Following the release of "Sacred Love" second album by Galathea, Massimo Napoli as he already did for the acclaimed "Samba De Sausalito" offers us 4 totally unreleased tracks released by Space Echo in a single 12" "Ancestral EP". Mystical and hypnotic atmospheres for "Ancestral" and "Karimabao" an addictive alchemy between African rhythmic elements and contemporary pulsating electronic sounds, in a unique mix suitable for the most sophisticated dancefloor. Afrobeat groove for "Africa Carnival" which however captures the essence of the Brazilian spirit infused with sensitivity between jazz and funk masterfully performed by Mario Pappalardo on keyboards and not surprisingly reminds us of the famous "Jazz Carnival" by José Roberto Bertrami of Azymuth. Closing The EP is the track "Sacred Club" an invitation to dance and clapping for a more moderate dancefloor, offers us micro elements of sacredness and mysticism of the African continent.


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Galathea is an Afro-American track with a Tony Allen-esque super afrobeat rhythm in a hypnotic jazz version performed by singer Giulia La Rosa, vaguely reminiscent of Nina Simone's "See-Line Woman".

A1 - Sacred Love feat Giulia La Rosa
B1 - Sacred Love feat Giulia La Rosa (Clapping Version)

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The debut album by the Italian Massimo Napoli aka Galathea received excellent critical acclaim and demonstrated how the artist was able to create an interesting and balanced blend of musical genres with an Afro / Tropical electronic atmosphere. “Samba de Sausalito” is a song composed by the Nicaraguan percussionist Chose “Chepito” Areas, famous all over the world thanks to the version of the guitarist Carlos Santana published in 1973 on the album Welcome.

This new single released on Space Echo Records contains two particular versions. The first, proposed by Galathea, maintains the typical carioca colors of the original version with the addition of hypnotic and futuristic sounds, making it a perfect modern dancefloor anthem.

The second consists of a rework of the first version, by The Invisible Session – further percussive elements are added to the already full-bodied mix, embellished with an exclusive live drum solo in the studio – between samba, afro and jazz-rock, for a explosive result that will appeal to lovers and DJs.

A - Samba de Sausalito (Original Mix)
B - Samba de Sausalito (The invisible Session Rework)

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MASSIMO NAPOLI is a DJ from Catania with a passion for jazz and black music. He began his musical career in the early 90s playing funk, hip hop, and acid jazz in clubs, contributing to the spreading of the most eclectic and refined sounds in Sicily. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress intoa dream-like journey.

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GALATHEA is the new project by DJ Massimo Napoli, and the title of his first solo album. Borrowing the name from the homonymous Nereid from the Greek mythology, the album is a deep dive into dub, spiritual jazz and African surroundings. Over 12 tracks, the LP conceals a strong personality. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress into a dream-like journey.

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“For Today” is a timeless album—a sonic journey that seamlessly blends electronic influences, Trip-Hop, Folk, Indie Rock, and Psychedelia.

It unfolds like an immersive soundscape, rich in complex atmospheres, experimental textures, and a deep emotional undercurrent. Agosta has envisioned a record that transcends trends and market conventions, crafting a cinematic, soul-stirring experience that fuses the intensity of trip-hop, the purity of folk, and the swirling colours of psychedelia.
The result is music that stimulates the intellect as much as it stirs the heart. With a delicate, refined touch and melodic depth, Agosta combines contemporary sounds with vintage warmth, pairing poetic lyrics with themes of love, introspection, and the human experience.
A standout element of “For Today” is the presence of five tracks featuring female performers and writers. This intergenerational collaboration brings a richness of perspective and emotional range to the album. Far from a simple gesture of gender inclusion, it serves as an authentic integration of diverse voices, offering new layers of sensitivity and storytelling.

Where Agosta’s previous work leaned more toward instrumental composition, here the inclusion of female voices adds lyrical nuance and depth. These contributions explore themes such as love, identity, relationships, and personal liberation—offering a poetic yet grounded lens through which to experience the album’s contemporary sound.
In essence, “For Today” is a mature and cohesive work that defies the boundaries of traditional genres, creating a unique and resonant sonic world.
Each track explores a different emotional and musical dimension, with meticulous attention to sound design and a clear desire for emotional experimentation. The album balances the introspective depth of trip-hop with the lightness and spirituality of folk, weaving in modern pop elements and touches of psychedelia and groove.

