, "Linea" guides us down the final stretch through the foothills with a viscous groove and chilled out atmosphere; the final knock back down into first gear. More

Tracklisting:
A1 Blazej Malinowski - Wave
A2 Blazej Malinowski - Silent Resistance
B1 Blazej Malinowski - Acid Theory
B2 Blazej Malinowski - Acid Theory (747 remix)

Sales Note
Joining the label for the first time, the masterful Blazej Malinowski brings three acid-dipped hypnotic hallucinations in his latest record entitled Moods EP.

Casting off, 'Wave' plunges into a subaqueous world with gurgling acid and soft breathy pads - a backwards roll into chop for a lowlight dive. Venturing deeper, tensions rise in 'Silent Resistance' as we are immersed in a viscous acidic bassline. Rubbery bands of kelp slap and entangle us as we make our way through the gloomy benthos.

Over on the B-side, we resurface to the frenetic 'Acid Theory'. The scend of the waves brings an orderly and rhythmic energy to the cut. Crossing the strand, Aquaregia mainstay 747 lightens the mood with a broken beat remix of the B1. An unresolved arpeggio and whining acid line bring the EP to a conclusion as the sun dispels the overcast. More

It has been a little over a year since the release of 747's debut album, in which the Canadian masterfully drew notes of inspiration from the 90s to create an enchanting hour-long dream. In his first EP since, 747 returns from a temporal leap, bringing with him a blend of sounds and expressions to forge a timeless trip which hinges on the sounds of the 303.

Opening the release, "you,you" unfolds with a gentle and shimmery padded ambiance of anticipation. Gentle and light-footed percussion is soon interrupted by a dramatic siren, a warning beacon. Frenetic energy ensues, a frantic rush to the floor met with a cloudy head. Encompassed in an envelope of disorienting wailing and intermittent buzzing, but finally grounded by the familiarity of a 4/4 bass drum.

"Does Anybody Remember Laughter?" steps in to relinquish the force of gravity. The animated arpeggio and gleaming singing acid line rise up, uncovering the kaleidoscopic nature of the structural surroundings.

"While My 303 Gently Weeps" divulges further, exposing an underlying grid of dark geometry - binary and robotic. The topology of surfaces becomes increasingly fractalized, until the solo overtakes with a somber sadness. The 303 notes guide the mind on a melancholic and meditative walk along the grand staff, met after the break with a sense of hope and serenity.

To close, "You Missed the Starting Gun" recounts the journey through a twisting mesh of thoughts: sorrow and actualization. A calming hypnotic presence is felt. Stability ensues - an afterglow. More

Three years after the original's release, new life is given to 747's widely acclaimed neoclassic acid anthem, Aurora Centralis. The uplifting track, characterized by its iconic singing 303, is revisited by four masterful artists: Schacke, Tin Man, nthng and Primal Code, each bringing a unique take.

Opening the release, Schacke delivers a fast and euphoric revamp with an infectious groove and floaty atmosphere, while modern acid legend, Tin Man, executes a flawless take embellished with lush pads and deft 303 work.

Introducing the B-side, nthng's vehement rendition is fierce and ethereal in a way only he can deliver - wish granted. To close, Primal Code brings a hypnotic version with an atmospheric ambiance and a nod to the original through dreamy gliding acid notes. More

Tracklisting
A1 Shabaam & Aladarus - Colossal
A2 Lenny San - Orbital
B1 OFF / GRID - Inner City Blues
B2 Rove Ranger - Onakum More

Limited edition "smoky black" vinyl. Download card includes digital bonus tracks. In 2013, following excursions in deep house, acid, and techno that made him "one of Berlin's most compelling artists," per Resident Adviser, Lorenz Brunner brought his Recondite project to Ghostly International for the definitive full-length, Hinterland. The producer looked to his childhood homeland of Lower Bavaria, utilizing field recordings to map the music to the emotions of the region's seasons. Hinterland presented an atmosphere - icy, eerie, melancholic music that crossed intimate melodies with crisp percussion - what would become Recondite's signature. "This is the album that had to come out of Recondite eventually," he said at the time. "It is Recondite." A decade later, the sound remains wholly his own. More

Tracklisting
A1 Plants Army Revolver - Rhythmic Rituals
A2 Modes - Lubeni
B1 Alan Backdrop - Nezera
B2 First Order Approximation - Formal Attraction

Sales Note
SENSE001 showcases an indisputable attention in sewing hypnotic and atmospheric textures, offering a conscious and introspective experience for dancefloors.