The result is a compelling, emotionally charged, and genre-blending experience—one that invites listeners not only to hear, but to feel.

A1 - For Today feat. Chiara Castello
A2 - Theme from Emily and Adele
A3 - Letter To my Twin Flame feat. Reiwa Pia
A4 - Heading South
A5 - Secret of Happiness
B1 - The Bright Power feat. Nicole Somers
B2 - Shadow Awareness
B3 - Clouds feat. Marta Collica
B4 - Erotic Soul
B5 - Shadow of Lights feat. Giulia La Rosa



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Fabio Nobile is a drummer and multi-instrumentalist who has been active on the music scene for over 25 years. Today, his musical exploration draws from the deep roots of Afro traditions and the expressive freedom of jazz—two musical cultures that are an integral part of his identity.

Sankofa Soul is a musical project born from the encounter between jazz, African traditions, and the search for a profound connection between past and present. The term “Sankofa” comes from the Akan language (spoken in Ghana) and means “to go back and fetch what is good” —an invitation to look to the past to better understand the future.
In an era where music is evolving at a rapid pace, Sankofa Soul looks to a rich and multifaceted cultural heritage, while also embracing a modern voice—a universal call to reconnect with our European origins through the lens of African legacy.
Each track on Sankofa Soul reflects Fabio Nobile’s experiences, studies, and roots, forming a dialogue between past and present, the sacred and the profane, individuality and community.

Sankofa Soul is a heartfelt tribute to West Africa, with a special focus on Nigeria.

Zuma Rock leads us into the rich and ever-changing soundscape of West Africa—a space where tradition meets innovation, and rhythm tells stories older than words. Here, the legacy of Fela Kuti’s Afrobeat pulses through every beat, anchoring the music in political fire and deep ancestral roots. At the same time, the unmistakable horn section weaves a vibrant fusion of Afro-Funk and Jazz. In Zuma Rock, we enter a dialogue between past and present—a musical return to the source.
And then appears Kalakuta Republic, a heartfelt homage to the self-declared commune that was home to the legendary Fela Kuti—a reminder not to forget the rebellious spirit of the Kalakuta Republic. This track gives voice to the very essence of Afro-jazz, wrapped in a hypnotic 12/8 rhythm that echoes ancient African traditions. Its immersive pulse blends seamlessly with jazz’s boundless expressive freedom, creating a vibrant, compelling dialogue suspended between ancestral roots and modernity.
Landed in Lagos and I Read the Stars naturally embrace the distinctive sound of Manu Dibango, while Say Your Prayer Now reminds us how the evolution of Jamaican reggae—and its cultural and musical foundations—remains deeply linked to Mother Africa.
This is Sankofa: the soul’s journey back to the past to move forward.

A1 - Kalakuta Republic
A2 - Say Your Prayer Now
A3 - I Read the Star
B1 - Zuma Rock
B2 - Landed In Lagos

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Space Echo is proud to present the new single by Derane Obika and Go.Soul.Map., arranged and performed by Sicilian mastermind producer Salvo Dub - an overwhelming fusion of electronic sounds and soulful vibes. This track is a balance of pulsating rhythms and enveloping melodies, a sonic journey that invites dancing and reflection.

A1 Real Love
B1 Walkin’ A Dream (Rework 25)

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ANAN is a project born from the musical inspiration of DJs Roberto Agosta and Massimo Napoli (Galathea). The name ANAN comes simply from the repetition of the initials of their surnames. Room, their new album, refers to the space in Catania, Sicily, where the two artists create their music.
Room is a mature and intense album that draws inspiration from the two composers' favourite musical genres: jazz, 70s psychedelia, afrobeat, cumbia and soul. The ethereal sound of the album draws the listener into a melting pot of these musical styles that blend perfectly together, making the album versatile and innovative. Valuable arranger and performer Salvo Bruno ‘Dub’ masterfully colours and enriches the deep melodies of the recordings, as if it were a live session coordinated and directed by the two DJs on a super cinematic journey.

A1 - Naif
A2 - Back
A3 - Anan
A4 - Lola
A5 - Zoom
B1 - Eden with The Invisible Session (TIS Version)
B2 - Etna with The Invisible Session
B3 - Call with The Invisible Session
B4 - Eden
B5 - Noir

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ANAN is a project born from the musical inspiration of DJs Roberto Agosta and Massimo Napoli (Galathea). The name ANAN comes simply from the repetition of the initials of their surnames.