More

• White Coloured Vinyl

• Limited to 1000 copies worldwide

• Charlotte de Witte rework

TRACKLISTING:

A1 Universal Nation (Charlotte de Witte Remix) 7’34"
B1 Universal Nation (Live at I Love Techno 2023 Re-Edit) 12’47"





Charlotte de Witte Kicks Off 2024 With a New Label and Rework of One Of Techno’s Most Iconic Tracks



January 15,2024 - Today, techno force of nature Charlotte de Witte unveils a two-part homage to an iconic era of Belgium’s underground club scene with the debut of an archival label within her KNTXT imprint and a rework of one of the most anthemic techno tracks of all time. Appropriately titled Époque, this sonic time capsule aims to simultaneously preserve and reimagine the spirit, sounds and discotheque culture of the late 90’s and early 2000’s for a new generation. As head of the label, de Witte will kick off its release on February 9 with her own spin on the Belgian techno classic, “Universal Nation” by M.I.K.E Push.



Released in 1998 and originally written by M.I.K.E. Push as a B side for a different project, “Universal Nation” quickly solidified its reputation at the turn of the century as an iconic and defining track of this era in electronic music history. Reimagined through de Witte’s high-energy lens, this rework is an ode to one of her favorite classics. More

Tracklisting
A1 Nørbak - Regra
A2 Nørbak - Ferramenta
B1 Nørbak - Amarante 9am
B2 Nørbak - Nota More

In September 1968, AMON DÜÜL played the 'International Essener Songtage', Germany's first rock festival of five days duration, which was initiated by the later Ohr label boss Rolf-Ulrich Kaiser. The Berlin hit producer Peter Meisel heard and saw the band there and spontaneously signed them, along with Tangerine Dream and Birth Control. AMON DÜÜL was close to the Berlin 'Kommune 1' and came together at a time when everyone was an artist who wanted to be one. Anyone who wanted to could also be a musician. As a collective, anything was possible. In Meisel's studio, Angelika and Helge Filanda, Wolfgang Krischke, Ulrich Leopold, Rainer and Ella Bauer, Peter Leopold and Uschi Obermaier, sky-high as it was state of the art, recorded a session that broke every rule and turned all listening habits inside out. The recordings initially went into the poison cabinet: it was not before a year later that Meisel dared to publish them under the title Psychedelic Underground. Here's more: The double LP Disaster&Lüüd Noma was released in 1972, when the group AMON DÜÜL didn't exist anymore, and it presents further recordings from the same session. All titles are untranslatable surrealistic plays on words, the tracks, compared to the first LP, are better organized in terms of sound, less fragmentary, more clearly separated from each other and edited more sophisticatedly - the note that all glitches and errors are intentional is meant tongue-in-cheek, of course, but nevertheless has an element of truth. Now these memorable recordings are available again, remastered from the original analog tapes. As already the first record, Disaster&Lüüd Noma is a document of a zeitgeist that has remained unrepeatable. Anyone who is seriously interested in the beginnings of Krautrock cannot ignore this album - disaster is waiting just for you More

The renowned Disco Dandies have made a triumphant return, emerging from their creative haven at the Old Course of the St. Andrews Golf Club. Following the success of their previous chart-topping hit, “Inside Your Love” (2 People), which went to number one TWICE at Traxsource, they present their latest offering, a rework of the Miami T.K. Disco classic by Tamiko Jones, “Let It Flow.”

This new release showcases a heightened tempo and a fresh interpretation that irresistibly beckons the dance floor. The Disco Dandies, known for their meticulous attention to detail, have patiently crafted a musical gem that has received the coveted final seal of approval. Now, in the year 2024, they are ready to unveil their creation to the world.

n stark contrast to the hurried pace of some, the Disco Dandies adhere to a philosophy where haste has no place; instead, they embrace patience as the key to their artistic process. The anticipation surrounding their latest work has been met with great reward, and the wait for this musical delight has proven to be truly worthwhile.

Get ready to immerse yourself in the infectious rhythms and the Japanese, Cherokee soulful voice of Tamiko Jones and the Disco Dandies. More

Authenticity is important in music culture, at least to those whose relationship with it is a lifelong love affair. As listeners, we instinctively respond to artists whose musical output is an authentic representation of their inspirations, experiences and working methods.