Their new single ‘Naif’ blends African musical roots with a European groove and celebrates the cultural fusion of modern times and explores sounds that transcend borders. Imagine listening to Fatoumata Diawara or Ali Farka Touré meeting St. Germain or Bonobo

This track opens with a pulsating rhythm, featuring traditional instruments, percussion, and the vocal performance of Kadi Koulibaly from Burkina Faso.

Koulibaly manages to convey a sense of joy and vitality, evoking soundscapes rich with texture and dynamic motion. The melody is skilfully combined with electronic and jazz elements, creating an aural experience that invites you to dance. In short ‘Naif’ is a celebration of cultural fusion, an invitation to indulge in rhythm and explore sounds that transcend boundaries.


A1 Naif ft. Kady Koulibaly

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In anticipation of “For Today” the title of Agosta's second album due in 2025, the Etnean artist offers us two unreleased goodies (available only on 7” and digital), in which Giulia La Rosa's singing and poetic lyrics blend with chill out electronics create a perfect Balearic sound.

‘Serenade’ is a piece of music that dives gracefully and with sophistication into the waters of chill out and elegant dance, combining the influences of artists such as Felipe Gordon and Nutty Nys. The result is a sound experience that, while remaining rooted in club music, knows how to play with intimate and relaxed atmospheres, giving the listener the perfect balance of movement and serenity.
The groove is fluid, essential but pulsating, with a rhythm that invites you to move without haste, while percussion and synthesisers gently fade in, creating a cool and dreamy atmosphere, in which the voice floats naturally.
‘Serenade’ is a sonic journey that knows how to be remembered without ever losing its sophistication. Its ability to combine a relaxed groove with elegant dance is a clear tribute to modern trends, but also a clear rediscovery of the warmer, more intimate roots of electronic music. A perfect track for those seeking to immerse themselves in a musical dimension that is as sophisticated as it is engaging, with one foot in the past and one in the future.

“Living On My Memories” as well as ‘Serenade’ are sweet melodies that capture the essence of a sunset, perfect to listen to and dance to as the sun slowly dips into the horizon. Ethereal sounds, warm and deep vocals, delicate synthesizers and assertive groove create a vibrant atmosphere of serenity, peace and relaxation.

A1 - Living On My Memories
B1 - Serenade

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SPACE ECHO RETURNS WITH A DOUBLE FUNK-FUELED MESSAGE: ‘WHAT’S WRONG WITH YOUR MIND’ & AGOSTA’S REMIX OF ‘ECHOES OF AFRICA’

While awaiting the production of their new album The Invisible Session, Space Echo makes a bold return with the release of their new single ‘What’s Wrong With Your Mind’—a supercharged funk statement aimed at the war-driven forces that destabilize lives and communities.

Blending irresistible funk rhythms with downtempo grooves, ‘What’s Wrong with Your Mind’ is an invitation to reflect and introspect. The track’s infectious groove is elevated by the masterful trombone work of Gianluca Petrella, channeling a pure Fred Wesley-esque funk energy. Meanwhile, commanding choral arrangements in the spirit of 1970s funk bands drive the song’s message home, creating an immersive experience that stimulates both mind and body. This is more than just a song—it’s a call to shift perspectives and challenge the forces that divide us.

Alongside the single, Agosta presents a powerful remix of 'Mother Forgive Us' from The Invisible Session's previous album 'Echoes Of Africa', transforming the track into a futuristic electronic afro-funk odyssey. Infused with tribal percussion, pulsating electronic textures, and deep-rooted African musical influences, the remix is a high-energy fusion of past and future. Its hypnotic rhythm captivates the body and soul, while soaring synths and driving basslines create a dynamic interplay of tradition and innovation.

Lyrically, the remix carries a poignant message: ‘Mother Earth, forgive us for what we have not done and are not doing’. This plea underscores the urgency of climate action and the disconnection from nature that defines modern life. It’s both a lament and a rallying cry—an appeal for awareness and transformation.

A1 - What's Wrong With Your Mind
B1 - Mother Forgive Us (Agosta Remix)

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Following the release of "Sacred Love" second album by Galathea, Massimo Napoli as he already did for the acclaimed "Samba De Sausalito" offers us 4 totally unreleased tracks released by Space Echo in a single 12" "Ancestral EP". Mystical and hypnotic atmospheres for "Ancestral" and "Karimabao" an addictive alchemy between African rhythmic elements and contemporary pulsating electronic sounds, in a unique mix suitable for the most sophisticated dancefloor. Afrobeat groove for "Africa Carnival" which however captures the essence of the Brazilian spirit infused with sensitivity between jazz and funk masterfully performed by Mario Pappalardo on keyboards and not surprisingly reminds us of the famous "Jazz Carnival" by José Roberto Bertrami of Azymuth. Closing The EP is the track "Sacred Club" an invitation to dance and clapping for a more moderate dancefloor, offers us micro elements of sacredness and mysticism of the African continent.


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The debut album by musician and producer GO.SOUL.MAP. is a little gem in which pop and soul intersect and the clichés between
mainstream and underground leap.
A sexy and pensive nocturnal journey, immersed in thirteen songs between soft bass and space disco trips, with the voice of Londonbased
Derane Obika of Living Sounds.
The selection of songs in this album were made with the hope to bring the listener to deep thought, the lyrics and melodies seamlessly
married to tracks that drive the listener's emotions.
Produced, written and performed by Derane and Salvo, they came together by chance and were inspired to make the album making
sure to balance the sound between the Lyrics, Melody and Music to insure that not only the songs are heard but the experience
remembered and both spirit and soul are touched.
The album is truly "Music From The Heart"
Behind the alias GO.SOUL.MAP. hides one of the most authentic and purest talents of the current Catania music scene. Of which,
moreover, under other guises and names, he has been an indispensable pillar for over a decade. An artist of immediate sensitivity, not
only artistic. His training is fairly canonical: as a child, he studied piano. From there, as if following the movements of concentric circles,
the passion for synths, drum machines, the world of samples and the recording studio. Above all, an uncommon ability to breathe in
music. Accepted and found without prejudice, but always with the need to reveal a distinctive track, a signature. Touring between bars,
streets, concerts and clubbing. An experience very consistent with the subject matter of this disc. Which is, in fact, the debut of a nonrookie.
An ambitious record, because it possesses a sound that is as sexy as it is thoughtful and a writing style, exemplary, that lies on
that borderline that, in the stereotype, defines underground and mainstream. Fields that instead it crosses naturally and between which
it moves without any particular problems. After all, the music comes not from the malice of the intellect but from the nuances, tender or
vehement, of naivety.
Peaceful Sound For Broken Minds is a pop record, pop soul, of modern urban pop. Yes, labels, even in the sense of tags, are definitely
that. Of course, it is the way in which ideas are rendered that makes the difference. The record is about the need to find one's peace, but
it is the fall that it shows and not the landing. With honesty and, above all, style. That is, mastery of means and an important file work
with which to decline that therapeutic soul pain in which his songs are immersed.
We wait for hours more, the initial Fall Into The Flame and I Am Believe seem to tell us from there we move on. Hold The Line is where
trip hop forgets itself, immersing itself, to the point of blurring, with the retro atmospheres of someone like Curtis Harding. Pushing has a
space disco cadence that, more pronounced, we also find in the lunar expedition sound of Watergate. The exotic visions of Back In
Underwater, between the stardust of Air and the innocence of Plone, become more jazzy in Cat With Camera. Just as in the urban streaks
of Don't You Worry, which in upbeat mode would sound like a great reggae song, or Are U Ready, or in the disco funk of Right Of Me,
the soulful accent of Derane Obika of Living Sounds emerges, a Londoner of Nigerian origin who grew up listening to gospel, Prince and
Stevie Wonder, whose voice guides us through the songs of Peacefull Sound For Broken Minds. Which is a new point for that work of
redefining the standards of pop today that Space Echo is doing. Throwing the clock overboard, because the time it wants to capture is
nothing more than the movement of its hands.