By any measure, Guillaume Metenier’s collaborative Soul Sugar project oozes authenticity. It began in the late 2000s as an outlet for the virtuoso organist and producer’s updated takes on ‘60s and ‘70s soul-jazz and Hammond funk, but over the years it has evolved into something entirely different: a vehicle for classic dub and reggae inspired musical fusions made in collaboration with friends and like-minded musicians. As a result, Soul Sugar albums mix impressive musicianship with great grooves and untold nods to the sounds and artists that have helped shape Metenier’s musical outlook.

This authentic approach and soul-enriching sound is naturally in evidence on Soul Sugar’s firth studio set, Just a Little Talk, which is set to be released by Metenier’s own Gee Recordings label in March 2024. This time round, Metenier’s close circle of musical collaborators includes Blundetto, Samuel Isoard, Yvo Abadi, Jolly Joseph, Jahno, Shniece, Slikk Tim and Leo Carmichael. While many are old friends who have appeared on previous albums and singles, there are some first-time collaborators too.

This familiar-but-also-fresh approach is mirrored by the blend of tracks on offer on Just a Little Talk. New songs and instrumentals sit side by side with a small selection of on-point cover versions – something Metenier has been doing since the inclusion of Jimmy Smith and Dr Lonnie Smith covers on 2009 debut album Nothing But The Truth. Memorable covers since have included ‘Why Can’t We Live Together’, ‘I Want You’ and ‘Never Too Much’, all featuring the honeyed voice of Leo Carmichael.
This time round, the headline-grabbing covers are undeniably special. You’ll find takes on Curtis Mayfield’s ‘Makings Of You’, re-framed as a languid roots reggae song featuring voiced by the returning Carmichael, and Donald Byrd’s ‘Blackbyrd’, which Metenier has brilliantly re-imagined as a fabulous fusion of Studio One dub and Blaxploitation funk.

Yet it’s the album’s original compositions that arguably stand out. For proof, check lovers rock-influenced reggae-soul treat ‘The End of Your World’ (featuring heart-aching roots style lyrics and Junior Murvin-esque lead vocals by Jolly Joseph), the similarly conscious ‘Just a Little Talk’ and recent single ‘Top of My List’– an effortlessly emotive gem marked out by Metenier’s weighty dub bassline and Shniece’s incredible lead vocal.

The original instrumentals, in which Metenier often trades licks and solos with guitarists Slick Tim and Samuel Isoard, are similarly impressive – and, to return to our theme, as authentic as they come. Fittingly, one of these – ‘Tubby’s Ghost’ – was originally written and recorded in 1998 with bassist Patrick Bylebyl, who was then Metenier’s partner in a project called Seven Dub. It is, then, a new cover of one of Metenier’s own tunes – and a pleasingly heavyweight one at that. It delivers a genuinely pleasing conclusion to Soul Sugar’s most true and authentic album to date.

A1 - The Makings Of You
A2 - Happy Riddim
A3 - The End Of Your World
A4 - Black Byrd
B1 - Top Of My List
B2 - Fly Away
B3 - Just a Little Talk
B4 - Tubby's Ghost More

Tracklisting
A1 Feph - Kinetics
A2 Feph - Reasons Unknown
B1 Feph - Low Immortals
B2 Feph - Settlement Research

Sales Note
Miami-based producer and co-owner of the label Zosimos, Feph has been making moves amongst the techno community with her deeply psychedelic modular based techno for the last couple years. Invited to Palinoia based on the few releases I had heard from her, I pestered Feph to send me demo after demo, working our way up to the four tracks that comprise the tenth release on my label, "Kinetics EP". All four tracks are mind-bending short stories - dark and brooding, yet playfully buoyant, tunneling through your brain and taking you on a vivid journey. More

Tracklisting
A1 FLAWS - Clarity
A2 FLAWS - Hyperlink
B1 FLAWS - Turn
B2 FLAWS - Clarity (Kwartz remix)

Sales Note
Label head and founder of Kvalia Records, Linny Hex, invites Eerste Communie resident FLAWS for his first appearance on the label. Interconnected EP delivers three melancholic yet groovy originals by FLAWS and one pumping, icy remix by Kwartz. More