A1 - Pushing feat. Derane Obika
A2 - Right Of Me feat. Derane Obika (On My Dace Side Version)
A3 - Back In The Underwater feat. Reiwa Pia
A4 - Walkin’ A Dream feat. Derane Obika
A5 - Hold The Line feat. Derane Obika
A6 - Cat With Camera
B1 - Fall Into The Flame feat. Derane Obika
B2 - I Am Believe feat. Derane Obika
B3 - Don’t You Worry feat. Derane Obika
B4 - Are U Ready? feat. Derane Obika
B5 - Watergate feat. Manuela Amalfitano
B6 - I Am Believe feat. Derane Obika (Dreamy Vibe)

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One year after his surprising debut, Agosta, the Catania musician-non-musician and Space Echo Records return to the point with “Reworks and Remixes”. Which from the very title disengages itself from the industrial 'album+remix album' chain and on listening reveals itself to be a record capable of moving, in total autonomy from its antecedent, on three different levels of reading. For, at its base, we would say, there is a much more stimulating idea than the simple compulsion from alternative versions, b-sides and so on.

Point 1, transfiguration. Because, contrary to the genre stereotype, the remix mode allows songs to express themselves in creative and experimental ways.

Point 2, the Rorschach Test. Because, on those songs, there is the personality, that is, the result of the cross-vision with experience, of the individual producers being measured against itself.

Point 3, the stage backdrop. That is, its ability to show a cross-section of the current electronic scene in Etna.
Agosta wanted some of the pillars of Catania's black-minded electronic scene with him and, together with them, reinterpreted songs from his first album. The result is a work that is as multifaceted, in terms of the specific weight of the artistic individualities involved, as it is homogeneous, in their idea of a sound that is as physical as it is mental and, above all, in terms of a totally Mediterranean underlying taste with which every single track is imbued.
Whether it is the pensive house of “Apple 65” or “Lady G” (Butterfly Agosta's Rework) as much as AN-AN's dub on “Varanni”, between Grace Jones and Adrian Sherwood, or Galathea's more psychedelic and twilight Trip-Hop on “Three Chestnuts”. The Shaft-esque swagger of Salvo Borrelli and Reverend James, the donwnbeat pop of “Cellars” by Go.Soul.Map. and the caress of “Hearing The Call” (Lady G In A Rainy Day Version) by The Invisible Session, in which spoken and what they once called nu jazz flirt.

A1 - Three Chestnuts – (Galathea's Psychedelic Pepper)
A2 - Millstone – (Agosta's Rework In the New Mill)
A3 - Apples 65 – (Agosta "Rework 23")
A4 - Hearing The Call – (Lady G In A Rainy Day, with The Invisible Session)
A5 - Varanni – (ANAN Remix)
B1 - Unna – (Salvo Borrelli "MyHome809" Remix)
B2 - Lady G – ("Butterfly Version" Agosta's Rework)
B3 - Cellars – (Go.Soul.Map Remix)
B4 - Carricante – ("Grape Must" Agosta's Rework)
B5 - Don Alfio – (Reverend James "Black Calamaro" Remix)

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Right Of Me' is an incandescent and refined excerpt, like the entire new concept of the album 'Peaceful Sound For Broken Minds' due out on 28 Feb 24. The plan of Salvo Dub from Catania aka Go.Soul.Map does not stop here - we are in front of an artist with an exceptional creative phase, a hothouse of sparkling ideas that flow out in continuous streams like the lava of Etna in its full eruptive activity.
As with 'Pushing', 'Right Of Me' is always presented in a Nu-disco key, super Dance in a formula full of Pop and Soul enriched by keyboard sounds. Salvo comments on how proud he was of this track, which is certainly the strongest track on the whole album, and it is no coincidence that it was chosen as the second single. The performance and refined voice of Derane Obika complete the work, her lyrics touching a deep state that explores the relationship with one's self and faith.
In conclusion, we can say that in a world where artificial intelligence will only numb our creative stimuli, there is no shortage of creativity here and at the same time, more unique than rare, Go.Soul.Map. remains firmly anchored to its roots beyond passing fads in a space of pure simplicity and creative essence alongside its friend Derane Obika.

A1. Right On Me
B1. Right On Me (On My Dance Side)

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GO.SOUL.MAP is an explosive track in a Nu-disco key, modern but firmly rooted in the past, with a production that enhances the sound of the keyboards; full of 70s/80s Funk and Soul, it also has a Disco-Pop vein that makes it perfect for radio. The track is excellently performed by Derane Obika of Living Sounds. Debut album will follow soon.

A1 - Pushing feat. Derane Obika
B1 - Back In The Underwater Instrumental

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Galathea is an Afro-American track with a Tony Allen-esque super afrobeat rhythm in a hypnotic jazz version performed by singer Giulia La Rosa, vaguely reminiscent of Nina Simone's "See-Line Woman".

A1 - Sacred Love feat Giulia La Rosa
B1 - Sacred Love feat Giulia La Rosa (Clapping Version)

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Taken from "Echoes Of Africa" the most requested track from the album, "People All Around The World, Can Make It" is dealt with themes of climate change with their strong afrobeat/funk personality, are intoxicants, choral aphorisms, reminiscent of American funk bands of the '70s. It doesn't take much to change direction, to erase the negative effects caused by the recent years' globalisation …We can Make it!

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Brand new release on Space Echo label available on 7" and digital, includes two different versions of "Africa Calling" unreleased recordings taken from the "Echoes Of Africa" studio session album. While maintaining today's fresh, forward-thinking sound, these two solid sizzling tracks with a driving beat take you to West Africa. The high quality production and typical Tony Allen-esque afrobeat groove make them easily playable in clubs where black music takes centre stage.

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Roberto Agosta, or just Agosta as he likes to be called, is a Sicilian DJ and producer from Catania active all along the eastern coast of Sicily, a place that proved to be a soulful place and a training ground for a long career, making him an excellent music selector and a reference point in the spread of alternative music.

A soundtrack music enthusiast since he was a child, now a vinyl "serial gathere", Agosta has always put his vast knowledge at the service of a very personal sound that sums many different music styles and contaminations, simple and profound but straightforward and direct at the same time.

Agosta’s eponymous album, released on LP, CD and digital formats, was conceived during the Covid-19 lockdown, thanks to the precious collaboration of friend DJ and producer Massimo Napoli aka Galathea, with whom Roberto has already started another project called AN-AN that will produce a new record for Space Echo at the end of 2022.

This record highlights a typical chill-out aesthetic, thanks to its trip-hop and ambient rhythms and atmospheres, while a deeper exploration reveals the psychedelic essence of the entire work, a daring and exciting journey in the most primitive Sicily, and the energy that sustains all of its ten tracks.

Much of their author and his lifestyle - mainly based on meditation, the search for spiritual elevation, the relationship with nature and the regaining of contact with those particular places and with the people who live there - is revealed by those tracks that constitute a soundtrack for this spiritual but also extremely physical journey.

The song titles are, in fact, intrinsically linked to Roberto’s real life: the Gorna and Ilice mountains at the foot of Etna, the Carricante vineyard and its excellent wine, Unna, Three Chestnuts, Varanni, Don Alfio, Lady G. Each of them represents a pleasant and dreamlike narration and the escape from the complex dynamics of a city like Catania, among echoes of the most dreamy Pink Floyd, the softer side of ’70s krautrock, but also the Massive Attack and Tricky’s Bristol scene.
There’s also an excellent choice of synthesizers and overdubbed guitars, thanks to the talent of the multifaceted musician and producer Salvo Bruno Dub, and of Manuela Amalfitano, Loredana Poidomani and Deran Obika’s voices.

Agosta is an introspective, deep work with a cinematic vocation, perfectly rooted in the territory where it took shape, among sunny landscapes, lush with vegetation but also deserted and arid lands. From Sicily to the cosmos... enjoy!

A1 - Apples 65
A2 - Cellars
A3 - Three Chestnuts
A4 - Lady G
A5 - Unna
B1 - Varanni
B2 - Carricante
B3 - Don Alfio
B4 - Millstone
B5 - Illice

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The debut album by the Italian Massimo Napoli aka Galathea received excellent critical acclaim and demonstrated how the artist was able to create an interesting and balanced blend of musical genres with an Afro / Tropical electronic atmosphere. “Samba de Sausalito” is a song composed by the Nicaraguan percussionist Chose “Chepito” Areas, famous all over the world thanks to the version of the guitarist Carlos Santana published in 1973 on the album Welcome.

This new single released on Space Echo Records contains two particular versions. The first, proposed by Galathea, maintains the typical carioca colors of the original version with the addition of hypnotic and futuristic sounds, making it a perfect modern dancefloor anthem.

The second consists of a rework of the first version, by The Invisible Session – further percussive elements are added to the already full-bodied mix, embellished with an exclusive live drum solo in the studio – between samba, afro and jazz-rock, for a explosive result that will appeal to lovers and DJs.

A - Samba de Sausalito (Original Mix)
B - Samba de Sausalito (The invisible Session Rework)

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GALATHEA is the new project by DJ Massimo Napoli, and the title of his first solo album. Borrowing the name from the homonymous Nereid from the Greek mythology, the album is a deep dive into dub, spiritual jazz and African surroundings. Over 12 tracks, the LP conceals a strong personality. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress into a dream-like journey.

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Format:
- Limited edition solid 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.

Grinning Cat confounded devotees of Sakura with a far more complex set of tracks. A landscape of ambiguous emotional resonance within an album of measured extremes. Sentimental without being schmaltzy, joyful without being saccharine, Grinning Cat sees Yokota at his most playful and experimental, channelling moments of transitory wonder and jubilation, and opening up a sonic environment in which we can romp and play.

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In Sheep’s Clothing announces the long-awaited vinyl pressing of Marc Leclair’s beloved 2005 album Musique pour 3 femmes enceintes. The album will also be available on streaming for the first time via Community Music Group.

For years after Marc Leclair released Musique pour 3 femmes enceintes, he heard from listeners who had lived with the record in an unusually intimate way. Many described how the music became part of the emotional landscape of the months leading to birth. “I never expected that,” Leclair says. “Many women told me they listened to the record throughout their pregnancies. They said it made a real difference, that it helped them. It became more than just a record.”

First issued on CD in the early 2000s, Musique pour 3 femmes enceintes (Music for Three Pregnant Women) now returns in a new edition from In Sheep’s Clothing Hi-Fi, appearing on vinyl for the first time as a double LP. The record is being pressed in Detroit at Archer Record Pressing, the historic plant behind deep-groove classics by Juan Atkins, Kevin Saunderson, Underground Resistance, UR’s Jeff Mills, and J Dilla.

Listeners who know the Montreal-based Leclair through his better-known work as Akufen might be surprised by the tone here. During the same years he was shaping the intricate micro-sampling tracks that made Akufen a cult figure on labels including Perlon, Force Inc. and Trapez, Leclair was quietly developing this far more personal project. The meticulous craftsmanship remained the same, though the focus shifted from the hyper-detailed cut-up rhythms of his dance records toward something slower and more atmospheric. “I always compare my work to a jeweler,” Leclair says. “It’s really very precise. I’m a bit of a detail freak. I can spend hours or days on just one phrase in one song. Everything has to be perfectly put together.”

The project began almost accidentally. A few members of Leclair’s circle became pregnant nearly simultaneously, including one who had long believed she couldn’t conceive. The first track he recorded for the project wasn’t meant to advance a larger concept, he says. “It was meant to highlight the fact that three of my closest friends became pregnant at exactly the same time.”

Leclair was already a father with a three-year-old daughter, so the emotional terrain of early parenthood was familiar. Gradually the idea expanded. “I began thinking, why not make a whole album that celebrates this and also follows the entire pregnancy, the nine months,” he says. The music developed piece by piece, including a track originally commissioned by the Berlin experimental duo Rechenzentrum that would later become the album’s opening movement.

Nearly seven years passed between the first composition and the finished album, and the music mirrors the strange arithmetic of pregnancy itself. What begins as a single idea multiplies outward, sounds layering and branching until the album feels less like a sequence of compositions than a living process unfolding in time. “I work very slowly,” Leclair says. “Everything has to be something I’m completely behind. I never want to rush anything. I want things to come naturally.” Across its 72 minutes, the album blossoms with the patience of a long meditation on time, growth and emergence.

When Musique pour 3 femmes enceintes first appeared via Mutek, it circulated quietly but steadily. Critics who discovered it later recognized its unusual scope. In a 2006 Pitchfork review, Mark Richardson gave the record an 8.1, calling “150e Jour” “an unfailingly gorgeous and tightly sequenced quilt of guitar and piano samples reminiscent of Tangerine Dream,” and describing “85e Jour” as infused with “viscous pop ambient drift, the gauzy synth pads ebbing and flowing with rhythm.” Boomkat described the album as “a majestic opus from a producer that's always promised so much — here delving into a panoramic construction of almost visibly radiant music that works so beautifully through each and every second of its 72 minute lifespan.”

The new In Sheep’s Clothing Hi-Fi edition finally presents the record in the format Leclair long imagined. “I always thought that record deserved a vinyl edition,” he says. Spread across two LPs, the music now has room to unfold at its natural pace. More than twenty years after it first appeared, Musique pour 3 femmes enceintes remains what it was from the start: a carefully shaped meditation on transformation and the quiet miracle of life beginning.

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2025 European press. Originally pressed in limited copies on a Thai LP (2023) - Comes with download code.

‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam.

The album also sees the band expanding their sonic horizons — nodding to New York post-punk on ‘Zud Rang Ma’, and drawing inspiration from the musical traditions across the Indian Ocean on ‘Psych Lam Kor’.

By looking back to their roots while continuing to push boundaries, ‘Araya Lam’ represents the next chapter in the ever-evolving journey of The Paradise Bangkok Molam International Band.

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Repress!

Vin Ploile is a gaseous kinetic atmosphere full of tangible rhythm patterns & modular synth pad since his first ep on luciano´s label cadenza in 2007 producer and dj petre inspirescu emerged into one of the key figures of the romanian electronic music scene.

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Never-before-heard psychedelic acid techno and ambient compositions from beloved Japanese producer Susumu Yokota. Recovered from a collection of DAT tapes gifted by Yokota to Ray Castle during the period he released some of his most memorable records such Acid Mt.Fuji or Ebi's Zen.

A fortunate meeting between Ray Castle and Transmigration label boss David Fogarty means these works finally see the light of day.

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Tracklist
Side 1
1. "Sunrise" (14:41)
Side 2
1. "Watarase" (12:05)
Side 3
1. "Exchange" (20:45)
Side 4
1. "Hush-A-Bye" (10:20)
2. "Good Bye" (5:07)

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Twenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.

Arriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.

Compared to a lot of overly sterile digital music released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.

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Mastery, London’s pioneering sound studio, has spent its first two years creating live experiences and installations exploring sound as a gateway to altered states. Now, with co-founders LWE, Mastery enters recorded music with Quantum Sound, a first-of-its-kind project combining sound meditation, breathwork, neuroscience and ambient electronic composition. Announced in December in collaboration with Houndstooth, the album builds on Mastery’s ongoing exploration of sound as both meditation and live electronic music, first introduced through immersive performances by Cherub Sanson, Tim Wheater and Daniel Avery. Released on 12th February, Quantum Sound positions sound as a psychedelic catalyst, designed for eyes-closed listening. The multi-artist album spans ambient and transcendental spaces, featuring Jon Hopkins, Hannah Holland, Wata Igarashi, Manami, Jennifer Loveless, Silent Shadow and Alessandro Cortini. It also includes a continuous 60-minute mix by Hannah Holland, alongside a 15-minute sound meditation by Cherub Sanson and Tim Wheater with electronic composer Rommek. Following Djrum’s Come Find Me, Ruthlss'’ Dark Angel is out today. Ruthlss is a live electronic artist, composer and producer building a singular musical universe where club culture, classical virtuosity and emotional storytelling collide. At the centre of the project is a fully authored live show - written, produced and performed entirely by Ruth - that treats electronic music with the emotional and structural depth of film scores and symphonic works, while retaining the physical impact and communal release of the dancefloor.

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Levi Bruce returns to Pacific Rhythm under his Unknown Mobile moniker for the first time since 2019 with a project entitled Field Work. The project is focused around field recordings taken during the winter and spring of 2025.

These recordings come from both his travels abroad while on tour and areas near his home in Whitehorse, Yukon Territory, located on the traditional lands of the Ta’an Kwäch’än Council and Kwanlin Dün First Nation.

Each field recording acts as the basis for a journal entry taken at the location. Raw data was used to reflect on the people, actions, and environmental elements connected to the site through additional production and manipulation.

The Following is the list of field recordings:

- Vineyard - Dao, Portugal

- Basalt Beach - Marin County, California, USA

- Yukon River - Whitehorse, Yukon Territory, Canada

- Mt Mcintyre - Yukon Territory, Canada

- Island Nature Preserve - Sweden

- Rooftop - Berlin, Germany

- Chilkat River - Alaska, USA

- Hotdog Stand - Gothenburg, Sweden

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Emerging from Studio HC Orchestra, Pakachume is a collaboration between producer Adrien de Maublanc and multi-instrumentalist Yonatan Levi. The album blends minimalism, jazz, chamber music, Afro-carribean sounds, and ambient electronica, recorded intimately in Paris’ Studio HC with acoustic instruments and analog synths.

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